Djöfulsinns ljóti litli aulinn þinn þú ert sv skrýtinn og ljótur, þú lest biblíunna á hverju kveldi og gast lesið áður enn þú fæddist. fæðinga vottorðið þitt er fyrirgefðu frá durex smokka fyrirtækinu. þú lítur út eins og pabbi þinn fór að kaupa mjólk og kom aftur. bbara að djóka þú ert ágætur XoXo Emil Ragnar
Djöfullinn sjálfur, afhverju fæddist þessi litli, ljóti dverga auli. Þessi smáálfur gat örugglega lesið fyrir hans eigin fæðingu, fjandanns duolingu háði bastarður.
fokking ljóti Litli Api með svo stórt nef að gáttaþefur væri öfundsjúkur og Dúmbó myndi missa vinnuna því þú ert með svo stór eyru. IQ af 10. þú ert nördi. Afi Daníels á flottari skyrtur.
negrahatari frá KKK
(IP-tala skráð)
20.10.2023 kl. 11:32
11
Fokking helvítis morbidly obeses feiti hlunkur sem getur varla staðið upp úr rúmminu. svo getur þú örugglega flogið með þessum Fokking stóru eyrum ég meina dumbo verður heimilislaus því þú stlst vinnunni hans og kærustu og borðaðir besta vin hans músina og svo nefið á þér er stærra heldur en nefið á gosa þegar hann lýgur
I met emil in prison! We were cellmates. I learned many things from him and I am very grateful to him to this day. In the intervals of volunteer work we did to lighten our sentence, he taught me Latin, logic, Roman history and the arts. Today I owe a large part of my erudition to this noble rogue. My only regret from my time in jail is not helping him during his sexual coercion. The other prisoners took advantage of his fragility and innocence to force him to do things he used to do only by choice. But anyway, that's water under the bridge... I'm glad to see you've overcome all that violence and found you here on this Blog...
Jayla was sitting across from me with her legs wide open. I stared at her pussy for 5 minutes. She notices me so i looked away. She gets up and starts to take off her clothes. I get up and help her. Butt naked, she takes me to the bedroom. She takes off my clothes and pushes me onto the bed. Jayla: Your mine tonight daddy. Me: Get on here. She gets on the bed and get on her hands and knees. I slowly insert my large erected penis into her ass. Her: Deeper! I go faster, in and out. I flip her around, spread her legs as far as i can. Me: hold on i need a condom. Her: No! Sex is better without one. Me: Ok. I stick it deep inside of her. In and out as fast as i can. Me: Im gonna cum! Her: If you dont pull out i will give you a gift. Before she could finish i was already cumming inside her. I cummed for 2 minutes straight! She moaned louder and louder. Then, finally, she got on top of me and started to ride me like a horse. She got the whole thing inside of her. She got off and gave me a blowjob. Unexpectingly i started to cum loads into her mouth. She stopped and swallowed all of it. She then licked the rest off my rock hard penis. She began to stroke it and i cummed all over her. She then deep throated my hard on penis till it wasnt visible. I then began to stick my dick into her pussy. Her: Im going to cum!!! Me: Go ahead baby, let it all out. She moaned while it all came out. I pulled out and there was cum all over it. Her: DONT STOP AHHHHHHHHHHH! Me: AHHHHHHHHH UHHHHHHHH!!!!
Þessi krakki lítur út fyrir að geta orðið feitur, ljótur, shut-in rottu maður sem sendir óviðeigandi skilaboð á 12 ára stelpur á samfélagsmiðlum og segir að þau séu ástfangin þegar lögreglan kemur til að taka hann fastann.
Minn bró kommentaði hér og mig langaði bara að segja hann hefur rétt fyrir sér Þessi bastarður mun vera næsti Nelon Husk. en ég er betri. Hann mun adrei getað joinað IceGuys
Lorax: Hello, everybody. Thanks for coming. (reads the note) I am the Lorax. I speak for the trees. And I'd like to say a few words, if you please. Regarding the story that you're about to see. It actually happened. Just take it from me. But there's more to this story than what's on the page, so please pay attention while I set the stage.
(Curtain opens to Thneedville.)
Lorax: [v.o.] We open in Thneedville, a city they say that was plastic and fake, and they liked it that way! A town without nature, not one living tree. So, what happened to them? Cue the music! Let's see.
Bee: Buzz. Buzz.
In Thneedville,
it's a brand new dawn
With brand new cars
and houses and lawns
Here in
Got-all-that-we-need-ville
In Thneedville,
we manufacture our trees
Each one is made
in factories
And uses 96 batteries
In Thneedville,
the air's not so clean
So we buy it fresh
It comes out this machine!
In Satisfaction's-
guaranteed-ville
In Thneedville,
we don't want to know
Where the smog and trash
and chemicals go
I just went swimming,
and now I glow
In Thneedville,
we have fun year round
We surf and snowboard
right in town
We thank the Lord
for all we've got
Including this
brand new parking lot!
Parking lot!
Oh, look,
it's Aloysius O'Hare
Aloysius O'Hare
The man who found
a way to sell air
And became a zillionaire
Hip-hip-hooray!
In Thneedville,
we love living this way
It's like living in paradise
It's perfect!
And that's how it will stay
Oh, yeah!
Here in
Love-the-life-we-lead-ville
Destined-to-succeed-ville
We-are-all-agreed-ville
We love it here in...
Thneedville!
Yes!
Oh, hi, Ted.
Oh, hey, Audrey. Hi.
Did your ball land
in my backyard again?
What? No.
A model airplane,
this time.
Hey, do you want to
see something cool?
Come on.
Whoa!
Did you...
Did you paint this?
Do you like it?
What?
Are you kidding?
This is amazing!
What are those?
Those are trees.
Real ones.
They used to grow
all around here.
And people said that
the touch of their tufts
was softer than
anything, even silk.
And they smelled
like butterfly milk!
Wow! What does
that even mean?
I know, right?
Oh, yeah.
What I want more than anything
in the whole world is to see
a real living tree
growing in my backyard.
So if, say... I'm just
thinking out loud here.
If a guy somehow
got you one...
I'd probably
marry him on the spot.
I bet that sounds crazy.
Does that sound crazy?
No! Not crazy.
Not crazy at all.
Cut to Ted's family having dinner. Ted is seen poking his food, looking bored.
Ted's Mom: Ted, honey, don't play with your food. You, either, Mom.
Cut to Granny Norma bobbing her food before flicking it into her mouth.
Ted: So, Mom, do you happen to know if there's any place where I could get a real tree?
Ted's Mom: Ted, we already have a tree. It's the latest model.
Ted: Yeah, but I mean a real one that grows out of the ground or whatever. You know, a real tree.
Ted's Mom: Really? You would rather have some dirty, messy lump of wood that just sticks out of the ground? And it does what? I don't even know what it does. What's its purpose? Look at what we've got. [gestures to the Oak-amatic] It's the Oak-amatic. The only tree with its own remote. Summer, autumn, winter, and disco!
Ted: Mom?
Ted's Mom: Come on, Ted. Get into it. Dance with the tree.
Ted: Oh, it hurts, Mom. Please stop. [the music stops] So, anyway... Let's just say I need a tree. Where would I go? What do I do?
Granny Norma: Then you know what? You need to find the Once-ler. [starts slicing her food]
Ted: [stammering] The what?
Ted's Mom: Mom, it's not really the time for one of your magical fables, okay?
Granny Norma: That's right, I forgot. I'm old and can't even remember to put my teeth in.
Ted's Mom: Stand down. That's not what I meant.
Granny Norma: No, really, I forgot my teeth. Would you be a dear and go get them for me?
Ted's Mom: [sighs] Sure, Mom. [leaves the kitchen]
As soon as Ted's Mom left, Granny Norma finds her teeth and puts them in her mouth.
Granny Norma: Okay, here's the deal. The Once-ler is the man who knows what happened to the trees. You want one, you need to find him.
Ted: The Once-ler? Mmm-hmm. Okay. Grammy, is this a real thing that we're talking about now?
Granny Norma: Oh, he's real all right.
Ted: Well, where can I find him? [shrieks]
Granny Norma: Far outside of town where the grass never grows and the wind smells slow and sour when it blows. And no birds ever sing, excepting old crows.
Ted: [shrieks] Quit doing that.
That's the place where the Once-ler lives.
Wait, outside of town?
People used to say if you brought him 15 cents,
a nail
and the shell of a great,
great, great grandfather snail,
he would tell you everything.
Hmm.
Mr. O'Hare, what we've got for you is something that is going to take O'Hare Air to the next level.
Now, Mr. O'Hare, I know what you're thinking.
One, " I've gotten rich selling people air that's "fresher than the stinky stuff outside. "
Two, and here is the important one, "How can I possibly make even more money?"
We can tell you, sir!
We can tell you.
Check out this commercial, huh?
Well, here goes another lame Saturday.
Dude, I don't think so!
Huh!
Hey!
Man!
Oh, yeah!
What!
Yeah!
O'Hare purified air.
Freshness to go.
Please breathe responsibly.
Ah?
Oh, my goodness. Yeah!
Love it.
You got to be kidding me.
You really think people are
stupid enough to buy this?
Our research shows that if you
put something in a plastic bottle,
people will buy it.
Exactly. And...
And what's more, when
we build a new factory
to make
the plastic bottles,
the air quality is
just going to get worse.
Which will make people
want our air even more,
and drive sales where?
Through the roof!
So, in other words,
the more smog in the sky,
The more people will buy.
See, that's why he's the
genius! It even rhymes!
I'm aware it rhymes.
Coats. Big.
What do you two
knuckleheads want?
I'm in the middle
of a meeting!
What?
Why is he leaving town?
No one ever leaves town!
See what he's up to.
Whoa!
Huh?
Whoa! Whoa.
Oh, man.
Whoa!
All right.
Okay.
What the...
Whoa!
[Ted gets pulled up by a rope and pulley to the second floor window where the Once-ler confronts him angrily.]
Once-ler: Who are you? Who are you and what are you doing here?!
Ted: I'm Ted. I'm Ted. I can't breathe. Are you the Once-ler? Oh, man.
Once-ler: Didn't you read the signs? No one is supposed to come here. Get out of here and leave me alone! And don't let the boot hit you on the way out.
Ted: The boot? [gets kicked by said boot from behind] Hello! Ow!
Listen! People say that if someone brings you this stuff that you will tell them about trees. [gets grabbed again] No, no, no!
Once-ler: Trees?
Ted: Yeah, real ones. You know, that grow out of the ground? [pause] Hello?
Once-ler: Sorry, it's just... Well, I didn't think anyone still cared about trees.
Ted: Well, that's me. The guy who still cares. I'm here. [gets put back down] Hey! What?
Once-ler: Do you want to know about trees? About what happened to them? Why they're all gone? [sighs] It's because of me.
Ted: [confused] Wait, what?
In response, the Once-ler drops the Chute-ma-phone down for Ted to understand him.
Once-ler: [shouting] It's because of me! [Ted coughs] And my invention, the Thneed. It was an amazing product that could do the job of a thousand.
Ted: All right. Sounds ridiculous, but I mean, that's cool.
Once-ler: You're darn right it was cool! It all started a long time ago.
Ted: Can we start not so long ago, maybe?
Once-ler: Do you want a tree?
Ted: Yes, yes.
Once-ler: Then it all started a long, long time ago.
[scene flashes back to the Once-ler as a young man]
Once-ler: I was a young man leaving home.
Well, here I go, Mom. Off to change the world with my Thneed. I'm actually doing it!
Yes, but just remember, Oncie, if somehow your invention ends up a failure instead of a success, oh, it wouldn't surprise me at all!
Nice wheels.
Burn!
Ow!
Yeah, "Burn!"
But you will see, okay? I'm
going to prove you all wrong.
Come on, Melvin!
So, there I was
at the very bottom.
With nothing
but a wagon, a mule,
and a completely irrational
sense of optimism.
I was searching the globe,
obsessed with finding the
perfect material for my Thneed.
But I'd had
absolutely no success.
Until one day, I found paradise.
Oh!
We're going to be there soon, I'm sure.
Whoa!
This is the most beautiful place, okay, I have ever seen.
Oh.
Ta-da!
Whoa!
Yeah
This is it!
This is the place
These Truffula trees
are just what I need
Gonna chop one down
and make my Thneed
But first...
Now you!
That's great!
So now our
friendship can begin
Hand in hand,
and wing and fin
There's nothing
you and I can't do
So let's all make
my dreams come true
Hey, guys!
Come on, where is my back-up chorus?
What?
Ah-ha! Oh.
Ooh!
Ted: [interrupting the story] Hey, hey, hey. Wait a minute.
Once-ler: Excuse me?
Ted: [chuckles] Yeah. That's awesome. You know, feeding junk food to forest animals? That's great. But, uh, is there a musical number where you show me how to get a tree? 'Cause I'd love to hear that one.
Once-ler: Oh, yes. Right after the musical number about the kid who kept interrupting the story and was never heard from ever again. Hmm?
Ted: Right. Got it. Proceed.
Once-ler: All right, here we go. About to make a Thneed, about to change the world.
Once-ler: Check it out, guys... Where did everybody go?
Once-ler: Little did I know that by chopping down that tree I had just summoned a mystical creature as old as time itself. The legendary, slightly annoying guardian of the forest.The Lorax.
[The Lorax, along with the Swomee-Swans, the Bar-ba-loots, and the Humming-Fish, place stones around the stump to honor the tragic loss to the forest.]
The Lorax: [first meets Once-ler] Hey!
[Once-ler shrieks and falls backwards]
The Lorax: Did you chop down this tree?
Once-ler: Uhh... No. Who did it?ǃ [gasps] What's that? [the Lorax looks back and Once-ler drops his axe on Pipsqueak the Bar-ba-loot] I think he did it.
Lorax: [growls] Leave! Vacate the premises! Take your axe and get out!
Once-ler: And who are you? [pokes the Lorax]
Lorax: Hey, hey! I-I'm the Lorax, guardian of the forest. I speak for the trees. [The Once-ler stares at him] So, you're telling me, that you didn't see me magically appear out of that stump? With all the lightning and thunder and stuff. You didn't see any of that?
Once-ler: No, but that sounds amazing. Can I see some of that?
Lorax: Uhh, yeah, I could show you. But that's not how it works.
Okay. Um...
Didn't really happen.
Oh, I know what you want!
I've got one of these for the
cutest little guy I ever saw!
Yummy, yummy,
yummy, yummy, yummy...
How dare you!
Give me that!
Mmm.
I'm going to eat this,
but I am highly
offended by it.
What are you... Hey,
Mustache! Will you stop that?
What's your deal, man?
Time for you to go,
Beanpole! Pull them right out.
Just going to put them right
back in. We can do this all day.
Stop right there! Stop it!
So you would hammer one of
nature's innocent creatures?
Once-ler: [After the Lorax accuses him of harming Pipsqueak after almost hitting him with a hammer] What? No! I would never hit this little guy. You, on the other hand, I would gladly pound you and your mustache into the ground!
Behold! The intruder
and his violent ways.
Shame on you.
For shame!
All right, you know what? That's it!
You listen to me,
you furry meatloaf.
I'm going to chop down as
many trees as I need. Okay?
Newsflash!
Not going anywhere!
End of story.
Then you
leave me no choice.
If you're not gone by the time
the sun sets on this valley,
all the forces of nature
will be unleashed upon you
and curse you until
the end of your days!
You have been warned.
Thanks.
Yeah, okay.
You have been warned.
But I didn't listen
to his warning.
And you won't believe
what happened that night.
What?
If you want to hear more,
come back tomorrow.
Hey, wait, wait! Tomorrow?
Whoa!
Whoa-ho-ho.
Are you serious right now?
Ah! You live in
the middle of nowhere!
It stinks out here.
Don't make me come back!
I guess you don't really want
to hear the rest of the story.
No, no.
I do. I really do. I want
to hear the story. I just...
Nah! You don't have
what it takes. Goodbye.
Wait, wait!
I have what it takes.
It's all right. It's
okay, I'll come back.
It's no problem.
See, here I am, leaving.
Walking away now.
I'll see you tomorrow.
Mmm.
Maybe. Just maybe.
What did you
wish for, Audrey?
Well, I would
love to tell you,
but, sadly, according to the
universal wish laws, I cannot.
I know
what she wished for.
Was it, perhaps...
This?
Ted, you didn't.
Oh, no. I totally did.
Happy birthday, Audrey.
Kiss him! Kiss him!
Ted.
Ted. Tedster.
Huh!
You're kissing the
cereal again, hon. What?
I just...
I like this cereal.
What one is this?
Yeah!
Okay.
Well, I'll make sure to
buy extra next time for you.
All right, cool. Hey, I got
to run. I got to go do a thing.
So, I'll see you guys.
Whoa! Whoa! Whoa!
You're not going
anywhere, young man.
It's Sunday.
You know what that means?
Family time, and we're
all playing board games!
But...
Hmm.
Mmm?
Oh, man.
Mom, seriously,
every turn?
Hey, back off!
Ooh!
No.
Okay! Family time is over.
It is now personal time.
I'll be in my room.
Okay, dear. Have fun.
I knew
I could break her.
Go.
Huh?
Go see him!
Oh, yeah!
You rule!
Thank you, Grammy.
Whoa!
Hey! Ted, right?
Um, Mr. O'Hare?
So, I hear you have
become interested in trees.
What's that all about?
Oh. Um...
Where did you hear that?
Oh.
Teddy, there's not much
that goes on in Thneedville
that I don't know about.
Here's the deal, I make a living
selling fresh air to people.
Trees?
They make it for free.
So, when I hear
people talking about them,
I consider it kind of
a threat to my business.
I don't even know
what you're talking about.
You listen to me, boy.
Don't go poking around in
things you don't understand
or I'll be your
worst nightmare.
I'm Frankenstein's head
on a spider's body!
Yeah, um...
Okay, my mom is expecting
me. So, I'm just going to...
Of course, of course. Now, go
back to your family game time.
Grandma just
finished her turn.
How did you know?
Please. I have
eyes everywhere.
Huh!
You got a beautiful
town here, Ted.
Lots of fun stuff to occupy
your short attention span.
Why, I can't
think of any reason
you would ever want to
go outside of town again.
Ever.
Okay! Good talk.
Really good talk.
Oh, no.
Look out!
Hey, man? You know, you need
to change that door bell.
Oh, you missed me.
What?
You're already back. Clearly,
you missed me a little. Right?
No, I didn't. I'm just here
to hear the end of the story.
Once-ler: Why are you so interested in trees anyway? Why aren't you like other kids? Break-dancing and wearing bell-bottoms and playing the Donkey Kongs?
Ted: [laughs] Yeah. Right, right. I don't know. Uh, I just thought it might be kinda cool to have one, you know.
Once-ler: [knowingly] Aaah, it's a girl, isn't it?
Ted: [scoffs] What? No!
Once-ler: Really? 'Cause when a guy does something stupid once, well, that's because he's a guy, but if he does the same stupid thing twice, that's usually to impress some girl.
Ted: [about Audrey] Hey, she is not some girlǃ She's a woman… in high school… and she loves trees, and I'm gonna get her one.
Once-ler: Aww. How nice to see someone so undeterred by things like reality.
Ted: (sincerely) Thank you.
All right,
but where did we leave off?
Now that's a Thneed.
Nothing unmanly
about knitting. No, sir.
Look at that...
Oh!
Who taught you guys
how to steal a bed?
Shh!
[The Humming-Fish sing the Mission: Impossible theme.]
Okay, nice and easy.
Nice work, you guys. Couldn't
have done it without you.
You got to be kidding me.
Can he swim?
Of course he can't swim!
Hang on, Pipsqueak!
I'm coming to get you!
Hey, you fishies!
Stop that bed!
Whoo! Whoo!
Jump, jump!
Come on, get up there.
Come on.
Go, go! A little bit
more! A little bit more!
Now what?
Mmm-mmm.
Get up there.
Okay, Pipsqueak,
give me your hand.
Come on,
reach out for the Lorax.
Where did you go?
Bar-ba-loots.
Oh, that's bad.
[The Humming-Fish sing the Funeral March as The Once-ler floats down the river sleeping on his bed.]
Hey, Beanpole, wake up!
What's happening?
Where am I?
Hey! We got trouble,
and it's coming up fast!
Whoo!
We're in a river!
Whew!
Oh, no.
Just do something!
Help is on the way!
No, no!
Just a minute!
Oh, no!
Wake up! Wake up!
Yuck!
Clear!
Ah!
I was heading
into the light,
and you pulled me
right back and here I am!
You saved my life!
Yeah, I know. Well, no,
it's not that big a deal.
It is a big deal!
Look, I almost went over
that waterfall! Wait...
On my bed. How did my
bed get in the river?
Uh... About that...
Actually... I put your bed in the water.
I didn't
mean you any harm.
I just wanted to
calmly float you away.
Look, everyone here
needs the trees
and you're
chopping them down!
So, we've got
a big problem.
All right, look.
I hereby swear that I will
never chop down another tree.
I promise.
Thank you. But I'm going
to keep my eye on you.
Good. Now, I've got
a big day tomorrow
so I'm going to
get some sleep.
Right after
I find my bed.
Once-ler: [screams and wakes up, a screaming Lorax also screams and wakes up, punching his nose] Ow! Okay, what are you...? Question, what are they doing here? And follow up, if I may, what are YOU doing here?!
The Lorax: Well, after the incident last night, we found one of your socks and came here to return it. But when we got here, you were asleep.
Once-ler: What? Exactly. And sleeping is the body's way of telling other people to go away.
Lorax: I know, but you looked so cozy. And it was cold outside, and we just fell asleep. No harm done.
Once-ler: "No harm done"? "No harm done"? Okay. [finds a Humming-Fish bathing himself in a coffee mug] Okay, I put my lips on those. Well, I used to, anyway. [sees a Swomee-Swan lay an egg] Ew. Did you just...In my bowl?!
Lorax: [brushing his mustache with the Once-ler's toothbrush] Why do you even own this? You don't have a mustache.
Once-ler: Okay, that's it!
Lorax: What? I thought we made a deal last night.
Once-ler: Yes, we did. And I said I wouldn't chop down any more trees.
Lorax: And I said I was going to keep an eye on you. I'm starving! What's for breakfast? [opens the fridge, seeing a fat Bar-ba-loot showly shoving a stick of butter into his mouth] Breakfast is overrated. [closes the fridge door]
Once-ler: [grunts in frustrated] You know what? I got work to do. [strips out of his pajamas in front of the Lorax and into his outfit] Yep! I got to go into town and sell my Thneed!
Lorax: [when the Once-ler shows the Thneed to him; laughs] You chopped down one of my trees to make that piece of garbage? Look at that...
"Garbage"? Oh, no.
Oh, no! You do not get it.
This is
a revolutionary product
that will change
the world as we know it.
It has a million uses!
Look at this.
It's a swimsuit!
Mud tracked all over your
floor by uninvited guests?
Well, the Thneed sure
comes in handy for that!
But wait, there's more!
Thanks to its
all-natural microfibers,
the Thneed is
super-absorbent!
It also works as a hat.
Of course, you probably
want to wring it out first.
Go ahead,
knock yourself out.
But nobody is going
to buy that thing.
Good to know.
Well, fortunately, you are
not the target market, weirdo.
You're bringing a guitar?
Oh, yeah.
I got a little jingle.
I'm gonna blow some minds,
gonna sell some Thneeds!
Yeah.
Everybody
needs a Thneed
A fine thing
that all people...
Sit down, go on.
Unfortunately, I didn't
sell it the first day.
The Thneed is good
The Thneed is great...
Hey!
Or the second day.
Hey!
Or the third,
or fourth, or fifth day.
Okay, that one
hit the tender spot.
Until finally...
That's it!
You know what?
I'm done with this thing.
Aw.
My family was right.
I quit!
Hey. Cool hat.
Oh, my gosh!
I totally want one.
That thing makes me
like you more.
Hey! Where's your Thneed,
did you sell it?
Hey. No, no.
Didn't sell it.
Turns out, it's ahead
of its time, I guess.
Hey, you gave it your best shot.
Right? What more can you do?
Come on, take a seat,
we'll deal you in.
What are we playing?
I'm playing poker. He's playing
Go Fish. And I think he's hungry.
Oh.
Pancake, the pancake
Up!
Who is up for ninths?
Ooh! Ooh! Ooh!
Ooh! Ooh! Ooh!
Whoa!
All right, pass them over.
Yeah, see?
What's going on?
Oh, no.
That's a lot of people.
Everybody
needs a Thneed
A fine thing
that all people need
The Thneed is good
The Thneed is great
Let's hope we're not too late
It's a super trendy hat
It's a tightrope
for an acrobat
A net for
catching butterflies
A thing we use for exercise
Everybody needs a Thneed
A fine thing
that all people need
Everybody needs a Thneed
Oh, yeah!
We're in business, baby!
We need a Thneed
Mom? Hey, it's me! I told you
I was going to be a success!
You need to bring the
whole family here right now.
We're going to be rich!
What? I'm going to need all
the help I can get. Don't worry.
So, has he told you
how to get a tree yet?
Actually, no.
But I think he's going to
get to that part really soon.
Here we are.
What?
I'll just be a minute.
Oh, wow. Hey, Audrey!
Oh, hi, Ted! What's up?
You know me, just cruising.
Putting out the vibe.
Just me and my thoughts.
Oh, is this the girl
you're always talking about?
Grandma!
Stop making things up.
She's even prettier than...
Okay, got to run! Bye.
Okay, Grammy,
let's get you home!
Yeah!
Whoa!
I'm so sorry. So sorry.
Did not wanna see that.
Whoa!
Whoa!
Whoa-ho-ho!
Hey!
Hey, I'm back.
What have you got there?
Yes!
Whoa!
Thank you, Ted.
Now, picture this.
Sun shining, a blue sky, a perfect day.
It was all downhill from there.
Whoa!
What a dump.
Hey, Aunt Grizelda!
Hey, Chet, check this out!
Go long!
No, Brett,
that's actually not a...
Okay.
Go long! Go long!
I got it! I got it!
Got it!
He totally ran
into that tree!
Ow!
Oncie, is that you?
Mom!
There he is! There's my
big, suddenly successful son!
We always knew you would
make it, Oncie. Right?
Hey! I love this guy!
But you always said I wouldn't
amount to anything, remember?
Hush your mouth. I was
just trying to motivate you!
I am really glad
that you clarified that
because it actually hurt my
feelings for a really long time.
Anyway, you're all here, you
all work for me, and that's cool.
So, let's get to work.
Brett, Chet,
set up the RV!
Would you stop
throwing that bear?
Time out. Back up. Stop. Don't move
an inch. Nobody's moving in here.
You got to go. Goodbye.
Aunt Grizelda: [referring to the Lorax] So, who invited the giant furry peanut?
Lorax: You callin' me a peanut, huh? I'll go right up your nose!
Aunt Grizelda: Ha! [advances on him]
Once-ler: Whoa, whoa, whoa! You wouldn't hit a woman.
Lorax: [gasps] That's a woman...?ǃ
Okay.
Everyone, cool it.
Let's not get off
on the wrong foot here.
Um, family, this is my
friend... Acquaintance.
Yeah, acquaintance. Very
good acquaintance, the Lorax.
He speaks for the trees.
That's right.
And on behalf
of the trees, get out!
Will you just be nice!
This is my family.
And I'm going to
need their help
if my company is
going to get bigger. Okay?
Bigger?
Yeah, this isn't some
rinky-dink operation anymore.
I got plans. Big plans!
A vision of a world filled with
Thneeds. It's going to be huge!
Which way
does a tree fall?
Uh, down?
A tree falls
the way it leans.
Be careful
which way you lean.
Once-ler: I mean, look at this. It's amazing. I am so proud of me.
Once-ler's Mom: Oncie, we've got us a little problem.
Once-ler: Problem?
Once-ler's Mom: Mmm-hmm. See, we're not making Thneeds fast enough.
Harvesting the tufts takes too long!
Once-ler: Well, what else can we do?
Once-ler's Mom: Well, and this just came to me, we could always start chopping down the trees.
Once-ler: What?
Now you're thinking.
That would speed things up!
Once-ler: But...
Once-ler's Mom: No buts, Oncie. You're running a business now. You have to do what's best for the company and your momma.
Once-ler: Well, I guess it couldn't hurt to chop down a few trees.
Once-ler's Mom: You've made me so proud, Oncie. Come here!
Hey! I love this guy!
No! No, no, no!
Stop it! Please, stop.
Take that, you stupid tree!
Where do you
think you're going?
Excuse me, sir. I need
to talk with your boss.
Oh, I'm sorry,
but Mr. Once-ler's
not seeing anyone right now.
Yeah, well,
he'll see me. So...
Hey, keep your
paws off me!
Give me a reason, Shorty.
Hey, you broke
your promise.
You're better than this.
You gotta stop!
This is bad!
Have a nice day!
Bad?
I'm not bad, I'm the good guy
here. He just doesn't get it.
Do you think I'm bad?
Thank you!
I mean, something good
finally happens to me,
and he just has to come
along and rain on my parade.
What's his problem?
See?
Yeah, bad! Right.
How bad can I be?
I'm just doin'
what comes naturally
How bad can I be?
I'm just following my destiny
How bad can I be?
I'm just doin'
what comes naturally
How bad can I be?
How bad can I possibly be?
Well, there's
a principle in nature
Principle in nature
That almost
every creature knows
Called survival of the fittest
Survival of the fittest
And check it,
this is how it goes
The animal that wins
gotta scratch and fight
And claw and bite and punch
And the animal that doesn't
Well, the animal that doesn't
Winds up someone else's
La-la-la-la lunch
Munch, munch, munch,
munch, munch I'm just sayin'
How bad can I be?
I'm just doin'
what comes naturally
How bad can I be?
I'm just following my destiny
How bad can I be?
I'm just doin'
what comes naturally
How bad can I be?
How bad can I possibly be?
There's a
principle in business
Principle in business
That everybody knows is sound
It says the people with the
money People with the money
Make this
ever-loving world go round
So I'm biggering my company
I'm biggering my factory
I'm biggering
my corporate sign
Bigger, bigger!
Everybody out there
You take care of yours
I'll take care of
mine-mine-mine-mine-mine
Shake that bottom line
Let me hear you
say Smogulous Smoke!
Smogulous Smoke!
Schloppity-Schlopp!
Complain all you want It's
never, ever, ever, ever gonna stop
Stop!
Come on,
how bad can I possibly be?
How bad can I be?
I'm just building the economy
How bad can I be?
Just look at me
petting this puppy
How bad can I be?
A portion of proceeds
goes to charity
How bad can I be?
How bad could I possibly be?
Let's see!
[Closing How Bad Can I Be] All the customers are buying, and the money's multiplying, and the PR people are lying, [A Thneed is thrown on the Lorax as a picture is taken. A billboard featuring the picture reads "Lorax Approved"] and the lawyers are denying. Who cares if a few trees are dying? This is all so gratifying! How bad, how bad can this possibly be?!
Lorax: So, how are things?
Once-ler: What are you doing here?
Lorax: Happy yet? You fill that hole deep down inside you? Or do you still need more?
Once-ler: Look, if you've got a problem with what I'm doing, why haven't you used your quote-unquote powers to stop me?
Lorax: I told you, that's not how it works.
Once-ler: Right, I forgot. You're a fraud. I need you to get out. Now!
Lorax: Why? Do I make you uncomfortable? Remind you of the promises you made? The man you used to be?
Once-ler: [To the Lorax] You know what? You can just shut your mustache! My conscience is clear. I have done nothing illegal, and I mean no harm. But I have my rights, and I intend to keep on biggering and biggering, and turning more Truffula trees in to Thneeds which everyone wants because everyone needs! And nothing, no, NOTHING is going to stop me!
Lorax: [when the last Truffula tree is chopped down] That's it. The very last one. That may stop you.
Somebody sure made a bundle on that thing. I wonder what the next million dollar invention's going to be.
Yeah, I wonder...
Son, you have let me down. Brett, you are now my favorite child.
Hey, look, I don't want any trouble.
Lorax:And you won't get any. Not from them.
Thanks to you and your hacking, and smogging and glupping, they can't live here anymore.
Lorax: So, I'm sending them off. Hopefully, they'll be able to find a better place out there somewhere.
So, this is really all your fault. You destroyed everything.
Yes. And each day since the Lorax left, I've sat here regretting everything I've done, staring at that word, "unless," and wondering what it meant. But now I'm thinking... Well, maybe you're the reason the Lorax left that word there.
Me? Why would he leave that for me?
[To Ted] Because Unless someone like you cares a whole awful lot, nothing is going to get better... It's not.
The last Truffula seed. You need to plant it, Ted.
Yeah, but, nobody cares about trees anymore.
Once-ler: Then make them care. Plant the seed in the middle of town, where everyone can see. [To Ted; referring to the last Truffula seed] Change the way things are. I know it may seem small and insignificant, but it's not about what it is, it's about what it can become. That's not just a seed... any more than you're just a boy.
I won't let you down.
I know.
Hey, Audrey!
Audrey!
Ted?
What are you doing?
Meet me at my house.
Wait, but...
My house, okay?
Got to plant the seed.
Okay, we're going
to need water.
And uh,
something to dig with.
Um, what do I have...
Ted?
Mom, I'm busy, Mom.
Theodore Wiggins,
get down here right now,
and I am not
kidding with you!
Ted, I would like
you to meet Mr. O'Hare,
the most powerful
man in town.
There he is!
Hello, Ted.
Uh...
Hi. Isn't he clever, Mr. O'Hare?
He knows his own name and everything.
You know what I would love
right now, Mrs. Wiggins?
A delicious cookie.
Wonderful.
Teddy and I'll
stay here and talk.
Sure, why don't you
go ahead and adopt him?
I'm just kidding. That was
a joke. I was just joking.
I'll get your cookie.
I know you have it, Ted.
So, let's put an end
to this nonsense, shall we?
Hand it over.
I'm sorry...
I don't know what
you're talking about.
Really? Well, then...
I guess you wouldn't mind
us checking your room.
No, no, no!
Morty! McGurk!
Find the seed!
No, you can't go up there!
Guys, this is
ridiculous. Stop!
Hey!
No, you can't
come in my room!
Find it!
Find it!
What is going on here?
Aloysius O'Hare: [to Mrs. Wiggins, after she comes up stairs and what's going on] THIS DOESN'T INVOLVE YOU! Get back downstairs!
Excuse me, down there!
I don't care who you are,
you little crazy baby-man!
Get out of my house now.
This is outrageous.
Fine. Sorry.
Must have been a misunderstanding.
We'll be leaving now.
And my apologies, Ted.
You be safe.
Mind telling me
what's going on here?
The seed! Where is it?
Seed?
Where's Grammy?
It's alive!
I remember you.
Ted, what...
Audrey!
Hey, did you want to...
Well, okay!
Ted, what is this about?
It's about this.
Wait, wait, wait.
Is that... Yes. The last Truffula seed.
And you're going to help me plant
it right in the middle of town
where everyone can see it.
Audrey: [to Ted] I could just kiss you right now! [Ted and Audrey lean in to kiss, but Ted's mother stops them]
Mrs. Wiggins: We don't have time for that!
Ted: I dunno, we have a little time. [Audrey and his mom stare at him] You know what? Let's just go. Let's go. Forget about it.
Maniac!
Hey!
Ah!
Here it comes!
I'm going for it.
Oh, hello!
Ted, big scary blimp coming.
Whoa!
Aloysius O'Hare: [going after Ted and his girlfriend and grandma after the Truffula seed, through a megaphone] YOU WON'T GET AWAY WITH THIS, BOY! BAM!
Bam!
Go faster, you idiot!
Yeah!
Step on it, Ted!
Whoa!
You're fired!
Whoa! Ted, look out!
Nobody beats Aloysius O...
Ted...
This is not good.
How's it doing?
Whoa-ho-ho!
Loser!
Oh, really?
Oh, no. The seed!
Get that seed!
Hang on! Here we go!
Grammy!
Seriously, how cool
is your grandma?
No!
Come on!
Yeah, that's right.
There it is!
Hey! Watch the road,
you meathead!
Ah!
Hey, ow, ow!
Oh, come on!
What the...
Get it unstuck,
get it unstuck!
Bring it on, Teddy!
You don't have the guts!
Ted!
Grammy!
Whoo-hoo!
Yes!
Hey, hey, hey!
Hey! It's Mr. O...
Take that, shorty!
Okay, we have to get
this in the ground.
But where?
There's no dirt anywhere.
No, Grammy...
Hey, get out of there!
Ah!
Hey!
What?
See, what did
I tell you? Easy. Huh?
Hey, they broke
O'Hare's head!
What do you think
you're doing, kid?
Um, I'm looking for
a place to plant a tree.
A real one.
Why would we
need a tree?
Exactly.
Oh, man.
Folks...
The last thing you
want around here is trees.
They're filthy!
Spewing that sticky, nasty
sap all over the place.
They bring poisonous ants
and stinging bees.
Hey!
Ouch.
Think about the kids.
And, I just thought,
you know, they make leaves!
You know that, right?
Then these leaves,
they just fall.
They just fall
wherever they want!
Come on! We know why
you're really against trees.
Because they
produce fresh air.
For free!
Oh!
I am wounded!
You have lied!
It is not a lie!
It's called photosynthesis.
Come on.
She's making that up!
That's a
made-up word, people!
Thneedville is perfect
just the way it is.
We don't need trees!
That boy has a seed.
We need to stop him!
Who's with me? Come on!
O'Hare is right!
Seeds will ruin us all!
Stop it!
Last chance, kid.
Hand it over!
Where do you think
you're going?
Come on, let's go!
Get in, get in!
Hey!
Stop that maniac!
Excuse me, excuse me.
Watch out!
Ted, you're going
to hit the wall!
Yeah. I know.
Wow. Did you see that?
Who does this kid
think he is, huh?
Ted: I am Ted Wiggins. And I speak for the trees. And the fact is, things aren't perfect here in Thneedville. And they're only going to get worse, unless we do something about it, unless we change our ways. And we can start by planting this!
Okay. Come on, now.
Everything is fine.
Right?
I say we tell this kid
what we think about that seed!
People, come on!
You! Get out there right now
and get these people on my
side, or else you're fired!
Go on, tell them
what you think.
You don't know me,
but my name's Cy
I'm just
the O'Hare delivery guy
But it seems like
trees might be worth a try
So I say let it grow
My name is Dan
And my name's Rose
Our son Wesley kind of glows
And that's not good,
so we suppose
We should let it grow
Let it grow, let it grow
You can't reap
what you don't sow
Plant a seed inside the Earth
Just one way to know its worth
Let's celebrate
the world's rebirth
We say let it grow
My name's Marie,
and I am three!
I would really
like to see a tree
I say let it grow
I'm Grammy Norma I'm old,
and I've got gray hair
But I remember when
trees were everywhere
And no one
had to pay for air
So I say let it grow
Let it grow, let it grow
Like it did so long ago
It is just one tiny seed
But it's all we really need
It's time to change
the life we lead
Time to let it grow
My name's O'Hare,
I'm one of you
I live here
in Thneedville, too
The things you say
just might be true
It could be time to start anew
And maybe change
my point of view
Nah! I say let it die!
Let it die, let it die
Let it shrivel up and...
Come on, who's with me?
Nobody.
You greedy dirt-bag!
Let it grow, let it grow
Let the love inside you show
Plant a seed inside the Earth
Just one way to know its worth
Let's celebrate
the world's rebirth
We say let it grow
Let it grow, let it grow
You can't reap
what you don't sow
It's just one tiny seed
But it's all we really need
It's time to
banish all your greed
Imagine Thneedville
flowered and treed
Let this be our solemn creed
Once-ler: [opens the window for the first time as he hears the city singing "Let it Grow" and is on the verge of tears] Thank you, Ted.
We say let it grow
In Thneedville
We say let it grow
It's a brand new dawn
We say let it grow
In Thneedville
We say let it grow
It's a brand new dawn
The Lorax: You done good, Beanpole. You done good.
My German fellow-countrymen and women! Party Comrades! It is, I think, something very extraordinary when a man after about 20 years can stand before his old followers, and when in doing so he has not had to make any revisions of his program during these 20 years.
Today's gathering, however, reminds us most of all of the evening which we were able to celebrate in the former hall 10 years ago. It reminds us of this because at that time too we were in the midst of a very hard fight. Our fight to take over power in, Germany was just as decisive for our fate as the fight which we are waging today. It was only during the past year that this became known to us in all its meaning, and if victory had not been achieved in 1933, then Germany would have remained what it was then, that is, a powerless nation with an Army of 100,000 men, which would necessarily have (had to submit) to destruction.
And at the same time, a colossus had arisen in the East with only a single thought in mind, to fall upon this weak, lazy, defeatist and internally-torn Europe. And if at that time this challenge had not been successfully taken up, then the power which alone was capable of opposing this danger would not have entered world history.
Today we know that there would probably not be any Europe left. Therefore the battle which we fought then was only apparently an internal struggle for power. In reality, even then it was a struggle for the preservation of Germany and, in the broadest sense of the word, for the preservation of Europe. At that time, we were close to victory. And yet when, 10 years ago, we met in the former hall, no one knew exactly how close it was. Only one thing went without saying as far as we were concerned, namely the conviction that this victory, no matter what happens, must come and will come.
It is with the same conviction that I now stand before you, and it has never left me, either, since the day on which, as an unknown man in this city, I began the struggle, first for the soul of the German people, and then, on beyond this city, forever more and more followers. And in the beginning I did not have much more to give than faith, the faith that if anyone pursues a just aim I with unchanging and undisturbed loyalty and never lets himself be diverted from it, but puts everything into it, then others will be found who are determined to be his followers, and that from this host an ever stronger faith must gradually radiate to the whole people, and that out of this host the worthiest part of the whole people must one day finally find themselves together, and that finally this worthiest part must acquire the power in the state.
And today I stand by this same view. Fate, or Providence, will give the victory to those who most deserve it. We could have had it before, in the year 1918. The German people did not deserve it at that time. They had grown confused and untrue to themselves. And that was the reason that I, an unknown, a nobody, at that time resolved to build up this movement in the midst of utter ruin and complete collapse, the reason why I also had faith that it would have to succeed, because I saw before me, not the defeatist phenomena of a crumbling bourgeois-Marxist world, but the millions of brave men who had done their utmost and who faltered only because the homeland was no longer worthy of them in the critical hour-because it had failed. I then had the conviction that if only the effort to bring back internal order to the German people and to get hold of the soundest kernel in them proved successful, that then another 1918 could never be repeated.
Since I made this resolve, many more than 20 years have gone by. Ten years ago we were about to have a dress rehearsal, after the movement had already encountered the greatest difficulties-in a preceding ten-year period, many had lost their faith, and our opponents already were saying that we were dead. We need only recall that time. It was no wonder, either. A movement which was just getting ready to seize power collapsed completely. Its leaders were either dead or wounded, or in prison or in flight because of their activities.
And yet barely ten years were enough for this whole movement to rise anew from its ashes, like a phoenix. And when we met here 10 years ago, we had just had another setback. Many-especially our enemies-believed that we had lost our chance because we had not acted at the moment we were offered something which would only have burdened the movement, but not made it at all possible to realize its real aims. At that time, too, I stood before you, my old party comrades, with the same faith as now, absolutely convinced that victory will be his who best deserves it, and that therefore our only task will be to deserve it.
And when now, after 10 years, I again survey this period, I can say that upon no people has Providence ever bestowed more successes than upon us. The miracles we have achieved in the last three years in the face of a whole world of enemies are unique in history, especially the crises we very naturally often had in these years.
I need only remind you of the one great crisis we had to go through in Norway, where, indeed, it was a toss-up, and where we might have asked ourselves, will we be able to hold Narvik? Won't the entire Norwegian undertaking go to pieces? One needed boundless faith in order not to become despondent at that time, and this faith was finally rewarded. Far from the homeland, with barely a single sure line of communication connected with this advanced out-post, a small, heroic German force then was fighting. Finally they were forced to evacuate Narvik. Our opponents were jubilant. But, thanks to bravery and a fanatical determination not to capitulate under any circumstances, the final result was victory for us and not for our opponents.
If we look back over this entire period, and let everything pass before our eyes, one thing will become obvious to us: We are. facing the same opponents, whom we always have had before us nothing has been changed. . . . In the Great War there were the same opponents whom we have had to conquer in this war, and there is only one thing which differentiates the present from that time: First of all, a clearer recognition of the background of the actions of that opponent, of the driving forces, and secondly, the successes which have been gained in the meanwhile, successes which are unique in the history of the world.
For perhaps many a person will ask himself the question, why are we fighting at such great distances? We are fighting at such great distances in order to protect our homeland, in order to keep the war as far removed from it as possible and to spare it what would otherwise be its fate, and which now only certain German cities are experiencing and must experience. It is therefore preferable to keep the front line at a distance of 1,000 and if necessary 2,000 kilometers from the borders of the Reich, than to hold that front somewhere near the border of the Reich and to be forced to hold it there.
Our opponents are the same, and behind these opponents there stands the same eternally driving force, the international Jew. And it is again by no means an accident that these forces were on the inside, and have now met again on the outside. Internally, in the "coalition" which we know only too well, they included all the enemies of the Reich, beginning with the Frankfurter Zeitung, and the entire stock market speculator-group, all the way to the Rote Fahne (Red Banner) in Berlin, and everything which lay in between.
And outside, we have again today the same coalition as before, from the chief of that international Masonic lodge, the half-Jew Roosevelt, and his Jewish brain trust, to the Jewry of purest water in Marxist-Bolshevik Russia. They are the same enemies as before, the same foes as then. In the World War we had them as external foes, in our struggle as internal foes, and now, as a National-Socialist State, as external foes again.
And again it is no accident that the same State which at that time thought it could bring about the collapse of Germany by a flood of lying propaganda, now again sends a man on the same mission. Then his name was Wilson; now his name is Roosevelt. The Germany of that time, without any education in state and national politics, without any unity, without any enlightenment on the problem of the Jewish question and the working of that power, fell victim to that attack.
The great mistake is that our enemies now imagine it will happen a second time. For if at that time we were perhaps the best organized people in the world, without doubt again we are now the best organized people in the world. And if anyone in the rest of the world imagines he can shatter this people, he does not know the enduring heart of this people today, nor the enduring power, the knowledge which guides this people politically today-the National Socialist Party and its mighty organization.
Neither has he any idea of what this movement has achieved since then, how it has taken hold of our people by its accomplishments, and how it has fulfilled the Socialist ideal-which is free of all international cheating, all the "lying tirades," how it has fulfilled these Socialist ideals in a way that no other State has even begun to approach up to now, to say nothing of attain.
I am calm therefore when I face any German who is fighting in the East, or who comes home on leave-and I can tell each one of them, just look at our organization. Compare our home cities, compare the workers' settlements which we are building, compare our social organization with what you have seen on the other side. Compare the fate and the lot of the German farmer with the lot of that Russian farmer. Compare all of that, my dear friend, and then give me your judgment as to who has managed things better, and above all else, who has had more honorable intentions?
Not one man has as yet returned, who could express any other opinion than that if a Socialistic State were in the process of being realized anywhere, it was in Germany only that it was actually taking place. That is still another reason why this other world which so willingly represents capitalistic interests in particular, is attacking us. It is a combine, which even today still pretends to be able to rule the world according to its private capitalistic interests, to manage it, and when necessary, to keep on ruling it.
When, for example, a few days ago, a regular snobbish, perfumed hooligan like this Mr. Eden declared: "We English have had experience in ruling," then the only thing one can say is: "In ruling? In exploitation! In plundering!" What does experience in ruling mean, when in a country which, with 46,000,000 persons itself, is administering 40,000,000 square kilometers over the entire world, there were 2,500,000 unemployed at the beginning of the war.
Where is this art of ruling, to say nothing of the art of leadership? It is only the unscrupulousness for robbery. And when this same man then says: "We have a fine instinct for idealism and material values." Yes indeed they have. They have destroyed idealism everywhere, and they have grabbed and taken possession of material worth and always grabbed and taken possession of it, too, by brutal force only. For in 300 years that nation has oppressed and yoked and subjected nation after nation, people after people, race after race.
If they were really such brilliant rulers, then they should now be able to leave after the Indian people have expressed their explicit desire that they do, and then to wait and see whether the Indians call them back again. They have been careful not to leave, although they know how to rule so wonderfully, and in this they are completely of one mind, these plunderers, whether they run around in a Marxist cap (Translator's note: This refers to the typical workman's visored cap used in post-war Germany as a symbol of communism) or in a capitalistic one.
No, my friends, they don't know how to rule. They can only subjugate peoples and then pauperize them for their own benefit. A handful of people-very rich ones, to be sure-of both Jewish and non-Jewish origin are determining the fate of the world. And we can say with calmness that Germany itself has had an example of the ability of these people to rule. For when in the year 1918 the Reich collapsed, the blinded German people turned then in its blind faith to these people, in the hope that they might be shown a path by them which would lead them back out of-their misery, the democratic Germany, not the National-Socialist Germany.
For we would not have come at all, if this democratic Germany had not been plundered and oppressed in that way. They did their best to make a second India out of Germany, and they were even successful to a large extent. They brought it about for us, too, that finally many millions of persons had no sort of livelihood whatever, and many other millions were working part-time. They brought it about for us, too, that finally not ten thousands, but hundreds of thousands of farmers were evicted from their ancestral plots of ground. They brought it about for us, too, that commerce and exchange finally came to a standstill, and that social welfare provisions of any kind were non-existent. They tried out on us their governmental experiments, just as in India or elsewhere, and if this head-tramp-I can't describe him in any other way-Roosevelt comes and declares that they had to rescue Europe by American methods, then the only thing I can say is, that this gentleman could best-or should best-have rescued his own country, and then he would not have had to enter the war at all. It would have been more fitting for him to get rid of his own 13,000,000 unemployed than to throw the world into a war, but he did it, because he could not solve his internal problems and because he was setting out to plunder, just like his British allies, not recognizing merely idealism, but primarily the material values, for Mr. Roosevelt knows as little about idealism, aside from ..., as an Englishman.
From out of this art of government of our foes and its horrible results in our democratic Germany, the National Socialist movement gradually developed. For if they had really made Germany happy, we would not have had any reason at all, and I would not have had any ground, for devoting myself to this work day after day, week after week, month after month, and year after year.
You know that too, all my old fellow-combatants. I wasn't loafing then. I didn't speak in a fine club here and there, and I didn't sit down now and then at a fireplace, and deliver a little chat. Then I was making pilgrimages up and down through the German countryside, from North to South and from East to West, and wore myself out, only in order to save my people from this misery, into which these rulers of international capitalism had forced it.
This conspiracy of Jews and capitalists and Bolsheviks of that time, we wanted to do away with. And we finally have got rid of it. And hardly had it been done away with, when this other world immediately began its encirclement.
At that time it was the Germany of the Kaiser. Now it is National Socialist Germany. At that time it was the Kaiser. Now it is I. There is only one difference: the Germany of that time was theoretically an empire, practically it had all gone to pieces internally.
The Kaiser of that time was a man who lacked all force for resistance against these enemies. But in me, now, they have to face an opponent who does not even think of the word "capitulate."
That's always been the way, ever since I was a boy-at that time perhaps it was improper behavior but as it is, perhaps it is a virtue after all-my habit of reserving the last word for myself. And all our opponents can be convinced that the Germany of former times laid down its arms at a quarter to twelve. On principle I have never quit before five minutes after twelve. My domestic foes found that out ten years ago. They too did not believe it, and it really was not surprising, because naturally the position of my internal foes was different from the position of my external foes of today, because the internal foes of that time-
God-you know, my Party Comrades, when I began, uh, uh, it was already easy to prophesy that . . . my whole work would have to miscarry. On the one side this power of the press, this power of capital, this conspiracy of influential circles, this . . . parliamentarians, petty politicians and so forth, and the labor unions, and on the other side the employers' organizations, and then the . . . and the parliaments and the Reichstag. How could one single man with a small group of supporters overcome all that? And even in the year 1932, they were still able to believe he would fail regardless, because they could say: "We are still stronger; we still have more men behind us than the others."
Today, I must say, the faith that they would stifle by their might is already dead anyway, because in actuality today we are the stronger. When I compute the number of men who are in our camp today, and who are fighting in our camp, working in our camp, it exceeds the number of those who today have taken up positions against us. There is certainly no longer any comparison with the situation of that time. And there is something else besides: this battle is now being waged on a military basis.
And now, my Party Comrades, here we have behind us a great German history. The English say they have never yet lost a war. They have lost many wars; but in every war they have fought to their last ally. That is correct, and that probably distinguishes the English method of waging war from ours. Germany has a great history behind her, and I need only select one hero from this history and compare his fate with our fate-Frederick the Great against whom in his worst time there was actually a coalition of 54,000,000 to about 3,900,000.
And today, when I compare our position with his-our bastions, our fronts advanced everywhere far beyond the borders-then I must say they are completely stupid if they imagine that they can ever crush Germany. And especially if they imagine that they could possibly impress me in any way or could make me afraid. I know perfectly well that the battle is a very hard one, for that is probably just the difference between me and, let us say, a man like Churchill. Churchill said that we-the Reichsmarshal and I-had made whining speeches recently. I don't know if I hit someone right and left and then he says that is absolute defeatism, then one can have a good laugh.
Since 1939 I haven't felt like whining at all. Previously, I was of course very sad, because I had done everything to prevent the war. Recently Sven Hedin published a book in which he gratifyingly now quotes word for word my offer to the Poles which was conveyed at that time through the English. I must say that I really felt a chill when I read through this offer again recently, and I can only thank Providence that it has managed everything otherwise.
Then, too, from what I now know since then, because if at that time this offer had been accepted, then Danzig would be German, to be sure, but for the rest everything would have remained as it was. We would have devoted ourselves to our social tasks, we would have worked, we would have beautified our cities, we would have built dwelling settlements, we would have put our roads in order, we would have established schools, we would have built up a real National Socialist state.
And then, of course, we probably would have expended only very little for the Wehrmacht, and one day this storm would have broken loose from the East, would have passed over Poland, and, before we knew it, would have been a mere 150 kilometers east of Berlin. For that I thank the gentlemen who refused it then. At any rate, 3 years ago I could not yet guess that either. Three years ago I was sad about it, and therefore when the Polish campaign was at an end, I wanted to offer my hand once more in peace, which would have cost these enemies nothing, either. As you know, it was refused. Then I was forced to conduct another campaign, and still another.
In the year '40 I tried again to offer my hand in peace once more. It was refused again. With that the case was settled for me, because every offer of peace was interpreted by these enemies as weakness, and therefore really turned to the disadvantage of the German Reich. Thus it would have been disloyal to try anything like it again. It was clear to me-now only one thing matters-a state or a world must now fall. Either ours or the other. We shall not fall; consequently the other must fall.
You will recall, my old comrades-in-arms, how often, in exactly the same way, I held out my hand to the internal enemies. How long I wooed them. What pains I took with them. What didn't I do to bring about a sensible understanding! Only after it was useless did I decide to take those measures which are the only ones that can be carried out in this world when reason is stilled. And to this we owe our Brown Shirts, to this we owe our Storm Troops, to this we owe our S. S. Elite Guards; and at last the hour came when we were rid of these enemies, and rid of them how? And this struggle within was perhaps only seemingly easier than the external struggle. In reality the men who led the struggle within were once the fighters externally, too, and they are today the fighters both within and without; because, my Party Comrades, one thing certainly is a reason for us National Socialists to be rather proud.
When bourgeois Germany was fighting, the Germany composed of Marxists and Bourgeois and Center, then, to take but one example, two deputies of the Reichstag were killed in the course of the war out of more than two million dead. The National Socialist Reichstag has thus far already left 39, I believe, on the field of battle, out of a total, however, of hardly 350,000. Yes, that is certainly a different ratio, and when I calculate the ratio of the party comrades I can say that wherever my Storm Troopers or Party comrades or where the Elite Guards stand at the front, they do their duty in exemplary fashion.
Here too the Reich has changed. And above all, they fight also with a different comprehension: they know the fate that would be in store for us if the other world should be victorious. Because we know this fate and know it well, there is not even the slightest thought there of any compromise. When the gentlemen say from time to time that there is another peace offer from us, they do it only to make up for something to their own people. From us there will be no more peace offers at all. The last one was made in the year 1940.
There is only one thing left, that is to fight. Just as I said at a certain moment to the internal enemies: "It is not possible to come to an understanding with you peacefully; you want force, so now you'll get it." And these internal enemies have been taken care of.
Another power, too, which was very strong in Germany has meanwhile been able to learn from experience that the National Socialist prophecies are no mere phrases; it is the main power to which we owe all this misfortune-international Jewry. You will recall the Reichstag session at which I declared: "If Judaism imagines by any chance that it can bring about an international world war for the extermination of the European races, the result will not be the extermination of the European races, but the extermination of the Jews in Europe."
They have always derided me as a prophet. Today countless numbers of those who laughed at that time, laugh no longer. Those who are still laughing now, also will perhaps laugh no longer after a while . . . will spread beyond Europe and over the whole world. International Jewry will be recognized in all its demoniac peril. We National Socialists will see to that. This peril is recognized in Europe, and country after country is adopting our legislation. Thus today we see in this vast struggle only one single possibility; it is that of complete success, and there now remains only the question of whether there are any reasons at all to doubt this success.
If we follow our enemies' propaganda, then I must say that it is to be compared with the quotation: "Rejoicing to heaven, depressed unto death." The slightest success anywhere and they literally turn somersaults for joy. They have already destroyed us. Then the page turns and they are again completely cast down, and are again depressed. I need point to only one such example:
If you read the Russian communiqués since June 22, you will read the following every day: "Fighting of unimportant character" or maybe "of important character." "We have shot down three times as many German planes." "The amount of sunken tonnage is already greater than the entire naval tonnage, greater than all types of German tonnage before the war." They have so many of us missing that they amount to more divisions than we can ever muster. But above all, they are always fighting in the same place. Here and there they then say modestly, after 14 days, "We have evacuated a city." But in general they have been fighting since June 22 in the same place, always successfully; we are constantly being beaten back, and in this continued retreat we have slowly come to the Caucasus. I say "slowly"!
I should say that for my enemies, not for our soldiers. For the speed with which our soldiers have now traversed territory is gigantic. Also what was traversed this year is vast and historically unique. Now I do not always do things just as the others want them done. I consider what the others probably believe, and then do the opposite on principle. So if Mr. Stalin expected that we would attack in the center, I did not want to attack in the center, not only because Mr. Stalin probably believed I would, but because I didn't care about it any more at all. But I wanted to come to the Volga, to a definite place, to a definite city. It accidentally bears the name of Stalin himself, but do not think that I went after it on that account.
Indeed, it could have an altogether different name. But only because it is an important point, that is, there 30 million tons of traffic can be cut off, including about 9 million of oil shipments. There all the wheat pours in from those enormous territories of the Ukraine, of the Kuban territory, then to be transported to the North. There the manganese ore was forwarded. A gigantic terminal was there; I wanted to take it. And do you know, we're modest: that is, we have it; there are only a couple of very small places left there.
Now the others say: Why aren't you fighting there? Because I don't want to make a second Verdun but would rather do it with very small shock units. Time plays no part here. No ships come up the Volga any more-that is the decisive thing.
They have also reproached us, asking why it took us so long at Sevastopol? Because there, too, we did not want to cause an enormous mass murder. Blood is flowing as it is-more than enough. But Sevastopol fell into our hands, and the Crimea fell into our hands. We have reached goal after goal, stubbornly, persistently.
And if the enemy, on his part, makes preparations to attack, don't think I want to forestall him there, but at the same moment we let him attack also. Because then defense still is less expensive. Then just let him attack; he'll bleed to death that way, and thus far we have always taken care of the situation anyhow.
At any rate, the Russians are not at the Pyrenees or before Seville; that, you see, is the same distance as for us to be in Stalingrad today, or on the Terek, let us say;-but we are there; that can really not be disputed. That is a fact, after all.
Naturally, when nothing else will do any more, they also say it's a mistake. Then they suddenly turn around and say: "It is absolutely a mistake for the Germans to have gone to Kirkenes, or to have gone to Narvik, or now perhaps to Stalingrad-what do they expect to do in Stalingrad? For Stalingrad is a capital mistake, a strategic mistake." We will just wait and see whether that was a strategic mistake.
We see already from present indications whether it was such a great mistake that we took possession of the Ukraine, that we-uh,-took possession of the ore region of Krivoi Rog, that we got our hands on the manganese ores, or whether it was really such a great mistake that we got hold of the Kuban region, the greatest granary in the entire world, perhaps, whether it was a mistake that we, and I can safely say this, have now destroyed or got into our own possession four-fifths or five-sixths of all their refineries, that we alone either have right in our hands or have completely shut off, a production of 9 or 10 million tons of oil, and we have further cut off the transportation of perhaps 7, 8 or 9 million tons over the Volga.
And everything else which we plan to do there, whether all-that was really so mistaken, we will soon see. Now I really don't know, if the English had managed to take the Ruhr valley, or the Rhine too, and then the Danube and the Elbe also, it would be-and then also Upper Silesia, that is just about the same as the Donetz region, and that is the Krivoi Rog ore region, and the Kerch ore region, if they had also after that got a portion of our petroleum sources, and if they had also got the Magdeburg Stock Exchange, whether they would still say to us: "We made a great mistake to take those things away from the Germans." That was an extraordinary mistake.
If they impose on their own very narrow-minded, provincial people with that, uh-there may be a certain number of them who will believe it. And yet everyone does not seem to believe it, because you do hear press comments which sometimes become very angry, and say that they should leave off with that stuff now. If they say that in order to impose on us, well, I must say then that they are really confusing present-day Germany with a Germany which may have existed numberless centuries ago. They cannot convince present-day Germany of that, and if they perhaps wish to convince me, then I can only say: "I have never yet made my strategic plans according to the receipts or ideas of others."
It was certainly a mistake that we made the break through France that time and went around from above; but still it paid. In any case the English have been marched out of France, even after they had been in France for a rather long period of time. I believe that they had frequently boasted that they had 1,000,000 men there, and we don't want to forget one thing, my Party comrades men and women,-they were then very near to our borders. They had 13 divisions there, and besides that more than 130 French divisions, approximately another 24 Belgian divisions, and also 20 Dutch divisions, all right at our borders on our Rhine, and where are they now?
And so if they say today that they are for all I care advancing somewhere or other in the desert, well, they have already-made advances several times before, and they moved back again. The decisive thing in this war is who will deal the final blow, and you can be sure of it that we will be the one.
It's the same way with their production. Of course they manufacture everything and above all, they make everything much better than we do. Whenever the Americans come out with something new,-for instance, I read a few days ago that they have constructed a new submarine,-as I read it, I thought at once: "Surely, that will again be the best." And I was right. It said below: "The best submarine in the world, with by far the most ingenious construction. It is fastest in submerging and the best in every respect." Compared to them we are real amateurs in the construction of submarines.
My German racial comrades, we are not asleep. Our builders are not asleep either, and let me point out only one thing to you. During the winter of 1939-1940 a certain Mr. Churchill stated: "The submarine danger is eliminated. Hitler is finished." He has destroyed two, three, five submarines daily. At that time, he destroyed more than we even had then. He was exhausted. He had destroyed nothing, for then I again committed a very great error. The error was: I had only a very small number of our submarines fighting and held back the greater part of the submarines in order to train the crews for the new submarines being launched.
At that time the number of submarines operating against the enemy was so small that I am today still ashamed even to speak of it. Most of them, more than nine-tenths, remained at that time in our home waters and trained the new crews, for we started mass production at a certain moment. They just can't comprehend anything but American mass production. They always act as if they are the only ones who understand it. We understand it just as well. When they say they build so-and-so many warships per year-well, when they count all their corvettes and all their uh-uh-herring boats and the rest of them and stick a cannon on them, they act as if this . . . If we figure in everything, then I guarantee that we are not building fewer ships, only I think we are building more useful ships than they.
In any case, this has again been proved. We have now at any rate sunk more than 24,000,000 tons, that is almost 12,000,000 tons more than in the World War, in all. And the number of U-boats is considerably greater than the number of U-boats in the World War. And we go on building and constructing and do it with all types of weapons, and when the gentlemen over there say they have wonderful new weapons, then they haven't the slightest idea whether we haven't possessed a better one for a long time already.
And here it is my practice only to put out a new weapon when the old one actually is of no use any more. Why disclose new weapons in advance? So far this policy has always proved right. We have always had worse weapons. Of course. We have worse soldiers. That is perfectly clear. We had a far worse organization. Who should be surprised at that? If one compares the organization of such geniuses as-uh-Churchill and Duff Cooper and Chamberlain and all those people, or even Roosevelt, this organizer of . . .
If one compares these people, then, from the point of view of organization, we, of course, were nothing but blunderers. That is true. But so far we have achieved one success after another. Regarding internal affairs, my dear party members, it has been just the same. We were also continuously worse in internal affairs. We have been incompetent. We have had no qualifications at all, but one day we came into power. That was decisive.
It is understandable that one may not expect a new success perhaps each week in a struggle of world-wide extent such as we are confronted with today. That is an impossibility. Neither is it at all decisive. Decisive is the fact of gradually occupying the positions which must (eventually) crush the enemy, of holding and of fortifying those positions in such a way that they cannot be retaken. You may well believe me: Whatever we once conquer, we actually hold on to so tightly that in this way at least no one else can dislodge us from wherever we gain a foothold. You may rely upon that.
Furthermore, this war has been actually far extended to our allies, the Italians, the Rumanians, the Hungarians, and the Finns and all the other European peoples, such as the Slovaks, the Croats, and the Spaniards, to the volunteers, . . . the Nordic volunteers. A real world power has been achieved, a world power which also has been suffering continuous defeats.
Since the beginning of Japan's entrance, there were nothing but failures; everything the Japanese did was a mistake. But when the mistakes are added up, the result amounts to something brilliant. Just in this process they have acquired about 98 percent of the rubber production of the Americans. In this process they have acquired the greatest tin production in the world. They have acquired an enormous wool production. They have acquired gigantic oil wells. So if you do nothing but make such mistakes and this is the result, you can be quite content.
And conversely, the others have carried out none but the right operations. Full of genius, brave, heroic, calculating, they have indeed great generals, MacArthur, or Wavell, or one of those very great ones such as the world has never seen before. In between, the generals are already writing books about the other generals. And in spite of this, in spite of all this, the people who had no generals have first of all got a bit further in the war than those blessed with generals. Thus I can speak on the very day that brings us indeed the recollection of the greatest collapse of our movement, a collapse which at that time really seemed to mean also . . . the end of the Party. All our enemies (were certain) that National Socialism was dead.
Now on that very day I can only say: For us National Socialists, recollection must now mean an enormous strengthening, a strengthening for the defiance of all dangers, never to waver and never to yield, to meet every emergency with courage and to hold out even when the enemy is ever so menacing.
There one must really adopt Luther's precept: "And if the world were full of devils, we must and shall succeed." Precisely today we look into the future with so much confidence, now that we have survived the past winter, a winter which indeed we could not comprehend in all its terrible danger when I spoke to you a year ago. Today I look into the future quite differently.
That time somehow, many even leading and thinking people were oppressed by the recollection of Napoleon's fate in 1812, and the winter of 1812 was exactly 50 percent as cold as the winter we put behind us last year.
This year we are indeed prepared quite differently. Here too, this or that person may lack this or that and miss it, and so on. Then, in any case, we turn to the nation with the request that it might give this, perhaps, or give that or contribute something else besides, but for this winter we are equipped differently. That I can say. Even if it should prove to be exactly as severe as the last one, all that happened to us this last winter will no longer happen to us this time.
And I have already said once: A great philosopher declared that when a blow does not knock a man down it only makes him stronger. There I can only say: The blow which did not knock us down last winter has only made us stronger.
It is immaterial where the front may be, Germany will always ward off the blows and will always advance and attack, and I do not doubt for a moment that our method will be successful in the end.
If today Roosevelt conducts his attack upon North Africa with the remark that he must protect it from Germany and from Italy and so on, we need not waste words regarding these lies by this one scoundrel. He is beyond a doubt the chief gangster of this whole outfit we are confronting. But one may be sure that Mr. Roosevelt will certainly not have the last decisive word in the matter.
We shall prepare all our blows thoroughly, as we always have done, and they always have been struck at the right time. And not one blow which the others intended to strike against us so far has been successful. There was once triumphant shouting, when the first Englishman landed at Boulogne and then advanced. Six months later this triumphant shouting was over. Events turned out differently. They will be different again, today.
You may have full confidence. Your leaders and the Armed Forces will do all that must be done and all that can be done. And I have unyielding confidence that, above all, the German homeland is behind the leadership and the armed forces, and that the entire National Socialist Party particularly, stands behind me as one pledged community. That which distinguishes our period from the last one is the fact that at that time the people did not stand behind the Kaiser while behind me stands one of the most splendid organizations that has ever been built up on this earth, and that organization represents the German people.
Vice versa, however, what distinguishes the present time from then is the fact that at the head of this people there is no one who would ever, in critical times, go to a foreign land, but that at the head of this people is someone who has never known anything but struggle, and who has always known but one principle: "Strike, strike and strike again."
Another factor distinguishes the present German people from those of that time. Then there was a leadership that had no roots in the people, because in the last analysis it had been a . . .
Today we are in the midst of the completion of what grew out of the war of that time, because when I returned from the war I brought the front experience into the homeland with me. From that front experience I built up at home my National Socialist community of the people.
Today the National Socialist community of the people goes to the front, and you will perceive from many things how this Wehrmacht grows more National Socialistic from month to month, how it constantly takes on more and more the imprint of the new Germany, how all privileges, class prejudices and so on are being eliminated more and more, how the German community of the people here becomes more dominant from month to month, and how at the end of-this war the German community of the peoples will have proved itself most in this very war, perhaps. This distinguishes the present Germany from the Germany of that time.
And to this we owe, on the one hand, immeasurable heroism at the front, a heroism of millions of iron soldiers, known and unknown, a heroism of tens and tens of thousands of brave officers who today feel themselves more and more in closer community with their men. They have in part already sprung from these men. They have in fact put aside all obstacles.
Just as in the Party, anyone can reach any position, if he is capable, and just as even the poorest child of our nation can aspire to any government position, even the highest one, ever since this Party has been in power, so also it is exactly the same in the armed forces. And as a matter of fact not only theoretically, or merely as an exception which occurs here and there, but in actual practice. Today there are the Oak Leaf wearers, the subordinate officers or the corporals. Knight's Crosses were given to numerous iron men who have distinguished themselves heroically. Countless officers have advanced from the ranks. We are building an army in the midst of the war which is unparalleled in the history of the world.
And back home, on the other hand, a people is working, and here I must also state before the German homeland what I have already stated in the Reichstag: In the year 1917-1918, the munitions factories went on strike. Today we have overtime, and work and more work. Today the-German worker in the homeland knows that he is forging the weapons for his comrades out there (on the front).
What is being accomplished here in the country and in the city, by men, and above all also by innumerable women, is tremendous. It is also quite clear, that there is one sphere in which we can not compete with our opponents.
Just as at one time the Party was the poorest among the parties existing then, and members solely on the strength of idealism, so it is natural today also that the German nation is perhaps the poorest of all the nations in the world as regards its gold reserves.
We have no gold. But what we have, is a capacity for work which is a real value. What we have, is sacred industriousness and a sacred will, and that is in the long run a thousand times more decisive than gold in such a struggle for life or death.
For of what value are their gold treasure (Translators note: Uses English term "treasures") to the Americans now, except for having dentures made, or something of that sort? But of what real benefit is that to them? If they had ten synthetic rubber factories instead of gold, that would be worth more to them, than the entire gold reserves, which they have accumulated. I have had other things built for me. In any case we didn't go into this war with gold, but with the provisions necessary for the conduct of this struggle, and anyway we Germans do not have a tank which is without rubber treads but the English do have them today.
We will see the war through as to material, and better than ever now. For they have put us in possession of regions providing raw materials which are necessary in order to be able to last through this war under all circumstances. And if anyone says, "Well, why don't we see more of it?" well, it's very simple.
Don't get the idea, my internationalist gentlemen, or whatever I might call them-that we just stood there in front of the destroyed railroad bridges or the destroyed railroad tracks or the destroyed water power works or the destroyed ore mines or the destroyed coal mines and, our hands in our pockets, and contemplated them at length. During these years work has been done, and how! And now it is gradually beginning to pay dividends.
And when next year comes, only then will the fruits of this labor really appear, and I can say here with pride that the party has proven itself mightily in this, and innumerable brave party comrades are out there and are organizing with a handful of persons as experienced National Socialist district leaders or local group leaders, and are organizing gigantic regions, and opening up making these regions available for our efficient industrial economy, our nourishment, and in fact, in a broader sense, for the feeding and maintenance of all of Europe.
For this is not a war which Germany is waging for herself alone, but it is a war which is actually being fought for Europe, and only thus is it understandable that such willing-that so many willing volunteers have been found from the North to the South who are in part fighting in our own ranks and in part are arrayed as independent armies or independent detachments with us in this most tremendous front of world history. Therefore, it is our irrevocable determination that the peace which will come some time, because it has to come, will really be a peace for Europe, and one without the sponsorship of those men with the fine instinct for idealism and material values.
For what instinct Mr. Eden has for idealism we don't know. He has never proved nor shown it anywhere. His behavior doesn't indicate it either. Above all, the culture of his own country is by no means such as could possibly impress us. Of the man across the ocean I shall not speak at all in this connection. So their instinct for idealism is surely smaller than our instinct, for we probably have given more idealism to the world than the society which is in care of Mr. Eden. The same applies to the people who are our allies; some of them look back upon cultures compared to which the culture of the English Island kingdom is really an infinitely young, not to say infantile, culture.
Regarding the material values, however, I believe them; they do have a fine instinct for them. But we have it too. The only difference is that we want to make sure under all circumstances that the material values of Europe will in the future benefit the European peoples also, and not an extra-continental little international finance's clique-that is our unshakable and inexorable resolve. The people of Europe are not fighting afterwards so that a few people of fine instincts should again come along and begin to plunder mankind and make millions of unemployed, just in order to fill their vaults.
We had good reason to depart from the gold standard. We wished to eliminate in that way one of the conditions for this kind of economic conception and economic management. And this is very certain: Europe will come out of this war much healthier economically than before, because a large part of this continent, which was hitherto organized against Europe, has now been placed in the service of the European nations.
If now I am told: "Ha, ha, so you want to transplant the Dutch," well, I want to transplant no one, but I believe there will be many people who will be happy to get a bit of earth of their own and to be able to work on it, and not to have to drudge and slave, as is partly the case in this over-settled and overfilled continent. Above all, however, they will be happy if they themselves get the benefit of the reward for this work, if their peoples benefit, if their working men and women benefit, and not a vault which is in the Bank of London, if you wish, or in New York. I believe therefore that at the end of this war there will be collapse of this domination of gold, externally also, and thereby the collapse of this whole society which is to blame for this war.
We all know the mission of the National Socialist Party. I need not repeat it today. We started out to fight this enemy in the interior, we have done everything to find our way through this world by our work. What have we not organized! They have laughed at us, yes, always they have laughed whenever we had new substitute materials (Ersatzstoffe). We have not done this for pleasure. We were compelled to do it. Either millions of men would have not had work and unbelievable values would not have been produced or we would have had to adapt ourselves to new methods. We have done it.
By performing this work we have simultaneously identified ourselves with peace, for by doing so we wanted to maintain peace. Our enemies have rejected it. National Socialism was a fighting phenomenon, for many, many years in the interior, and today it has to be one against the exterior, there against the surroundings against the outside world. And so I expect each party member, above all, to be a representative of this faith in victory and in success, with the utmost fanaticism just as he was during the period of the struggle. Today it is much easier than it was then. Today, I must admire each of my party members of that party, all these many small men, who believed in the unknown nameless soldier of the world war, these men, who followed me at that time, who placed their lives at my disposal, so many of them who gave their lives, not only here, at that time in the old Reich, but also in the Eastern territories and in the Sudeten country, and also elsewhere in other countries.
I must admire them. They followed me at that time, when I was an absolutely unknown man. Today there appears before all of us together, the powerful, great Reich, and above all, what stands before us is the "to be or not to be" of our entire nation. Every National Socialist who believed in me then, can still be a fanatic for the fight on the outside today, and he must struggle through to the same fanatical consistency that we possessed at that time. We have opponents. There can be no mercy allowed them. On the contrary there is only one possibility: Either we fall or our opponent falls. We are aware of that, and we are men enough to look this knowledge straight in the eye, cool as ice. And that differentiates me from those gentlemen, in London and America; if I require much of the German soldier, I am demanding no more than I myself have always been ready to do also.
If I demand this of the German nation, I am calling for no more work than I myself do also. If I require overtime work of many of them, I don't even know what overtime is in my life. That I don't know at all. For every individual has the good for tune, perhaps, that at a certain time he can leave his work and then he is free. My work is the fate of the Reich. I can't leave it. It pursues me day and night, because I have stepped to the head of the nation.
In these days of gray misery and wretchedness and grief and ruin, any leave at all for me would be ridiculous. After all, what is leave? A leave is always in my eyes one single thing; it is Germany, it is my people, it is its future, it is the future of its children. Therefore I demand from no one else . . . therefore I demand from no one else more than I demand of myself, or what I am ready to do myself.
I know that my old party comrades now actually constitute the core of this movement, and that in memory of the first blood sacrifices offered by us at that time, they are already leading the nation with their example, and that they are being joined by all the hundreds and hundreds of thousands, the millions, of National Socialist functionaries, of party members, and those who belong to the organizations associated with us are marching with us, all of our men of the Storm Troops, of the S. S. (Schutzstaffel or Elite Guard), are marching with us, the men of our Labor Front are marching with us, the men of the Reich Labor Service; in short, the entire National Socialist German people.
The wonderful thing today is that we are not isolated like people crying in the wilderness, as was once the case with me, but that every word which we address to the nation today, finds a thousand-fold echo.
And if the foe believes that he can soften us by any means whatsoever, he is mistaken. Nor can he influence me to turn aside from an objective. The hour strikes and then I hit back and I do it with interest and compound interest.
You will remember the long period when we had to be legal as party comrades. How often did my old party comrades come to me and say: "Fuehrer" and they also called me "Chief" in those days, or they said "Adolf Hitler, why may we not strike back? Why do we have to take that?" For years I had to force them repeatedly to be legal.
I had to expel party members from the movement with an aching heart, because they believed that they could not obey this command, year after year, until finally the hour came, when I could call upon them.
And that's the way it is today too. Sometimes for months at a time I have to let things go somewhere. But don't you believe that that does not make my heart feel like bursting with anger when I hear about these air-raids. You know that I did not do those things for months. I did not allow a single bomb to be dropped in the city of Paris. Before we attacked Warsaw, I called for surrender five times, I was always refused. I asked that at least the women and children be sent out. Not even the officer bearing the flag of truce was received. Everything was refused, and only then did I decide to do what is permitted by every law of war.
When the English started to drop their bombs, I waited three and a half months and did nothing. At that time there were many who said: "Why don't we answer them? Why isn't . . . ? We were already strong enough to do it. I waited, thinking simply that perhaps they would still come to their senses.
It turned out differently. Believe me, it is no different today. I am taking note of it all. They will still learn over there that the German spirit of invention has not rested, and they will get such an answer that it will leave them dizzy.
And I have already had to tell the people several times before that the fact that now and then I don't talk for a long time, does not mean that I have lost my voice, but it means only that I did not consider it expedient to talk. Today it is the same. Why should I talk a lot now? Today in the last analysis it is the front that talks. Everything else is babble. Only on the rarest occasion would I like to take the floor, because what the front says is so forceful, it is such a unique language, that it is binding upon every single German anyway. Whoever reads the army communiqué or the Wehrmacht communiqué and then does not make himself fanatically one with his people, after hearing over and over again this tremendous number of heroic deeds, cannot be helped by talk either.
And as for the outside world-well, I do not speak for the benefit of the outside world at all. I have never yet spoken for the outside world. I speak only for my German people. Whether people abroad listen to me or not is entirely immaterial to me.
If Mr. Roosevelt says he does not hear my speeches, I can only say, I do not talk for Mr. Roosevelt's benefit at all. Once he accosted me by telegraph, and thereupon I gave him my reply, as a polite man would, but otherwise I do not talk to Mr. Roosevelt at all. I now talk through that instrument through which one can only talk today and that instrument talks loud and distinct enough.
Otherwise I talk only on the rarest occasions to the movement and to my own German people, and all that I can say for such a speech is only one thing: Think incessantly, men and women, only of the fact that this war will decide the "To be or not to be" of our people. And if you understand that, each one of your thoughts and each of your actions will be one single prayer for our Germany.
'''Narrator:''' One time a year there's a marvelous night, when enchantment and wonder spark and take flight. Each home fills with joy on this grand holiday, with hearts growing warm in a magical way. The rooms are all covered with garlands and wreaths. The mantle is ready, with stockings believe. lights twinkle and glow and bells brightly chime. The plunes arrived! It's here! Christmas time. [under the Christmas tree, there is a sailboat, a teddy bear, and a box] Three breakfast gifts like under this tree. What secrets they hold? Let's look, and we'll see. The first tells a story for us all to hear... about laughter and family be those from home dear. [the sailboat contains the story, "Donald Duck Stuck on Christmas"] We love Christmas so much but want to this stay, but wonder wished it was here every day?
[Donald Duck is sleeping in his bed on Christmas Eve while wearing a nautical hat with his nautical boat clock ticking. He is snoring and talking in his sleep.]
'''Donald: '''Oink Dance Railway! Fast Steam Ahead! [ Snoring ] Swab de deck, you mae [ Indistinct ]
[Huey, Dewey, and Louie are under their blankets, also sleeping. They snore and whistle Jingle Bells in their sleep. On Christmas morning, Chip and Dale are playing with their toy train.]
'''Dale: '''Whoo-whoo!
'''Chip: '''[Laughing] All aboard. Next stop, Wondermill
'''Huey, Dewey, and Louie:''' [jump out of bed] Best day of the year! [run downstairs] It's Christmas! [they run up to the tree, jump into the presents, and unwrap them] Oh-ho, boy! Just what we always wanted! Hey, look at this! Cool!
'''Donald:''' [comes in with a tray of breakfast] Merry Christmas, boys-[he throws his tray up in the air in shock of his nephews opening up the presents too early] WHAT THE--?! [quacks wildly; Huey, Dewey, and Louie watch as the breakfast and the tray falls from the sky and fall on Donald's head. An egg falls on his head. He turns red angry, frying the egg on his head. He edges towards his nephews, threateningly.] You know we have to wait for the family!
'''Huey, Dewey, and Louie:''' Sorry, Uncle Donald.
'''Donald:''' [his rage goes down, and he throws the egg off his head] Awww, it's Christmas, and I've got a special surprise for you! [He opens a closet, revealing three sleds for his nephews. They cheer, running over to the sleds, and running over Donald, one by one.]
'''Donald:''' But boys, you didn't even--
'''Aunt Gertie:''' Where are my boys? Where are my kisses? Oh, I could just eat you up! [She laughs, then picks up the nephews and smooches them while they make protesting sounds. She drops the soggy nephews. Donald dusts himself off.]
'''Daisy:''' Oh, Donald?
'''Donald:''' [sees Daisy under the mistletoe] Oh boy, oh boy, oh boy! [Donald prepares to kiss Daisy, but his nephews run over him again on their way outside to sled]
'''Nephews:''' Hi, Daisy! Catch you later! [Cuts to them outside gleefully screaming as they sled around outside in the snow; a wild turkey runs around gobbling in a panic as Louie flies past him]
'''Dewey:''' LAST ONE DOWN THE HILL'S A ROTTEN EGG!
'''Huey:''' NOT ME!
'''Daisy:''' Boys? Dinner! [the nephews inside slide into their seats at the table, one by one]
'''Huey:''' If there's one thing better...
'''Scrooge:''' [cracks his knuckles at the piano] All right. Who's for carolin'?
'''Huey:''' Aw, we don't want to sing, Uncle Scrooge! We want to play with our toys!
'''All''': ♪ We wish you a merry Christmas We wish you a merry Christmas We wish you a merry Christmas And a happy new year ♪♪
[the clock chimes]
'''Donald:''' Bedtime, boys. [the green remote control car screeches to a halt]
'''Huey:''' Not yet! Christmas can't be over already.
'''Donald:''' Goodnight, boys! [His nephews walk by as he kisses them one by one.] Aww.
[The nephews walk upstairs into their bedroom and put their toys into the toy chest.]
'''Huey:''' What a great day!
'''Louie: '''We should do it more often.
'''Dewey:''' Yeah! Once a week should be enough.
'''Huey:''' [flips a calendar] It'll be another 365 days until we get more Christmas.
'''Louie:''' "Star light, star bright, first star I see tonight, I wish I may, I wish I might, have the wish I wish tonight."
'''Nephews:''' We wish it was Christmas every day.
[The wishing star flies around in the night sky. The next morning, Chip and Dale are still playing with their toy train.]
'''Dale:''' Whoo, whoo!
'''Chip:''' [ Laughing ] All aboard ! Next stop, Waterville! [ Snoring ]
'''Louie:''' Boy, those guys sure like that choo-choo.
'''Dewey:''' They gotta play with that thing again today?
'''Huey:''' Hey ! Let's play with our new toys.
[Dewey and Louie run to the toy chest, open it, and see it's empty.]
'''All: ''AAAAAAHHHH!!!'''''<nowiki/>'' ''[Donald quacks in surprise and fright as he throws his tray up into the air] '''''AAAAAAAAHHHHH!!!! '''''[the breakfast and the tray both fall on Donald again]
WHOA !
UNCLE DONALD--
...WE DID IT.
IT'S CHRISTMAS AGAIN. UNCLE DONALD--
IT'S CHRISTMAS AGAIN, UNCLE DONALD.
- TWO DAYS IN A ROW !
'''Donald:''' AW. YOU BOYS MUST HAVE BEEN DREAMING.
HEY ! WE ALMOST FORGOT ABOUT OUR SPECIAL SURPRISE ! - WHA-- WHOA ! - [ Aunt Gertie ] WHERE ARE MY KISSES ? OH, I COULD JUST EAT YOU UP !
[ Smooching ]
[ Groaning ] OH !
[ Popping ]
PTOOEY.
PTOOEY.
'''Dewey:''' We should have seen that one coming.
[ Laughing ]
LAST ONE DOWN THE HILL'S A ROTTEN EGG ! AGAIN! AGAIN!
'''Daisy:''' BOYS ? DINNER ! ISN'T THIS LOVELY ? ALL OF US GATHERED FOR A WONDERFUL MEAL. I THINK THIS IS MY FAVORITE PART OF CHRISTMAS.
'''Chip:''' ALL ABOARD ! NEXT STOP, WATERVILLE.
- WHOO-WHOO ! - [ Screaming ]
[ Chuckles ] LOOKS LIKE THE END OF THE LINE !
- [ Chipmunks Laughing ] - UNTIL TOMORROW.
WHEN IT HAPPENS ALL OVER AGAIN.
Y-YOU'RE RIGHT. Y-YESTERDAY'S TODAY, AND TODAY IS TOMORROW, AND IT'S GONNA BE THE SAME THING... DAY IN AND DAY OUT, AND DAY IN AND DAY OUT--
HEY !
WHAT'S WRONG ? GET A GRIP !
I'M SORRY, FELLAS.
THAT'S OKAY. WE KNOW HOW YOU FEEL.
IF I SEE THE SAME TOYS AGAIN, I'LL GO OUT OF MY MIND !
YEAH, AND IF EAT ANY MORE TURKEY,
[ Chuckles ] I'M GONNA NEED NEW CLOTHES !
WE GOTTA DO SOMETHING TO LIVEN THINGS UP.
[ Makes Crackling Sound ] GREEN LEADER TO RED LEADER.
'''Daisy:''' DONALD ! STOP PLAYING WITH THE BOYS' PRESENTS.
[ Crashing, Banging ]
WHERE ARE MY BOYS ? WHERE ARE MY KISSES ?
OOH ! OH.
[ Together ] RIGHT HERE, AUNT GERTIE.
[ Boys Chuckling ]
'''Daisy:''' Isn't this lovely? All of us gathered for a wonderful meal. I think this is my favorite part of Christmas. [she lifts the lid, and the family sees a screaming live turkey running amok at the table]
HEY, UH, WE'LL BE OUTSIDE IF YOU NEED US. [ Gasps ]
DONALD ? ARE YOU ALL RIGHT ?
"TO HUEY, DEWEY, AND LOUIE: CHRISTMAS ISN'T ABOUT CANDY CANES, HOLLY, OR LIGHTS ALL AGLOW-- IT'S ABOUT THE HEARTS THAT WE TOUCH... AND THE CARE THAT WE SHOW. WISHING YOU LOTS OF LOVE, DONALD AND DAISY."
OHH, SOME CHRISTMAS THIS TURNED OUT TO BE.
GEE, I DON'T KNOW ABOUT YOU GUYS, BUT I DON'T EVER WANT TO DO THAT AGAIN.
ME TOO.
ME THREE.
TOMORROW, LET'S HAVE THE BEST CHRISTMAS EVER.
[ Grunting ] WE'RE SURE PUTTIN' THESE SLEDS TO GOOD USE !
[ Train Whistling ]
[ Nephew ] INCOMING !
MERRY CHRISTMAS, FELLAS.
- HUH? - LOOK !
- WE MADE YOU BREAKFAST, UNCLE DONALD. - AWW. ISN'T THAT NICE ?
- HEY, YOU WANT TO OPEN PRESENTS. - NO WAY, UNCLE DONALD.
'''Daisy:''' WHY, ISN'T THAT SWEET ? THANK YOU, BOYS.
'''Aunt Gertie: '''OOH ! HAM !
UNCLE DONALD, WOULD YOU LIKE TO CARVE ?
'''Donald:''' SOMETHING'S UP FOR SURE.
NOTHING BETTER THAN ALL OF US GATHERING TOGETHER--
...FOR A WONDERFUL MEAL.
IT'S OUR MOST FAVORITE PART.
MY FEELINGS EXACTLY.
HOW ABOUT SOME CAROLS, UNCLE SCROOGE?
'''Scrooge: '''WHY, BOYS, IT'S LIKE YOU COULD READ MY MIND.
[ Cracks Knuckles ]
♪♪ [ "We Wish You A Merry Christmas" ]
♪ WE WISH YOU A MERRY CHRISTMAS WE WISH YOU A MERRY CHRISTMAS ♪
- ♪ WE WISH YOU A-- ♪♪ - WHAT'S THE BIG IDEA ?
WHAT ARE YOU BOYS UP TO ?
'''Daisy:''' WHY, DONALD DUCK. YOU'RE SPOILING A PERFECT CHRISTMAS!
NAH, UNCLE DONALD IS RIGHT.
- WE ARE UP TO SOMETHIN'. - [ Clattering ]
[ Together ] MERRY CHRISTMAS, UNCLE DONALD !
SEE ? IT'S YOUR DREAM BOAT, UNCLE DONALD.
OH, THANK YOU, BOYS.
[ Laughing, Giggling ]
OH, HOW BEAUTIFUL.
SOME CHRISTMAS THIS HAS TURNED OUT TO BE.
OH, I'M JUST SO HAPPY! [ Aunt Gertie Crying ] ♪ WE WISH YOU A MERRY CHRISTMAS WE WISH YOU A MERRY CHRISTMAS ♪ ♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ AND A HAPPY ♪
♪ NEW YEAR ♪♪
[ Snoring ]
'''Donald:''' Oh, boys! come give me a push! [ Chuckles ] [ Door Opening ] [ Laughing ] [ Cheering ] IT'S OVER! CHRISTMAS IS FINALLY OVER! THE DAY AFTER CHRISTMAS! AW, I UNDERSTAND, BOYS. YOU WISH IT COULD BE CHRISTMAS EVERY DAY.
'''Nephews: '''[rapidly push Donald over the hill in shock] '''''NOOOOOOOO!'''''
'''Donald:''' Anchors aweigh! Full steam ahead? WAK! WAK! Uh-oh. OH NO, MAN OVERBOAAARD! WHOOOOAAAAAA!!! [A crashing noise is heard. The nephews uncover their eyes.]
'''Nephews: WHOA!'''
'''Donald: '''WHY DOES THIS ALWAYS HAPPEN TO ME? I don't understand.
'''Narrator''': So, Christmas was meant to last just one day, and maybe it's simply better that way. It's a time to be treasured. It can't always be here, but the feeling it gives us can last the whole year. [zooms in on the teddy bear] Now, this gift holds a story both wondrous and rare... about a father and a son and the love that they share. This Christmas, they'll learn before the night's through, if we care for each other our dreams can come true. [the teddy bear contains the story "A Very Goofy Christmas"]
'''Goofy:''' ♪ Hark, the hairy angels sing ♪ Come on, Maxie! At least hum a few bars.
'''Max:''' Dad, hurry up!
'''Goofy:''' ♪ Deck the walls with cows and collies, fa-la-la-la-la, la-la la la ♪
'''Max:''' [pointing at his Mickey Mouse watch] The mailman comes at noon, Dad!
'''Goofy:''' Hmm. Let's see now. Oh! How about one of them snazzy electrical recliners?
'''Goofy:''' Oh. Don't want to turn into some high-falutin' fancy-pants. [Max drags him]
'''Max:''' Yeah, yeah. Great, Dad. But Santa won't get our letter if we don't leave... [opens the door and watches as the mail van leaves] NOW!
MAYBE WE OUGHT TO SLOW HER DOWN 'FORE WE BREAK THE SOUND BARRIER !
- WHAT ? - WE'RE HEADED STRAIGHT FOR THE MALL!
'''Max:''' Great Idea!
WHOA! [ Everyone Gasping ] Low Bridge!
Really? Where? OW! GO ON AHEAD AND STOP THE MAILMAN, SON! I'll be right behind ya! DON'T WORRY! I WON'T LET YA DOWN! [ Yelping ] [ Clattering ] [ Woman Screaming ] 'SCUSE ME! [ Screams ] Oops. Pardon me, MA'AM! DIDN'T MEAN TO GET FRESH! [ Chuckles ] [ Wind Whistling ] WAIT! WAIT! [ Grunts ]
HEY! THERE'S A MADMAN ON THE ORNAMENT!
[ Shoppers ] THERE HE GOES! WHAT IS HE DOING? [ Shoppers Shouting ] [ Man ] AW, COME ON! [ Goofy Grunts ] [ Shoppers Gasp ] [ Cheering ] [ All Screaming ]
OOPS. SORRY.
[ All Screaming ]
'''Max:''' Wait! Stop! You have to mail our letter to Santa!
'''Mailman:''' Hey, Get outta the road, kid!
You really think Santa will get the letter in time? SURE AS I'M STANDIN' HERE. YEOW!
SLIPPERY.
I gotta get it. I just gotta.
MY VERY OWN, ONE-OF-A-KIND, CARBON-FIBER, TORQUE-ROD, SNAPPY-FLEX, TIP-TO-TAIL, RAIL-TO-RAIL, WOODEN CORE, TWIN-DIRECTIONAL SNOWBOARD !
WHEW. THAT'S A MOUTHFUL.
WITH ADJUSTABLE FORWARD-LEAN, HIGH-BACKED, SKID PLATE, SCOOPER-TOE, STEP-IN BINDINGS !
LOOK AT THIS. ALL NICE AND NEAT AND READY FOR OL' SANTY.
[ Engine Revving High ] [ Grunting ] MERRY CHRISTMAS EVE, PETE! Why, If It ain't THE GOOFMASTER HIMSELF.
SAY, WE GOT US SOME MORE WORK TO DO, MAX, OR SANTY'S NEVER GONNA FIND OUR CHIMNEY-[falls through the snowy chimney]-'''''EEE-HEE-HEE-HOOEY!'''''
'''Pete: '''[ Laughs ] Ain't that quaint. The Goofbrain thinks there's a Santy Claus.
'''Max:''' There isn't?
'''Pete:''' [Laughs] Like father, like Goof. Kid's got the Goof gene coursin' through his bloodstream.
'''Max: '''THERE IS TOO A SANTA! OH, NOW, SON. COME HERE.
SEE, IT'S AN URBANE MYTH, LIKE THAT, UH, "LOCKED MESS MONSTROSITY"...
AND THE FELLA THAT BRINGS THE SWEEPSTAKES CHECKS, SEE? WELL, THINK OF IT: AN OLD GUY IN A RED SUIT,
CRUISIN' THE WHOLE, ENTIRE WORLD IN ONE NIGHT.
USIN' REINDEER WHAT FLY? WHY, IT'S PRACTICALLY IMPOSSIBLE! LOOK, KID. I'VE BEEN AROUND, SEE ?
BEEN TO ALL THE FOREIGN LANDS, BROOKLYN INCLUDED.
AND I NEVER SEEN-- NOR MET A SOUL WHO'S SEEN--
THIS SANTY CLAUS FELLA.
LOOK, MAXIE! I FOUND THE FRONT DOOR !
SO LONG, NEIGHBORS.
HAVE A VERY MERRY CHRISTMAS. [ Laughs ] OH! AND A HAPPY NEW YEAR.
'''Goofy:''' ♪ DOH, DOH, DOH, DOH COWS AND COLLIES ♪ ♪ DI, DI, DI, DI, DI DOO, DOO ♪♪ HEY ! HOW ABOUT GIVIN' YOUR OLD MAN A HAND? WHAT IS IT, MAXIE? WHY, YOU LOOK LIKE SANTY CLAUS...
PUT A LUMP OF COAL IN YOUR STOCKIN'.
I HEARD THERE ISN'T ANY SANTA CLAUS.
OH, WHO WENT AND TOLD YOU A SILLY THING LIKE THAT ?
MR. PETE.
OH, THAT FIGURES.
SON, OF COURSE THERE'S A SANTY !
OTHERWISE WE'D HAVE A LOT OF OUT-OF-WORK ELVES RUNNIN' AROUND.
- Y-YOU THINK? - THINK? HECK, I'M SURE! YOU TAKE IT FROM ME, SON. Have I ever been wrong?
- WELL-- - WHY, EVEN A BROKEN CLOCK...
IS RIGHT TWO OR THREE TIMES A DAY.
AND THIS TIME, I'M RIGHT ! BELIEVE ME. SANTA WON'T LET YOU DOWN.
'''Max:''' Do you really think he'll come?
'''Goofy:''' Why, as sure as pigs fly!
'''Max:''' Hey, dad. what'd you ask for from Santa?
'''Goofy:''' Oh, you know, uh, just the usual.
'''Goofy:''' [Whispering] It's a surprise. [In Normal Voice] Now, plug her in and let the joy of Christmas shine! [Max plugs in the tree, and the lightbulbs all start popping one by one. Both dogs look in confusion. The popping spirals around the tree, then it pops all around Goofy so much, that Goofy gets electrocuted.] WH-O-O-O-OA! Whew. Now that'll put the spirit of Christmas in ya.
[ Giggling ] [ Laughing ] 'COURSE THERE'S A SANTA.
[ Goofy's Voice ] BELIEVE ME, SANTA WON'T LET YA DOWN.
AN OLD GUY, IN A RED SUIT, CRUISIN' THE WHOLE, ENTIRE WORLD IN ONE NIGHT? USIN' REINDEER WHAT FLY? WHY, IT'S PRACTICALLY IMPOSSIBLE! [ Echoing ] IMPOSSIBLE! IMPOSSIBLE! HIYA, MAXIE! WANNA HELP? DID YOU KNOW THAT THERE ARE OVER TWO BILLION CHILDREN IN THE WORLD? HMM. NO WONDER I KEEP TRIPPIN' OVER ROLLER SKATES.
That means Santa would HAVE TO MAKE LIKE 800 VISITS A SECOND, NOT INCLUDING BATHROOM BREAKS.
WELL, I GUESS OL' SANTY'S BEEN AT IT SO LONG, HE FIGURED OUT ALL THE SHORTCUTS.
[ Grunting ] [ Laughs ] LOOKS LIKE IT'S GONNA BE A WHITE CHRISTMAS AFTER ALL! DAD ! THIS IS SERIOUS! OH, I KNOW, SON, BUT--
BUT HOW CAN A REINDEER FLY? OH, THAT'S EASY. IT'S THOSE ANTLERS. THEY, UH--
WELL, YOU KNOW, WITH THE WIND AND ALL--
THAT THERE CREATES LIFT, AND, UH--
HOT, HOT, HOT, HOT! HOT, HOT! STILL, IT'S A LOT OF WORK FOR ONE GUY.
'''Goofy:''' And that's why we leave him these cookies. For a quick pick-me-up-up-[slips on the turkey on the floor] WOAH!
'''Max:''' But it just doesn't quite make sense, dad.
HMM, CHESTNUTS.
♪♪ [ Humming ]
'''Max:''' Where are we going, dad?
'''Goofy:''' Goin' to share the joy of Christmas with those...a little less fortunate.
Well, shouldn't Santa be doing this? Oh, Santy's on a very tight SCHEDULE THIS TIME OF YEAR, SO WE'RE GIVIN' HIM A HELPIN' HAND.
WH-O-O-O-OA ! [ Laughs ] LOOKS LIKE I MIGHT NEED ONE TOO.
[ Kids Laughing ] VROOM, VROOM! HEY.
WANNA PLAY TOY "CARSES" ?
I ONLY GOTS TWO, BUT YOU CAN HAVE ONE.
SANTA GAVE ME THIS ONE LAST YEAR.
THIS YEAR I HOPE HE'S GONNA GIVE ME ANOTHER ONE.
YOU KNOW, KID, I AIN'T SO SURE THERE IS SUCH A THING AS--
CHRISTMAS EVE DINNER IS SERVED !
YEOW! OHH! OHH! OHH!
[ Gasps ] OH, NO! OH, MY!
- OHH! - WOW.
- [ Giggling ] - OH! [ All Laughing ] Mr. Goofy, That's INCREDIBLE! THAT WAS LIKE MAGIC! GOSH. [ Chuckles ]
CHRISTMAS MAGIC.
THANK YOU SO MUCH.
WITH THINGS BEIN' SO TIGHT THIS YEAR--
WELL, WITHOUT YOU, WE WOULDN'T HAVE--
AW, DON'T MENTION IT.
YOU'D DO THE SAME FOR ME.
BUT HAVE YOU EVER REALLY ACTUALLY SEEN SANTA ?
HE'S GOT A BIG WHITE BEARD.
BUT HAVE YOU EVER ACTUALLY SEEN HIM IN PERSON ?
WHERE ?
HO, HO, HO !
- MERRY CHRISTMAS! - SANTA ! - SANTA ?
[ Kids Laughing ] SANTA !
DID YOU GET MY LETTER ?
- IT'S SANTA ! - WHO WANTS TO BE THE FIRST TO SIT ON SANTY'S LAP ?
ME, ME, ME !
HERE !
SANTA, ME !
SANTA, ME !
PICK ME !
'''Max: '''I'm so glad you came! Wow! I almost didn't believe anymore. But now... Whew. Everything's... okay. So... I want my very own one-of-a-kind, carbon-fiber, torque-rod, snappy-flex, tip-to-tail, rail-to-rail, twin-directional snowboard! Uh... Please. [a baby giggles as she grabs Goofy's Santa hat attached to his Santa beard also. Both come off.] Dad?!
'''Goofy: '''Oh.
'''Max: '''You tricked me! [feeling betrayed by his own father, Max runs away] How could you!?
'''Goofy''': Uh, ho, ho! Santy's got a little problem with one of his elves, but... He'll be right back!
[Max slams the door. Goofy runs into it and falls as the pillow under his shirt explodes, sending feathers falling all over him. Later, Max is sulking back at home.]
'''Goofy:''' GOSH, MAXIE, I'M REAL SORRY. I WAS JUST TRYIN' TO MAKE THOSE KIDS HAPPY. 'MEMBER THE OLD GOOF TRADITION OF EATIN' ONE OF SANTY'S COOKIES 'FORE BEDTIME ?
'''Max: '''WHAT'S THE POINT ?
'''Goofy:''' AND 'MEMBER HOW WE ALWAYS OPEN JUST ONE PRESENT ON CHRISTMAS EVE ?
HIYA, MAXIE !
WHY, LOOKY HERE. IT'S YOUR OL' STUFFED BEAR.
'MEMBER WHAT YOU NAMED HIM ?
'''Max:''' OLD STUFFED BEAR.
'''Goofy:''' 'MEMBER WHO GAVE HIM TO YA ?
'''Max:''' YEAH. SANTA. BUT THAT'S WHEN I WAS LITTLE.
♪ OH, YOU BETTER WATCH OUT YOU BETTER NOT CRY ♪
♪ YOU BETTER NOT POUT I'M A-TELLIN' YOU WHY ♪
♪ SANTY CLAUS IS COMIN' TO TOWN ♪♪
'''Max:''' NO, HE'S NOT !
'''Goofy:''' TRUST ME, MAX. YA JUST GOTTA BELIEVE. SANTY'S REAL.
'''Max:''' NO, HE'S NOT !
'''Goofy:''' YES, HE IS !
'''Max:''' NO, HE'S NOT !
'''Goofy:''' I promise.
'''Max:''' Then prove it!
'''Goofy:''' WHEN SANTY SHOWS UP, WE'LL BE RIGHT HERE TO GREET HIM. AND THEN I'LL SNAP A PICTURE OF HIM SO YOU'LL ALWAYS HAVE THE "PHOTYGRAPHIC" EVIDENCE.
[ Scoffs ] YEAH. IF YOU DON'T FALL OFF THE ROOF FIRST.
OH, I WON'T FALL OFF THE ROOF, MAXIE.
YOU JUST WATCH.
[ Jingle Bells Jingling ]
SANTY CLAUS IS COMIN' TO TOWN !
OH !
BRIGHT!
WH-WHOA !
OH !
TOLD YOU YOU'D FALL OFF THE ROOF.
I DIDN'T FALL OFF THE ROOF. OH!
Where's SANTY? I DIDN'T MISS HIM, DID I?
NOPE.
THEN WHERE IS HE?
I DON'T KNOW ABOUT YOU, BUT I'M COLD AND TIRED.
AND SANTA CLAUS IS NOT COMING.
[ Sneezing ]
WHY DOESN'T HE JUST GROW UP AND FACE THE FACTS?
"DON'T... FORGET... MAX." AW, DAD.
'''Goofy:''' MAX ! WAKE UP ! LOOK, SON !
[ Gasps ]
LOOK ! IT'S HIM ! IT REALLY IS !
DO YA SEE HIM, MAXIE ? DO YA ? HUH ? HUH ? DO YA ?
YOO-HOO ! SANTY ! OVER HERE !
OH, I ALMOST FORGOT.
SMILE, SANTY !
- DAD, THE LENS CAP ! - OOPS !
I'LL GET IT RIGHT THIS TIME FOR SURE.
[ Siren Wailing ]
[ Helicopter Blades Whirring ]
COME DOWN FROM THE ROOF WITH YOUR HANDS UP. WE HAVE YOU SURROUNDED.
WHAT IN THE NAME OF PETE IS GOIN' ON HERE, FOR PETE'S SAKE ?
MAYBE HE'S RUNNIN' A LITTLE LATE ?
- WH-O-OA ! - DAD ! DAD !
A-ARE YOU OKAY ?
'''Goofy:''' YOU WERE RIGHT ABOUT EVERYTHING. I EVEN FELL OFF THE ROOF.
'''Max:''' HEY, DAD, IT'S OKAY. SANTA DIDN'T SHOW. NO BIGGIE. W-W-WELL, SINCE HE'S NOT COMIN', AT LEAST WE CAN EAT ALL HIS COOKIES.
'''Goofy:''' I'M NOT HUNGRY.
'''Max''': HEY, DAD. HERE'S SOMETHING FROM ME ! OPEN HER UP.
'''Goofy:''' MAYBE LATER.
♪ Oh, you better watch out you better not cry ♪ ♪ You better not pout, I'M TELLIN' YOU WHY ♪ ♪ 'CAUSE SANTA CLAUS IS COMIN' TO TOWN ♪♪ [ Sighs ] [ Clattering ] MAX? [ Gasps ] BURGLARS! WH-O-O-OA !
S-S-S-SANTY!
HO, HO-- [ Clears Throat ] ER, HO. [ Deep Voice ] MERRY CHRISTMAS!
SANTY ! I'M SO HAPPY YOU CAME ! [ Gasps ] GOSH. I THOUGHT YOU'D BE TALLER.
AND YA LOOK TRIMMER THAN YA DO IN YOUR PICTURES.
OH, WELL, UH, YOU KNOW.
A CAMERA ADDS 50 POUNDS.
OH, YA HAVE TO MEET MY BOY MAXIE !
OH, UH, YEAH. I'D LOVE TO, BUT I GOTTA GET GOIN'.
TWO BILLION KIDS, 823 A SECOND.
VERY TIGHT SCHEDULE.
WAIT, SANTY ! HE'S AROUND HERE SOMEWHERES.
WAIT ! SANTY! SANTY! MAXIE? H-HI, DAD.
WH-WHAT ARE YOU DOIN' DRESSED UP LIKE SANTY CLAUS ?
I JUST WANTED TO MAKE YOU HAPPY,
LIKE YOU DID FOR OUR NEIGHBORS.
OH, MAXIE, I MIGHT HAVE LET YOU DOWN,
BUT YOU SURE DIDN'T LET ME DOWN.
[ Jingle Bells Jingling ] C-COULD IT BE? Do you think? GOSH, IT SURE LOOKS LIKE--
Where are ya goin'? I'm gonna go share my new present with LITTLE JIMMY NEXT DOOR.
That's my boy.
[ Both Laughing ]
'''Narrator:''' SO, CHRISTMAS IS FOUND IN THE WAY THAT WE LIVE.... NOT WHAT WE RECEIVE, BUT WHAT WE CAN GIVE. NOW THE LAST PRESENT HERE MAY SEEM RATHER SMALL, NOT FANCY OR FLASHY, OR SPECIAL AT ALL. BUT THIS GIFT CAN BE GIVEN BY THE RICH OR THE POOR. IT'S A GIFT OF THE HEART, AND IT MEANS SO MUCH MORE.
Thanks, Joe! Merry christmas! Merry christmas, George. You workin' tonight? Not tonight! It's Christmas Eve! ♪♪ [ Harmonica Plays "Jingle Bells" ]
♪♪ [ Continues ] [ Barking ] There it is, Pluto, THE PERFECT GIFT TO GO WITH MINNIE'S WATCH.
[ Sighs ] My Minnie.
They close at 5:00? Well, I'm a little short right now, But, uh-- BUT YOU AND I ARE GONNA MAKE LOTS OF TIPS TODAY.
AREN'T WE, FELLA? YEAH! YEAH! YEAH! [ Panting ] WE'LL STOP BY RIGHT AFTER WORK AND PICK IT UP.
COME ON. LET'S GET THIS TREE OVER TO MINNIE'S.
[ Barking ] ♪♪ [ "Deck The Halls" ] OH, FIGARO, THERE'S NOTHING BUT BILLS! [ Meows ] HOW AM I EVER GOING TO AFFORD TO GET MICKEY A PRESENT? ♪♪ [ "Deck The Halls" ] ♪♪ [ Ends ] AW, MICKEY ! [ Giggles ]
WHEN YOU PLAY YOUR HARMONICA, MY HEART SINGS !
YOU KNOW, AN INSTRUMENT LIKE THAT DESERVES A SPECIAL CASE.
- OH, YEAH. SOMEDAY-- - ♪ LA LA-LA-LA LA LA-- ♪ Come on into the kitchen. Breakfast is almost ready.
YOU SURE I'M NOT EATING YOU OUT OF HOUSE AND HOME ?
[ Voice On Loudspeaker ] WELCOME TO CRAZY PETE'S TREE LOT !
HURRY, FOLKS. ONLY ONE MORE DAY TILL CHRISTMAS !
EASY CREDIT, NO MONEY DOWN ! [ Laughing ]
HE-HEY! THIS STUFF WORKS PRETTY GOOD !
- MERRY CHRISTMAS, MR. CRAZY PETE. - AH, MERRY-SHMERRY.
I'LL BE MERRY WHEN I'VE SOLD ALL THOSE TEN-FOOTERS !
WHY ARE YOU STANDING THERE WITH YOUR FACE HANGIN' OUT ?
GET TO WORK !
[ Chuckles ] OKAY, FELLA. YOU KNOW WHAT TO DO.
SHAKE A LEG !
[ Crazy Pete On Loudspeaker ] QUIT SLACKIN' OFF THERE ! THERE'S A CUSTOMER WAITIN' !
OH, DO BE CAREFUL OF THE PAINT.
- YES, MA'AM ! - SUCH A NICE YOUNG MAN.
HERE'S A LITTLE SOMETHING FOR YOU.
GOSH, I DON'T EXPECT ANYTHING. I'M JUST GLAD TO HELP.
OH, BOY ! THANK YOU, MA'AM.
THANK YOU !
HOT DOG ! LOOKS LIKE I MAY BE ABLE TO GET MINNIE THAT CHAIN FOR HER WATCH.
- YEAH, YEAH, YEAH, YEAH ! - Uh, We'd like to buy a tree--
Did I hear you folks ARE LOOKIN' FOR a TREE ?
BOY, OH, BOY ! IS THIS YOUR LUCKY DAY! [ Chortling ]
THIS HERE'S WHAT YOU FOLKS NEED.
TEN FEET OF TOWERIN' NOVA SCOTIA PINE.
WOW. IT'S BIGGER THAN OUR HOUSE.
WELL, IT'S A LITTLE... MORE THAN WE NEED.
WELL, MISSUS, I GOTTA BE HONEST WITH YA.
THIS IS ALL I GOT LEFT ON THE LOT !
THE OTHERS HAVE BEEN "RESERVATED" IN ADVANCE.
YOU DON'T WANT THESE KIDS...
GOIN' WITHOUT A TREE, NOW, DO YA ?
[ Coughing ]
WE ARE GONNA GET A TREE, AREN'T WE, DADDY ?
UM, THIS IS ALL WE HAVE.
WELL, THAT'LL BE JUST FINE-- [ Chuckles ] ...FOR A DOWN PAYMENT.
I'LL SET YOU UP WITH A NICE INSTALLMENT PLAN.
ALL'S YA GOTTA DO IS SIGN HERE !
[ Children Giggling ]
♪ WE'RE GONNA GET A TREE WE'RE GONNA GET A TREE ♪♪
'''Pete:''' Get your foot off the brake, Pops, the kids are waitin'.
[ Mickey ] HEY ! HOW ABOUT THIS TREE ?
I, UH, I FOUND IT OUT BACK.
IT HASN'T BEEN "RESERVATED." [ Gulps ]
WOW! IT'S BEAUTIFUL.
WOW! WO-OW.
[ Boy ] IT'S PERFECT !
'''Father:''' [gives clipboard to Pete] We'll take it. [Pete groans with rage as he snaps the clipboard in half.]
[ Groaning, Angry Mumbling ]
[ Family, Together ] MERRY CHRISTMAS! AND THANK YOU AGAIN.
[ Girl ] THANKS A LOT !
MERRY CHRISTMAS !
'''Mickey: '''[Pete walks up angry behind Mickey] So long! Merry... [Pete growling] ...Christmas.
'''Pete:''' I HAD THEM ON THE HOOK FOR A TEN-FOOT TREE! I'm takin' what I ''would have'' made off of that tree OUT OF ''YOUR'' PAY!
'''Pete:''' [fires Mickey by throwing him along with Pluto out of his lot] NOW GET OFF OF MY LOT! Hmph. Chumps. [He accidentally sticks his still-lit cigar and money in his rear pocket. A glowing red tint appears on his backside.] [Sniffing] Hmm. Somebody's burning their ham. [his eyes widen] Ow! Ow! Ooh! Ooh! [jumps around on his burning butt] Ooh! Ooh! Ooh! Ooh! [he runs into a bunch of cans] OH! A LITTLE WARM! THAT'S HOT! [He gets a glue can stuck on his head and struggles to get it unstuck from his head] Come off! [The bucket stuck to his butt explodes, sending Pete flying into the sky like a firework rocket.] [Screaming] '''''IIINCOMIIIIIIIING!''''' [He crash-lands into the snow as flames catch onto Pete's trees. He gets up from the snow and silently screams at the sight of his tall trees on fire. The fire engines arrive at his burning tree lot.] Not my ten-footers! [Crying]
[ Man On Loudspeaker ] ATTENTION, HOLIDAY SHOPPERS !
DON'T FORGET TO BRING ALL YOUR LAST-MINUTE PURCHASES TO OUR GIFT-WRAPPING DEPARTMENT.
[ Sighs ] I'VE NEVER SEEN IT SO BUSY.
Wow, Minnie, who made you Santa's Number-one helper ?
Oh, I really want to get Mickey something special this year.
WITHOUT THAT CHRISTMAS BONUS, I'M SUNK !
[ Phone Rings ]
HELLO ? OKEY-DOKEY.
[ Gibberish ]
BYE. MR. MORTIMER WANTS TO SEE YOU IN HIS OFFICE, RIGHT AWAY.
'''Minnie:''' Want some fruitcake? [ Giggles ]
'''Narrator''': A GIFT FROM THE HEART IS CHERISHED AND TRUE. A PRESENT IS BEST... WHEN LOVE'S GIVEN TOO. SO, IN THE END, IT'S LOVE THAT'S THE REASON... THAT CHRISTMAS IS MORE THAN A GIFT-GIVING SEASON. IT'S A TIME WITH OUR LOVED ONES TO SHOW THAT WE CARE, WHEN FAMILIES AND NEIGHBORS COME TOGETHER TO SHARE. SO, THIS CHRISTMAS SEASON, LET US ALL DO OUR PARTS, TO KEEP CHRISTMAS SPIRIT ALIVE IN OUR HEARTS.
♪ WHAT FUN IT IS TO RIDE AND SING A SLEIGHING SONG TONIGHT ♪
WOOF !
♪ JINGLE BELLS, JINGLE BELLS JINGLE ALL THE WAY ♪
[ Howls ]
♪ OH, WHAT FUN IT IS TO RIDE IN A ONE-HORSE OPEN SLEIGH ♪
♪ HEY JINGLE BELLS, JINGLE BELLS JINGLE ALL THE WAY ♪
♪ OH, WHAT FUN IT IS TO RIDE IN A ONE-HORSE OPEN SLEIGH ♪
[ Chorus ] ♪ ONE-HORSE OPEN SLEIGH ♪
♪ ONE-HORSE OPEN SLEIGH ♪
♪ ONE-HORSE OPEN AH, AH, AH, AH ♪
♪♪ [ Singing Scales ]
♪ DECK THE HALLS WITH BOUGHS OF HOLLY ♪
♪ FA-LA-LA LA-LA, LA-LA LA LA ♪
♪ 'TIS THE SEASON TO BE JOLLY FA-LA-LA LA-LA, LA-LA LA LA ♪
♪ DON WE NOW OUR GAY APPAREL FA-LA-LA, LA-LA-LA, LA LA LA ♪
♪ TROLL THE ANCIENT YULETIDE CAROL ♪
♪ FA-LA-LA LA LA, LA-LA LA LA ♪
♪ FA-LA-LA LA LA LA-LA LA LA ♪
[ Guffaws ]
♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ WE WISH YOU A MERRY CHRISTMAS ♪
[ Together ] ♪ WE WISH YOU A MERRY CHRISTMAS AND A HAPPY NEW YEAR ♪
♪ GOOD TIDINGS WE BRING TO YOU AND YOUR KIN ♪
♪ WE WISH YOU A MERRY CHRISTMAS AND A HAPPY NEW YEAR ♪
♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ AND A HAP-PY ♪
♪ NEW YEAR ♪♪
♪ DECK THE HALLS WITH BOUGHS OF HOLLY ♪
♪ FA-LA-LA LA LA ♪
♪ THOSE JINGLE, JINGLE BELLS ♪
♪ DECK THE HALLS ♪
♪ WITH BOUGHS OF HOLLY ♪
♪ DECK THE HALLS ♪
♪ WITH BOUGHS OF HOLLY ♪
♪ FA-LA-LA ♪
♪ LA, LA ♪
♪ 'TIS THE SEASON ♪
♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ 'TIS THE SEASON ♪
♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ DECK THE HALLS WITH BOUGHS OF HOLLY ♪
♪ FA-LA-LA, LA-LA-LA ♪
♪ 'TIS THE SEASON TO BE JOLLY ♪
♪ FA-LA-LA, LA-LA-LA ♪
♪ DON WE NOW OUR GAY APPAREL ♪
♪ FA-LA-LA ♪
♪ FA-LA-LA, LA-LA ♪
♪ FA-LA-LA ♪
♪ FA-LA-LA-LA ♪
♪ TROLL THE ANCIENT YULETIDE CAROL ♪
♪ FA-LA-LA-LA-LA LA-LA-LA-LA ♪
♪ EVERYBODY SING THE YULETIDE CAROL ♪
♪ FA-LA-LA, LA-LA-LA ♪
♪ FA-LA-LA-LA, LA-LA-LA ♪
♪ YEAH ♪
♪ VERY MERRY CHRISTMAS ♪
♪ VERY MERRY CHRISTMAS ♪
♪ SEE THE BLAZING YULE BEFORE US ♪
♪ FA-LA-LA, LA-LA-LA ♪
♪ LA-LA, LA-LA, LA-LA ♪
♪ STRIKE THE HARP AND JOIN THE CHORUS, YEAH ♪
♪ FA-LA-LA-LA-LA LA-LA-LA-LA ♪
♪ FOLLOW US IN MERRY MEASURE ♪
♪ WHILE I TELL OF YULETIDE TREASURE ♪
♪ FA-LA-LA ♪
♪ LA-LA-LA ♪
♪ LA, LA, LA, LA ♪
♪ DECK THE HALLS WITH BOUGHS OF HOLLY ♪
Friðrik Dór Jónsson
(IP-tala skráð)
13.11.2023 kl. 09:38
36
(static crackles)
♪ ♪
(static crackling)
(quiet metallic squeaking)
(man breathing rapidly)
(whimpers)
(grunting quietly)
(breathing heavily)
(loud crashing)
(gasps)
(pounding on door)
(whimpering)
(whimpering)
(breathing rapidly)
(grunts)
(metal scrapes)
(gasps)
(door creaks)
(muffled pop music playing in distance)
(whimpers)
♪ ♪
(whimpering)
(lights buzzing)
(rattling)
(male voice humming)
(breathing rapidly, whimpering)
(male voice scatting nearby)
(heavy footsteps approaching)
(screams)
(breathing rapidly)
(whirring, rattling)
(breathing rapidly)
(low growling)
(straining, whimpering)
(whirring and rattling intensify)
(whimpering)
(whimpering loudly)
(crying out)
(screaming)
(screaming echoes, fades)
♪ ♪
♪ ♪
(alarm clock beeping)
(beeping stops)
♪ ♪
(sighs)
(tape rewinding)
MIKE: Abs, you ready?
Abby…
MIKE: Abs.
Come on. I know you’re in there. Let’s go.
Abby, come on.
Okay, okay.
You’re being a jerk.
You know I have somewhere I have to be.
Come on, let’s go. Five minutes.
I need you dressed.
(toy squeaks)
Five minutes.
(crowd chatter)
JEREMIAH: “And though the dreamer remains asleep, he walks through memory as if experiencing it for the first time anew, no longer a passenger but an active participant.”
(chuckles)
This stuff for real?
Some people think so.
Guess it depends on what you believe.
Summer of ’82, I traded a mint condition Cal Ripken Jr. rookie for a used copy of “Missile Command.”
That card’s probably worth 800 bucks now.
I wish I could participate in that memory and actively kick my own ass.
Can I keep it?
No.
WOMAN: I would like the walnut fudge, but I want the fudge on the side because I don’t want it to melt the ice cream.
And can I get some whipped cream on top and three cherries?
CINDY: Coming right up.
Hey.
You want your usual, right?
Uh, yeah.
So, when are you gonna bring your sister by?
We got this new flavor, Rainbow Explosion.
I bet she’ll go crazy for it.
Mike?
Hey!
Hey!
Hey!
(grunts)
(crowd gasping, murmuring)
(grunting)
WOMAN (distantly): Number 27?
(echoing): Number 27?
(normal): Number 27?
Follow me.
(humming a tune quietly)
Mm.
What is your deal, Mike?
What are you, some kind of… head case?
You beat up a man in broad daylight.
In front of his child.
Daddy!
(people screaming)
(panting)
That was a mistake. Um…
It was a misunderstanding. I-I thought…
Just look at your employment record.
Tire Zone, sales associate, two months, terminated.
Insubordination.
Media World, custodial staff, one week.
It’s like you’re not even trying here, yet you sit before me asking for help.
I am just trying to figure out who you are, Mr. Michael Sh…
Hmm.
Coffee?
Sorry?
Uh, would you, would you like some… some coffee? I made some coffee.
No.
I’m-I’m gonna be brutally honest with you here, Mike.
Given your track record, your options… are gonna be extremely limited.
I’ll take anything, okay? Any-any job you got.
No. No.
Look, I-I-I get that part. Um, it’s just…
You know, it’s not that easy.
Yeah. Thank you.
I have a job for you.
Come on, sit down.
Sit, sit, sit, sit, sit.
Okay, uh, well, what is it?
It’s a security gig.
Full disclosure: it’s not great.
Right? High turnover.
That’s what we call it in the business, but you get to be your own boss. Sort of.
And you only have to worry about one thing.
Keeping people out.
And-and, you know, and keep the place tidy.
That’s two things.
You want the job or not?
How’s the pay?
Not great.
But the hours are worse.
(quietly): I can’t do nights.
Excuse me?
I can’t do nights.
(chuckles)
That’s such a shame.
Yeah.
Thank you.
Wait, uh…
In case you have a change of heart.
♪ ♪
(TV playing quietly)
MIKE: Hey, Max.
Thanks for babysitting.
There’s Stouffer’s.
Should still be warm if you’re hungry.
WOMAN (on TV): I have to tell you, there is something magical about these rings, and you can have it within…
I wish someone would buy me a ring.
Did Abby eat?
What do you think?
(humming a tune)
MAX: Same time tomorrow?
MIKE: Yep.
(continues humming)
What do we got?
Okay.
Well, that good-looking guy I recognize.
Who are all these other punks?
My friends. It’s not done yet.
Well, look, you can finish up after we eat, all right?
Come get some food.
I’m not hungry.
Abby, please, come eat.
Come on. Here. Please come.
No!
Come and…
Abs, with the day that I’m having, can you just eat some food?
You’re sitting on my friend.
You know what? I don’t care.
Do whatever you want.
But you should know what happens to little kids who don’t eat their dinners.
Their bodies stay the same size forever.
And they never get to ride the adult rides at the amusement park.
My friend says you’re an idiot.
Mm.
At least I’m real.
(sighs)
(tape whirring)
(birds chirping on tape)
(sighs)
♪ ♪
(imitating airplane)
MAN: How about some burger with that ketchup, hon?
(woman laughs)
Everything’s better swimming in ketchup.
Right, Mike? Whoop.
I’m gonna go grab a towel.
Go watch your brother, okay?
Okay.
MIKE: Garrett.
(car engine starts)
(engine revving)
Garrett?
♪ ♪
(heart beating rapidly)
(panting)
Garrett! Garrett!
(shouting echoes, fades)
(tape rewinding)
(playful chatter)
♪ ♪
JANE: Just look at my nephew.
It’s not even 10:00
and he-he can barely keep his eyes open.
And this degenerate is who they entrust with the well-being of a mentally ill child.
Jane, like I’ve said before, Abby is not mentally ill.
Oh, right.
Perfectly normal to sit around drawing pictures all day and-and talking to magical creatures who do not exist.
Listen, I think we all just need to calm…
Don’t tell me to calm down.
You’re the doctor, and you’re making me feel like I’m the crazy one?
And after… after what he did to that poor man…
(crying): I just…
(Jane sobbing)
I have really tried to play nice. I have.
But I have to think about Abby now.
Enough is enough. Doug?
Doug.
(gasps) Oh.
JANE: In your heart, you know that this is the right thing to do.
I hope that you will sign.
And if I don’t?
Well, then, my lawyer and I will have to take you to court, where any judge with an ounce of sanity will see to it that you never see your sister again.
That what you want?
She-she doesn’t even care about Abby.
All she wants is the monthly check from the state.
(breathes deeply)
But, I mean, she-she has some good points, though.
I’m hardly fit to be raising a kid.
LILLIAN: I know a little girl who would strongly disagree.
MIKE: Come on.
She talks to air more than she talks to me.
I could drop dead tomorrow, and she’d be too busy drawing to even notice.
You know, pictures hold tremendous power for children.
Before we learn to speak, images are the most important tool we have for understanding the world around us.
What’s real, what matters to us most.
These are things children learn to communicate almost exclusively through pictures.
Yeah, her pictures mean something.
And who is at the center of nine out of ten of them?
Me.
Mm-hmm.
Like it or not, you’re her world.
MIKE: But what if it’s not up to me?
My aunt, she’s an idiot, but she’s right.
No judge in their right mind is ever gonna side with me.
Did you find a job yet?
Okay.
That would be a good place to start.
(whimsical music playing over TV)
(Mike sighs)
(pressing phone keys)
(line ringing)
STEVE (over phone): Hello.
Uh, hi.
Mr. Raglan, this is Mike.
Mr. “I can’t work nights.”
Right.
Uh, yeah, I was just calling to see if that job that you offered was, uh, was still available.
Oh, it absolutely is.
Why? Have you had a change of heart?
(TV continues playing quietly)
MIKE: How soon could I start?
♪ ♪
STEVE: Let me give you a little backstory.
This place was huge in the ’80s with the kids.
It’s been shut down for years.
The only reason they haven’t given it the old wrecking ball treatment is the owner’s a bit of a…
Well, he’s kind of a sentimental guy, I guess.
Just can’t bring himself to let it go yet.
(laughs)
Yeah.
Had some trouble with break-ins over the years.
Drunks and vagrants, mostly. Not ideal.
Security system’s dated but fully functional.
Floodlights on the outside, cameras inside and outside.
Fair warning: the electricity is a bit… iffy.
(glass crunching)
♪ ♪
Anything happens, there is a breaker in the main office.
Just flip it.
(machines powering up)
(lights clinking, buzzing)
Uh, I guess that’s about it.
You know… the rest is pretty easy.
Just keep your eyes on the monitors and… and keep people out.
Piece of cake.
♪ ♪
(sighs)
STEVE: So, I will catch you on the flip side.
Hopefully.
♪ ♪
The hell?
(upbeat music playing over TV)
Welcome to Freddy Fazbear’s Pizzeria, a magical place for kids and grown-ups alike, where fantasy and fun come to life.
If you’re watching this video, it means you’ve been selected as Freddy’s newest security guard.
Congratulations.
We’re going to have so much fun together.
The genius who created Fazbear Entertainment opened Freddy Fazbear’s Pizzeria to indulge in his two greatest passions: family-friendly fun and cutting-edge animatronic technology.
(scoffs) -State-of-the-art robotic engineering enables our characters to interact with guests in truly lifelike fashion, while cleverly concealed rechargeable lithium cells give them limited range to roam free.
Let’s introduce you to the stars of the show.
(static crackling)
(laughs) Adorable, aren’t they?
Protecting these cuddly critters, and the proprietary technology that brings them to life, is now your sacred duty.
Keep them safe, and help ensure that Freddy Fazbear’s Pizzeria is here to delight, dazzle and entertain
(distorted): for years to…
(static crackling)
All right.
(sighs)
(gasps)
♪ ♪
♪ ♪
(object thuds, clatters)
Hello?
♪ ♪
(gasps)
(quiet electronic warbling)
♪ ♪
(clock ticking)
(static crackling softly over speaker)
(static continues)
(imitating airplane)
MOTHER: Everything’s better swimming in ketchup.
Right, Mike?
(chuckles)
Go watch your brother, okay?
♪ ♪
Garrett?
Garrett!
(footstep crunches softly)
♪ ♪
What is this?
Who are you?
That car.
Did you see that car? You see what happened?
(static continues)
Did you see who took my brother?
Wait! No.
♪ ♪
(grunts)
(watch alarm beeping)
(panting, groans)
(beeping stops)
(panting)
(TV playing quietly)
Hey.
Hey, Max.
(exhales)
So? How’d it go?
Uh… it was interesting.
I should probably get out of here.
Hey, by the way, I-I do intend on-on paying you, eventually.
It’s okay.
I know where you live.
(chuckles softly)
(vehicle approaching)
(truck horn honking)
(entry bell jingles)
WAITER: Hey. Welcome to Sparky’s.
Could I set you folks up with some appetizers?
JEFF: Yes.
JANE: Oh.
We are not eating.
WAITER: (chuckles) Well, that’s no fun.
You do realize that lunch is the most important meal of the day?
JEFF: I thought it was breakfast.
Some people say that, but, you know, it’s just a theory. -Are you being paid by the word, or could we have a minute?
All right.
Thank you.
JANE: Ah, where were we?
Oh, you were about to tell me what a miserable failure you are.
JEFF: Hey, screw you, lady.
My sister went over every inch of that dump a thousand times.
If there was something to find, she would have found it.
Now pay up.
Uh, I’m sorry? (laughing)
JEFF: You said 200.
We had a deal.
Yeah, that you were gonna find me hard proof of criminal endangerment.
Instead, you’ve told me what a nice kid my niece is and that my nephew sleeps a lot.
He really does, though.
Sleeping is not a crime.
Is that guy okay?
I just realized I shouldn’t be hearing any of this.
As a matter of fact, I shouldn’t be here at all.
Sit down, Doug.
So, I guess we’re finished here, unless either one of you has a brilliant idea, which I realize is highly unlikely.
Why don’t we just kill him?
(Doug sighs)
Tempting. But no.
What else?
Mike was saying that… he really needs this new job to, like, look good on paper for the judge or something.
Well, that’s all very fascinating, honey, but I am not hearing a plan.
We toss the place.
Go on. -Well, he’s a security guard, right?
His job is to make sure nobody gets in.
So, we get in, and we mess up the place good.
We help ourselves to whatever we find along the way.
Your nephew gets canned.
Judge gives you the kid, and you give us…
$2,000.
One thousand.
But do it fast, and don’t mess it up.
I mean, you know, mess it up, but don’t… don’t mess this up.
(thunder crashing)
(grunting)
Come on. (grunting)
ABBY: What are you doing?
(grunts)
Abby, do you need something?
No. -All right, quit playing and take that off.
I have to go to work.
I know. I’m coming with you.
No, you’re not.
Give me the vest.
No.
Give me the vest now.
I’m coming with you.
ABBY: I want to go with you.
MIKE: Abby.
I don’t want to stay here with Max. -Abby, stop.
(“Talking in Your Sleep” by The Romantics playing loudly)
(over speaker): ♪ The secrets that you just can’t hide… ♪
(grunting)
♪ You tell me that you want me… ♪
(music stops)
(machines powering up)
(buzzer sounding)
(thunder rumbling)
(buzzer continues)
♪ ♪
(thunder rumbling)
About time.
Starting to think maybe you fell asleep on the job.
Um…
Can I, uh, help you, Officer?
Please, my name’s Vanessa.
And you must be?
Um…
The new security guard.
Yeah.
You’re bleeding, by the way.
Looks nasty.
Come on. I know where they keep the first aid kit.
(thunder rumbling)
(chuckles): Love what you’ve done with the place.
Why Nebraska?
Oh, you need a hand?
I’m fine.
You sure?
Here.
I’m a certified EMT.
So if your heart ever goes out, I’m the one you want to call.
You seem to really know your way around the place.
Well, Freddy’s is on my beat.
I like to stay well-informed.
Also, I really loved this place as a kid.
There.
That should do it. (sighs)
Vanessa Shelly.
Mike.
Pleasure to meet you, Mike.
(drawer closes)
You doing all right this evening, Mike?
What?
Are you good? Are you okay?
Is everything copacetic?
Yeah, I know what “all right” means.
Do you also know that your eyes are bloodshot and your heart rate’s through the roof?
And aside from that gash on your arm, which… (chuckles) let’s be honest, is pretty frickin’ bizarre, you’ve been acting suspicious since the moment you opened the door.
Yeah, look, it’s been a weird night.
Sounds like Freddy’s.
This place, it gets to people.
It’s one of the reasons why you’re gonna quit.
I’m sorry?
Oh, yeah.
You security hires, you never last.
Have you met them yet?
Met who?
(lights buzzing)
(games beeping, whirring)
So, what are the other reasons?
Huh?
Why you think I’m gonna quit my job.
Well, you tell me.
Is this somewhere you see yourself ten, 20 years from now?
I mean, what do I know? Maybe the benefits are great.
(scoffs)
I didn’t think so.
Add to that the thing with those kids going missing.
Wh-What did you just say?
Prepare to have your mind blown.
(chimes)
(whirring)
(“Talking in Your Sleep” by The Romantics playing)
♪ ♪
♪ When you close your eyes ♪
♪ And you go to sleep ♪
(echoing): ♪ Sleep, sleep, sleep ♪
♪ And it’s down to the sound of a heartbeat ♪
This… this is…
The best thing you’ve seen in your entire life?
♪ I can hear the things that you’re dreaming about ♪
(echoing): ♪ About, about, about ♪
♪ When you open up your… ♪
Want to dance?
(electrical crackling)
(music distorts, stops)
(mechanical whirring)
Maybe some other time.
Wait, y-you said some kids went missing?
Sure. Back in the ’80s.
What happened to them?
It was big news.
That’s why the place shut down.
Wow.
You really didn’t do your homework, did you?
And you’re not even wearing your badge.
Got it.
There.
Now you’re official.
(gate rattling)
VANESSA: Hey.
Some friendly advice?
Don’t let this place get to you.
Just do your job, and you’ll be fine.
(indistinct police radio chatter)
Yeah, sounds good.
♪ ♪
(cell phone keys beeping)
(car engine starts)
(phone line ringing)
(phone vibrating)
(beeps)
JEFF (over phone): It’s showtime.
As soon as he gets back, get the guys and meet me here.
I think I see a way in.
(soft electronic whirring)
All right.
Now, be quick but thorough.
Maximum damage, minimum time.
You see anything valuable, grab it, and we’ll, uh, settle up after.
Good?
Yeah. Golden.
Whoo!
Yeah! (laughs)
Let’s go, boys!
Come on!
♪ ♪
(clattering in distance)
(heavy scraping)
(doors rattle)
(clattering continues in distance)
♪ ♪
(loud rattling)
(scoffs)
(pans rattling)
(exhales sharply)
(quiet mechanical click)
(Carl gasps)
(electronic whirring)
(flashlight clatters)
(electronic rattling)
(screaming in distance)
(electronic chittering)
(screaming continues)
(muffled grunting)
HANK: Carl?
(gasps)
(bag thuds)
(screaming in distance)
(screaming continues)
JEFF: Hank?
What the hell are you doing?
♪ ♪
(breathing heavily)
JEFF: Hank?
Hank!
Jeff?
(door rattling)
Jeff!
(straining)
Come on, you stupid…
(whispers): Hank?
Come on. Come on.
(electronic whirring)
(screaming)
(heavy thudding)
(screaming and heavy thudding continue)
(bones cracking)
(glass squeaking)
(body thudding)
Hank?
(heavy mechanical footsteps)
(low growling)
(crowbar clatters)
♪ ♪
(coins clattering)
(kids screaming and laughing loudly over phone)
(groans)
♪ ♪
Shit.
(rattling in vent)
(whirring)
(grunting): No! No! No!
(grunting)
(grunts)
(whirring stops)
(door creaking)
(male voice scatting nearby)
(scatting)
(scatting stops)
(electrical crackling)
(jaws chomping rapidly)
(screams)
Jeff?
Carl?
(fan creaking)
(door creaks)
(boy giggles)
Hey.
BOY: Follow me.
Hey!
Hey, wait!
BOY: Come on.
MAX: Hello?
BOY: This way.
(door closes)
♪ ♪
(breath trembling)
(door closes)
BOY: Warmer.
(gasps)
(soft mechanical creaking)
How in the heck?
BOY: Warmer.
(screams)
(jaws chomp)
NARRATOR (on TV): It’s feeding time for the giraffe.
(whimsical music playing on TV)
(TV continues playing quietly)
Hey, Abs, what you working on?
All right.
I guess you don’t want this, then.
It’s cool, huh?
(softly): Okay.
I’m trying my best, Abby, okay?
(objects clatter)
(on TV): Can’t you read?
You okay?
I made a mess.
I’m sorry.
They’re just… they’re just papers, all right?
They don’t… they don’t mean anything.
Hey, Abby, um, we need to talk about last night, okay?
Um…
So those, uh, those… machines…
My friends?
Your friends?
Um…
are they…?
Ghosts?
Yeah.
Of course.
How else could they make the robots move?
Right.
Can I have some more soup?
Yeah, sure.
Hey, Abs.
You know we used to have a brother, right?
Garrett.
I don’t… I don’t really talk about him very much.
Neither did Mom or Dad.
Yeah, it was hard for them.
It’s hard for me, too.
C-Can you explain this to me?
You-you drew that, right?
Okay, and… and-and you know what that is?
Hey, hey, it’s okay.
Okay, I’m not, I’m not mad.
I won’t get angry at you.
But I really need you to help me understand, please.
That’s when Garrett got taken.
Abby, who told you about that?
W-Was it a-a boy with blonde hair?
Did that boy ever tell you anything about the man driving that car?
Anything at all?
Okay, just think, think really hard, okay?
No.
All they talk about is a yellow rabbit.
Okay.
But…
I can ask.
I would really appreciate that.
♪ ♪
(kids’ laughter echoing)
KIDS: ♪ We love the yellow rabbit ♪
♪ We love the yellow rabbit ♪
(girl screaming)
(kids’ screams echoing)
(car doors closing)
ABBY: Vanessa’s here.
Yeah.
My friends talk about her sometimes.
What do they say?
That she’s nice.
Abby, if I asked you to wait in the car, would you?
No.
Abby, wait.
ABBY: Guys, I’m back.
Abby.
Hey, Vanessa.
MIKE: Abby.
(Abby giggling)
Mike.
Vanessa.
(chuckles) I missed you guys.
MIKE: You knew about this.
Guess you figured it out.
Ghost children possessing giant robots?
Thanks for the heads-up.
Guys, we need help.
It needs to be big so we can all fit inside.
Abby, look.
Now, this is all really fun and exciting, but these things are big, and they could be dangerous, so I think we need to lay some ground rules, all right?
Vanessa, what do you think?
I think we could use the tables for the fort.
ABBY: Everyone, follow me.
(giggles): Come on.
(“Connection” by Elastica playing)
♪ Riding on any wave ♪
♪ That is the luck you crave ♪
♪ They don’t believe it now ♪
♪ They just think it’s stupid ♪
♪ So got anything? ♪
♪ Anyone could have done ♪
♪ Who would’ve cared at all… ♪
It needs to be higher.
♪ I don’t understand ♪
♪ How a heart is a spade ♪
♪ But somehow the vital ♪
You did it!
♪ Connection is made… ♪
(song stops)
(heavy thump)
Are you okay?
(song resumes)
VANESSA: I like it in here.
ABBY: Me, too.
But I think it’s gonna rain soon.
Sounds like we need a roof.
I’ll go see what I can find.
I’ll, uh… I’ll-I’ll come with you.
(whispering): Abby, don’t forget to ask.
Okay.
Yeah.
(song ends)
What are you looking for exactly?
Tablecloths.
They used to keep ’em back here for big events.
Right. And remind me how you know that.
Found ’em.
(soft mechanical rattling)
VANESSA: Don’t.
I wouldn’t do that.
They’re spring locks.
They’re on all the older models.
They were designed to keep the animatronic parts in place so that, uh, a person could safely wear the suit.
They tend to be pretty unstable.
Let’s see.
Ooh.
Like I said, unstable.
Is there anything else that you want to tell me about, Vanessa?
‘Cause you seem to know everything about this place.
And what if Abby’d come in here?
What if she’d found that thing?
You’re the one who brought her, Mike, not me.
What I can’t wrap my head around is why.
All right, look.
I think that they know who took my little brother.
I can’t explain it, but when I’m here, I feel closer to Garrett.
My dreams are more vivid, and it… it’s like I can almost…
Change what happened?
Did you ask them about this?
Yeah, I tried.
I don’t think they like me very much.
But… they do like Abby.
Mike, you need to drop this.
I don’t really see how that’s any of your business.
I’m telling you, you need to let it go.
Who the hell are you?
Just someone who’s trying to help.
(over speakers): ♪ Well, I’m just out of school ♪
♪ Like I’m real, real cool ♪
♪ Got to dance like a fool ♪
♪ Got the message that I got to be a wild one ♪
♪ Ooh, yeah, I’m a wild one ♪
Vanessa, wait.
♪ Gonna break it loose… ♪
Talk to me.
I’m trying.
You’re not listening.
Please. Finding the guy that did this is the only thing that matters to me.
(song continues)
(electronic humming)
Abby?
Wait. Abby, don’t!
(loud, discordant note plays)
(song stops)
(ears ringing)
♪ ♪
MIKE (muffled): Abby?
Abby? Abby!
(coughing)
(Vanessa sighs)
(Abby whimpers)
What happened?
VANESSA: It’s okay, Abby.
You just had an accident.
You’re okay.
I’m so sorry.
(mechanical clicking)
I don’t know what to say.
Just go home, Mike.
Take care of your sister.
What are you so afraid of?
In the storage room…
I saw your eyes. You were terrified.
You can do whatever you want with your own life, but if you ever bring Abby back here again, I will shoot you.
(engine starts in distance)
(car door opens)
ABBY: She looked so angry.
Why does everyone always look at you that way?
♪ ♪
(clears throat)
(sniffs)
(line ringing)
(sighs)
(line clicks)
Hey, it’s Mike.
I need your help.
(dog barking in distance)
(sizzling)
Abby.
Is that bacon?
Hey, why don’t you, uh, get dressed and then come to the kitchen, okay?
I want to talk to you about something.
Okay.
Wow, there’s my favorite little girl.
MIKE: Come have a seat, all right?
What did you do?
Abby, look, I think if you just sit down, we can explain it to you, okay?
No.
I promise you, this is not what you think it is.
I hate you.
I hate you, Mike!
(door slams)
Well, I-I think that went well.
(breathing heavily)
♪ ♪
She reminds me of you, you know.
Always with the temper.
Well, look, when she calms down, can you, um, tell her that I’m sorry and that I’ll-I’ll be back soon?
Well, Mike, there’s a larger conversation that needs to happen here.
So when you do get back, you and me are gonna have a little chat.
Okay.
(playing softly): ♪ Celebrate good times, come on ♪
(papers rustling)
♪ Let’s celebrate ♪
♪ Celebrate good times… ♪
You know what works for me?
A warm glass of milk with chamomile and honey.
I tell you…
What an asshole.
♪ ♪
(birds cawing)
(birds chirping over headphones)
♪ ♪
♪ ♪
(Garrett imitating airplane)
MOTHER: Okay, enough games, you two.
(straining): Emergency landing.
GARRETT: Coming in.
(Mother chuckles)
Hey, buddy.
Well, don’t just stand there. Dig in.
♪ ♪
Sweetheart, what’s wrong?
This… this isn’t…
this isn’t how it happened.
This isn’t real.
BOY: But it could be.
What is this?
This isn’t what I asked for.
But it’s what you want.
No. I just, I just want to find the man that…
You’re lying.
You want to save Garrett.
That’s why you’re really here.
To change what happened.
To go back.
But I can’t.
He’s gone. They’re all gone.
Really?
You can have this dream every night.
You can be together with him again.
Like before.
How?
BOY: You said we could have anything we wanted.
We want Abby.
Abby?
They love her, Mike, and she loves them.
You’ve seen her with them.
You’ve seen how happy she is.
It’s time to let her go, sweetheart.
You were never the right person to take care of her.
(breathing shakily)
Okay. (sniffles)
(voice breaking): Yes.
You’re home.
♪ ♪
No.
No, this is wrong.
I don’t, I don’t want this. Listen…
(heavy mechanical footsteps)
I made a mistake!
Please, I don’t want this!
Do you hear me?!
(breathing heavily)
You leave Abby alone!
(heavy mechanical footsteps continue)
(gasps)
KIDS (whispering): Abby.
Abby.
(gasps)
Stay away from my sister!
(sharp slice)
(grunts)
(groans)
(breathing heavily)
(whispering): Abby.
(grunting)
Abby.
Abby.
(breathing heavily)
Abby.
(groaning)
(panting)
KIDS (whispering): Abby. Abby.
Abby. Abby. Abby.
(whispering continues)
(mechanical whirring)
BOY (whispers): Abby.
(mechanical whirring)
(low growling, rattling)
(panting)
(straining)
(grunting)
(sparks crackling)
(whirring stops)
(panting)
♪ ♪
(gasping)
(pained grunting)
♪ ♪
(Foxy scatting nearby)
(grunting)
(scatting continues)
(jaws chomping rapidly)
No!
(crickets chirping)
(dogs barking in distance)
(knocking)
JANE: Abby?
You can’t stay in there forever, you know.
Suit yourself.
(sighs)
(groans)
ANNOUNCER (on TV): The pottery that grows.
It’s easy.
Soak your Chia overnight, spread the seeds…
(channel changes)
(audience laughter)
Oh.
(woman speaking indistinctly)
(low mechanical whirring)
(laughter and chatter continues on TV)
(thudding in distance)
Freddy?
♪ ♪
Not Freddy.
They’re all waiting for you.
It’s time to go play.
♪ ♪
Silly Aunt Jane. (chuckles softly)
She fell asleep.
How do we get there?
(“I Wanna Be Down” by Brandy playing in taxi)
♪ I wanna be down ♪
♪ With what you’re going through ♪
♪ I wanna be down… ♪
Where to, little lady?
(taxi door opens, closes)
(taxi rattling)
What the…?
Oh, my goodness!
(giggling)
Not cool. (sighs)
Why do I always get the weirdos?
(groaning, panting)
Careful.
I managed to stop the bleeding, but you’re probably gonna need stitches.
Where are we?
Police supply outpost.
I found you, and, uh, you were… you were badly hurt.
They tried to kill me, Vanessa.
But I’m guessing you already knew that.
Max.
Her brother.
You knew about them, too, right?
It’s complicated.
Yeah.
(scoffs) Yeah.
More complicated than possessed robots murdering innocent people?
They weren’t innocent.
Yeah, Abby is!
Mike… -You saw Abby playing with them.
And you knew what they were capable of, and you didn’t say anything!
Mike, please just…
Abby is in danger!
Tell me what happened.
In my dream… they asked me for Abby.
And I said yes.
It was a mistake, and I-I tried to fix it, but…
What do they want with my sister?
They want to make her like them.
♪ ♪
Come on, let’s go.
Where’d you go?
(lights buzzing softly)
VANESSA: In the ’80s, when those kids went missing… the police searched Freddy’s from top to bottom.
Every inch was accounted for.
But they never found them.
Hello?
VANESSA: The man who took them, he was a…
He was a very bad man.
A very cruel man.
Also a very clever man.
He knew that parents would cry, and the police would come looking.
And he knew there’s one place they’d never think to check because…
(lights clanking)
…why would they?
I mean, why would anyone?
It’s not just their ghosts that are inside of those machines.
It’s their bodies.
You have to understand, the… the kids, they don’t want to hurt anyone.
It’s-it’s him.
He influences them somehow.
He took everything from them, but they don’t remember.
Who, Vanessa?
I tried to warn you.
I really did try in my own way.
But it’s too late now.
He knows that you’re looking for him.
He’ll be coming.
You need to tell me who he is.
VANESSA: His name is William Afton.
He’s my father.
♪ ♪
(Garrett imitating airplane)
You knew?
(crying): Mike…
This whole time.
My brother, you knew.
Not about Garrett, no.
A-At least… not when we met.
I’m so, so sorry.
Tell me how to stop them.
Tell me how to save my sister!
(electronic whirring)
(“Talking in Your Sleep” by The Romantics playing loudly)
VANESSA: Electricity. Electricity is the key.
We use these for animal control.
(crackles)
There’s a Taser on your belt.
It won’t do permanent damage, but it’ll mess with the animatronic circuitry.
Hopefully buy you some time.
Come with me.
No.
Vanessa, you owe it to me, and you owe it to them.
No, I can’t.
If he’s there, I…
I won’t be any use to you, believe me.
He really messed you up, didn’t he?
(girl screaming faintly)
Take these.
(engine revving)
(tires squealing)
♪ ♪
VANESSA: You need to avoid the front entrance.
(“Talking in Your Sleep” continues playing faintly)
(mechanical whirring)
There’s an outlet vent on the east side of the building.
That’s the best way inside.
(rats squeaking)
(panting softly)
♪ You tell me that you want me ♪
MIKE (hushed): No.
♪ You tell me that you need me ♪
(grunts)
♪ You tell me that you love me ♪
♪ And I know that I’m right ♪
♪ ‘Cause I hear it in the night ♪
♪ I hear the secrets that you keep… ♪
(panting)
♪ I hear the secrets that you keep… ♪
(song continues faintly)
♪ ♪
(mechanical clanking)
(song continues loudly)
♪ Don’t you know you’re sleeping… ♪
(song continues faintly in distance)
(doors creaking)
(whispers): Abby.
Chica, where are we going?
♪ ♪
(doors close)
♪ And I know that I’m right ♪
♪ ‘Cause I hear it in the night ♪
♪ I hear the secrets that you keep ♪
♪ When you’re talking in your sleep ♪
(electricity crackling)
(song distorting, fading)
Chica, I don’t like this.
(screams) Let go of me!
Abby?!
(screaming continues)
(whimpering): Chica, let me go.
(screams)
MIKE: Hey!
Leave her alone!
(electricity crackling)
ABBY: Mike.
Hey.
Are you okay? Are you hurt?
I don’t know what’s wrong with her.
I don’t know why she was trying to hurt me.
I know. I know.
Hey, Abby, listen to me.
I’ve been an idiot about so many things.
I’ve been stuck trying to fix the past, but you are the most important thing in the world to me, and I promise you I’m gonna do better.
I love you, too, Mike.
But we should probably go now.
Right, okay. Come on.
(electronic whirring)
♪ ♪
(grunts)
(grunting)
Mike!
(grunting)
Run! Hide! Abby, go!
(Mike grunting)
(Mike screaming in distance)
(heavy mechanical footsteps)
(electronic whirring)
(grunting)
(electricity crackling)
(heavy mechanical footsteps)
(games beeping and chiming)
(gasps)
(soft growling)
(breathing heavily)
♪ ♪
(heavy mechanical footsteps)
(shudders)
Abby?
Abby, where are you?
Abby?
(low growling)
(heavy mechanical footsteps)
♪ ♪
(low growling)
(growls)
(electricity crackling)
(distorted laugh)
(yells)
(grunts)
(heavy mechanical footsteps)
(electronic whirring)
(electricity crackling)
(Abby screams)
(yelps)
Vanessa.
It’s okay.
Foxy.
I need to get you somewhere safe so I can go help your brother, okay?
(distorted): You couldn’t just leave it alone, could you?
(chuckles): Lucky me.
This is perfect.
First I killed your brother.
Now I kill you.
Symmetry, my friend.
Go to hell.
(laughing)
(grunts)
YELLOW RABBIT: Wake up, children.
I have something for you to play with.
This is gonna be so much fun.
Little ones tell me you have a sister.
She will love it here.
You, however, are finished.
Farewell, Michael Schmidt.
VANESSA: That’s enough!
Drop the knife.
(Yellow Rabbit laughs)
A little old for temper tantrums, aren’t we, Vanessa?
I’m not kidding, Dad.
You may have forgotten your loyalties, but I assure you, they have not.
ABBY: Mike!
Please wake up.
WILLIAM: Now, put that thing away and help me clean up the mess that you created!
ABBY: Please.
Please, Mike. Please. No!
Come on.
(chuckles)
We both know you’re not gonna use a…
(screams)
(growling)
(panting)
(grunts softly)
Mike. Mike.
Abby. Abby.
VANESSA: The Yellow Rabbit, he controls them.
The drawings.
The Yellow Rabbit hurt your friends.
Show them what really happened.
(William yells)
(Vanessa screams)
(gun clatters)
You had one job.
One.
Keep him in the dark and kill him if he got too close.
That’s two jobs.
(choking)
(grunts)
(gasping)
(exclaims)
No!
Let go!
I won’t let you hurt her, too.
(blade stabs)
Dad.
(panting)
WILLIAM: Hey.
Hey.
(lights clank)
(rumbling)
(rattling)
(lights crackling)
What have you done?
(panting)
(Mike grunts)
♪ ♪
(kids screaming faintly)
(screaming continues)
(growling)
They can see you now.
They know what you did.
WILLIAM: Move.
Move!
(lights clanking)
(grunting)
Mike!
Look at you.
Look at the nasty things that you have become.
Look how small you are, how worthless you are.
You are wretched, rotten little beasts.
I made you!
(grunting)
(pained whimpering)
(pained grunting)
(sharp mechanical clanking)
(pained panting)
(sharp mechanical clanking)
(sharp mechanical clanking)
(bones crunching)
(pained panting)
I always come back.
(grunting)
(electronic whirring)
ABBY: What is happening?
MIKE: The spring locks.
(William grunting in pain)
MIKE: Okay. (grunts)
(straining): Come on. Come on.
Come on.
(growling)
(electronic roaring)
(pained groaning)
♪ ♪
(playful chatter)
Okay, one more.
Oh, wait, one more?
Put one more? One more block?
Yeah.
One more block? -Yeah. Yeah.
Yeah. Yeah. Let’s do one more.
LILLIAN: It’s really extraordinary, the turn she’s taken these past few weeks.
Whatever you’re doing, keep doing it.
Yeah, I will.
MIKE: It’s not that hard.
What do you want for dinner?
Pizza or spaghetti?
Both.
(chuckles)
You got to choose. Which is it?
But I want both.
You can’t have both.
Spaghetti with meatballs.
All right, with meatballs.
Um, we’re gonna make a quick stop, okay?
(siren wails in distance)
(air pumping slowly)
(monitor beeping steadily)
(indistinct announcements over P.A.)
Vanessa, I don’t know if… you can hear any of this, but, um… I’m having a hard time just processing everything that happened.
But you were there for me and Abby when it mattered the most.
And I don’t think that either of us would be here today if it weren’t for you.
So… So get better.
And we’ll be here when you wake up.
ABBY: Did you tell her I said hi?
I did.
All right, let’s get out of here.
MIKE: You okay?
ABBY: I was just thinking about my friends.
MIKE: Hmm.
They’re all alone.
Right.
No one takes care of them anymore.
Can we visit them sometime?
Um…
You know what?
You never know what can happen.
Do you think if you drink enough milk, you just turn into a cow?
(laughs): No.
Would you start, like, getting, like, spots on you like a cow?
♪ You should have looked for another job ♪
♪ You should have said to this place goodbye ♪
♪ It’s like there’s so much more ♪
♪ Maybe you’ve been in this place before ♪
♪ We remember a face like yours ♪
♪ You seem acquainted with those doors ♪
♪ Please let us get in, don’t lock us away ♪
♪ We’re not like what you’re thinking ♪
♪ We’re poor little souls who have lost all control ♪
♪ And we’re forced here to take that role ♪
♪ We’ve been all alone, stuck in our little zone ♪
♪ Since 1987 ♪
♪ Join us, be our friend or just be stuck and defend ♪
♪ After all, you only got five nights at Freddy’s ♪
♪ Is this where you want to be? ♪
♪ I just don’t get it ♪
♪ Why do you want to stay? ♪
♪ Five nights at Freddy’s ♪
♪ Is this where you want to be? ♪
♪ I just don’t get it ♪
♪ Why do you want to stay? ♪
♪ Five nights at Freddy’s ♪
♪ Oh. ♪
♪ ♪
(song ends)
♪ ♪
♪ ♪
DISTORTED ELECTRONIC VOICE: C… O…
M… E…
F… I…
N… D…
M… E.
(music ends)
Friðrik Dór Jónsson
(IP-tala skráð)
13.11.2023 kl. 09:44
37
Cars (2006)
[Inhaling and exhaling deeply] [Male] OK... Here we go. Focus. Speed. I am speed. [Cars whizzing past] One winner, 42 losers. I eat losers for breakfast. [Car accelerating] Breakfast. Wait, maybe I should have had breakfast. A little breck-y could be good for me. No, no, no, stay focused. Speed. [Cars whizzing] I'm faster than fast. Quicker than quick. I am lightning! [Pounding on door] [Male] Hey, Lightning! You ready? [Sheryl Crow: Real Gone] Oh, yeah. Lightning's ready [engine rewing] [Engine revs] [Crowd cheers] Ka-chow! [Cars zooming] [Cars whooshing] [Both scream] [All cheer] Get your antenna balls here! Go, Lightnin'! - Whoo! - You got that right, slick. [whistles] [Air wrench whirring] Uh! [screams] [Engine revs] - [Male] Welcome back to the Dinoco 400. - [Crowd cheers] I'm Bob Cutlass, here with my good friend, Darrell Cartrip. We're midway through what may be an historic day for racing. Bob, my oil pressure's through the roof. If this gets more exciting, they're gonna have to tow me outta the booth! Right, Darrell. [Bob] Three cars are tied for the season points lead, heading into the final race of the season. And the winner of this race will win the season title and the Piston Cup. Does The King, Strip Weathers, have one more victory in him before retirement? [Darrell] He's been Dinoco's golden boy for years! Can he win them one last Piston Cup? [Bob] And, as always, in the second place spot we find Chick Hicks. He's been chasing that tailfin his entire career. [Darrell] Chick thought this was his year. His chance to finally emerge from The King's shadow. But the last thing he expected was... Lightning McQueen! [Bob] You know, I don't think anybody expected this. The rookie sensation came into the season unknown. But everyone knows him now. [Darrell] Will he be the first rookie to win a Piston Cup and land Dinoco? [Bob] The legend, the runner-up, and the rookie! Three cars, one champion! [Breaks screeching] No you don't. - [Chuckling] - Hey! - [Tires squealing] - [Crowd booing] What a ride! [Chuckling] Go get 'em, McQueen! Go get 'em! [Female] I love you, Lightning! - Dinoco is all mine. - [Screaming] [Darrell] Trouble, turn three! - Get through that, McQueen. - [Bob] Huge crash behind the leaders! [Crowd gasps] [Screaming] [Giggling] - [Grunts] - [Gasps] [Both screaming] [Bob] Wait a second, Darrell. McQueen is in the wreckage. [Darrell] There's no way the rookie can make it through! Not in one piece, that is. [Exhaling] Yeah! Lightning! Oh! [Darrell] Look at that! McQueen made it through! [Bob] A spectacular move by Lightning McQueen! Yeah! Ka-chow! McQueen! McQueen! McQueen! McQueen! McQueen! McQueen! Yeah, McQueen! Ka-chow! [honking] [Bob] While everyone heads into the pits, McQueen stays out to take the lead! Don't take me out, coach. I can still race! [Air wrench whirring] [Chuckling] What do you think? A thing of beauty. - McQueen made it! - [Chick] What? He's not pitting! You gotta get me out there! Let's go! Get me back out there! McQueen's not going into the pits! [Darrell] The rookie fired his crew chief. The third this season! - [Bob] Says he likes working alone. - Go, go! Looks like Chick got caught up in the pits. Yeah, after a stop like that, he's got a lot of ground to make up. Get ready, boys, we're coming to the restart! [Crowd cheers] Come on, come on, come on! We need tires now! Come on, let's go! - No, no, no, no! No tires, just gas! - [Male] What? You need tires, you idiot! [Darrell] Looks like it's gas-and-go's for McQueen today. [Bob] Right. No tires again. [Darrell] That's a short-term gain, long-term loss, but it's workin' for him. He obviously knows somethin' we don't know. [Cars whizzing] [Bob] This is it, Darrell. One lap to go and Lightning McQueen has a huge lead. He's got it in the bag. Call in the dogs and put out the fire! We're gonna crown us a new champion! [Crowd cheers and whistles] [Screaming] - Checkered flag, here I come! - [Tire blows] [Darrell] No! McQueen's blown a tire! [Bob] And with only one turn to go! Can he make it? - You fool! - [Grunts] [Male] McQueen's blown a tire! He's blown a tire! Go, go, go! - [Grunting] - [Tire blows] [Darrell] He's lost another tire! - King and Chick come up fast! - [Bob] They're entering turn three! Come on. [grunting] I don't believe what I'm watching, Bob! Lightning McQueen is 100 feet from his Piston Cup! [Gasping] [Growling] [Bob] The King and Chick rounding turn four. [Darrell] Down the stretch they come! And it's, and it's... - It's too close to call! Too close! - I don't believe it! Lightning! - The most spectacular, amazing... - I don't believe it! ...unequivocally, unbelievable ending in the history of the world! - And we don't know who won! - Look at that! [Tape jittering] [Slow motion drone] - That's very close to call. - Can we play that again? Hey, no cameras! Get outta here! We're here in Victory Lane, awaiting the results. We're here in Victory Lane, awaiting the results. McQueen, that was a risky move, not taking tires. Tell me about it! Are you sorry you didn't have a crew chief out there? Oh, Kori. There's a lot more to racing than just winning. I mean, taking the race by a full lap... Where's the entertainment in that? I wanted to give folks a little sizzle. - Sizzle? - Am I sorry I don't have a crew chief? No, I'm not. 'Cause I'm a one-man show. What? Oh, yeah, right. That was a confident Lightning McQueen. Live from Victory Lane, I'm Kori Turbowitz. - Get outta the shot. - Yo, Chuck. Chuck, what are you doing? You're blockin' the camera! - Everyone wants to see the bolt. - What? - Now, back away. - That's it! Come on, guys. - Whoa, team! Where are you going? - We quit, Mr. One-Man Show! Oh, OK, leave. Fine. How will I ever find anyone else who knows how to fill me up with gas? [Crowd laughs] - Adios, Chuck! - And my name is not Chuck! Oh, whatever. Hey, Lightning! Yo! McQueen! Seriously, that was some pretty darn nice racin' out there. - By me! - Oh, yeah. - Zinger! - Welcome to the Chick era, baby! The Piston Cup... It's mine, dude. It's mine. Hey, fellas, how do you think I'd look in Dinoco blue? Dinoco blue! In your dreams, Thunder. Yeah, right. Thunder? What's he talkin' about, "Thunder"? You know, 'cause thunder always comes after lightning. Ka-ping! Ka-pow! - Who knew about the thunder thing? - I didn't. - Give us the bolt! - That's right. Right in the lens. - Show me the bolt, baby! - Smile, McQueen! - Show me the bolt, McQueen! - That's it! [Electronic music] [Crowd chattering] That was one close finish. You sure made Dinoco proud. Thank you, King. Well, Tex, you've been good to me all these years. It's the least I could do. Whatever happens, you're a winner to me, you old daddy rabbit. Thanks, dear. Wouldn't be nothing without you. Kch-i-ka-chow! - I'm Mia. - I'm Tia. [Both] We're, like, your biggest fans! Ka-chow! I love being me. - [Police] OK, girls, that's it. - We love you, Lightning! [Chuckles] Hey, buddy. You're one gutsy racer. Oh, hey, Mr. The King. You got more talent in one lug nut than a lot of cars has got in their whole body. - Really? Oh, that... - But you're stupid. - Excuse me? - This ain't a one-man deal, kid. You need to wise up and get a good crew chief and a good team. You ain't gonna win unless you got good folks behind you, [voice dwindling] and you let them do their job, like they should. - Like I tell the boys at the shop... - A good team. - Yeah... - [electronic music] Ka-chow! Ka-pow! [Crowd cheering] [Screaming] [Cheering] Oh, Lightning! If you figure that out you just gonna be OK. Oh, yeah, that... That is spectacular advice. Thank you, Mr. The King. - [Fanfare] - [Bob] Ladies and gentlemen, for the first time in Piston Cup history... [rewing] A rookie has won the Piston Cup. Yes! [Bob]... we have a three-way tie. - [Crowd cheers] - [Cameras flash] [Chuckling] Hey, that must be really embarrassing. But I wouldn't worry about it. Because I didn't do it! [Bob] Piston Cup officials have determined that a tiebreaker race between the three leaders will be held in California in one week. Well, thank you! Thanks to all of you out there! Thank you! [Whispering] Hey, first one to California gets Dinoco all to himself. No, not me! No, you rock, and you know that! Oh, yeah! Whoo! Yep! All right! Got it! "First one to California gets Dinoco all to himself." Oh, we'll see who gets there first, Chick. Huh? - Hey, kid! Congrats on the tie. - I don't want to talk about it. Let's go, Mack. Saddle up. What'd you do with my trailer? - I parked it at your sponsor's tent. - What? Gotta make your personal appearance. No. No! No, no, no, no! Yes, yes, yes! Lightning McQueen here. And I use Rust-eze Medicated Bumper Ointment, new rear end formula! Nothing soothes a rusty bumper like Rust-eze. Wow! Look at that shine! Use Rust-eze and you too can look like me! Ka-chow! [Both laughing] I met this car from Swampscott. He was so rusty he didn't even cast a shadow. - You could see his dirty undercarriage. - [Crowd laughs] [Groaning] I hate rusty cars. This is not good for my image. They did give you your big break. Besides, it's in your contract. Oh, will you stop, please? Just go get hooked up. - Winter is a grand old time. - Of this there are no ifs or buts. [Male 1] But remember, all that salt and grime... Can rust your bolts and freeze your... Hey, look! There he is! Our almost champ! [Male 1] Get your rear end in here. Lightning McQueen, you are wicked fast! - That race was a pisser! - You were booking! - Give me a little room. - You're my hero! Yes, I know. [chuckles] "Fred." Fred, thank you. He knows my name. He knows my name! Looking good, Freddie! Thanks to you, Lightning, we had a banner year! We might clear enough to buy you some headlights. You saying he doesn't have headlights? That's what I'm telling ya. They're stickers! Well, you know, racecars don't need headlights, because the track is always lit. Yeah, well, so is my brother, but he still needs headlights. [Laughing] [Forced laughter] - Ladies and gentlemen, - [both] Lightning McQueen! [Crickets chirping] Free Bird! You know, the Rust-eze Medicated Bumper Ointment team ran a great race today. And remember, with a little Rust-eze... [whispering] And an insane amount of luck, ...you too, can look like me. Ka-chow. - Hey, kid. - We love ya. And we're looking forward to another great year. Just like this year! Not on your life. - Don't drive like my brother! - Yeah, don't drive like my brother! California, here we come! Dinoco, here we come! [Rascal Flatts: Life is a Highway] [Birds chirping] [Phone ringing] [Moaning] Oh... oh... uh, I needed this. Hello? [Male] Is this Lightning McQueen, the world's fastest racing machine? Is this Harv, the world's greatest agent? And it is such an honor to be your agent that it almost hurts me to take ten percent of your winnings. Merchandising. And ancillary rights in perpetuity. Anyway, what a race, champ! I didn't see it, but I heard you were great. Thanks, Harv. Listen, they're giving you 20 tickets for the tiebreaker thing in Cali. I'll pass 'em on to your friends. Shoot me the names. - You let Harv rock it for you, baby. - Right. Friends. Yes, there's... OK, I get it, Mr. Popular. So many you can't even narrow it down. Hey, when you get to town, you better make time for your best friend! Break bread with your mishpocheh here! That'd be great! We should totally... OK, I gotta jump, kid. Let me know how it goes. I'm out. - [Dial tone hums] - [Sighing] - [Melodic beeping] - [Wheels squeaking] [Lightning] What? A minivan? Come on, you're in the slow lane. This is Lightning McQueen you're hauling here. Just stopping off for a quick breather, kid. - Old Mack needs a rest. - Absolutely not. We're driving all night till we get to California. We agreed to it. All night? May I remind you federal DOT regs state... Come on, I need to get there before Chick and hang with Dinoco. [Mack groans] All those sleeping trucks. Hey, kid, I don't know if I can make it. Oh, sure you can, Mack. Look, it'll be easy. I'll stay up with you. - All night? - All night long. [Snoring] [Engines slowing] [Snoring, gasping, blubbering] [Grunting] [Snoring] Uh! [Blubbering] - [Rap music] - [Engines rewing] [Sniffing] Ah-choo! [Laughing] - Hey, yo, D.J. - What up? - We got ourselves a nodder. - [Chuckling] [Kenny G: Songbird] Pretty music. [snoring] Yo, Wingo! Lane change, man. - Right back at ya! - Yeah! - Oops! I missed. - You going on vacation? [All laugh] [Snoring] [Snoring] - [Chuckling] - [Sniffling] - Oh, no, Snot Rod... - He's gonna blow! Ah... Ah... Ah-choo! Gesundheit! One should never drive while drowsy. - [Tires squealing] - [Horns honking] - [Honking loudly] - [Screaming] - Uh! Ah! - [All honking] [Breathing heavily] Mack! - [Grunting] - [Horns honking] Mack! Mack! Hey, Mack! Mack! Mack! Mack, wait for me! [engine rewing] [Tires squealing] Mack! [Bell ringing] [Horn bellowing] Mack! Mack! Mack! Mack... ...wait up! [coughing] Mack. Mack! Mack! What? You're not Mack. Mack? I ain't no Mack! I'm a Peterbilt, for dang sake! [Peterbilt] Turn on your lights, you moron! Mack... The Interstate! [Tires squealing] - [Engine roaring] - Huh? Not in my town, you don't. [Siren wailing] Oh, no. - Oh, maybe he can help me! - [Sheriff backfiring] He's shooting at me! Why is he shooting at me? [Backfiring] I haven't gone this fast in years. [Grunting] I'm gonna blow a gasket or somethin'. Serpentine! Serpentine, serpentine! What in the blue blazes? Crazy hot-rodder. [Siren continues wailing] [Hank Williams: My Heart Would Know] [Buzzing] [Water hose turning on] [Snoring] I'm telling you, man, every third blink is slower. The sixties weren't good to you, were they? [Car backfires] [Sirens blasting] What? That's not the Interstate! - [Sheriff backfires] - Ah! Oh! Ow, ow, ow, ow, ow! - [Screaming] - [Tires screeching] No, no, no, no, no, no! Ow! I'm not the only one seeing this, right? - Incoming! - Whoa, man. - No! - Hey! Whoa, whoa, whoa, whoa! My tires! - [Grunting] - [Gasping] - [Screaming] - [Gasping] - [Tires squealing] - [Cables vibrating] [Yelling] [Shouting] [Screaming] - [Cables whizzing] - [Straining] Fly away, Stanley. Be free! [Gasping] [Breathing heavily] Boy, you're in a heap of trouble. [Sighing] We're live at the Los Angeles International Speedway as the first competitor, Lightning McQueen, is arriving at the track. Is it true he's gonna pose for Cargirl? What's your strategy? - [Crowd gasps] - [Cameras clicking] What? Did I forget to wipe my mud flaps? McQueen's driver arrived in California, but McQueen was missing. - McQueen was reported missing. ...to race an unprecedented... [male] Sponsor stated they have no idea where he is. I hope Lightning's OK. I'd hate to see anything bad happen to him. I don't know what's harder to find, McQueen or a chief who'll work with him! [German accent] Lightning McQueen must be found at all costs! They're all asking the same question: Where is McQueen? [Groaning] Oh, boy. Where am I? - Mornin', sleepin' beauty! - Ah! Boy, I was wonderin' when you was gonna wake up. Take whatever you want! Just don't hurt me! A parking boot? Why do I have a parking boot on? - What's going on here? Please! - [Chuckling] You're funny. I like you already. My name's Mater. Mater? Yeah, like "tuh-mater," but without the "tuh". - What's your name? - You don't know my name? Uh... No, I know your name. Is your name Mater too? What? Look, I need to get to California as fast as possible. Where am I? Where are you? Shoot! You're in Radiator Springs. The cutest little town in Carburetor County. Oh, great. Just great! Well, if you think that's great, you should see the rest of the town. You know, I'd love to see the rest of the town! So if you could just open the gate, take this boot off, you and me, we go cruisin', check out the local scene... - Dad-gum! - How'd that be, Tuhmater? - Cool! - Mater! What did I tell you about talkin' to the accused? To not to. Well, quit your yappin' and tow this delinquent road hazard to traffic court. Well, we'll talk later, Mater. [Chuckling] "Later, Mater." That's funny! Ah! [Sheriff] The Radiator Springs Traffic Court will come to order! Hey, you scratched my paint! I oughta take a blowtorch to you, man! You broke-a the road! You a very bad car! - Fascist! - Commie! Officer, talk to me, babe. How long is this gonna take? I gotta get to California, pronto. Where's your lawyer? I don't know. Tahiti maybe. He's got a timeshare there. When a defendant has no lawyer, the court will assign one to him. Hey! Anyone want to be his lawyer? Shoot, I'll do it, Sheriff! All rise! The Honorable Doc Hudson presiding. Show-off. - May Doc have mercy on your soul. - [Door banging] - [Gasping] - All right, I wanna know who's responsible for wreckin' my town, Sheriff. I want his hood on a platter! I'm gonna put him in jail till he rots! No, check that. I'm gonna put him in jail till the jail rots on top of him, and then I'm gonna move him to a new jail and let that jail rot. I'm... Throw him out of here, Sheriff. I want him out of my courtroom. I want him out of our town! - Case dismissed. - Yes! Boy, I'm purty good at this lawyerin' stuff. Sorry I'm late, Your Honor! Holy Porsche! She's gotta be from my attorney's office. Hey, thanks for comin', but we're all set. - He's letting me go. - He's letting you go? Yeah, your job's pretty easy today. All you have to do now is stand there and let me look at you. Listen, I'm gonna cut to the chase. Me, you, dinner. Pi-cha-kow! - What the...? Ow! Oh! - Ka-chow! - Please! - I know. I get that reaction a lot. I create feelings in others that they themselves don't understand. - [Rewing] - Agh! Ow! Oh, I'm sorry. Did I scare you? A little bit, but I'll be all right. OK. I'm gonna go talk to the judge. Do what you gotta do, baby. But listen. Be careful. Folks around here are not firing on all cylinders, if you know what I mean. Ka-ching! Ah! I'll keep that in mind. - Hey there, Mater. - Howdy, Sally. - Hi, folks! - Good morning! You know her? She's the town attorney and my fiancee. What? Nah, I'm just kiddin'. She just likes me for my body. You look great. You do something different with your side view mirrors? What do you want, Sally? [Sighing] Come on, make this guy fix the road. The town needs this. No. I know his type. Racecar. That's the last thing this town needs. OK, I didn't want to have to do this, Doc, but you leave me no choice. Fellow citizens, you're all aware of our town's proud history. Here she goes again. Radiator Springs, the glorious jewel strung on the necklace of Route 66, the mother road! It is our job and our pleasure to take care of the travelers - on our stretch of that road. - Travelers? What travelers? Ignore him. But how, I ask you, are we to care for those travelers if there is no road for them to drive on? - Luigi, what do you have at your store? - Tires. And if no one can get to you? I won't sell any... tires. I will lose everything! - Flo, what do you have at your store? - I have gas. - Lotsa gas! - OK boys, stay with me. And, Flo, what'll happen if no one can come to your station to buy gas? I'll go outta business and... we'll have to leave town. What's gonna happen if Flo leaves town and closes her station? - [All] Without gas, we're done for! - What? Don't you think the car responsible should fix our road? The only guy strong enough to fix that road is Big Al! Lizzie, Big Al left like, 15 years ago. Then why are you bringing him up, you lemon? Oh, he can do it. He's got the horsepower. So, what do you want him to do? [All] Fix the road! - Because we are a town worth fixing! - Yeah! [All cheer] [Honking] Order in the court! Seems like my mind has been changed for me. - [All] Yeah! - No! [VW van] Nice ruling. Oh, I am so not taking you to dinner. [Chuckling] That's OK, Stickers. You can take Bessie. Man, you get to work with Bessie! I'd give my left two lug nuts for somethin' like that. Bessie? Who's Bessie? [Gurgling] This here is Bessie, finest road-pavin' machine ever built. I'm hereby sentencing you to community service. You're gonna fix the road under my supervision. What? This place is crazy! I know this may be a bad time right now, but you owe me $32,000 in legal fees. What? We're gonna hitch you up to Bessie, and you're gonna pull her nice. You gotta be kidding me. You start there where the road begins. You finish down there where the road ends. [Mater] Holy shoot! Whoa, whoa, whoa! How long is this gonna take? Well, fella does it right, should take him about five days. Five days? But I should be in California schmoozing Dinoco right now! Then if I were you, I'd quit yappin' and start workin'! - Hook him up, Mater. - Okay-dokey. [Grunting] [Tires squealing, engine rewing] [Lightning] Freedom! Maybe I should've hooked him up to Bessie... ...and then... then took the boot off. Whoo-hoo! Goodbye, Radiator Springs, and goodbye, Bessie! California, here I come! Yeah! Oh, feel that wind. Yes! [Sputtering] No. No, no, no. No, no, no, no, no. Outta gas? How can I be outta gas? [Chuckling] Boy, we ain't as dumb as you think we are. [Stuttering] But how did, how did... you...? We siphoned your gas while you were passed out. - Ka-chow. - Ow, ow, ow, ow. - Gentlemen. - Sheriff. Hey, Sheriff. - Why here? - [Italian] Sono sempre stati qui. - They were better before. - Stai sempre a parlare. - Guido! - Red, can you move over? I want to get a look at that sexy hot rod. You know, I used to be a purty good whistler. I can't do it now, of course, on account of sometimes I get fluid built up in my engine block, but Doc said he's gonna fix it. He can fix about anything. That's why we made him the judge. Boy, you shoulda heard me on Giddy-up, Oom Papa Mow Mow. Now, I'm not one to brag but people come purty far to see me get low on the "Mow-Mow". Oh! - Aw, man, that's just great! - Hey, what's wrong? My lucky sticker's all dirty. Ah, that ain't nothin'. I'll clean it for ya. - [Snorting, hacking] - No, no, no! That won't be necessary. Hey! Hey, big fella! Yeah, you in the red! I could use a little hose down. Help me wash this off. Where's he goin'? Oh, he's a little bit shy, and he hates you for killin' his flowers. I shouldn't put up with this. I'm a precision instrument of speed and aerodynamics. - You hurt your what? - I'm a very famous racecar! You are a famous racecar? A real racecar? Yes, I'm a real racecar. What do you think? Look at me. I have followed racing my entire life. My whole life! Then you know who I am. I'm Lightning McQueen. - Lightning McQueen? - Yes! Yes! I must scream it to the world! My excitement from the top of someplace very high! - Do you know many Ferraris? - No, no, no, no, no. They race on the European circuit. I'm in the Piston Cup! - [Lightning] What? - Luigi follow only the Ferraris. Is that what I think it is? [Sally] Customers. Customers! Customers, everyone! Customers! - [Sally] OK! - Customers? [Sally] Been a long time. Remember what we rehearsed. Make sure your "Open, please come in" signs are out. You all know what to do. All right, nobody panics. Here we go! Van, I just don't see any on-ramp anywhere. - Minny, I know exactly where we are. - Yeah, we're in the middle of nowhere. - Honey, please. - [Sally] Hello. Welcome to Radiator Springs, gateway to Ornament Valley. Legendary for its service and hospitality. How can we help you? - We don't need anything, thank you. - Ask for directions to the Interstate. There's no need to ask for directions. I know where we're going. He did the same thing on our trip to Shakopee. We were headed over there for the Crazy Days, and we... - OK. Really. We're just peachy, OK? - What you really need is the sweet taste of my homemade, organic fuel. No, it doesn't agree with my tank. - Just trying to find the Interstate. - Good to see you, soldier! Come on by Sarge's Surplus Hut for your government surplus needs. - Honey, surplus! - We have too much surplus. I do have a map over at the Cozy Cone Motel. And if you stay, we offer a free Lincoln Continental breakfast. - Honey, she's got a map. - I don't need a map! I have the GPS. - Never need a map again, thank you. - How 'bout somethin' to drink? Stop at Flo's V-Eight Cafe. Finest fuel on Route 66. No we just topped off. And if you need tires, stop by Luigi's Casa Della Tires, home of the Leaning Tower of Tires. - We're trying to find the Interstate. - But you do need a paint job. Ramone will paint you up right. Hey, anything you want! - You know, like a flame job. - No thanks... Maybe ghost flames! You like old school pinstripin'? Von Dutch style? - [Both gasp] - Oh, honey, look. Von Dutch. [Chuckling] OK, no. We're gonna be going now, OK? Ow! [Laughs] A little somethin' to remember us by, OK? - OK! - Come back soon, OK? I mean, you know where we are! Tell your friends! [Van] OK! Yes. You bet. Thanks again, folks. Bye-bye now. Psst! Psst! Hey! Hey, hey, hey! - I know how to get to the Interstate! - Do ya? - Minny, no. - Yeah, yeah, yeah. No, not really. But listen. I'm Lightning McQueen, famous racecar. I'm being held against my will. I need you to call my team, so they can come rescue me and get me to California in time for me to win the Piston Cup. Understand? - [Locks beeping] - No, no, no, no, no, no, no. No, it's the truth! I'm telling you! You gotta help me! Don't leave me here! I'm in hillbilly hell! My IQ's dropping by the second! I'm becoming one of them! - [Lightning echoes] - [Sighing] OK, don't worry. They know where we are now. They'll tell friends. You'll see. [Male DJ] We'll be back for our Hank Williams marathon... - That's good. ...after a Piston Cup update. [Kori] Still no sign of Lightning McQueen. Chick arrived in California and today became the first car to spend practice time on the track. [Chick] It's nice to get out here before the other competitors. You know, get a head start. Gives me an edge. [Electronic music] [Laughing] Hoo-hoo-hoo! Ha-ha! Yeah! [Crowd shouting and cheering] [Girls chattering and giggling] Hey, McQueen... Eat your heart out. [Gasping] Oh! Let me get this straight. I can go when this road is done. That's the deal, right? - That's what they done did said. - OK. Outta my way. I got a road to finish. [Grunting and rewing] - He's done! - Done? - Uh-huh. - It's only been an hour. - [Bessie groans] - Ah, I'm done. Look, I'm finished. Say thanks, and I'll be on my way. That's all you gotta say. [Mater] Whee-hoo! I'm the first one on the new road! Oh! [Vibrating] It rides purty smooth. - It looks awful! - Well, it matches the rest of the town. - Oh! - [Blubbering] Red. Who do you think you are? Look, Doc said when I finish, I could go. That was the deal. The deal was you fix the road, not make it worse. Now, scrape it off! Start over again. Hey, look, grandpa, I'm not a bulldozer. I'm a racecar. Oh-ho-ho-ho! Is that right? Then why don't we just have a little race? Me and you. - What? - [Chuckling] Me and you. That a joke? If you win, you go and I fix the road. If I win, you do the road my way. Doc, what're you doin'? I don't mean to be rude here, but you probably go zero to sixty in, like, what? Three-point-five years? Then I reckon you ain't got nothin' to worry about. You know what, old-timer? That's a wonderful idea. Let's race. [Sheriff] Gentlemen, this will be a one-lap race. You will drive to Willy's Butte, go around Willy's Butte and come back. There will be no bumpin', no cheatin', no spittin', no bitin', no road rage, no maimin', no oil slickin', no pushin', no shovin', no backstabbin', no road-hoggin', and no lollygaggin'. Speed. I'm speed. Float like a Cadillac, sting like a Beemer. [Luigi laughs] My friend Guido, he dream to give a real racecar a pit stop. - Peet stop! - Uh... [chuckles] The race is only one lap, guys. Uno lappo! Don't need any help. - I work solo mio. - Fine. Race your way. - No pit stoppo. Comprendo? - OK. Gentlemen... ...start your engines! [Engine sputters] [Rewing furiously] - Hijole! Check that out! - Whoa. Great idea, Doc. Now the road will never get done. Luigi? [Chuckling] On your mark, get set... Uno for the money, due for the show, tre to get ready, and quattro to... I can't believe it. Go! [Giggling] [Cheering] Huh? Doc... the flag means go. Remember the fl... Here we go. Go. Doc, what are you doing, man? Oh, dear. It would seem I'm off to a poor start. Well, better late than never. Come on, Mater. - Might need a little help. - Uh... OK. You got your tow cable? Well, yeah, I always got my tow cable. Why? [Doc] Oh, just in case. [Yelling] Ow! Ow! Ow, ow, ow, ow, ow. No, no, no, no, no! - Oh, man! - Whoa. - Ow! - [Fillmore] Bad trip, man. [Rewing] Hey! Was that floatin' like a Cadillac or was that stingin' like a Beemer? - I'm confused. - [Chuckling] [Doc] You drive like you fix roads. Lousy! Have fun fishin', Mater. [Gasps] Ah! I'm startin' to think he knowed you was gonna crash! Thank you, Mater. Thank you. I can make a little turn on dirt. You think? No. And now I'm a day behind. I'm never gonna get outta here! Hey, ese! You need a new paint job, man! - [Lightning] No, thank you. - How 'bout some organic fuel? - That freak juice? - [Lightning] Pass. Whoo! Watchin' him is makin' me thirsty. Anybody else want somethin' to drink? Nah, not me, Flo. I'm on one of them there special diets. I'm a precisional instrument of speed and aero-matics. "You race like you fix roads." [Grunting] I'll show him. [Grunting] I will show him! - [Tar splattering] - Oh, great! I hate it! - Hate, hate, hate, hate it! - [Chuckles] Music. Sweet music. Maybe this wasn't such a good idea. [Lightning] Radiator Springs, a happy place! OK, Bessie, you think that's funny? Great! I'm talking to Bessie now! I'm talking to Bessie! Wow. [Mater] Mornin', Sally! Hey, look at this here fancy new road that Lightnin' McQueen done just made! Yes! Uh, amazing! Whoa-ho! Yeah! [sighing] Oh, Ramone! Mama ain't seen you that low in years. I haven't seen a road like this in years. - Well, then let's cruise, baby. - Low and slow. [Italian] E bellissima! It's beautiful! Guido, look, it's-a like it was paved by angels. Boy, I tell you what. I bet even the roads on the moon ain't this smooth. Doc, look at this! Shoulda tossed him into the cactus a lot sooner, huh? Well, he ain't finished yet. Still got a long way to go. Guido, look at Luigi! This is fantastico! That looks like fun! Mater, I got dibs, next turn! Hey, Luigi, this new road makes your place look like a dump. That crazy old devil woman. [Sighs] Oh! She's right! - Ah! - Guido! Huh. That punk actually did a good job. Well, now... where the heck is he? Sheriff! Is he makin' another run for it? No, no. He ran outta asphalt in the middle of the night, and asked me if he could come down here. All he's tryin' to do is make that there turn. [Lightning] No, no, no, no! Oh, great. Perfect turns on every track I've ever raced on. Sheriff, why don't you go get yourself a quart of oil at Flo's. I'll keep an eye on him. Well, thanks, Doc. I've been feelin' a quart low. [Engine rewing] [Screaming] [Spitting] This ain't asphalt, son. This is dirt. Oh, great. What do you want? You here to gloat? You don't have three-wheel brakes, so you got to pitch it hard, break it loose and then just drive it with the throttle. Give it too much, you'll be outta the dirt and into the tulips. So you're a judge, a doctor and a racing expert. I'll put it simple. If you're goin' hard enough left, you'll find yourself turnin' right. Oh... Right. That makes perfect sense. Turn right to go left! Yes! Thank you! Or should I say, "No, thank you"? Because in Opposite World, maybe that really means, "Thank you"! Crazy grandpa car. What an idiot! [Groans] [Lightning] Turn right to go left. Hmm... Whoa! - Oh! - [Car crashing] - Ow! Oh, that... - [cactus crashing] [Screaming] Ow! Turn right to go left. Guess what. I tried it. You know what? This crazy thing happened... I went right! You keep talkin' to yourself, people'll think you're crazy. - Thanks for the tip. - What? I wasn't talkin' to you! - Oh, Guido, e bellissimo! - Che cosa? - It looks great! This is great! - Ti piace, eh? Si, si, bellissimo. [Grunts, passes gas] Oh, Lord. - [Chuckles] - [Sheriff] Mater! I need you to watch the prisoner tonight. Well, dad-gum! Wait a minute. What if he tries to run again? Just let him run outta gas and tow him on back. - But keep an eye on him. - Yes, sir! [Groaning] Oh... While I'm stuck here paving this stinkin' road, Chick's in California schmoozing Dinoco. My Dinoco. Whoa, whoa, whoa! Who's touching me? You have a slow leak. Guido, he fix. You make-a such a nice new road. You come to my shop. Luigi take-a good care of you. Even though you not a Ferrari. You buy four tires, I give you a full-a size spare - absolutely free! - Look, I get all my tires for free. [Chuckling] I like your style, eh? You drive the hard bargain. OK. Luigi make you a new deal. You buy one tire, I give you three for free! [Flo] Oh, would you look at that? Ramone, Ramone! [Luigi] Then Luigi make you a new new deal. [Lightning] No, no, no, no. Deal me out. Pass. No, thank you. - No, no, no, no. No. - This is it. My last offer. You buy one tire, I give you seven-a snow tires for free! Done. You interested, you call me. You know where I am. [Exhales deeply] Ah! Stop! Let me... Oh, Red, you missed a spot. See it right there? - No! No! - On the hood right there. Stop, stop! That's cold! Help! Please! Stop! - [Coughing, sputtering] - Thanks, Red. What was that for? - Do you want to stay at the Cozy Cone? - Huh? If you do, you gotta be clean. 'Cause even in hillbilly hell we have standards. What, I...? I don't get it. I thought I'd say thank you for doin' a great job. So I thought I'd let you stay with me. I mean, not with me! But there. Not with me there, but there in your own cozy cone. - And I'd be in my cone, and it's... - Wait. Wait, you're being nice to me. If you want to stay at the dirty impound, fine. - I understand you criminal types. - No, no, no, no. That's OK. - Yeah, the Cozy Cone. - [Sally] It's newly refurbished. [Lightning chuckles] Yeah, it's like a clever little twist. The motel's made out of caution cones, which, of course, cars try to avoid. But now we're gonna stay in them. That's funny. Figure that all out on your own, did you? Cone number one, if you want. Oh... Hey, do I spy a little pinstriping tattoo back there? Oh... [chuckles] That's just a... Oh! [Both chuckle] Oh, you saw that? Yeah. Just gonna be going. Gonna... Yeah. - You know, I knew this girl Doreen. - [Gasps] Good-lookin' girl. Looked just like a Jaguar, only she was a truck! You know, I used to crash into her, just so I could spoke to her. - What are you talking about? - I don't know. Hey, I know somethin' we can do tonight, 'cause I'm in charge of watchin' you! No, Mater, I gotta finish this road, and I have to get out of here. Well, that's all right, Mr. I Can't Turn On Dirt. You probably couldn't handle it anyway. Whoa, whoa, easy now, Mater. You know who you're talkin' to? This is Lightning McQueen. I can handle anything. - [Whispering] I'm not doin' this. - Come on. You'll love it! [chuckles] - [Mater] Tractor-tippin's fun. - [Lightning] This is ridiculous. - [Tractors snore] - [Mater] All right, listen. When I say go, we go. But don't let Frank catch you. Go! Whoa! Wait! Who's Frank? [Lightning whispering] Mater! Wait, Mater! OK, here's what you do. You just sneak up in front of 'em, and then honk. And they do the rest. Watch this. - [Honking loudly] - Oh! Oh... Oh! Oh... [mooing] [Gas sloshing, backfiring] [Laughing loudly] I swear, tractors is so dumb! I tell you what, buddy, it don't get much better than this. Yep, you're livin' the dream, Mater boy. - [Honking] - Oh! Oh! Oh... [mooing] [Gas sloshing, backfiring] [Laughing] I don't care who you are, that's funny right there. Oh, your turn, bud. Mater, I can't. I don't even have a horn. - Baby. - I'm not a baby. [Clucking] Fine. Stop! Stop, OK? All right. I'll do something. [Snoring] - [Rewing engine] - Oh! [All exclaiming and mooing] [All gurgling] [All backfiring] [Angry mooing] [Mooing] That's Frank. - [Bellowing angrily] - [Shouting] - [Mooing] - [Engine rewing] [Mater laughing] Run! - Here he comes, look out! - [Bellowing] [Laughing] Whoa! [Screaming] Run! He's gonna get ya! [Mater laughing] Oh! Customers! Oh! Ah, no, no, no. Oof! Oh! [Mater] Tomorrow night we can go look for the ghostlight! - I can't wait, Mater. - Oh, yeah, I'm tellin' ya! Oh, boy, you gotta admit that was fun! Oh, yeah... yeah. Well, we better get you back to the impound lot. You know, actually, Sally's gonna let me stay at the motel. Oh... - Gettin' cozy at the Cone, is we? - Oh, come... No. No, are you kidding? Besides, she can't stand me. And I don't like her, to be honest. Yeah, you probably right. Hey, look, there's Miss Sally! - Where, where? - [Laughing] - You're in love with Miss Sally. - No, I'm not. - [Mater] Yes, you do. - [Lightning] No way. - Way. - Come on, look... - You're in love with Miss Sally! - Real mature. - You're in love! - Real grown up. - You love her. You love her. - Wait... You love her! You love her. You love her. All right. OK. Mater, enough! - Will you stop that? - Stop what? Driving backwards. It's creeping me out. You're gonna wreck. Wreck? Shoot! I'm the world's best backwards driver! You just watch this right here, lover boy. Wee-hee! [Lightning] What are you doing? Watch out! Look out! Mater? Mater! - Mater! - [Laughing] Hey, take it easy, Mater! [Screaming happily] Oof! [Blubbering] Yee-hee! [Chuckling] He's nuts. No need to watch where I'm goin'. Just need to know where I've been. Whoa, that was incredible! How'd you do that? Rearview mirrors. We'll get you some, and I'll teach you if you want. [Chuckling] Yeah, maybe I'll use it in my big race. What's so important about this race of yours, anyway? It's not just a race. We're talking about the Piston Cup! I've been dreaming about it my whole life! I'll be the first rookie in history ever to win it. And when I do, we're talkin' big new sponsor, with private helicopters. No more medicated bumper ointment. No more rusty old cars. What's wrong with rusty old cars? Well, I don't mean you, Mater. I mean other old cars. You know? - Not like you. I like you. - It's OK, buddy. Hey, you think maybe one day I can get a ride in one of them helicopters? I mean, I've always wanted to ride in one of them fancy helicopters. - Yeah, yeah, yeah, sure, sure. - You mean it? Oh, yeah. Anything you say. I knew it. I knowed I made a good choice! In what? My best friend. See you tomorrow, buddy! McQueen and Sally parked beneath a tree, K- i-s-somethin'-somethin'-somethin'-t! [Laughing] [Rewing engine] Whoa, whoa, whoa. [Chuckling] Number one. Number one... Ah, number one! - Ah, this is nice. - Hey, Stickers. [Both scream] - I'm sorry. - You scared me. You gotta be careful. I scared myself scaring you scaring me. - I mean, I wasn't like scared scared. - No, of course not. No. - I was more... - I overheard you talkin' to Mater. When? Just now? What, what did, what did you hear? Something about a helicopter ride. Oh, yeah. Yeah, he got a kick out of that, didn't he? - Did you mean it? - What? - That you'll get him a ride. - Who knows? First things first. I gotta get outta here and make the race. Uh-huh. You know... Mater trusts you. Yeah, OK. - Did you mean that? - What? Was it just a "Yeah, OK", or "Yeah... OK" or "Yeah, o-OK"? Look, I'm exhausted. It's kinda been a long day. Yeah, OK. G'night. [Groans] Oh... Hey, thank you. What did you just say? You know, thanks for lettin' me stay here. It's nice to be out of the impound, and this is... It's great. - Newly refurbished, right? - Yeah. - G'night. - Good night. Hmm. [Reveille plays] [Jimi Hendrix: Star Spangled Banner] Will you turn that disrespectful junk off? Respect the classics, man. It's Hendrix! [Groaning] [Breathing rapidly] [Muttering] [Fast-paced electronic music] Ah! - [Mooing loudly] - [Screaming] No! [Yelling loudly] [Mooing] - No! [gasping] - [Alarm beeping] I gotta get outta here! Hey, have you seen the Sheriff? Oh! Oh, my gosh. - Hey, what are you doin'? - Get a good peek, city boy? [Stuttering] I just need my daily gas ration from the Sheriff. Wait for him at Flo's. Get outta here. I've been trying to get outta here for three days! [Sheriff] Hope you enjoyed the show! [Groaning] Whoa, Doc. Time to clean out the garage, buddy, come on. What? He has a Piston Cup? Oh, my gosh. Three Piston Cups? - [Doc] Sign says stay out. - [Gasps] You have three Piston Cups. How could you have... I knew you couldn't drive. I didn't know you couldn't read. - You're the Hudson Hornet! - Wait at Flo's, like I told ya! Of course. I can't believe I didn't see it before. You're The Fabulous Hudson Hornet! You used to hold the record for most wins in a season. Oh, we gotta talk. - You gotta show me your tricks. Please. - I tried that. You won three times! Look at those trophies! You look. All I see is a bunch of empty cups. [Country music] [Country music] You know, some automotive yoga could really lower your RPM's, man. Oh, take a car wash, hippie. Yeah, look at my husband, y'all! Whoo! That's your color! - [Ramone] Yellow, baby. - Mmm. You smokin' hot! There he is. Oh, my gosh! Did you know Doc is a famous racecar? - Doc? Our Doc? - Not Doc Hudson. No, no, no, no, it's true! He's a real racing legend. He's The Fabulous Hudson Hornet! Fabulous? I never seen Doc drive more than 20 miles an hour. I mean, have you ever seen him race? No, but I wish I could have. They say he was amazing! - He won three Piston Cups! - He did what in his cup? I think the heat's startin' to get to the boy! Well, I'll say! Look how red he is. [Ramone] I think he needs a new coat of poly, man. - [Mater] Are you sick, buddy? - You are lookin' peaked. He needs a new coat of poly for sure! [Gas bell rings] - [Sheriff] Hey! What are you doin'? - It's OK. You can trust me, right? I trust you, all right. It's him I'm worried about. Hmm... I trust him. - Come on, let's take a drive. - A drive? Yeah, a drive. Don't you big city racecars ever just take a drive? Ah... No. No, we don't. [Gas pump stops] Hey, Stickers! You comin' or what? [Flo] Mm-hm! - And you thought he was gonna run. - Hey, can you believe it, man? He actually thought Doc was a famous racecar! That's so too much! OK, you got me out here. Where are we goin'? I don't know. Whoa! Yes. - [Sputtering] - [Laughing] Oh! Ah-ha-ha! - Bleah! - [Chuckling] - [Grunts] - [Laughs] [Sputtering] [Laughing] [Chuckles] Oh! [Spitting] [Lightning] Wow. What is this place? Wheel Well. Used to be the most popular stop on the mother road. This place? [Horns beeping] [Sally sighing] Yeah, imagine. Oh, imagine what it must have been like to stay here. You know, I don't get you. How does a Porsche wind up in a place like this? Well, it's really pretty simple. I was... ...an attorney in LA livin' life in the fast lane, and... Oh, you were, were you? Were you rich? - What? - Just... clues to the puzzle. Yeah, OK. Well, that was my life. And you know what? It never felt... happy. Yeah. I mean... really? Yeah. So I left California. Just drove and drove and finally broke down right here. Doc fixed me up, Flo took me in. Well, they all did. And I never left. Yeah. You know, I understand. You need a little R and R. Recharge the old batteries. But you know, after a while, why didn't you go back? [Inhaling heavily] I fell in love. - Oh. - Yep. - Corvette? - No. I fell in love with this. Whoa. Look at that. Look, they're drivin' right by. They don't even know what they're missing! [Sally] Well, it didn't used to be that way. Oh, yeah? Yeah. Forty years ago, that Interstate down there didn't exist. Really? [Sally] Yeah. Back then, cars came across the country a whole different way. How do you mean? The road didn't cut through the land like that Interstate. It moved with the land, you know? It rose, it fell, it curved. - Mornin'! - Nice day, huh? Cars didn't drive on it to make great time. They drove on it to have a great time. [James Taylor: Our Town] Well, what happened? The town got bypassed just to save ten minutes of driving. [Lightning] How great would it have been to see this place in its heyday! Oh, I can't tell you how many times I've dreamed of that. But one of these days we'll find a way to get it back on the map. Yeah. Hey, listen, thanks for the drive. I had a great time. It's kinda nice to slow down every once in a while. You're welcome. Hey, listen, listen! If anybody asks you, we was out smashin' mailboxes, OK? [Chuckling] Wha... what? [Rumbling] [Mooing] Oh, man, the paint's still wet! - [Honking loudly] - [Mooing] No, no, no, no! Get out of the store! Hey! Don't eat the radial! Here, take-a the snow tires. - [Sheriff] Mater! - I wasn't tractor-tippin'! Then where did all these gol-durn tractors come from? - Whoa, boy! - Hey! Hey, guys! There's one goin' this way. I got it. Come here, little tractor, come here. Yeah, that's a good tractor. No, no, no, no, come here. What are you doing? You're not supposed to go wandering off all... ...alone. What are you doin' with those old racin' tires? [Sighing heavily] Come on, Doc, drive. [Revs engine] Ah... Yeah. - Wow. - Huh? You're amazing! [Coughing] What are you doin'? Doc, wait! [Trucks mooing] Giddup right in there! Come on, Rusty. Doc, hold it! Seriously, your driving's incredible! - Wonderful. Now, go away. - Hey, I mean it. You've still got it! - I'm askin' you to leave. - Come on. I'm a racecar, you're a much older racecar, but under the hood you and I are the same. We are not the same! Understand? Now, get out. How could a car like you quit at the top of your game? You think I quit? [Lightning] Right. Your big wreck in '54. They quit on me. When I finally got put together, I went back expecting a big welcome. You know what they said? "You're history." Moved right on to the next rookie standing in line. There was a lot left in me. I never got a chance to show 'em. I keep that to remind me never to go back. I just never expected that that world would... ...would find me here. - Hey, look, Doc, I'm not them. - Oh, yeah? No, I'm not. When is the last time you cared about something except yourself, hot rod? You name me one time and I will take it all back. Uh-huh. I didn't think so. These are good folk around here, who care about one another. I don't want 'em depending on someone they can't count on. Oh, like you? You've been here how long and your friends don't even know who you are? Who's caring about only himself? Just finish that road and get outta here! [Reveille plays] [Jimi Hendrix: Star Spangled Banner] [Sarge] Will you turn that disrespectful junk off? [Fillmore] Respect the classics, man. [Snoring] [Snorts, putters] [Grunting] [Smacking] Ah... [Mater] He's done. He must've finished it while we was all sleepin'. Good riddance. He's gone? Well, we wouldn't want him to miss that race of his. [Sniffing] - Oh, dude, are you crying? - No! I'm happy! I don't have to watch him every second of the day anymore! I'm glad he's gone! [Blubbering, sobbing] What's wrong with Red? Oh, he's just sad 'cause you left town and went to your big race to win the Piston Cup that you've always dreamed about your whole life and get that big ol' sponsor and that fancy helicopter you was talkin' about. [Gasping] Wait a minute! [All laugh] I knowed you wouldn't leave without saying goodbye. What are you doin' here? You're gonna miss your race. Don't worry. I'll give you a police escort, and we'll make up time. Thank you, Sheriff. But you know I can't go just yet. Well, why not? - I'm not sure these tires... - [Luigi gasps excitedly] ...can get me to California. - Peet stop? Yeah, does anybody know what time Luigi's opens? [Laughing] I can't-a believe it! Four new tires! [Laughing] I can't-a believe it! Four new tires! Grazie, Mr. Lightning. Grazie! - Would you look at that! - [Luigi] Our first customer in years! I am filled with tears of ecstasy, for this is the most glorious day of my life! All right, Luigi, give me the best set of blackwalls you've got. No! No, no, no. You don't-a know what you want. Luigi know what you want. Blackwall tires. They blend into the pavement. But-a this... Whitewall tires! They say, "Look at me! Here I am! Love me." All right, you're the expert. - [Snarling] - [Lightning] Don't forget the spare. - Perfetto. Guido! - Peet stop! [Chuck Berry: Route 66] [Laughing] What did Luigi tell you, eh? Wow, you were right. Better than a Ferrari, huh? Eh... No. Wow! This organic fuel is great! Why haven't I heard about it before? It's a conspiracy, man! The oil companies got a grip on the government! They're feedin' us a bunch of lies, man. OK, I'll take a case. Ow! Eh! [Lightning yelps] - [Chuckles] - [Breathes in deeply] [Ramone] Ah... Yeah. [Lightning] Ka-chow. - Here she comes! - [Lightning] Places, everybody. Hurry! - Act natural. - [Whistling] - Hi, Sally. - Buon giorno! All right, what's goin' on? Ladies and gentlecars, please welcome the new Lightning McQueen! Pow! What do you think? Radiator Springs looks pretty good on me. [Chuckling] I'll say. [Purring] Ka-chow. You're gonna fit right in in California. My goodness. It looks like you've helped everybody in town. Yeah, everybody except one. - Hey, is it getting dark out? - What? What'd he say? Let me say that again. Is it getting dark out? Now, what was I supposed to do after that? [The Chords: Sh-Boom] [Gasping] They fixed their neon! - Low and slow? - Oh, yeah, baby! [chuckling] [Flo laughs and shrieks] Just like in its heyday, right? It's even better than I pictured it. Thank you. [Chuckling] Shall we cruise? Oh, thank you, dear. I'd love to! - No, no, no. - Lizzie! I remember when Stanley first asked me to take a drive with him. Hey, Miss Sally. May I have this cruise? - Of course, Mater. - Uh-uh-uh! [Mooing] ...and again and I said, "No." He asked me again, and I said, "No." But, oh, he was a persistent little bugger for a two-cylinder. Finally I said, "All right, one little drive." - Oh! - [Mater chuckling] - Hey! - Thanks, Mater. Good evenin', you two. Oh, Stanley, I wish you could see this. - Is that what I think it is? - Oh, I don't know, Flo. I haven't had a chance to find out. But I am going to find out. Hello. Not that. That. [Sally gasps] Customers? [Sally gasps] Customers? Customers, everybody! And a lot of 'em! You know what to do. Just like we rehearsed. [All gasp] It's the ghostlight! We have found McQueen. We have found McQueen! McQueen, over here! - Wait, excuse me. - Is it true you've been in rehab? - Did you have a nervous breakdown? - What? - McQueen's wearing whitewalls! - Your tires balding? [Sally] Stickers! - Was McQueen your prisoner? - Shoot, no! We're best buds! I ain't braggin' or nothin', but I was in charge of huntin' him down if he tried to escape. Sally! Sally! Will you still race for the Piston Cup? - Stickers? - Sally! - Come on, give us some bolt! - [Horn honking] You're here! Thank the manufacturer! You're alive! - Mack? - You're here! I can't believe it! [Chuckling] You are a sight for sore headlights! I'm so sorry I lost you, boss. I'll make it up to you! Mack, I, I can't believe you're here. [Harv] Is that the world's fastest racing machine? - Is that Harv? - Yeah. He's in the back. - Show us the bolt! - Get back, you oil-thirsty parasites! - Where's the old McQueen? - Actually, this is my good side here. - Harv! Harv! - Give us the bolt! - Harv? - Come on! - Kid, I'm over here! - How you doin', buddy? My star client disappears off the face of the earth! - How do you think I'm doing? - I can explain. I'm doing great! You're everywhere! Radio, TV, the papers! You can't buy this kind of publicity! What do you need me for? That's just a figure of speech, by the way. You signed a contract. Where are you? I can't even find you on my GPS. I'm in this little town called Radiator Springs. - You know Route 66? It's still here! - Yeah, that's great, kid. Playtime is over, pal. While the world's been trying to find you Dinoco has had no one to woo. - Who are they gonna woo? - Chick! Bingo. In fact, check out what's on the plasma right now. - Show us the thunder! - You want thunder? You want thunder? Ka-chicka, ka-chicka! - Hey, that's my bit! - You've gotta get to Cali, pronto! Just get out of Radiation Stinks now, or Dinoco is history, you hear me? Just give me a second here, Harv. No, wait. Where are you goin'? Get in the trailer, baby. Kid! You want a bigger trailer? Sally, I... I want you to... Look, I wish... [sighs] Thank you. Thanks for everything. [Groans, chuckles] - It was just a road. - No. It was much more than that. Hey, kid! We gotta go. Harv's goin' crazy! He's gonna have me fired if I don't get you in the truck right now! - Mack, just... hold it for... - You should go. - I know, but... - Good luck in California. I hope you find what you're looking for. - McQueen, come on! - Sally... - Sally! - Show us the bolt, McQueen! The bolt! Hey, Lightning, show us the bolt! - Come on, get in the trailer. - Where's the old McQueen? - The bolt! - That's it. That's right, let's go! You're a big shining star. You're a superstar. You don't belong there, anyway. Whoa... Wait... Whoa, whoa, wait, wait! [Engine starts] Hey, guys! McQueen's leavin' in the truck! Hey, are you Doc Hudson? - Yeah. - Thanks for the call. - You called them? - It's best for everyone, Sally. Best for everyone or best for you? I didn't get to say goodbye to him. [Light buzzing] [Bob] Hello, race fans. Welcome to what has become, quite simply, the biggest event in the history of racing. A three-way battle for the Piston Cup! [Darrell] There's a crowd of nearly 200,000 cars here at the Los Angeles International Speedway. Tickets to this race are hotter than a black leather seat on a hot summer day! [Bob] The King, Chick Hicks and Lightning McQueen in a 200 lap, winner-takes-all, tiebreaker race. [Darrell] I got a lotta miles on me, but let me tell you somethin'. I never thought I'd see anything like this. This is exciting! [Bob] In fact, the country has almost shut down to watch what many experts are calling "the race of the century." Hey, King! Good luck in your last race. - You've sure been an inspiration to me. - Thanks, Junior. Appreciate it. - Hey, be careful out there, OK? - Yeah, man. [Mia] He's hot! Wanna know the forecast? I'll give you the forecast. A 100 percent chance of thunder! Ka-chicka! Ka-chicka! Say it with me! Ka-chicka! Ka-chicka! Hey, you! No admittance without a garage pass. Oh, it's OK. Lightning McQueen knows me! Hey, Marco, it's a beautiful day for a race, isn't it? - Absolutely, Mr. Andretti. - And good morning to you, Fred. Mario Andretti knows my name! You gotta let me in now! [Guard] Sorry, pal. [Lightning] OK, here we go. Focus. Speed. I am speed. [Cars whizzing] Victory. One winner, two losers. [Engine rewing] Speed. Speed. Speed. Speed... [birds singing] [Knock on door] [Mack] Lightnin'! You ready? [Gasping] Yeah, yeah, yeah! I'm ready. [Indistinct chatter] Mack, thanks for being my pit crew today. Don't worry about it, kid. It's the least I could do. After all, "Gas Can" is my middle name. - It is? - Ah... Not really. [All shouting] [Gulping] Uh-oh - [cheering, laughing] - [Giggling] Nelson! Zoom in. Ready, 16? Take 16. [Bob] And there he is, Lightning McQueen! Missing all week, and then he turns up in the middle of nowhere! In a little town called Radiator Springs. [Darrell] Wearin' whitewall tires, of all things. - Oh! - Ka-chicka! Ka-chicka! Ka-chicka! [Chuckling] Hey, where you been? I've been kinda lonely. Nobody to hang out with. I mean, except the Dinoco folks. And the twins. Of course. The ones that used to be your fans, but now they're my fans. Listen to what the twins think... Agh! Shoot! [Darrell] Boogity, boogity, boogity, boys! Let's go racin'! [Crowd cheering] Come on, you can do it! Come on, King, make us proud, boy! [Bob] Fifty laps down, and The King is still holding a slim lead. [Darrell] McQueen's got a run on him! He's lookin' to the inside! Oh! Chick slammed the door on him! [Bob] Chick's not making it easy on him today. [Darrell] He lost momentum, and now he's gonna have to chase him back down! - [Soft music] - [Birds singing] [Breaks squealing] [Bob] McQueen spins out in the infield! [All gasp] [Chuckling] Just me and the old man, fellas. - McQueen just doesn't have it today. - [All laugh] [Groans] - Hey, kid, are you all right? - I don't know, Mack. I don't think I... [Doc] I didn't come all this way to see you quit. Doc? Guys, you're here! I can't believe this! I knew you needed a crew chief, but I didn't know it was this bad. You said you'd never come back. Well, I really didn't have a choice. Mater didn't get to say goodbye. Goodbye! OK, I'm good. [Chuckles] All right, if you can drive as good as you can fix a road then you can win this race with your eyes shut. Now, get back out there! Hot snot, we are back in business! Guido! Luigi! You're goin' up against professional pit crews. - You're gonna have to be fast. - They will not know what bit them! Kid, you can beat these guys. Find a groove that works for you and get that lap back. [Murmuring] - Is it? - Oh, wow. That's him! Is that...? That's the Hudson Hornet! The Hudson Hornet's back! [Bob] It appears McQueen has got himself a pit crew. And look who he has for a crew chief! - Look, man. It's the Hudson Hornet! - Whoa! Well, dip me in axle grease and call me Slick! It surely is. [Crowd cheering] [Bob] Wow, this is history in the making. Nobody has seen the racing legend in over 50 years! Hey, Doc! Come look at this fellow on the radio. He looks just like you. - [Bob] McQueen passes on the inside! - [Darrell] He's nearly a lap down. [Bob] Can he catch up to them with only 60 laps to go? You're goin' great, kid. Just keep your head on. Vai! Vai, vai! Hey, shrimpie, where did McQueen find you, huh? Those round things are called tires, and they go under the car! [All laugh] Con chi credi di parlare? Ma, con chi stai parlando? No! No, no! You'll have your chance. You will have your chance. Oh, kid's just tryin' to be a hero, huh? What do you think of this? - [Tires squealing] - Yeah, that's it, kid. What? Whoa! Git-R-done! - [Laughing] I taught him that. Ka-chow! - Ah! [Bob] What a move by McQueen! He's caught up to the leaders. Yeah. This is what it's all about. A three-way battle for the lead, with ten to go! [Chortling] Look at that boy go out there! [Chick] Oh! [grunting] No, you don't. [Tire blows] Doc, I'm flat! I'm flat! - Can you get back to the pits? - Yeah, yeah. I think so. Hey, got a yellow. Bring it in. Don't tear yourself up, kid. [Mack] We gotta get him back out there fast or we're gonna be a lap down, and we'll never win this race! Guido! It's time. Hey, tiny, you gonna clean his windshield? [Air wrench whirring] [Darrell] I don't believe it! [Bob] That was the fastest pit stop I've ever seen! [Darrell] It was a great stop, but he's still gotta beat that pace car! [Bob] It's gonna be close. - Yeah, baby! - [All hollering] [Darrell] He's back in! Peet stop. - Guido, you did it! - Way to go, Guido! [Bob] This is it. We're heading into the final lap and McQueen is right behind the leaders. What a comeback! [Darrell] A hundred and ninety-nine laps! It all comes down to this! This is it, kiddo. You've got four turns left. One at a time. Drive it in deep and hope it sticks. - Go! - [Rewing] We'll see about that! [Bob] McQueen's going inside! - Chick and King are loose! - [Darrell] I think McQueen's out! - McQueen saved it! - [Bob] He's back on the track! - Float like a Cadillac... - Sting like a Beemer! - Ka-chow! Ka-chow! Ka... - [all cheer] [Darrell] Lightning McQueen is gonna win the Piston Cup! Come on! You got it! You got it, Stickers! [Grunts] I am not comin' in behind you again, old man. - Oh, no! - [Crowd gasps] [Breaks screeching] [Engine idling] Yeah! Whoo-hoo! I won, baby! Yeah! Oh, yeah! [Flo] What's he up to, Doc? [Grunting, moaning] What are you doin', kid? I think The King should finish his last race. You just gave up the Piston Cup, you know that? This grumpy old racecar I know once told me somethin'. It's just an empty cup. [Bob] Darrell, is pushing on the last lap legal? He's not really pushin' him. He's just givin' him a little bump draft. Whoo-hoo-hoo-hoo-hoo! Hey. What? What's goin' on? - That's what I call racin'. - [Sobbing] [Laughing] [Crowd cheers wildly] - Bravo il mio amico! - Way to go, buddy! There's a lotta love out there, you know, man? - Don't embarrass me, Fillmore. - That's my hot rod. Come on, baby, bring it out! Bring out the Piston Cup! Ka-chicka! Ka-chicka! Yeah! Now, that's what I'm talkin' about! Hey, how come the only one celebrating is me, huh? Where are the girls? Bring on the confetti! Ow! Ow! Easy with the confetti. What's goin' on? Come on, snap some pictures. I gotta go sign my deal with Dinoco! Say it with me. Ka-chicka! - Boo! - Boo! What's wrong with everybody? Where's the happiness? Hey! This is the start of the Chick era! - Thanks, Lightnin'. - You're welcome. - Way to go, King! - You're still the car! You're The King! Yeah! [Crowd cheers] [Laughing and cheering] - You made us proud, kid! - Congrats on the loss, me bucko! You got a lotta stuff, kid. Thanks, Doc. Hey, Lightnin'. How 'bout comin' over here and talk to me a minute? Son, that was some real racin' out there. How'd you like to become the new face of Dinoco? But I didn't win. Lightnin', there's a whole lot more to racin' than just winnin'. [Clank] He was so rusty, when he drove down the street - buzzards used to circle the car! - [All laugh] Thank you, Mr. Tex, but... ...but these Rust-eze guys over there gave me my big break. I'm gonna stick with them. Well, I sure can respect that. Still, you know, if there's ever anything I can do for you, just let me know. I sure appreciate that. Thank you. Actually, there is one thing. Whoo-hoo! Whoo-hoo! Hey, look at me! I'm flyin', by golly! I'm happier than a tornado in a trailer park! I think it's about-a time we redecorate. Hi. Lightning McQueen told me this was the best place in the world to get tires. How 'bout setting me and my friends up with three or four sets each? Guido! There is a real Michael Schumacher Ferrari in my store. A real Ferrari! Punch me, Guido. Punch me in the face. This is the most glorious day of my life. Wow. [Italian] Spero che il tuo amico si riprenda. Mi dicono che siete fantastici. - [Sighing] - [Engine rewing] [Both chuckle] Just passin' through? Actually, I thought I'd stop and stay awhile. - I hear this place is back on the map. - It is? There's some rumor floating around that some hotshot Piston Cup racecar is setting up his big racing headquarters here. Really? Ah, well, there goes the town. You know, I really missed you, Sally. Well, I create feelings in others they themselves don't understand and, - blah, blah, blah. - [Lightning chuckles] McQueen and Sally parked beneath the tree, K- i-s-s... uh... i- n-t! Great timing, Mater! Hep-non, hip-hep, hi-li-lilly! Whee! He's my best friend. What're you gonna do? So, Stickers, last one to Flo's buys? I don't know. Why don't we just take a drive? Hmm... Nah. Yeah! Ka-chow! [John Mayer: Route 66] [Yelling] [Sirens blaring] [Sniffing] Ah-choo! [Mater] All right, everybody please keep together now. We is now entering the Doc Hudson wing of the museum. Wow. Unbelievable. That many wins in a single season. He's the real deal, Junior. The Hudson Hornet was my inspiration. Excuse me, son. Is Doc Hudson here today? Sorry, Mrs. The King, I think Doc went out for a drive or somethin'. - [Lightning] Whoo! Whoo! - [Doc] Yeah! Well, you sure ain't no dirt boy. Not today, old man. I know all your tricks. [Growls] Doc! Doc! Whoo-ah! [Doc] Not all my tricks, rookie! [All grumble] [Cheering] Attention! Kiss the pavement goodbye. When I'm finished, you'll have mud in places you didn't know you had! - Yo, I've never been off-road! - Well, that's gonna change right now! About face! Drop and give me 20 miles! Go! Go! Go, go, go, go, go! Go! Man, now I got dirt in my rims! - [Pole hits metal] - Huh? Look at this! It's my hood! It's my hood! I ain't seen this thing in 20 years! Well, it fits perfectly. How do I look? Ah-choo! Oh, dang. You are a toy car! You are a sad, strange little wagon and you have my pity. Farewell. [Woody Car] Oh, yeah? Well, good riddance, you loony! Hey, I hate to break up the road rally, guys, but they're here! Birthday guests at three o'clock! [Chuckling] Oh, man! Whoever does the voice of that piggy truck, I'm tellin' ya, he's one great actor! We're banished, genius! Stuck here in this wasteland without chains! But, Mike, the Boomobile's in trouble! She needs our help! - You're still not listening! [gasping] - Ah! Welcome to the Himalayas! Snow cone? Oh, that Abominable Snowplow is quite the comic thespian! Just get in there. Go! Go, go, go! Circus cars? How can you be circus cars? These are the lousiest circus cars in the world, and they're gonna make me rich! Wait a minute here. They're just usin' the same actor over and over. What kind of a cut-rate production is this? [Brad Paisley: Find Yourself] [Minny moaning] Oh, for the love of Chrysler, can we please ask someone for directions? No! There's an on-ramp close! I know it! I can feel it!
Gordon turns ... Batman holds up THE BAG WITH THE SEVERED
THUMB. Gordon sighs, taking it shakes his head,
presses the thumb to the drive -- it OPENS --
GORDON
Boy, this guy's hilarious.
SURVEILLANCE PHOTOS pop up: Mayor Mitchell exiting a
seedy nightclub with a TWENTY-TWO YEAR OL D IN CLUBWEAR,
headed for his Aston DBll, a black eye visible under the
Woman's sunglasses; behind them follow UNSAVORY TYPES, a
gangster vibe -- one wears a STREET-STYLED, STRIPED TUX --
GORDON
... so much for family values.
BATMAN
... who is she?
GORDON
No idea ... But that's the Penguin
Carmine Falcone's right hand --
BATMAN
-- I know who he is.
When -- a WHOOSH! sound suddenly emits from the laptop!
GORDON
-- what was that --?
GORDON
(clicking windows)
Shit-shit-shit --
BATMAN
What -- ?
GORDON
The mail app -- it just -- it, it
sent out the photos! Goddammit!
Gotham Post, Gazette, GCl! Jesus
I'm gonna have to go deal with
this, Pete's gonna hit the roof.
BATMAN
(looks at photos)
"He lies still" ... About her?
(CONTINUED)
36
36
37
38
02/09/20 (White February Shooting Script)
CONTINUED:
21.
GORDON
Maybe ... That's the Iceberg Lounge
-- it's under the Shoreline Lofts
where Falcone's holed up. We'll
never get in without a warrant.
BATMAN
(won't stop him)
... yeah ...
EXT. ICEBERG LOUNGE NIGHTCLUB - MOVING SHOT - NIGHT
PUSHING toward a deserted warehouse -- a nondescript door
in the facade; a LONE SODIUM STRE ETLAMP FLICKERS,
illuminating an old sign: ICEBERG FISH CO -- as BAT BOOTS
CLICK purposefully into frame --
BLACKNESS
SWINGS OPEN to reveal Batman in shadow; CLUB MUSIC booms:
BATMAN
Know who I am?
A HUGE BOUNCER'S eyes give the Bat Suit the once over -
BOUNCER
Yeah, I got an idea.
BATMAN
I wanna see The Penguin.
BOUNCER
Penguin? I don't know what you're
talking about, pal.
Batman just stares. The Bouncer shuts the door. A beat,
then it opens again. Now there are two of them TWINS.
IDENTICAL TWIN BOUNCER
What's the problem?
BOUNCER
Says he wants to see The Penguin.
IDENTICAL TWIN BOUNCER
Penguin? Ain't no Penguin here --
BOUNCER
That's what I tried to tell
him --
IDENTICAL TWIN BOUNCER
Get outta here, freak. Ya
hear me? Or that little
suit's gonna get all full
of blood.
(CONTINUED)
36
37
38
38
39
10/25/19 (October Shooting Draft)
CONTINUED:
Batman remains eerily still.
BATMAN
Mine? Or yours?
22.
The Twin LUNGES -- blind-sided by Batman's VICIOUS ELBOW
STRIKE -- the other Twin CHARGES -- his throat meets the
HEEL OF BATMAN'S PALM -- and just like that, WE'RE
FOLLOWING BATMAN INSIDE (IN A CONTINUOUS HAND-HELD SHOT)
MUSIC THROBS as we plunge down A CORRIDOR -- CIRCLING
BATMAN -- BEHIND HIM we see THE TWINS staggering back in
-- SCREAMING to alert MORE BOUNCERS -- who SCRAMBLE as -
Batman emerges onto the landing above the club -- strobe
lights reveal glimpses of SHOWGIRLS ABOVE A DANCE FLOOR
Batman starts downstairs -- when the BOUNCERS POUNCE -- A
MARTIAL ARTS BRAWL ERUPTING as they descend -- Batman
taking on TWO AT A TIME CRACKING HEADS ON RAILINGS
until he LEAPS OVER ONE -- dropping a full story!
-- Batman spots ANOTHER BOUNCER with an ALUMINUM BAT
who SWINGS -- Batman STEPS IN FAST -- THROWING AN ELBOW
TWISTING THE BAT FREE -- DROPPING THE BOUNCER HARD --
A MUSTACHED BOUNCER PULLS A GUN -- BATMAN TWIRLS THE BAT
under STROBE LIGHTS -- MUSTACHE FIRES -- BULLETS PING OFF
THE BAT -- BATMAN LETS IT F LY -- KNOCKING MUSTACHE OUT!
BATMAN SEES THE TWINS -- BACK AGAIN -- ONE HAS A SHOTGUN
-- CLOBBERS SHRIEK -- AS BATMAN TRIGGERS A QUICK-DRAW
SLIDER ON HIS ARM -- WHIPPING A HARPOON GUN TO HIS FIST -
FIRING THROUGH THE GUNMAN'S LEGS INTO HIS BROTHER'S FOOT
BEHIND HIM -- THE LINE RETRACTS -- YANKING HIM FORWARD
UPENDING THEM BOTH -- the GUN FIRES into the ceiling!
The club in TOTAL CHAOS now -- when SOMEONE comes up
behind -- BATMAN SPINS, ready for more -- TO SEE A MAN
WITH A MISSHAPED NOSE IN A STRIPED TUX AND LAVENDER BOW
TIE -- he puts his hands up -- grinning -- in awe --
THE PENGUIN
Whoa-whoa-whoa -- take it easy,
sweetheart! You lookin' for mg?
See you met the twins. Boy, you're
everything they say, aren't you?
(smiles big, flashing
a shiny gold tooth)
Guess we both are. Howya <loin'?
I'm Oz.
He hobbles closer on a CLUBBED FOOT -- sticks out a hand
to shake -- Batman doesn't return the gesture
38
39
40
10/25/19 (October Shooting Draft) 23.
INT. DIM CLUB DRESSING ROOM/BACKROOM OFFICE ARE A - NIGHT
At a desk enclosed by racks of showgirl costumes, Penguin
looks at THE PHOTO OF THE TWENTY-TWO YE AR OLD AND MAYOR --
BATMAN
Who is she?
THE PENGUIN
I really don't know, chief -- I
mighta been comin' out same time
but I wasn't rollin' with them --
FOOTSTEPS interrupt -- through a gap in costumes, Batman
spies A FIGURE IN A HIGH-SLIT EVENING GOWN -- a STUNNING
WOMAN appears streetwise vibe. She stops, uneasy --
THE PENGUIN
No, no -- it's ok, baby -- Mr.
Vengeance here don't bite ...
She hesitates, eyes on Batman; then saunters to Penguin,
sets down a drink tray; as Penguin touches her thigh, she
slyly brushes his hand away with a smile -- says low
WOMAN IN THE EVENING GOWN
Touch me again, Oz, I'll break
those stubby little fingers, ok?
THE PENGUIN
What? The dress, I was just
feelin' the material -- sorry ... !
He lifts AN ENVELOPE OF CASH off the tray -- Batman
watches him hand the Woman A RUBBER-BANDED CLUSTER OF
VIALS WITH EYE-DROPPERS -- a.k.a. "DROPS" -- the Woman
turns to go, but stops, struck, as she sees THE PHOTO -
her eyes briefly meet Batman's -- then she heads out --
BATMAN
(points to photo)
I wanna know who she is, and what
she has to do with his murder?
THE PENGUIN
Whose murder -- ?
BATMAN
The mayor
THE PENGUIN
is that the mayor? Oh shit, it
is, lookit that -- !
Batman Y ANKS HIM from his seat, SLAMS HIM INTO A MIRROR!
BATMAN
Don't make me hurt you.
(CONTINUED)
40
40
41
42
10/25/19 (October Shooting Draft)
CONTINUED:
THE PENGUIN
You better watch it ... You know my
reputation?
BATMAN
Yeah, I do. Do you?
Anger flares suddenly in Penguin's eyes -- a nerve
struck. Finally, he pushes it down, smiling, evasive.
THE PENGUIN
Look, I'm just a proprietor, ok?
What people do here ain't got
nothin' to do with me.
24.
Batman senses something in the mirror -- he turns -- to
see the Woman in the Evening Gown still watching through
the doorway in the distance -- she disappears again --
THE PENGUIN
I'll tell ya one thing ...
Batman turns back -- Penguin hands him the photo
THE PENGUIN
Whoever she is, she's one hot
chick.
(smiles cruelly)
Why don't you ask Mitchell's wife?
Maybe she knows.
(off Batman's look)
What? Too soon?
Batman looks at the photo again -- spots an Evening Gown
in the b.g. -- face in shadow, but there's no mistaking
that dress -- as Batman moves for the empty doorway --
THE PENGUIN (O.S.)
You let me know there's anything
else I can do! Ok, sunshine?!
OUTSIDE THE OFFICE
Batman stops, looking around -- the Woman is gone.
EXT. ICEBERG LOUNGE NIGHTCLUB - POURING RAIN NOW - LATER
The Woman emerges in a coat, looking anxiously for a cab
under the FLICKERING STREET LAMP, flags down a NAVY GYPSY
CAB -- hand-painted on the door: "We're Not Yellow -- We
Go Anywhere". She gets in. PAN with the cab as it speeds
off ... right by a HELMETED MOTORCYCLIST -- THE DRIFTER.
40
41
42
43
02/09/20 (White February Shooting Script) 25.
INT. NAVY BLUE GYPSY CAB - BACKSEAT - LATE NIGHT
The Woman on her cell speaks low as someone picks up:
WOMAN IN THE EVENING GOWN
Hey, it's me. What'samatter, baby?
--!!fill.§.?
slow down, I can't ... On the
No, wait for me, I'm on my
way home! We're gonna get the hell
outta here, I promise, if we have
to go sooner, we'll go tonight!
HOLD on her worried face as FOCUS DRIFTS through the rear
window to REVEAL THE HELMETED DRIFTER, FOLLOWING HER ...
43
44 EXT. RUN-DOWN, EAST END APARTMENT - BINOCULAR POV - NIGHT 44
QUIET BREATHING as BINOCULARS SEARCH THE FACADE -- LIGHTS
COME ON IN THE SECOND STORY -- THE WOMAN, entering HER
APARTMENT -- CATS SWARM HER as she rushes to THE KITCHEN
-- finding a YOUNG WOMAN WITH A BRUISED FACE, eyes on the
TV -- who grows hysterical, gesturing to the PHOTOS OF
THE MAYOR AND THE TWENTY-TWO YEAR OLD playing on GCl --
and as the Woman in the Gown tries to calm her, we see:
THE BRUISED YOUNG WOMAN IS THE TWENTY-TWO YEAR OLD --
REVEAL THE DRIFTER (BRUCE HIDDEN IN CAP AND ARMY JACKET)
-- watching through binoculars FROM A NEARBY ROOFTOP --
THE BINOCULAR POV
FOLLOWS the Woman in E vening Gown to a BATHROOM; she
opens a cabinet, getting PILLS -- then rushes back to THE
KITCHEN -- distraught, the Bruised Woman takes them -
the Woman in Gown caresses her head -- the Bruised Woman
pushes her away, inconsolable. The Woman in Gown stands,
at a loss. Then, resolve building, marches off -
BINOCULARS FOLLOWING as she -- and all her cats -- head
into a BEDROOM -- where she stealthily shuts the door -
we watch IN SILHOUETTE as she slips out of her dress ...
and begins sliding into A SKIN-TIGHT, BLACK LEATHER
BODYSUIT ... as her cats nuzzle against her legs ...
THE DRIFTER GAZES, STRUCK BY THE SIGHT OF THE WOMAN, AS --
THE "CATWOMAN"
climbs nimbly out to the fire escape -- swinging like an
acrobat to the ground below; she ducks into the garage --
45
46
47
48
10/25/19 (October Shooting Draft) 26.
THE DRIFTER LOWERS THE GLASSES, ALARMED HE'LL LOSE HER --
EXT. EAST END APARTMENT - GARAGE FRONT - MOMENTS LATER
A BLACK SPORT BIKE appears -- THE HELMETED CATWOMAN ROARS
onto the street -- PAST THE DRIFTER getting on his bike --
EXT. GOTHAM STREETS - MOVING SUPER FAST - NIGHT
THROTTLING HARD through traffic to keep CATWOMAN in sight
as she WEAVES in and out of view a hundred feet ahead
-- SLALOMING CARS -- THE DRIFTER RACES JUST TO KEEP PACE!
INT. MAYOR'S MANSION - LOOKING UP AT SKYLIGHT - NIGHT
A FIGURE LOWERS GRACEFULLY on a rope -- THE CATWOMAN --
INT. MAYOR'S MANSION - STUDY - THE CRIME SCENE - NIGHT
She prowls, a BLACK MOTORCYCLE WIND MASK over her face
finds A WALL SAFE -- working tumblers till ... it's open --
A VOICE (O.S.)
You're pretty good at that ...
She turns to see BATMAN IN SHADOW -- she GRABS SOMETHING
FROM THE SAFE -- B REAKS for the door -- he STALKS AFTER,
GRABS her -- she SPINS, SWINGING A VICIOUS ROUNDHOUSE -
surprised, he RECOILS, blocking BLINDING KICK AFTER KICK
with raised arms -- SHE'S REALLY GODDAMN GOOD!
Her B RUTAL ASSAULT drives him back -- when suddenly -- he
TWISTS, GRABBING HER LEG -- they CRASH over the desk
and suddenly she's on her back -- he reaches down -
SNATCHING whatever she stole -- an ESTONIAN PASSPORT
CATWOMAN
Batman opens it: it belongs to THE TWENTY-TWO YEAR OLD --
BATMAN
Kosolov, Annika --
CATWOMAN
Girrane that --
BATMAN
He hurt her? That why you killed
him?
CATWOMAN
What?! Oh, please -- just gimme
the goddamn--!
(CONTINUED)
45
46
47
48
48
49
50
10/25/19 (October Shooting Draft)
CONTINUED:
27.
She LUNGES for the passport -- as Batman WRAPS AROUND HER
-- pulling her down BEHIND THE DESK -- she's bewildered -
when she sees A FLASHLIGHT spilling through the doorway -
it's A SECURITY COP arriving to investigate the noise ...
he scans the scene -- as they wait, bodies pressed close -
- her eyes swim as Batman holds her ... Satisfied, the Cop
leaves -- Catwoman shrugs Batman off, hard -- standing --
CATWOMAN
Listen, honey -- you got the wrong
idea, ok? I didn't kill anybody -
I'm here for my friend. She's
tryin'a get the hell outta here -
this sonuvabitch had her passport.
BATMAN
What does she know?
CATWOMAN
Whatever it is, it's got her so
scared she won't even tell me.
BATMAN
(wry)
She did seem upset ...
She looks at him, confused. He stares back, provocative:
BATMAN
Back at your place.
She can't believe it: He was there ... ?
BATMAN
Let's go talk to her.
Finally, he offers the passport ... She glares at it ...
EXT. WET GOTHAM STEETS - NIGHT
Batman and Catwoman jockey for the lead on their bikes -
THEY ROCKET PAST at over 100 mph -- A FLEETING BLUR -- we
LAND ON TWO STUNNED PEDESTRIANS, craning their heads
INT. SELINA'S APARTMENT - NIGHT
THE PLACE HAS BEEN RANSACKED -- Batman and Catwoman enter
distraught, she rushes deeper into the apartment
CATWOMAN (O.S .)
Anni! Baby ... ?!
Batman examines the scene -- hears the TV -- moves to --
48
49
50
02/09/20 (White February Shooting Script) 28.
THE DIM KITCHEN
-- sees UNPAID BILLS on the counter -- picks one up, sees
the name: SELINA KYLE -- when the TV steals his attention
-- THE GCl HEADLINE: "SERIAL KILLER CLAIMS CREDIT FOR
SECOND VICTIM IN TWO DAYS -- GCPD COMMISSIONER MURDERED"
Catwoman comes in, now deeply rattled -- g uilty
CATWOMAN
Jesus, what are they going to do
to her? She's just a kid. And now
they know who I am too, they took
my phone, everything --
-- she notices Batma n grimly staring, turns to THE TV --
NEWSCASTER (ON TV)
... the killer posted the following
message on social media. We should
warn you, the video is dist urbing.
A HAND-HELD VIDEO begins -- a SELFIE of THE OLIVE GREEN
HOODED KILLER we saw in the opening -- a new SYMBOL on
his chest: a SCRAWLED QUESTION MARK WITHIN CROSSHAIRS --
MASKED MAN
(eerie VOICE CHANGER)
Hello, people of Gotham ... This ...
is the Riddler speaking. On
Halloween night, I killed your
mayor, beca use he was not who he
pretended to be. B ut I am not
done. Here ... is another ...
He swings the camera to A BOUND, NAKED MAN WITH A CAGELIKE BOX OVER HIS HEAD -- the camera presses in to see
COMMISSIONER SAVAGE INSIDE, mouth covered in duct tape
and words: "NO MORE LIES" -- FERAL RATS circle his face
MASKED MAN/THE RIDDLER (O.S.)
... who will soon ... be losing
face ... I will kill again a nd
again, until our Day of
Judgement ... when the Truth about
our city will finally be Unmasked.
(leans into view)
GOOD Byeee ...
And as we hear MUFFLED SHRIEKS -- the video abruptly ENDS
-- a smiling press photo of Commissioner Savage appears --
CATWOMAN
Holy shit ... I seen that g uy too.
At the cl ub.
(CONTINUED)
02/09/20 (White February Shooting Script)
CONTINUED:
BATMAN
The Iceberg Lounge?
CATWOMAN
The 44 Below.
(off his look)
The club within the club -- the
real club. It's a mob hangout.
BATMAN
That where you work? Selina?
CATWOMAN
(turns, struck; then)
I work at the bar, upstairs. But I
see them come in.
BATMAN
Who?
CATWOMAN
Everybody. Lotta guys who
shouldn't be there, I can tell you
that. Your basic upstanding
citizen types.
BATMAN
You're gonna help me on this. For
your friend.
29.
She warily studies his eyes, when Batman feels something
at his feet -- a swarm of cats he looks at her --
BATMAN
You got a lotta cats.
CATWOMAN
I have a thing about strays.
BATMAN
(starts to go)
You're not safe here.
CATWOMAN
I can take care of myself ...
But he just keeps going. She turns grimly to the TV --
NEWSCASTER (ON TV)
... with two public figures now
dead in just the last two nights,
and only days before the election,
police and city officials are left
searching for a killer, and hoping
to find him before he kills again.
51
10/25/19 (October Shooting Draft) 30.
BLACKNESS
SLIDES OPEN -- SCREECHING INTO LIGHT -- we LOOK UP at
FLARING FLUORESCENTS as BATMAN AND GORDON PEER DOWN AT
US . Gordon has to look away -- Batman coldly assesses --
GORDON
He waited for him. At the gym.
Pete liked to work out late at
night when nobody was around.
BATMAN
Needle mark on his neck ...
GORDON
Sonuvabitch injected him with
arsenic.
BATMAN
Rat poison.
GORDON
That seems to be his theme here.
As Gordon steps angrily away -- we finally REVEAL --
THE MEDICAL EXA MINER'S ROOM
SAVAGE'S BODY on a MORGUE DRAWER -- Batman follows Gordon
to an EVIDENCE TABLE ... sees the CREEPY HINGED, CAGE-LIKE
HEAD BOX -- inside is an elaborate network of channels --
BATMAN
... it's a maze.
GORDON
Kinda sicko does this to a person?
Gordon gazes inside the bloody MAZE, where a crudely
PAINTED CIPHER ends on a QUESTION MARK IN CROSSHAIRS
as Batman finds a stack of SURVEI LLANCE PHOTOS --
GORDON
He blasted those out after his
message went viral. This guy
murders you and your reputation.
In one of the photos: the COMMISSIONER emerges from the
Iceberg Lounge, SHAKES HANDS with a SHADY GUY --
BATMAN
Guy pushes drops. On the East End.
(CONTINUED)
51
10/25/19 (October Shooting Draft)
CONTINUED:
Gordon looks on, pained, as Batman stares at another
photo: SAVAGE PEEKING INTO A CASH-S TUFFED ENVELOPE --
GORDON
I don't g et it. Why would Pete get
involved in this?
BATMAN
Looks like he got gre edy.
GORDON
Are you kidding? After everything
we did to bust up the Maronis? We
shut down their whole operation
now he's caving to some de aler?
BATMAN
Maybe he's not who you thought --
GORDON
You make it sound like he had it
coming
BATMAN
He was a cop. He crossed the line.
31.
Gordon sighs -- when Batman NOTICES SOMETHING T APED TO
THE BACK OF THE HEAD BOX -- AN ENVELOPE: "TO THE BATMAN"
Gordon watches Batman open it: ANOTHER GREETING CARD. A
CARTOON S CIENTIST mixes beakers: "I'm MAD About You! Want
to Know My Name? Just Look Inside and See ... " Inside is A
CARTOON EXPLOSION; over it: "But, Wait, I Cannot Tell You
-- It Might Spoil the Chemistry!" He re ads the S CRIBBLE:
BATMAN
"Follow the maze till you find the
rat -- bring him into the light,
and you'll find where I'm at."
GORDON
The hell's all that -- Bring him
into the light? Find the rat?
Unnerved, Batman stares at HIS NAME on the envelope
BATMAN
... I don't know ...
10/25/19 (October Shooting Draft) 32.
52 INT. VISITING CELL - ARKHAM PRISON F OR THE INSANE - NIGHT 52
A ROLL-UP DOOR rises behind GLASS as Batman waits; we
glimpse THE PRISONER'S PALE HANDS and JUMPSUIT, BUT HIS
FACE REMAINS HIDDEN THROUGH THE SCENE. BATMAN glares; he
puts A FILE in the partition drawer, pushes it through ...
UNSEEN PRISONER'S VOICE
(smile in his voice)
A present. Almost our anniversary,
isn't it?
BATMAN
There's a serial killer. I want
your perspective.
The PRISONER'S FINGERS stroke the cover as he considers.
UNSEEN PRISONER'S VOICE
First anniversary is paper.
(then)
What makes you think I come so
cheap?
BATMAN
I thought you'd be curious.
UNSEEN PRISONER'S VOICE
Oh, a little lurid reading. You
think I get off on this stuff.
BATMAN
Don't you?
UNSEEN PRISONER'S VOICE
... you have pictures?
Batman just stares; the Prisoner looks at the file ...
UNSEEN PRISONER'S VOICE
Oh, his violence is so ... baroque.
He likes little puzzles, doesn't
he? So meticulous. It's like he's
been planning this his whole life.
(then, a quiet taunt)
I know who he is.
BATMAN
Who?
The PRISONER'S BLURRED F ACE just stares back, hauntingly.
BATMAN
Who is he?
(CONTINUED)
52
10/25/19 (October Shooting Draft)
CONTINUED:
UNSEEN PRISONER'S VOICE
He's a nobody. Who wants to be
somebody. The mayor. The
commissioner. He's got ambition.
BATMAN
You think his motive's political?
UNSEEN PRISONER'S VOICE
No. This is ... very personal. He
feels these people have all
wronged him. Probably goes way
back ... Unhealed wounds, stolen
lunch money ...
BATMAN
Why's he writing to !Jill?
UNSEEN PRISONER'S VOICE
Maybe he's a fan. Or maybe he's
got a grudge against you too.
Maybe you're the main course. Any
theories? I'm sure you have your
own hypothesis.
BATMAN
Not yet.
UNSEEN PRISONER'S VOICE
Really? You're normally so ahead
of the curve. But something's
different this time. This is ...
very upsetting to you--
BATMAN
Let's get back to him --
UNSEEN PRISONER'S VOICE
Why? You're so much more fun
BATMAN
I'm not here to talk about me
UNSEEN PRISONER'S VOICE
What are you here to talk about?
BATMAN
I wanna know how he thinks
UNSEEN PRISONER'S VOICE
Oh, come on -- you know exactly ...
how he thinks ... Have you read
this file?
Batman's jaw tightens, almost imperceptibly.
33.
(CONTINUED)
52
52
02/09/20 (White February Shooting Script)
CONTINUED: (2)
UNSEEN PRISONER'S VOICE
You two ... have so much in common.
Masked avengers. B ut he's even
more righteous. Are you afraid he
makes you look soft?
BATMAN
You're wasting my time
34.
Batman takes the file -- the Prisoner CACKLES, LAUGHTER
BUILDING MANIACALLY as Batman rises, pressing a BUZZER -
WE PUSH IN ON THE GLASS toward the OUT-OF-FOCUS PRISONER,
head in his hands, as he fights to regain composure
UNSEEN PRISONER'S VOICE
Ok ... Ok ... I'll ... I'll tell you
what I really think ...
As the CAMERA STOPS, SUPER-TIGHT on the wired glass, the
BLURRED PRISONER finally lifts his head ... As he presses
HIS LIPS close to the window -- THEY COME INTO FOCUS -
HIS MOUTH IS DISEASED, HORRIBLY DISTORTED INTO A RICTUS
GRIN -- THE PRISONER IS THE JOKER --
Batman faces the door, waiting for it to unlock -- as the
Joker continues, quiet, sadistic pleasure in his voice --
THE JOKER
1 think you don't really care
about his motives, whether he
loves you or hates you ... I
think ... somewhere deep down ...
you're just ... terrified. Because
you're not sure he's wrong ...
ON BATMAN -- as the door suddenly UNLOCKS -- hesitating -
THE JOKER
You think they deserved it. Don't
you ... ?
He opens the door -- AN UNNERVINGLY LOUD BUZZING PIERCES
THE AIR as he steps out -- and the DOOR SLAMS SHUT --
SMASH TO:
52
53 SUPER-TIGHT ON BLINKING EYES -- AS CONTACT LENSES GO IN -- 53
SELINA (O.S.)
Ow -- I don't know about these
BATMAN (O.S.)
I need to� in there -- seems
like this is his hunting ground
54
55
56
02/09/20 (White February Shooting Script) 35.
EXT. WAREHOUSE ROOF - ACROSS F ROM ICEBERG LOUNGE - NIGHT
Selina turns to Batman -- who's absorbed in setting up
PORTABLE SURVEILLANCE EQUIPMENT -- a man on a mission --
SELINA
Why am I starting to feel like a
fish on a hook? I 'm just lookin'
for Annika --
(watching him work)
Boy, you're a real sweetheart -
you don't care what happens to me
in there tonight, do you?
No response -- she looks away, when finally he tur ns to
her -- something significant in his voice as it quiets --
Look at me ...
BATMAN
Surprised, she does -- they stare into each others eyes -
his intensely studying hers, as she gazes back for a long
time -- something ver y intimate in the moment -- when
BATMAN
K. Looks good.
He of fers her a TINY EARPIECE; she glares, snatching it
INT. ICEBERG LOUNGE - CLOSE ON SELINA - MOVING - NIGHT
HOLD ON HER FACE as she STRIDES through the PACKED CLUB
INTENSITY IN HER EYES as DANCE MUSIC BLASTS
HER CONTACT LENS POV - ON BATMAN'S LAPTOP - SIMULTANEOUS
PLUNGING thr ough CHAOS the IMAGE and SOUND STUTTERING
-- AS BATMAN works to get a lock on her signal --
CLOSE ON SELINA - MOVING - SIMULTANEOUS
As she HEADS into a DARKER SPACE, the MUSIC NOW MUFFLED --
HER CONTACT LENS POV - ON BATMAN'S LAPTOP - SIMULTANEOUS
The SIGNAL STABILIZES -- we see she is PASSING SHOWGIRLS
AT DRESSING MIRRORS -- SOME LOOK RIGHT AT US as we pass --
BATMAN
Got you. Can you hear me?
(CONTINUED)
54
55
56
10/25/19 (October Shooting Draft)
CONTINUED:
Yeah
SELINA
(low, not thrilled)
36.
BATMAN STARES AS SHE MOVES TO PENGUIN'S BACKROOM AREA -
PENGUIN LOOKS UP AT US, CONCERNED -- AS SELINA ARRIVES
NOTE: THESE THREE PERSPECTIVES INTERCUT THROUGHOUT THE
FOLLOWING CLUB SEQUENCE -- CLOSE ON SELINA ACTUALLY IN
THE CLUB -- HER POV ON THE LAPTOP -- AND BATMAN WATCHING:
PENGUIN (ON LAPTOP)
What's up, doll? You look tense ...
SELINA (ON SELINA)
I wanna work downstairs tonight.
PENGUIN (ON LAPTOP)
(quiets, struck)
... downstairs? Naw, naw, you don't
wanna do that
SELINA (ON SELINA)
-- I need the money --
PENGUIN (ON LAPTOP)
-- baby, it's a bunch of jackals
down there they'll be all over
you --
SELINA ( 0. S . )
I'll be fine --
PENGUIN (ON LAPTOP)
I'm telling you -- it'd
drive me crazy --
(taking out wallet)
-- look -- whattaya need?
SELINA (ON SELINA)
-- Oz --
PENGUIN (ON LAPTOP)
-- I don't mind -- I'd do anything
for you, honey -- don't you know
how I feel about you by now -- ?
SELINA
He looks at her, silent, a flash of vulnerability
SELINA (ON SELINA)
... I don't want your money.
PENGUIN (ON LAPTOP)
(darkens, nerve hit)
... what? Not good enough for you?
(CONTINUED)
57
10/25/19 (October Shooting Draft)
CONTINUED: (2)
37.
She says nothing. He pulls out A KEYCARD, just holds it
out, cold -- as she reaches, he pulls it back -- BATMAN
WATCHES Penguin glare into HER POV, simmering; then --
PENGUIN (ON LAPTOP)
I know you don't see it yet,
honey, nobody does ... but Falcone
ain't gonna be around forever. One
day this city's gonna be mine ...
She just looks at him; finally, he hands her the KEY --
POV ON THE MOVE AGAIN - BATMAN'S LAPTOP - MOMENTS LATER
BATMAN watches the POV APPROACH the MUSTACHED BOUNCER -
ominously guarding an ELEVATOR -- his face now bruised
from their earlier fight -- SELINA holds up her KEYCARD --
SELINA
Hospitality.
He suspiciously searches her eyes -- she averts -- he
opens the elevator she steps in -- the doors shut --
SELINA
You sure no one can see these
things in my eyes?
BATMAN
Don't worry. I'm watching you.
She takes a tense breath -- somehow not reassured by that
idea -- and as the doors open -- she steps --
INTO THE 44 BELOW
-- another world down here; a crowded, speak-easy vibe -
SELINA SEES A LINE OF MEN all turning to size her up
Batman sees HER POV DROP QUICKLY off their faces --
BATMAN
Don't look away -- I need time to
make I.D.s
Great.
SELINA
( ugh)
As she turns back, Batman sees FACIAL RECOG SCANS BEGIN -
when he NOTICES the SEA OF MEN GAZING lewdly at her body.
(CONTINUED)
57
57
02/09/20 (White February Shooting Script)
CONTINUED:
BATMAN
These guys have a little trouble
with eye contact, don't they?
SELINA
Feels nice, doesn't it?
-- I.D.s start coming through on the laptop
BATMAN
Guy up ahead's a city councilman --
SELINA
Guy he's talking to isn't
No, he ' s not .
BATMAN
(then, another I.D.)
There's the chairman of Gotham
First National --
SELINA
What'd I tellya? The best people.
She passes a LOUNGE AREA where THREE MEN IN SUITS sit
38.
with TWO "HOSPITALITY GIRLS" they're all getting high,
EYE-DROPPERS over their eyes to administer "drops"
SELINA
Jesus -- I hate drop heads --
BATMAN
Really? 'Coz when I first saw you,
looked like you were dealing for
Penguin --
SELINA
-- you don't know what you're
talking about -- can we -- can we
not do this now -- ?
ONE OF THE MEN turns, mid-drop, THUNDERSTRUCK by Selina -
recognizing the look, she quickly turns away from him --
BATMAN
Wait. Who was that -- ?
SELINA BATMAN
Oh, I saw him -- Look back
SELINA BATMAN
If I look back, it's gonna I need to see his face --
be a whole can a worms --
She turns back and he's still staring; he stumbles over -
(CONTINUED)
57
57
Rev. 12/17/20 (Blue)
CONTINUED: ( 2 )
SELINA
Oh God, happy? Here he comes.
MAN
BATMAN
That's the DA. Gil Colson.
Talk to him.
MAN/GIL COLSON
How you <loin'? I'm Gil.
SELINA
(smiles)
Aren't you the D.A. -- ?
GIL COLSON
yeah -- !
SELINA
-- wow -- I seen you on TV!
GIL COLSON
Haven't seen you here before.
Helluva time to be the new girl.
39.
57
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*
*
People are all a little on edge. *
SELINA
Honey, I live on the edge *
GIL COLSON
Oh! I like that! You wanna join *
us? C'mon -- *
He gestures to his table -- leads her over to the group
the vibe here is a little tense -- *
GIL COLSON
This is Ritchie, Travis, Glen
and you know Carla, here?
BATMAN
That's half the D.A.'s office --
Gil points to the other Hospitality Girl, who has a
CATATONIC SMILE, and a dropper in hand --
GIL COLSON
That's Cheri -- don't mind her.
She's taking a break. We're just
drowning our sorrows. Wanna drop?
SELINA
No, I'm good -- but honey, you
enjoy --
(CONTINUED)
CONTINUED: ( 3)
GIL COLSON
I hope you don't mind -- I got a
lotta weight on my shoulders with
that psycho running around --
39A.
Batman sees his RED EYES -- he's VERY HIGH, DISTRAUGHT
BATMAN
He's wasted
SELINA
No shit --
Gil looks at her, thinks she was responding to him
(CONTINUED)
57
*
*
57
Rev. 12/17/20 (Blue)
CONTINUED: ( 4 )
GIL COLSON
40.
57
Right? I like this girl! *
SELINA
(recovering smoothly) *
I like you too -- *
She touches his hand -- he looks down, disarmed, suddenly *
vulnerable -- *
GIL COLSON
I mean, you don't understand *
this Riddler's going after the
most powerful guys in the city --
and he knows so much *
TRAVIS
He doesn't know shit, man
GIL COLSON
He does! What about all that
creepy shit in the video about the
rat -- ?!
RITCHIE BATMAN
Hey, c'mon, Gil -- I think
maybe you had a little too
much -- slow down --
Wait. The rat, ask about
the rat --
SELINA
What do you mean a rat ... ?
GIL COLSON
(turns to her,
intimate, hushed)
I mean there was a rat -- we had
an informant! We had big time
information on Salvatore Maroni!
That's how we got that bastard
outta the drops business! But if
this guy knows, and it ever comes
out who the rat is, the whole
city'll come APART --
CARLA
Hey! I don't wanna hear this, this
is the kind of pillow talk that
got that Russian girl disappeared!
SELINA
(turns, struck)
What? What do you know about that?
CARLA
(curt, stands up)
Anybody want a drink?
(CONTINUED)
*
*
*
*
*
*
*
*
*
*
*
57
10/25/19 (October Shooting Draft)
CONTINUED: ( 5)
41.
And she's gone Selina watches her cross to THE BAR --
BATMAN
Keep him talking --
When Selina abruptly stands -- starts off after Carla --
BATMAN
Where you going ?
SELINA
She knows Anni ka --
BATMAN
No -- stay on the D.A.
SELINA
-- I'm lookin' for my friend --
Selina grabs Carla's arm at the bar, speaking HUSHED
SELINA CARLA
Hey -- where's Annika? Outta my face! I don't know
you
SELINA
But you know her -- who took her -
what have you heard -- is she ok?
CARLA
Jesus -- keep your voice down -
whattaya got a death wish -- ?
AN OMINOUS MALE VOICE (O.S.)
What's the problem, ladies ... ?
Carla suddenly falls silent ... as SELINA TURNS ... BATMAN
SEES a SILHOUETTED FIGURE staring back, PENGUIN beside
him -- the FACIAL SCAN struggles to I.D. the DARK FACE --
CARLA ( 0 • S . )
Oh, there's no -- no problem.
Just ... girl talk. We're good.
PENGUIN
Well let's keep it festive down
here, ok?
Batman stares as the MAN moves into the light -- he's in
his 60s, STRIKING FACE -- it's clear Batman knows him
the Man's face lights up as he approaches Selina --
STRIKING MAN
SELINA
(voice quieting)
... hey.
(CONTINUED)
57
57
58
59
02/09/20 (White February Shooting Script)
CONTINUED: (6)
Batman watches the way the Man looks at her(us) -
STRIKING MAN
Been a long time since I seen you
down here, gorgeous. How ya been?
SELINA (O.S.)
Yeah, I been ... OK. I was just ...
on my way back upstairs ...
42.
Batman stares as the Man smiles at us, a bit suggestive -
STRIKING MAN
Well don't be a stranger ...
EXT. WAREHOUSE ROOF - BATMAN'S LA PTOP - MOMENTS LATER
Batman watches as Selina ENTERS A BATHROOM -- stops at a
sink, staring down; Batman can't see her, just the sink --
BATMAN
You know Carmine Falcone ?
I told you
BATMAN
SELINA (O.S.)
it's a mob spot
You didn't tell me you had
a relationship with him --
SELINA
We don't have a
relationship, OK?
She glares up at her reflection, removing the contacts
BATMAN
That's not how it looked -- wait -
what're you doing -- ?
SELINA
Listen, I can't -- I can't do this
no more
And as the lenses come out -- HIS LAPTOP GOES BLACK
HOLD ON BATMAN -- INTENSE -- REELING -- THEN --
EXT. FRONT OF ICEBERG LOUNGE - UNKNOWN POV - NIGHT
WE WATCH THROUGH FOGGED WINDOWS OF A PARKED SUV as SELINA
BURSTS OUT THE CLUB into the FLICKERING LIGHT OF THE LONE
STREETLAMP, looks for a cab ... when, we hear BREATHING ...
AN OLIVE GREEN HOOD EDGES INTO FRAME -- THE BREATHING
QUIETS as GIL STUMBLES out of the club too --
57
58
59
60
61
62
63
02/09/20 (White February Shooting Script) 43.
ON THE STREET
Gil calls after Selina -- still smitten -- still high -
GIL COLSON
Hey! Lost you in there
SELINA
Yeah -- I gotta go --
GIL COLSON
... oh -- you -- need a ride ... ?
BACK INSIDE THE SUV
GIL COLSON
(gesturing at us)
that's me right there
HE'S POINTING RIGHT AT WHERE THE KILLER IS HIDING -- THE
HOOD SLIPS FROM VIEW AGAIN -- as SELINA GLANCES AT US -
distractedly considering for an instant -- then --
SELINA
No -- I'm -- I'm good
A GYPSY CAB thankfully arrives -- she grabs the handle -
GIL COLSON
Well I hope I -- ? See you round?
She jumps in -- slamming the door as the CAB SPEEDS OFF -
Gil watches her go, depressed ... the HOOD edges back into
frame, watching ... Gil looks to the club, considers going
in ... but turns, starting in our direction -- as the HOOD
disappears -- Gil looks right at us, taking out his FOB --
OVERHEAD ON THE STREET - LOOKING STRAIGHT DOWN
-- as Gil's lonely figure approaches the waiting SUV --
THROUGH THE PARTIALLY FOGGED WINDSHIELD
-- we SEE Gil get in ... HOLD, as he fumbles for his
seatbelt -- unaware of -- THE HOODED FORM SLOWLY RISING
BEHIND HIM -- Gil leans forward -- briefly out of its
reach -- as he strains to wipe fog from the windshield
THE KILLER REMAINS EERILY STILL
further than expected ...
as Gil SETTLES BACK
(CONTINUED)
60
61
62
63
63
64
65
66
67
02/09/20 (White February Shooting Script)
CONTINUED:
44.
He feels blindly behind to FIND THE HEADREST GONE -
confused, he turns -- SUDDENLY FACE TO HOOD WITH THE
KILLER -- BEFORE HE CAN REACT -- THE KILLER P UMMELS GIL
WITH HIS METAL TOOL -- GIL SLUMPS onto the wheel -- HORN
BLARING -- the KILLER YANKS HIM BACK --
TIGHT ON GIL IN THE SUV
-- totally out of it -- BLOOD FANNING down his face -- we
hear the KILLER BREATHING HARD -- then the SOUND OF DUCT
TAPE RIPPING -- TAPE COVERS GIL'S MOUTH -- AS GIL STARTS
TO COME TO -- MOANING IN PANIC -- THE KILLER LIFTS A
CRUDELY MADE CLAMP -- Gil feels it SLIDING AROUND HIS
NECK -- HIS MOANING INTENSIFIES -- HE BEGINS TO FLAIL
THE KILLER'S HOOD UNDULATES with EACH BREATH THE
AVIATOR GLASSES OVER HIS HOOD RHYTHMICALLY FOGGING --
RIDDLER
Just ... hold ... still ...
We hear the SICKENING CLICKS OF METAL CINCHING TIGHTER -
TIGHTER -- GIL'S MOANING TURNS TO UTTER TERROR -- AS WE --
EXT. ABANDONED SKYSCRAPER CONSTRUCTION SITE - PRE-DAWN
A CRUISER pulls past an OLD SIGN: "A GOTHAM RENEWAL
PROJECT -- FOR A BRIGHTER TOMORROW." GORDON gets out
ON GORDON - RISING IN A CONSTRUCTION ELEVATOR - PRE-DAWN
As it stops, he emerges onto --
AN UNFINISHED FLOOR - HIGH ABOVE THE CITY
walking cautiously through a maze of gi rders to ... THE
RUSTED BAT-SIGNAL, BEAM BLAZING into the sky. He shuts it
off, thrusting the space further into darkness ...
BATMAN (O.S.)
What do you know about a
confidential informant in the
Maroni case ... ?
Gordon turns, finally spotting BATMAN'S SILHOUETTE; then:
GORDON
Yeah, sure -- there�-··
(CONTINUED)
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67
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02/09/20 (White February Shooting Script)
CONTINUED:
BATMAN
That's the rat we're looking for.
Somehow Riddler knows who he is
we find the rat, maybe that'll
lead us to him.
GORDON
Where you getting this?
BATMAN
I have a source who spoke to the
D.A. tonight. Gil's very nervous.
He thinks the killer's targeting
people connected to the case.
GORDON
·••l worked that case too ... !
BATMAN
Riddler's not after you
GORDON
How do you know -- ?
BATMAN
You're not corrupt.
GORDON
... Colson's dirty?
45.
Batman nods. Gordon shakes his head outrage building --
GORDON
Well maybe I go after him
on him to give up the rat
BATMAN
lean
Too dangerous. Colson said they
made a secret deal with this guy
whatever it is, it's huge. And who
knows how many people it touches -
politicians, police, the courts
it could tear the city apart.
Gordon reels
GORDON
Jesus -- this is a powder keg.
BATMAN
And Riddler's the match.
67
68
10/25/19 (October Shooting Draft) 46.
INT. "THE CAVE" - UNDERNEATH WAYNE TOWER - EARLY MORNING
VOICES ECHO as we PAN THROUGH THE SPACE -- sweeping past
the BLACK MUSCLE KIT CAR, almost complete now ...
BATMAN (V.O.)
You know Carmine Falcone -- ?
SELINA (V.O.)
I told you this is a mob spot
BATMAN (V.O.)
You didn't tell me you had a
relationship with him --
SELINA (V.O.)
We don't have a relationship, OK?!
We FIND BRUCE at his work bench in A DARK SUIT, examining
FOOTAGE from last night -- FREEZING on SELINA'S FACE --
ALFRED (O.S.)
Pretty. New friend of yours?
BRUCE
I'm not so sure ...
ALFRED
Looks like you upset her.
Bruce turns, annoyed Alfred smiles
ALFRED
Shall I take this as a good sign?
BRUCE
What?
ALFRED
Your attire. Is Bruce Wayne making
an actual appearance?
BRUCE
There's a public memorial for
Mayor Mitchell. Serial killers
like to follow reaction to their
crimes -- Riddler might not be
able to resist.
ALFRED
Oh, that reminds me -- I took the
liberty of doing a little work on
this latest cipher ...
(CONTINUED)
68
68
69
10/25/19 (October Shooting Draft)
CONTINUED:
47.
Bruce looks Alfred has decoded the SYMBOLS FROM INSIDE
THE RAT'S MAZE that was on COM MISSIONER SAVAGE'S head --
ALFRED
I'm afraid his Spanish is less
than perfect, but I'm fairly
certain it translates to "You are
el rata alada" ...
BRUCE
"Rata alada" ... rat with wings?
ALFRED
It's slang for pigeon
sense to you?
make any
BRUCE
Yeah ... a stool pigeon
ALFRED
-- where are your
cuff links?
BRUCE
Couldn't find them
ALFRED
You can't go out like that!
Bruce turns briefly to see Alfred removing his own
BRUCE ALFRED
Alfred, I don't want your -- You have to keep up
appearances -- you're still
a Wayne --
Annoyed, Bruce relents, letting Alfred slip one on -- he
sees a MONOGRAMMED W on the link gives Alfred a look --
BRUCE
What about you? Are you a Wayne?
ALFRED
(doing other sleeve)
Your father gave them to me ...
That catches Bruce off guard -- he looks at him, thrown
when Alfred glances up with a smile, making light --
ALFRED
I'm just loaning them to you -- I
want them back ...
And as Bruce nods, a DIN OF HORNS AND TRAFFIC SWELLS --
INT. BRUCE'S VINTAGE SPORTS CAR - DAY
CLOSE ON THEW CUFFLINK as Bruce drives approaching
CITY HALL he gazes at the street PACKED WITH MOURNERS,
MAKESHIFT MEMORIALS ... his blood chills as he SEES --
(CONTINUED)
68
69
69
70
10/25/19 (October Shooting Draft)
CONTINUED:
48.
AN OLIVE HOODED MAN in the crowd with a sign -- a
SCRAWLED QUESTION MARK IN CROSSHAIRS -- not far behind,
ANOTHER HOODED MAN holds one that says: WHO ELSE DIES FOR
GOTHAM'S LIES? ANOTHER holds: OUR DAY OF JUDGEMENT
Bruce stares at the RIDDLER-INSPIRED PROTESTORS -- when a
TRAFFIC COP presses to the window, double-takes, seeing
Bruce. Bruce strains a smile -- as the Cop waves him in
EXT. FRONT OF GOTHAM CITY HALL - DAY
Bruce gets out as a VALET opens his door -- when -
PAPARAZZO (O.S.)
... is that Bruce Wayne ... ?
Heads turn -- as news spreads -- CAMERAS BEGIN FLASHING -
PAPARAZZI
... Mr. Wayne?! Mr. Wayne!
Bruce ignores them, reaching for his wallet as he hears --
A VOICE (O.S.)
-- can I helpya, Mr. Falcone?
Bruce spins to see BODYGUARDS helping Carmine Falcone out
of a car -- Falcone turns as a WOMAN climbs out in a HIGHSLIT DRESS -- REMINISCENT OF SELINA'S -- her FACE IS
CONCEALED under a VEILED HAT -- she takes Falcone's hand
as they Join his PHALANX OF GUARDS -- Bruce's eyes track
her: is that Selina? He hands the Valet a wad of cash --
BRUCE
Keep it close
Bruce moves after her -- through the thick crowd, bottlenecking by the entrance -- eyes on the Woman -- pressing
into FALCONE'S SECURITY TEAM, trying to glimpse her
veiled face -- when A HAND slaps into his chest
PENGUIN
Hey -- hey -- give us a wide berth
here -- willya, slick?!
Bodyguards grab Bruce too -- hearing the commotion, the
Woman turns -- Bruce SEES -- it's CARLA --
FALCONE
Watchit, fellas -- you got the
prince of the city there!
They loosen their grip as Falcone steps over, smiles
(CONTINUED)
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02/09/20 (White February Shooting Script)
CONTINUED:
FALCONE
Some event, brought out the one
guy in the city more reclusive
than me.
49.
Bruce glares with edge, a sense of history between them --
BRUCE
I thought you never leave the
Shoreline -- aren't you afraid
someone'll take a shot at you?
FALCONE
Ya mean now that your father ain't
around? Oz, you know Bruce Wayne?
PENGUIN
Whoa -- seriously?!
FALCONE
His father saved my life. I got
shot in the chest, right here.
Couldn't go to no hospital, so we
showed up on his doorstep. He took
me in, operated right on his
dining room table -- kid here saw
the whole thing.
(to Bruce)
You don't think that meant
something, he did that?
BRUCE
Means he took the Hippocratic
Oath.
FALCONE
... Hippocratic Oath, right ...
that's good ...
BRUCE
-- s'cuse me
And Bruce abruptly moves on, the bottle-neck opening
INT. GOTHAM CITY HALL - MOVING WITH BRUCE - DAY
A SEXTET PL AYS as MOURNERS continue to flood in -- on the
prowl, BRUCE SCANS the crowd -- he CLOCKS RIFLED OFFICERS
among SPECTATORS above -- studies the CRUSH OF FACES in
the STANDING PUBLIC GALLERY -- some back here in tears --
(CONTINUED)
70
71
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02/09/20 (White February Shooting Script)
CONTINUED:
P.A. ANNOUNCER
Ladies and gentlemen, thank you
all for coming to today's memorial
for our beloved mayor, Don
Mitchell, Jr. Our program will
begin shortly. As a reminder, the
family asks that those wishing to
honor the mayor's memory consider
a donation to the cause most dear
to his heart, the Gotham Renewal
Fund, our city's safety net.
-- Bruce sees COPS STOPPING a SUSPICIOUS GUY -- when
AN EERIE VOICE BEHIND(O.S.)
What good's a safety net doesn't
catch anybody ... ?
50.
Bruce turns -- to see A BITTER NOBODY in a hooded work
jacket, angry eyes on the VIPS as they file past --
BITTER NOBODY
Didn't help !!!Y daughter when she
needed it -- I can tell you that.
Guy was just another rich
scumsucker. He got what he
deserved.
Finally, his eyes shift to Bruce, a truly chilling look --
BITTER NOBODY
Yeah, I said it ...
Bruce studies his acne-scarred face -- nodding -- when --
the man's expression changes trying to place Bruce
BITTER NOBODY
... hey ... don't I know you?
A WOMAN'S VOICE
Bruce Wayne --
Startled, Bruce spins to see BELLA REAL coming at him -
BELLA REAL
Why haven't you called me back?
BRUCE
... I'm sorry -- ?
BELLA REAL
(no-nonsense)
I'm Bella Real -- I'm running for
mayor -- I wouldn't be bothering
you here, but your people keep
telling me you're "unavailable".
Will you walk with me?
(CONTINUED)
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02/09/20 (White February Shooting Script)
CONTINUED: ( 2 )
51.
On the spot, Bruce glances back at the man -- who now
glowers -- Bella tucks her arm under Bruce's -- stealing
him -- he sneaks a look at the BITTER NOBODY who glares
as they recede -- then turns, disappearing in the crowd --
She leads Bruce to THE SEATED AREA, quiets, still blunt:
BELLA REAL
You know you really could be doing
more for the city -- your family
has a history of philanthropy, but
as far as I can tell, you're not
doing anything -- if I'm elected,
I wanna change that --
She smiles disarmingly as they near the front -- a BOY'S
CHOIR on the central steps begins SHUBERT'S "AVE MARIA" --
BELLA REAL
Will you wait for me? I wanna go
pay my respects -- my God, what a
mess -- his poor wife and son ...
And she leaves him; struck by her nerve and charisma,
Bruce watches her lean into the row to greet the widow
when the Mayor's Ten-Year-Old Son glances awkwardly back
making brief eye-contact -- a sad moment -- when --
HUSHED, FAMILIAR VOICE (O.S.)
'Scuse me, C hief? Can I talk to
you ... ?
Bruce turns to spy GORDON with OFFICERS, a few rows back
-- Gordon touches the arm of the seated CHIEF OF POLICE --
GORDON
Gil Colson is missing ...
CHIEF BOCK
... what?
GORDON
He hasn't been heard from since
last night --
-- when one of the Officers, Martinez, suddenly notices
Bruce gazing in their direction -- a surprised smile --
MARTINEZ
... hey, Mr. Wayne ...
Gordon falls silent -- a strange moment for Bruce as
Batman's closest ally glares warily at the billionaire
TIGHT ON BRUCE as he turns away -- still listening --
(CONTINUED)
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02/09/20 (White February Shooting Script)
CONTINUED: ( 3)
CHIEF BOCK(O.S.)
Christ, not again -- you got
people looking for him, Jim?
52.
WHEN SUDDENLY -- DISTANT SCREAMS -- an AWFUL GROANING
ENGINE WHINES from somewhere outside -- then -- SICKENING
THUDS -- BRUCE'S EYES IMMEDIATELY FLIT UP IN ALARM TO --
THE SECOND STORY LANDING where S PECTATORS PANIC -- SEEING
SOMETHING THROUGH THE WINDOWS -- EVERYONE TURNING -- ALL
EXCEPT A SILHOUETTED FIGURE -- GAZING EERILY DOWN IN
BRUCE'S
BAMMMMMM!!!
DIRECTION -- WAITING FOR SOMETHING -- WHEN --
THE MAIN ENTRANCE EXPLODES IN A BLIZZARD OF
GLASS AND CONCRETE -- AS THE D.A.'S SUV RIPS THROUGH THE
DOORS -- FLOWERS PICKED UP IN THE GRILL -- PANDEMONIUM -
AS THE CROWD SCATTERS -- SOME TOSSED INTO THE AIR -- THE
VEHICLE S LAMMING PAST GUARDRAILS INTO THE SEATED AREA
BRUCE SPINS -- TO SEE THE MAYOR'S SON A FEW FEET AWAY
FROZEN IN SHOCK AS OTHERS FLEE ALL AROUND HIM -- HE HURLS
HIMSELF AT THE BOY -- TACKLING HIM OUT OF THE SUV'S PATH
AS IT ROARS PAST -- LAUNCHING SEATS OVER THEIR HEADS -
FINALLY CRASHING INTO THE CENTRAL STAIRCASE -- BUCKLING
UPWARD -- ENGINE GRINDING -- TILL IT ... STOPS ...
A surreal moment of quiet, then screams, tears, panic
as Bruce lifts his head off the boy's to look over at the
wreck -- then up AT THE SECOND FLOOR: THE FIGURE'S GONE -
people flee in all directions, as BRUCE RISES -- watching
the boy run to his mother's arms -- BRUCE TURNS TO SEE --
GORDON AND TEN COPS SURROUNDING THE SUV -- GUNS RAISED -
THE SUV IS COVERED IN A SCRAWLED CROSSWORD PUZZLE PATTERN
-- THE ENDLESSLY REPEATING MESSAGE: "D.A. -- D.O.A.?"
BRUCE edges closer past FLEEING MOURNERS -- WHEN -- THE
DENTED DRIVER DOOR SUDDENLY CRACKS OPEN -- THE HALL RINGS
WITH THE CLAMOR OF DOZENS OF BULLETS CHAMBERED AT ONCE --
GORDON
GET OUTTA THE CAR! HANDS UP!
Bruce watches the driver door slowly open all the way ...
A FIGURE staggers out, hands raised, terrified --
GORDON
Holy Christ ... it's Colson.
The D.A. has a bloody face, tape over his mouth with the
words "NO MORE LIES" the CLAMP STILL AROUND HIS NECK --
LIGHTS RAPIDLY FLASH ON IT -- a cop notices, horrified --
COP
There's a BOMB around his neck!!!
(CONTINUED)
71
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02/09/20 (White February Shooting Script)
CONTINUED: ( 4 )
53.
-- a BEEP-BEEP-BEEP! RINGS OUT -- EVERYONE FREAKS -
SHIELDING THEMSELVES -- except Bruce who just stares at -
the D.A. who REMAINS IN ONE PIECE -- everyone looks up,
confused ... when the D.A. -- sheepishly lifts his hand ...
Pointing to A CELL TAPED TO HIS PALM -- as BEEP-BEEP-BEEP
-- it RINGS again -- Gordon turns, calling to the room --
GORDON
Let's get this place cleared! Now!
Police begin ushering people out -- but Bruce hesitates,
chilled, as he notices ... taped to the D.A.'s chest is A
GREETING CARDi it's addressed: "To The Batman" ...
BLACKNESS LIFTS
REVEALING BRUCE as he leans in, REACHING INTO THE TRUNK
OF HIS CAR -- SEIZING AN EXPENSIVE LEATHER DUFFLE
WIDE SHOT - OUTSIDE GOTHAM CITY HALL - CONTINUOUS
Bruce slams his trunk -- disappearing into the crowd
as a FLOOD OF EMERGENCY VEHICLES SCREECH INTO VIEW --
EXT. GOTHAM CITY HALL - SHORT TIME LATER
Jammed with POLICE, SWAT, ATF, K9 UNITS, NEWS CREWS -
outside a CRISIS COMMAND TRAILER, TECHS set up MONITORS
as THE LEADS ARGUE -- GORDON and HIS MEN watch, appalled:
GORDON
... unbelievable ...
INSIDE THE EVACUATED CITY HALL
MARTINEZ
They're fightin' over
jurisdiction, and that poor
bastard's gonna blow ... !
A SWAT TEAM crouches behind BLAST SHIELDS in the doorway,
RIFLES TRAINED ON GIL, sitting alone in the distance -
the cell on his hand echoing as it J UST KEEPS RINGING ...
GIL lifts his head, hopeless, as a SMALL, WHIRRING POLICE
ROBOT rolls to a stop before him. He stares oddly as a
camera slowly extends toward his head --
CRISIS COMMAND - CONTINUOUS
A COMMAND CRISIS TECH at ONE OF THE MONITORS yells out -
COMMAND CRISIS TECH
We got a picture!
(CONTINUED)
71
72
73
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75
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02/09/20 (White F ebruary S hooting Script)
CONTINUED:
54.
The Leads suddenly quiet -- crowding around to see -- GIL
STARING SADLY INTO THE ROBOT CAMERA -- when suddenly he
turns, struck -- shock beginning to fill his eyes --
CHIEF BOCK
... what's he lookin' at ... ?
INSIDE CITY HALL
Gil sits there, frozen -- as -- BATMAN EMERGES FROM THE
SHADOWS -- moving slowly across the floor toward him --
SWAT TEAM MEMBER
... holy shit ...
CHIEF BOCK'S EYES WIDEN
As Batman appears on the ROBOT'S CAMERAS
CHIEF BOCK
... are you kiddin' me?! What the
hell's he <loin' ... ?! Gordon!!!
Gordon presses closer to see BATMAN APPROACHING GIL --
CHIEF BOCK
Your guy's gonna get himself
killed in there ... !
Gordon watches, with growing concern -- AS --
INSIDE CITY HALL
Batman stops, towering over Gil -- who rises, scared ...
Batman reaches out, peels THE TAPE OFF HIS MOUTH --
GIL COLSON
He made me do it -- said if I
didn't do exactly what he said
he'd kill me -- please -- can't
somebody get this thing off?!
BATMAN
Looks like a combination lock
GIL COLSON
-- can't you cut it off ... ?!
Batman carefully touches a NASTY SNARL OF TRIP WIRES -
BATMAN
Not if you want to keep your head.
(CONTINUED)
76
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77B
77B
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02/09/20 (White February Shooting Script)
CONTINUED:
55.
Batman rips the CARD off Gil's chest -- ON THE COVER is a
cartoon of an OLD PHONE LITERALLY RINGING OFF THE HOOK:
"In These Trying Times, Never Forget ... " Batman opens it:
" ... I'm Just A Phone Call Away" -- under that, in ANGRY
SCRAWL: "ANSWER". Batman points to the RINGING CELL -
Gil lifts it -- as Batman reaches to PRESS ANSWER --
GIL COLSON
-- wait -- wait, NO -- WHAT IF
IT'S CONNECTED TO THE -- ?
"BONNNG!" -- the PHONE'S SCREEN DISPLAYS A LIVE SPLITSCREEN IMAGE: RIDDLER ON ONE SIDE1 BATMAN AND GIL ON THE
OTHER -- Riddler stares from under his hood for a beat ...
then HIS CHILLING VOICE COMES CALMLY THROUGH THE CHANGER:
RIDDLER
... you�- ..
BATMAN
... who are you?
RIDDLER
Me? I'm ... I'm nobody. I'm just ...
an instrument ... Here to unmask
the truth about this cesspool ...
we call a city ...
BATMAN
... unmask ... ?
RIDDLER
Yes ... let's do it together, ok?
I've been trying to reach you ...
You're part of this too ...
BATMAN
Me? How am I part of this?
RIDDLER
You' 11 see ...
CRISIS COMMAND - CONTINUOUS
Everyone presses around another MONITOR in horror -- GCl
running the FEED FROM RIDDLER'S PHONE, broadcasting live
through social media -- "BATMAN TALKS TO KILLER LIVE"
RIDDLER (ON MONITOR)
Say hello to my followers -- we're
live! They're here to watch our
little trial. ..
Bock turns to the Tech -- beside himself --
(CONTINUED)
77B
78
78
79
02/09/20 (White February Shooting Script)
CONTINUED:
CHIEF BOCK
Can you trace the goddamn call?!
COMMAND CRISIS TECH
(throws up hands)
It's it's not a call, chief --
it's an fil2l2
BACK INSIDE CITY HALL
56.
Riddler gazing back at Batman and Gil through the phone -
RIDDLER
At the moment ... the man across
from you, Mr. Colson, is dead
GIL COLSON
(panics)
Jesus CHRIST --
RIDDLER
(chilling calm)
wait a minute --
GIL COLSON
-- can we PLEASE get
somebody OVER HERE -- ?!
RIDDLER
-- shut up --
ME
GIL COLSON
THIS PSYCHO'S GONNA KILL
RIDDLER
(scarily distorted)
SHUUUUUT UUUUUP --
RIDDLER
-- you DESERVE to be dead after
what you did!!! You HEAR ME?!!!
THE TERRIFYING OUTBURST MAKES GIL FALL SILENT
RIDDLER
(then, oddly calm)
I'm giving you a chance. No one ...
ever ... gave me a chance ...
(then)
Now ... ever since I was a child,
I've always loved little
puzzles ... For me, they're ... a
retreat from the horrors of our
world ... Maybe they can bring some
comfort to you too, Mr. Colson.
GIL COLSON
You ... want me to do ... puzzles?
RIDDLER
Yes. Three riddles. In two
minutes. You give me the answers,
and I'll give you the code for the
lock. Do. . . you ... understand ... ?
(CONTINUED)
78
79
79
02/09/20 (White February Shooting Script)
CONTINUED:
GIL COLSON
-- uh -- ok, yeah -- so you just -
you want me to--?
57.
BEEP! -- GIL SHRIEKS -- A COUNTDOWN APPEARS ON THE COLLAR
-- 2:00 MINUTES -- and Riddler starts without warning
Justice ...
RIDDLER
Riddle number ONE: it can be
cruel, poetic, or blind ... but
when it's denied, it's violence
you may find.
GIL COLSON
-- w-w-wait -- can you repeat that
-- I didn't -- I didn't
cruel ... poetic ... ?
BATMAN
... what?
BATMAN
The answer's justice.
RIDDLER
GIL COLSON
Yes. Justice. And you ... were
supposed to be an arm of justice
in this city, along with the late
mayor and police commissioner .. .
were you not, Mr. Prosecutor ... ?
GIL COLSON
Well, yeah, I mean, of course we--
RIDDLER
Riddle number TWO: if you are
justice, please do not lie, what
is the price for your blind eye?
.
... price .... ?
Bribes.
GIL COLSON
BATMAN
GIL COLSON
... oh God
BATMAN
-- he's asking how much it
costs ... for you to turn
your back --
GIL COLSON
-- ya gotta be kiddin' me--
BATMAN
-- how much -- ?
(CONTINUED)
79
79
02/09/20 (White February Shooting Script)
CONTINUED: ( 2 )
58.
GIL COLSON
-- like I'm the only one??
I didn't do anything worse
than anyone else!
RIDDLER
fifty-eight seconds ... !
BATMAN
-- how MUCH -- ?
Gil hesitates ... can't believe he's doing this ... then ...
GIL COLSON
... ten ... grand. Ten Gs a month. I
take a ... monthly payment not to
prosecute ... certain cases ...
BATMAN
What cases?
GIL COLSON
Hey, he didn't ask that -- c'mon
ten grand that's your answer!
RIDDLER
OK, OK, don't lose your HEAD, Mr.
Colson! Just one more to go ...
before your time ... runs ... out.
Last riddle: since your justice is
so select, please tell us which
vermin you're paid to protect ...
GIL COLSON
Jesus ... which vermin ... ?
BATMAN
The rat. The informant you all
protect ...
GIL COLSON BATMAN
... how do you know about
that -- ?
-- I'm trying to help you -
what's his name -- ?
GIL COLSON
-- no ... no-no-no-no-no
you don't understand --
RIDDLER
twenty seconds --
BATMAN
(grabbing him hard)
he's gonna kill you --
GIL COLSON
-- I'm dead either way! You're
talking to a DEAD MAN, OK?
(MORE)
(CONTINUED)
CONTINUED: ( 3) GIL COLSON (CONT'D) If I go THIS way it's just ME but I give you that NAME -- I got FAMILY -- people I CARE about they'll KILL THEM TOO BATMAN what are you talking about GIL COLSON people are WATCHING BATMAN what peop le WHO ? 59. ? GIL COLSON LISTEN TO ME, GODDAMMIT RIDDLER YOU MAY THINK YOU KNOW WHAT THIS IS, BUT YOU DON 'T - IT'S SO MUCH BIGGER THAN YOU COULD EVER IMAGINE, IT'S THE WHOLE SYSTEM Five ... ! Four ... ! Three ... ! RIDDLER -- GOOD byyyyyyyyye -- GIL COLSON -- OH NO -- OH GOD -- SOMEBODY GET THIS OFFA ME -- SOMEBODY GET THIS-- TIGHT ON BATMAN -- SEEING THE COUNTER HIT 00:00 -- HE TURNS -- SHIELDING HIMSELF -- AS KA-BOOOOOOOM! -- A BLAST ERUPTS -- P ROPELLING BATMAN BACK -- BAT SUIT IN FLAMES - AS HE SLAMS TO THE FLOOR -- SMOKE SWALLOWING HIM -- AND US!!! WE HEAR ONLY HIGH-PIT CHED RINGING BATMAN LIES -- DAZED -- HE STRUGGLES TO LIFT HIS EYES - AS GORDON RUSHES FORWARD -- OTHER COPS TOO -- GUNS DRAWN -- SOME AROUND GIL'S NOW LIFELESS BODY -- OTHERS AROUND BATMAN -- WHO GAZES BACK, VISION BLURRING -- COPS YELLING ALL AROUND HIM -- AS HE BLACKS OUT -- INT. GCPD - INTERROGATION ROOM - BATMAN'S POV - NIGHT BATMAN COMES TO -- FOCUSING on a TACTICAL MEDIC shining light in his eyes -- VOICES FADE IN -- cops above in debate, gazing down with contempt -- Gordon holding them off -- when one grabs for Batman's mask MUSCLE COP what're we <loin' here="" --="" just="" take="" it="" off="" gordon="" hey-hey-hey="" (continued)="" 79="" 80="" 02="" 09="" 20="" (white="" february="" shooting="" script)="" continued:="" 60.="" batman's="" hand="" shoots="" up,="" gripping="" muscle="" cop's="" arm="" the="" verge="" of="" violence="" pushes="" cop="" back="" giving="" batman="" room="" to="" rise="" interrogation="" table="" chief="" bock="" you="" protecting="" this="" guy,="" gordon?!="" he="" interfered="" in="" an="" active="" hostage="" situation!="" colson's="" blood="" is="" his="" hands!="" maybe="" it's="" yours.="" ...="" what'd="" say?!="" he'd="" rather="" die="" than="" talk.="" what="" was="" afraid="" of?="" you?="" sonuvabitch!="" have="" any="" idea="" kinda="" trouble="" you're="" in?!="" could="" be="" accessory="" murder!="" why="" we="" playin'="" games="" here,="" chief?!="" grabs="" cowl="" erupts="" knocking="" him="" balance="" more="" cops="" launch="" themselves="" at="" a="" wild="" melee="" having="" way="" with="" them="" as="" goes="" crazy="" alarmed,="" tries="" break="" up="" whoa="" great="" now="" i="" got="" assaulting="" officer!!!="" (steps="" again)="" me="" three="" hey="" what's="" matter="" ?!="" s="" urprisingly="" hard="" stops,="" shocked,="" eyes="" flaring="" glares="" back.="" serious="" -="" their="" locking="" until="" fills="" contempt="" too="" ?="" 81="" (="" 2="" )="" (dark="" batman)="" lemme="" handle="" this,="" gimme="" minute="" qonna="" put="" yourself="" line="" for="" scumbag,="" jim="" !?="" 61.="" and="" opens="" door="" tensely="" escorts="" out="" into="" hall="" crowd="" watch="" from="" distance="" far="" end,="" gives="" shove="" they="" face="" each="" other="" angry="" expressions="" utters,="" low="" gotta="" get="" outta="" responds="" kind,="" making="" look="" like="" argument:="" that'll="" lotta="" heat="" you.="" well,="" punched="" face.="" uh-huh="" those="" stairs="" lead="" roof="" clock="" when="" beyond="" spots="" group="" detectives="" conferring="" struck,="" realizing="" mustached="" bouncer="" iceberg="" lounge="" !="" who's="" mustache?="" that's="" kenzie="" narcotics="" he's="" guys="" lounge.="" are="" saying?="" moonlights="" penguin?="" 82="" 83="" 84="" or="" 62.="" sees="" staring="" alarmed="" without="" warning,="" punches="" right="" down="" breaks="" stairwell="" starting="" madly="" after="" rips="" grapple="" gun="" launching="" hook="" railing,="" ten="" stories="" above="" retracting="" lifting="" upwards="" enter="" firing="" blasts="" edge="" gazing="" huge="" drop="" din="" approaching="" reaches="" yanking="" tabs="" heel="" zipping="" cloak="" boots="" legs="" arms="" charge="" aiming="" plummets="" race="" over="" see="" soaring="" wildly="" cape="" wingsuit="" shocked="" faces="" recede="" fly="" descending="" rapidly="" ,="" dangerously="" street="" below="" where="" hits="" shoulder-roll="" spinning="" feet="" disappearing="" night="" ext.="" unfinished="" skyscraper="" -="" high="" city="" waits="" rain="" elevator="" arrives="" steps="" out,="" bruised="" shaking="" head="" could've="" least="" pulled="" your="" punch,="" man="" did.="" a.p.b="" really="" think="" this?="" don't="" trust="" them,="" do="" doing="" falcone's="" colson="" said="" protect="" rat.="" kenzie's="" part="" it.="" penguin's="" rat?="" club="" caters="" mob,="" maroni="" regular="" penguin="" would've="" been="" privy="" dirt="" d.a.="" himself="" some="" trouble,="" deal="" rata="" alada="" what?="" riddler's="" latest,="" that="" cipher="" maze.="" means="" rat="" wings="" stool="" pigeon.="" (getting="" it)="" too.="" time="" another="" conversation="" about="" riddler?="" gonna="" kill="" again.="" all="" connected="" not,="" game="" now.="" wanna="" find="" riddler,="" penguin'll="" talk="" i'll="" persuasive="" 63.="" 85="" 86="" 87="" 88="" 89="" 64.="" alley="" pov="" wind="" shield="" menacing="" breathing="" lurk="" watching="" rear="" through="" fog="" wipers="" swish="" breaths="" stop="" exits="" twins="" has="" two="" du="" ffles;="" trunk="" camry="" (over="" radio)="" wonder="" bags="" should="" move="" int.="" gordon's="" cruiser="" same="" moment="" walkie,="" escalade="" answer="" comes:="" let's="" follow="" them.="" cars="" past="" waterfront="" deserted="" warehouse="" by="" weathered="" sign:="" "gotham="" recycling="" renewal="" corp"="" honks="" horn="" roll-door="" lifts="" underpass="" approach="" building;="" walkie:="" beat="" stopped="" plant="" then="" crackles="" quietly="" i'm="" presses="" frame:="" batman.="" men="" building="" skylight="" workers="" crew="" surgical="" masks="" filling="" vials="" chemicals="" bubbling="" cookers.="" inspects="" operation.="" suit="" arrives,="" watches="" eye-droppers="" screwed="" 90="" 91="" 10="" 25="" 19="" (october="" draft)="" (whispers="" wrist)="" drug="" lab.="" drops.="" buy="" looks="" maroni's="" operation="" running="" never="" shut="" all.="" what're="" biggest="" bust="" gcpd="" history="" fraud?="" 65.="" glint="" strafing="" below,="" moves="" dark="" figure="" coasts="" motorcycle="" selina="" her="" catsuit="" she="" hops="" off,="" uncoiling="" lock="" chain="" whispers="" wrist="" complicated.="" cocks="" head,="" quizzical="" whattaya="" mean="" cobblestones="" front="" stand="" under="" umbrellas="" hears="" clink="" looping="" car="" around="" ankles="" yanks="" tight="" sending="" face-first="" ground="" twin="" turns="" confused="" where'd="" my="" brother="" go?="" wielding="" whip="" snapping="" crumples="" pops="" flips="" visor,="" inside="" trio="" duffles="" unzips="" e="" stuffed="" cash="" voice="" behind="" (o.s.)="" dangerous="" stealing="" spins="" ready="" strike="" 92="" 93="" catwoman="" jesus="" how="" kicks,="" hon?="" sneaking="" girls="" dark?="" work="" score="" (back="" work)="" know,="" i'd="" love="" sit="" go="" every="" gory="" detail="" you,="" bat="" boy="" but="" assholes'll="" back--="" 66.="" shoulders="" duffles,="" third="" falling="" silent.="" closer="" body.="" dread,="" bag="" further="" annika's="" rocked="" well="" rage,="" tears="" suddenly="" riddled="" gunfire!="" lunges="" pushing="" cover="" takes="" hail="" bullets="" batman,="" motionless="" peeks="" uzi="" pistol="" backed="" thugs="" gas="" screeching="" skidding="" jumps="" driver="" raising="" stalks="" camry,="" shooting,="" berserk="" money="" others="" fire="" crawls="" hands="" knees="" terror="" fell="" no="" longer="" there="" gutteral,="" terrifyingly="" loud="" engine="" growls!="" inky="" darkness="" flames="" ominously="" side="" exhausts="" red="" nitrous="" vapor="" flashes="" revealing="" form="" vision="" horror="" movie="" batmobile!="" gape="" emblem="" vengeance!="" bolts="" diving="" 94="" 67.="" roar="" comes="" opposite="" direction="" charging="" bike="" snatching="" racing="" away!="" screeches="" batmobile="" catapulting="" hit="" fishtailing="" tires="" finally="" awe="" vanishes="" driving="" gotham="" streets="" immediately="" violently="" drumming="" wet="" manning="" panic="" charges="" view="" raging,="" hungry="" shark="" shrieking="" bam-screeeeee!!!="" slams="" brutally="" trying="" road!!!="" christmas="" !!!="" scrambles="" unleashing="" passenger="" window="" glass="" spraying="" sparking="" its="" armored="" surface="" bullet-proof="" windows="" slams:="" again!="" struggles="" control="" cranking="" wheel="" steering="" road="" lurching="" embankment="" highway="" m.p.h.="" traffic="" swerving="" colliding="" massive="" display="" vehicles="" hydroplane="" suv="" across="" lanes="" slowing="" enough="" regain="" snaps="" cresting="" veering="" flooded="" water="" wake="" barrelling="" slaloms="" recklessly="" speeding="" barely="" maintaining="" crazed="" flit="" rearview="" relentlessly="" matching="" desperate,="" streaks="" ahead="" walled="" long="" eighteen-wheelers="" chugging="" speed="" glances="" gaining="" nowhere="" trapped="" does="" something="" accelarating="" even="" faster="" truck="" jerking="" hydroplaning="" setting="" reaction!="" horrifying="" sight="" trucks="" jack-knifing="" heading="" straight="" unavoidable,="" cataclysmic="" collision!="" 95="" 96="" 68.="" seizes="" trigger="" squeezing="" toward="" drift="" converge="" doomed,="" careening="" batmobile,="" obscuring="" ha!="" you!="" friggin'="" psycho="" you--!="" shock="" re-appears="" wheels="" flipping="" center="" divider="" tilted="" narrow="" space="" shoulder="" beside="" expanding="" pile-up="" clearing="" destruction="" widen="" swerves="" holy="" shiiiiiiiiiii--="" ka-blammmm!="" rams="" savagely="" together="" spinnnn="" world="" blurring="" keeps="" foot="" furiously="" smash="" yellow="" off-ramp="" crash="" barrels="" disengaging="" esclade="" rolls="" till="" scrrrrape="" stops="" upside-down.="" bleeds="" stunned="" hearing="" pounding="" gazes="" disoriented="" upside-down="" walking="" surreally="" outside="" crouches="" slowly="" frame="" bloodshot="" widening="" leans="" eerily="" thrusts="" hood="" swallowing="" us="" blackness="" train="" yard="" yanked="" bound="" batmobile's="" headlights="" looms="" near="" silhouette="" before="" gets="" car,="" joining="" ominously;="" gordon.="" hell="" good="" bat-shit="" cop?!="" r="" iddler?="" 69.="" riddler??="" know="" ???="" make="" easy="" oz="" caught="" <loin'="" somethin'="" were="" away="" so="" gave="" b="" igger="" fish="" save="" ass="" ratted="" salvatore="" drops="" c="" ity="" offic="" ials="" mayor="" greedy,="" right?="" wasn't="" ig="" career-making="" bus="" iness="" needed="" minor="" league="" mope="" run="" carmine="" falcone="" yo="" u,="" k="" illed="" girl="" didn't="" anybody!="" worked="" 44="" close,="" found="" mitchell="" killed="" somehow="" riddler="" knows="" much="" must="" ab="" who="" boy,="" guys're="" helluva="" duet="" don'cha="" start="" harmonizin'?!="" (more)="" (cont'd)="" problem="" little="" scenario,="" ok?="" ain't="" rat!="" would="" if="" heard="" talk?!="" oh="" rats?="" did="" partner's="" face?!="" 70.="" gruesome="" crime="" scene="" photos="" thrust="" face:="" god,="" showin'="" me--="" pay="" attention="" ok?!="" rat's="" maze="" ohhhh="" open="" el="" ata="" ?!?!?="" yeah,="" pigeon="" not="" you?!="" these="" symbols="" says:="" "you="" alada"="" rata"?!="" says="" that?!="" ya="" tell="" us,="" yeah!!!="" worst="" spanish="" ever="" ??!="" la!="" la="" what,="" iddler="" stupid="" somethin'?!="" thrown,="" loses="" steam="" silently="" photo="" eyeing="" 97="" 3)="" world's="" greatest="" am="" difference="" between="" la?="" lno="" habla="" espanol,="" fellas?!="" favor,="" shithead!="" up!="" falls="" silent;="" made="" mistake?="" (studying="" cipher)="" doesn't="" mistakes="" wings?!="" sounds="" me?="" rata"="" url="" moments="" later="" 71.="" gaze="" laptop="" which="" sits="" types="" "www.rataalada.com"="" browser="" screen="" black="" dead="" link="" it�="" mistake="" smart="" we--="" wait="" blinking="" plain="" text="" cursor="" appears="" alone="" screen:="" "<?="">" They watch it PULSE EERILY ... when IT STARTS TYPING TEXT. GORDON -- holy shit -- is that him -- ? -- their eyes follow the cursor: "did you find him?" Batman reaches for the keys ... types: "el rata alada?" The cursor hesitates, blinking -- then TYPES BACK: "yes" (CONTINUED) 96 97 97 02/09/20 (White February Shooting Script) CONTINUED: 72. Batman writes: "maybe. is a penguin a rat with w ings?" Another pause then MORE TEXT comes through: "interesting" -- then -- "you're missing the big picture" GORDON ... the hell does that mean -- is he, or isn't he -- ? Batman holds up a quieting hand, as another TEXT BEGINS: "i need to show you more for you to understand" -- then: "my next victim is the biggest piece of the puzzle yet" Gordon and Batman exchange a look of dread -- Batman types: "victim?" -- then -- "dead?" The cursor pauses creepily; writes back: "he will be soon" -- then - "here's a clue to where you can find him ... " -- the cursor writes out A RIDDLE -- Gordon reads along: GORDON (O.S.) "i grew up from a seed, tough as a weed ... but in a mansion, in a slum ... i'll never know where i come from. do you know what i am?" (then, to Batman) ... any idea ... ? BATMAN ... yeah ... he's an orphan ... Batman types: "an orphan?" -- the cursor writes: "good bye" and the SC REEN GOES BLACK. Something HAUNTS Batman: BATMAN ... "a mansion, in a slum" ... He's talking about the old orphanage ... GORDON one that burned down? BATMAN It was part of the Wayne estate ... they donated it after they built the tower ... GORDON -- let's go They start off -- when a VOICE cries from off-screen -- PENGUIN (O.S.) Hey -- you guys REALIZE I'm still here, right -- ?! REVEAL PENGUIN -- hands and feet still helplessly bound -- (CONTINUED) 97 97 98 99 100 10/25/19 (October Shooting Draft) CONTINUED: ( 2 ) PENGUIN You gonna UNTIE me -- how'm I s'posed to get OUTTA here?!!! -- and they get into their cars -- starting off - PENGUIN YOU GODDAMN SONSABITCHES !! ! INT. BATMOBILE - MOVING - NIGHT 73. APPROACHING A FADED SIGN: "A GOTHAM RENEWAL PROJECT - INVESTING IN OUR FUTURE" BATMAN SLOWS, arriving at THE BURNT-DOWN REMAINS OF THE GOTHAM ORPHANAGE ... INT. MAIN ENTRYWAY - GOTHAM ORPHANAGE RUINS - NIGHT BLACKNESS SHATTERS as the front doors are KICKED IN Batman and Gordon stare in ... Gordon raises his GUN BATMAN No guns ... GORDON Yeah, man ... that's your thing ... And THEY ENTER ... scanning black walls and floors rain drips inside -- Gordon's beam lands on WHITE-PAINTED ARROWS FRESHLY SCRAWLED over soot; he pans along them - to A GOTHIC STAIRCASE -- Batman and Gordon exchange a look -- begin FOLLOWING MORE ARROWS UP THE STEPS TO -- A LONG FOREBODING HALLWAY OF DOORS UPSTAIRS MORE ARROWS point on. Gordon sweeps his light into empty rooms -- when they notice EERIE ECHOING IN THE DISTANCE -- GORDON ... what's that ... ? As they move closer, it sounds strangely like ... MUSIC - a distant BOY'S CHOIR singing SHUBERT'S "AVE MARIA"! WEIRD GIGGLING COMES SUDDENLY FROM VERY CLOSE BY -- THEY LIFT THEIR EYES TO -- A SILHOUETTED FIGURE EMERGING FROM A DOOR -- IT FREEZES, STARTLED TO SEE BATMAN AND GORDON -- GORDON HEY! HEY!!! THE FIGURE BOLTS TO ANOTHER ROOM -- SLAMMING THE DOOR - BATMAN AND GORDON ALREADY CHASING -- GORDON RAISING HIS GUN -- SMASHING THE DOOR -- THEY LOOK INSIDE TO SEE ... (CONTINUED) 97 98 99 100 100 101 02/09/20 (White February Shooting Script) 74. CONTINUED: 100 ... A GROUP OF DROPS ADDICTS SPRAWLED on melted metal bed frames, FACES CONTORTED IN FROZEN GRINS; one GIGGLES in a daze -- Gordon swings his light to the Figure from the hallway, who cowers, gripping A BOTTLE AND EYE-DROPPER -- GORDON Friggin' dropheads ... -- when they hear -- CHEERS and APPLAUSE ring out as the DISTANT SINGING STOPS -- A MAN'S VOICE BEGINS ECHOING -- ECHOING VOICE Thank you! Thank you, everyone! Thank you for coming today ... GORDON the hell is that -- ? SOMETHING IN THE ECHOING VOICE STRIKES BATMAN -- Gordon watches surprised -- AS BATMAN STARTS TOWARD THE SOUND -- MOVE WITH HIM to the END OF THE HALL, near the sound of the VOICE -- Batman looks up, haunted; white paint above the doorway says: "WHERE IT ALL BEGAN" -- he STEPS INTO -- A GRAND HALL - HIGH WIDE ANGLE Batman dwarfed by the massive, burnt-out room; he squints at A BEAM OF LIGHT, SPARKLING THROUGH DRIPPING RAIN - it's from a cheap, MINI USB PROJECTOR on a tiny tripod - Batman looks at the wall where AN OLD GCl CLIP FLICKERS - the MAN WITH THE ECHOING VOICE gives a speech in front of a BOY'S CHOIR IN THE VERY ROOM BATMAN NOW STANDS IN -- a CHYRON explains why Batman is so affected -- it's THOMAS WAYNE. Batman watches, unnerved -- staring at a ghost THOMAS WAYNE I believe in Gotham. I believe in its promise. But too many have been left behind for too long. And that's why I'm here today to announce, not only my candidacy for mayor, but also the creation of the Gotham Renewal Fund. Win or lose, the Wayne Foundation pledges a one billion dollar donation to start a charitable endowment for public works. I want to bypass political gridlock to get money to people and projects who need it llilli -- like these children behind me. Renewal is about growth. It's about planting seeds. And renewing Gotham's promise. (CONTINUED) 101 101 102 103 104 105 10/25/19 (October Shooting Draft) CONTINUED: 75. Batman is struck by the sight of TEN-YEAR-OLD BRUCE beside his MOTHER -- Batman's eyes drift to more white painted words on the wall beside the projected image - "RENEWAL IS A LIE" -- Batman stares, disturbed -- WHEN A VOICE behind startles him out of his reverie -- VOICE (O.S.) sins of the father ... ? BATMAN SPINS it's GORDON -- he follows Gordon's gaze to MORE WRITING on the wall: "THE SINS OF THE FATHER ... " BATMAN ... shall be visited upon the son. Gordon walks closer, staring, as he gets it too ... GORDON ... Jesus ... his next victim is ... Bruce Wayne He turns for confirmation -- BUT BATMAN IS AL READY GONE. SMASH TO: A PHONE RINGING - SOMEWHERE IN WAYNE TOWER - NIGHT IT RINGS TWICE -- but no one comes to answer -- the tiny illuminated SCREEN FLASHING -- "NO CALLER ID" -- SMASH TO: INSIDE THE SPEEDING BATMOBILE - NIGHT ENGINE ROARING -- WE HEAR RINGING ON HANDS-FREE Batman staring at his phone willing someone to pick up BACK TO ALFRED ALONE IN THE STUDY - WAYNE TOWER - NIGHT WE HEAR ONLY THE INSISTENT RINGING OF THE PHONE -- as Alfred opens piles of mail -- when he NOTICES -- � BULGING MANILA MAILER -- he picks it up, curious ... reads the SCRAWLED LETTERING: "PERSONAL/CONFIDENTIAL -- FOR BRUCE WAYNE'S EYES ONLY" ... starts to OPEN IT ... SMASH TO: REFLECTIONS RACING OVER THE BATMOBILE'S WINDSHIELD BATMAN NOW SCREAMING -- BUT ALL WE HEAR IS THE RINGING PHONE -- AS THE BATMOBILE RIPS INTO THE ROLLING PARK -- 101 102 103 104 105 106 107 108 109 110 111 10/25/19 (October Shooting Draft) 76. ALFRED pulls a GIFT-WRAPPED BOX from the mailer ... sees A SILVER ENVELOPE taped to it -- HIS EYES WIDEN IN SHOCK as he discovers the envelope reads ... "FOR THE B ATMAN" -- THE INSISTENT PHONE GROWING LOUDER -- LIKE A WARNING - as he flips the envelope -- PUZZLED TO FIND A LABEL: "FIREPROOF" ALARMED -- ALFRED GLANCES AT THE GIFTWRAPPED BOX -- SEES WIRES PROTRUDING FROM THE PAPER BACK TO THE PHONE THE RINGING FINALLY STOPS -- AS A WOMAN'S HAND PICKS UP DORY (0. S.) ... hello -- ? INT. BATMOBILE - IMMEDIATELY BATMAN Dory -- I need to speak to Alfred! DORY (OVER PHONE) oh -- Mr. Wayne BATMAN LISTEN TO ME -- SOMETHING TERRIBLE'S GOING TO HAPPEN! CLOSE ON DORY, HOLDING THE PHONE -- for the first time we see her face; she's distraught DORY I' m afraid it ... already has, sir. BATMAN LIFTS HIS EYES WITH DREAD AS -- WAYNE TOWER COMES INTO VIEW -- BLACK SMOKE PLUMES FROM AN UPPER FLOOR -- F IREMEN AIM HOSES FROM TELESCOPIC LADDERS -- DOUSING FLAMES -- BACK TO ALFRED IN THE STUDY - FLEETING -- A WIDE SHOT STANDING WITH THE PACKAGE ONE LAST SECOND -- TOSSING IT HE DIVES -- AS THE PACKAGE SILENTLY ERUPTS -- WE HEAR -- DORY (OVER PHONE) ... about an hour ago ... 106 107 108 109 110 111 112 113 114 115 10/25/19 (October Shooting Draft) 77. BACK TO BATMAN rocked, realizing he never had a chance to save him -- THEN BACK TO DORY as anguished tears begin to spill DORY ... I'm so sorry ... I've been trying to reach you ... As A BLUR WIPES in front of her TO REVEAL EMERGENCY PERSONNEL SWARMING the stairs of a LOWER TOWER LANDING HUSHED GCPD DETECTIVE (PRELAP) The package was intended for you. INT. WAYNE TOWER - GRAND FOYER - NIGHT Bruce, stunned as DETECTIVES speak in the AFTERMATH: HUSHED GCPD DETECTIVE ... we found this too ... He shows Bruce the SILVER ENVELOPE: "TO THE BATMAN"; then pulls out A HEAT-SCORCHED GREETING CARD WITH CARTOON EYES -- Bruce looks -- SCRAWLED inside is "SEE YOU IN HELL" HUSHED GCPD DETECTIVE Any reason you'd be a target ... ? ON BRUCE as he just stares at the words, stunned ... INT. HOSP ITAL - WINDOW OUTSIDE AN I.C.U. ROOM - NIGHT Bruce gazes through the glass at Alfred, bandaged and unconscious, breathing through an oxygen mask as NURSES attend to him; a DOCTOR emerges, moves to Bruce, grave ... DOCTOR We've sedated him, we just have to hope he stabilizes. You should go home, Mr. Wayne, get some sleep. Bruce nods, but it's not clear he's even heard what the doctor said; the doctor stares at him ... says gently ... DOCTOR Is there ... anyone else to notify ... next of kin? (CONTINUED)
02/09/20 (White February Shooting Script) 79.
INT. BATCAVE - AFTERNOON
Bruce sets down Renewal files on his work bench, lifting
his laptop screen -- when he notices AN OPEN WINDOW -
the contact lens interface -- but now there is A LIVE
IMAGE -- a HANDWRITTEN SIGN faces camera: "WHERE R U?"
Surprised, Bruce picks up the ear piece --
BRUCE
... Selina ... ?
SELINA appears staring blindly at the camera --
SELINA
Can you see me ... ?
BRUCE
... Yeah.
SELINA
(harried, urgent)
I need to talk. Where can we go?
119
120 EXT. UNFINISHED SKYSCRAPER - HIGH OVER THE CITY - SUNSET 120
Batman's silhouette, gazing darkly at Gotham -- when the
elevator arrives -- he turns as Selina emerges in her cat
suit, removing her wind mask. He looks at her with edge
BATMAN
Cat burglar pulling another score?
SELINA
It's not safe for me here now.
BATMAN
Wasn't sure I'd see you again.
SELINA
Yeah well, things were getting a
little hot for me ...
(then)
How could they do that to her -- ?
I'm gonna find them, make them�
that piece of shit, Kenzie, all
of 'em. You gonna help me?
BATMAN
... help you?
SELINA
Yeah! I thought you were
"Vengeance"
(CONTINUED)
120
02/09/20 (White February Shooting Script)
CONTINUED:
BATMAN
Your friend got involved with the
wrong people -- she didn't know
better. Maybe you should have
explained it to her ...
SELINA
The hell's that supposed to mean?
BATMAN
It means your choices have
consequences
SELINA
-- oh, Jesus Christ -- choices?!
You know, whoever the hell you
are, obviously, you grew up rich.
He just stares back -- giving nothing away -
BATMAN
... was it worth it?
SELINA
What?
BATMAN
Compromising yourself for money.
She glares at him --
BATMAN
What'd you have to do to set up
that score? How close did you have
to get? To Penguin -- to Falcone?
SELINA
-- you don't know what the hell
you're talking about, ok?!
Falcone owes me that money
SELINA
80.
BATMAN
owes you -- ? yeah and a lot more!
BATMAN
oh really -- why's that?
SELINA
(moving to leave)
forget it -- I can't
even talk to you
BATMAN
(grabs her hard)
no -- tell me -- I wanna know
why would a guy like Falcone owe
you ANYthing-- ?!
(CONTINUED)
120
120
02/09/20 (White February Shooting Script)
CONTINUED: (2)
SELINA
BECAUSE HE'S MY FATHER!
Batman falls silent, stunned -- she shrugs him off ...
stands there, eyes burning ... then, quietly:
SELINA
... my ... mother worked at the 44
Below ... just like Anni. She used
to take me there when I was a
little girl ...
BATMAN
... to the club?
SELINA
... I hid out in the dressing room
while she worked. I used to see
him there ... He scared the shit
out of me. I could never
understand why he looked at me the
way he did. Then one night, my
mother told me ... who he was.
He studies her as she gazes out at the skyline ...
SELINA
When I was seven, my mother was
murdered ... Someone strangled her,
they never found out who, probably
some creep from the club. Anyway,
when Social Services came to take
me away, he didn't say a thing.
Couldn't even look at me.
(looks up at him)
He owes me that money.
81.
He looks at her, taking her in for the first time; nods:
BATMAN
... sorry. For what I said ...
She smiles. Studies his eyes.
SELINA
's alright ... you just assume the
worst in people ... Maybe we aren't
so different after all ...
(running a finger
along his mask)
Who are you under there? What're
you hiding? Are you just ...
hideously scarred?
(CONTINUED)
120
120
02/09/20 (White February Shooting Script)
CONTINUED: ( 3)
BATMAN
(beat, eyes on hers)
... yeah.
82.
He smiles. She smiles back. Chemistry between them. Then:
SELINA
Listen to me ... if we don't stand
up for Anni, no one will. All
anyone cares about in this place
are these ... white ... privileged
assholes -- the mayor, the
commissioner, the D.A. -- and now
Thomas and Bruce Wayne. Far as I'm
concerned, that psycho's right to
go after these creeps -- I'd think
you'd be on his side !
BATMAN
-- wait, what do you -- what do
you mean Thomas and Bruce Wayne?
SELINA
What, do you live in a cave? The
Riddler's latest -- it's all about
the Waynes ...
He's silently struck -- but Selina doesn't even notice --
SELINA
Listen -- if I can find that
dickbag Kenzie, will you help me?
He looks at her, reeling -- sees her pleading eyes
SELINA
(quiet, intimate)
Please. . . Come on, "Vengeance" ...
BATMAN
(finally nods; then)
But don't make any moves without
me -- understand -- this is all
more dangerous than you know--
-- she cuts him off with a LONG KISS ... then pulls slowly
back ... staring into his eyes, whispering with a smile --
SELINA
I told you, baby, I can take care
of myself ...
And she starts off -- he watches her go ... as we hear --
(CONTINUED)
120
120
121
02/09/20 (White February Shooting Script) 83.
CONTINUED: ( 4 ) 120
A MAN'S VOICE (V.O.)
I'm Thomas Wayne, and I approve
this message ...
As Copland's "FANFARE FOR THE COMMON MAN" begins
INT. "THE CAVE" - UNDERNEATH WAYNE TOWER - NIGHT
BATMAN PULLS OFF HIS COWL -- revealing Bruce, BLACK CAMO
AND SWEAT running down his face from around his eyes; he
stares, rattled, at GCl on the huge LED TV -- the CHYRON
reads: "EXPL OSIVE NEW RIDDLER VIDEO GOES VIRAL" -- below
that: "Killer's message has over 13 million views"
THE VIDEO is A TWENTY YEAR OLD CAMPAIGN AD: THOMAS WAYNE
at the orphanage, MARTHA and YOUNG BRUCE beside him --
THOMAS WAYNE
From a very young age, my family
Martha's family, the Arkhams -
instilled in both of us ... that
giving back is not just an
obligation ... it's a passion. That
is our families' legacy --
The IMAGE FREEZES -- EERIE MUSIC swallowing the "Fanfare"
as the video takes on the tone of a political attack ad -
VINTAGE FAMILY PHOTOS of the WAYNES and ARKHAMS appear --
RIDDLER (V.O.)
(eerie VOICE CHANGER)
The Waynes and the Arkhams --
Gotham's founding families ... but
what is their real legacy ... ?
-- the photos bleed RED -- turning DARKER as a GOTHAM
GAZETTE REPORTER'S BYLINE PHOTO fades up --
RIDDLER (V.O.)
Twenty years ago, one reporter set
out to uncover the dark truth ...
He found shocking family secrets.
FLASHES OF POLICE and AUTOPSY PHOTOS FILL THE SCREEN --
RIDDLER (V.O.)
How when Martha was just a child,
her mother brutally murdered her
father, then committed suicide -
and how the Arkhams used their
power and money to cover it up ...
WE SEE A DEATH CERTIFICATE; "Cause of Death: ACCIDENTAL"
(CONTINUED)
121
121
122
02/09/20 (White February Shooting Script) 84.
CONTINUED: 121
RIDDLER (V.O.)
How Martha herself was in and out
of institutions for years -- and
they didn't want anyone to know ...
SHOTS OF AN INSTITUTION -- spying through a fence at a
DISTURBED YOUNG WOMAN, SURROUNDED BY NURSES
RIDDLER (V.O.)
Thomas Wayne tried to force this
crusading reporter into a hush
money agreement to save his
mayoral campaign ...
AS THOMAS SHAKES HANDS on the campaign trail -- a LEGAL
DOCUMENT spins on screen -- THE WORD "HUSH!" APPEARS --
RIDDLER (V.O.)
But when the reporter refused,
Wayne turned to longtime secret
associate, mafia kingpin Carmine
Falcone -- and had him murdered ...
A GUNSHOT RINGS OUT -- NEWS FOOTAGE of the DEAD REPORTER
plays; the HEADLINE: "GANG-LAND STYLE EXECUTION" -- as a
SUPER-ENLARGED PHOTO from the orphanage dedication FADES
UP: THOMAS and CARMINE FALCONE TALKING CONSPIRATORIALLY --
RIDDLER (V.O.)
The Waynes and Arkhams -- Gotham's
legacy of lies -- and murder ...
We see A CAMPAIGN POSTER; "MAYOR" has been crossed out,
it reads: "THOMAS WAYNE FOR MURDERER". RIDDLER appears
RIDDLER
One by one, Gotham's Pillars
fall ... on Judgement Day, the
wreckage will consume us all ...
GOOD byyyyyyyye--
ON BRUCE, absolutely ROCKED -- as CLUB MUSIC RISES --
BLACKNESS
SWINGS OPEN REVEALING BRUCE -- OUTSIDE THE CLUB -
BRUCE
Know who I am?
REVEAL ONE OF THE TWIN BOUNCERS -- staring in shock -
BOUNCER
... you're Bruce Wayne.
(CONTINUED)
122
122
10/25/19 (October Shooting Draft)
CONTINUED:
BRUCE
I wanna see Carmine Falcone.
85.
The Bouncer just looks at him -- then SHUTS THE DOOR -
BEAT -- the DOOR OPENS: BOTH TWINS standing there now --
BOUNCER
(looking at his Twin)
See ... ?
The Twin stares in disbelief as Bruce glares; then breaks
into an excited smile, like he's seeing a rock star --
TWIN BOUNCER
... c'mon in.
122
123 INT. FALCONE'S SHORELINE LOFT - PRIVATE ELEVATOR - NIGHT 123
The doors open; we FOLLOW BRUCE down a long hallway to A
DRAWING ROOM; HOODS and HOSPITALITY WOMEN crowd around a
pool table, drinking, playing -- at the table, CARMINE
FALCONE looks over to see Bruce, the Twins behind him -
Bruce glowers silently at Falcone, who stares back with a
smirk ... when the others begin to notice, quieting ...
FALCONE
Give us a minute, fellas.
The BODYGUARDS usher everyone out.
FALCONE
Have a seat ...
But Bruce just stands there.
FALCONE
Thought I might hear from you.
This Riddler sonuvabitch is really
stirring things up, isn't he-- ?
BRUCE
(quiet)
Is it true?
FALCONE
What? ... that reporter business?
A beat. Falcone studies Bruce's rage-filled eyes.
FALCONE
Whattaya wanna know here, kid?
Whattaya lookin' for?
(CONTINUED)
123
02/09/20 (White February Shooting Script)
CONTINUED:
BRUCE
The truth. Did you kill him. For
my father.
FALCONE
Look, your father saved my life. I
was loyal to him. I even trieda
give money to his campaign, and
that whole Renewal thing -- but he
wouldn't take it. He didn't wanna
associate with a guy like me
BRUCE
My father hated everything you
stand for.
FALCONE
(smiles)
Yeah, I know. Course he did. Guys
like you, your father, you don't
want anything to do with me ...
(darkens, bitter)
... til you need me. Right?
A beat as they look at each other.
FALCONE
Your father was in trouble, ok?
This reporter had some dirt, some
very personal stuff about your
mother, her family history ... you
know, everybody's got their dirty
laundry, that's how it is. But he
didn't want none of that coming
out, not right before the
election. Your father trieda pay
this guy off, but he wasn't goin'
for it. So he came to me. I never
seen him like that. He said: I
want you to put the fear of God in
this guy.
Bruce stares, unnerved ...
FALCONE
And when fear isn't enough, you
take it to the next level. Your
father wanted me to handle it.
(a shark's eyes)
So I did. I handled it.
86.
Bruce is truly unmoored; Falcone enjoying his pain ...
(CONTINUED)
123
123
10/25/19 (October Shooting Draft)
CONTINUED: ( 2 )
FALCONE
I know, you thought your father
was a boy scout. But you'd be
surprised what even a "good" man
like him is capable of. In the
right situation.
(then)
Do me a favor, don't lose any
sleep over this, ok? This reporter
was a lowlife, he was on Maroni's
payroll -- he got what was comin' .
BRUCE
... Maroni?
FALCONE
Oh yeah. Maroni could never stand
your father and I had history. And
after what happened with this
reporter, I think he was worried
your father would be in my pocket
forever. He woulda done anything
to keep him from becoming mayor.
(a pointed beat)
Ya understand?
87.
Bruce shakes his head, reeling, resisting the notion ...
FALCONE
... sure ya do ...
BRUCE
Are you saying ... ? Salvatore
Maroni ... had my father killed?
Falcone lets that just hang in the air ... then:
FALCONE
Do I know it for a fact ... ? I'm
just sayin', it sure looked that
way to me.
As the shock hits Bruce ... Falcone regards him coldly ...
FALCONE
This what you wanted? This little
conversation here?
Bruce can't even respond ...
FALCONE (O.S.)
Anhh ... I spose it's been a long
time comin' ... I mean you ain't a
kid no more .. .
123
124
125
126
02/09/20 (White February Shooting Script) 88.
INT. WAYNE TOWER - GRAND FOYER - DAWNING LIGHT
Bruce arrives at the top of the stairs in a daze, stops,
staring at ... the CHAINED and PADLOCKED SET OF DOORS ...
INT. BRUCE'S PARENTS' DARKENED BEDROOM - MOMENTS LATER
Untouched in twenty years ... a frozen moment, covered in
dust. Bruce enters, taking in the unbearable stillness ...
In the early light, he sees a man's suit jacket draped on
a chair ... a pair of glasses rest on an old newspaper ...
He turns, seeing a STAINED TEACUP, askew in its saucer on
a woman's dressing table ... behind it, on the mirror, are
yellowed CHILDREN'S CRAYON DRAWINGS: his ... One's a stickfigure, smiling family ... a mother, father, and child .. .
A quiet HEART MONITOR BEEPING begins as Bruce stares .. .
INT. ALFRED'S HOSPITAL ROOM - TWILIGHT
Alfred opens his eyes to see BRUCE seated at his bedside,
emotion rises, he looks at the floor, stewing with rage:
RIDDLER
Bruce. Waaaayne.
Batman on edge -- his eyes flit anxiously to a SECURITY
CAMERA recording -- when Riddler's eyes snap back to his.
The pause between them is excruciating. Then, bitterly:
RIDDLER
You know, I was there that day ...
the day the great Thomas Wayne
announced he was running for
mayor. Made all those promises ...
Week later he was dead, and
everybody just forgot about us.
All they could talk about was poor
Bruce Wayne ... Bruce Wayne the
orphan ... Orphan? Living in some
tower over the park isn't being an
orphan. Looking down at everyone
with all that money -- don't you
tell me ... You know what being an
orphan is? Thirty kids to a room,
twelve years old and already a
drophead, numbing the pain -- you
wake up screaming with rats
chewing your fingers, and every
winter one of the babies dies
because it's so cold. But oh, no.
Let's focus on the billionaire
with the lying dead daddy. Because
at least the money makes it go
down easy, doesn't it?
(MORE)
(CONTINUED)
159
159
10/25/19 (October Shooting Draft)
CONTINUED: (2)
RIDDLER (CONT'D)
(glaring at Batman)
Bruce Wayne ...
112.
Riddler quiets, ruminating darkly. Walls closing in,
Batman looks away to keep from screaming. Riddler sighs:
RIDDLER
He's the on ly one we didn't get.
Batman lifts his eyes -- stirring almost imperceptibly
what'd he just say? Riddler leans in conspiratorially
RIDDLER
But we got the rest of them,
didn't we -- all those sick,
sleazy, phony pricks ...
Batman REELS -- Riddler DOESN'T know -- when, Riddler
suddenly softens, his tone turning almost vulnerable:
RIDDLER
God, look at you ... Your ... mask
is amazing. I wish you could have
seen me in mine ...
(an intimate grin)
Isn't it funny? All everyone wants
to do is unmask you, but they're
missing the point ... You and I
both know: I'm looking at the real
you right now. My mask allowed me
to be myself, completely. No
shame. No limits --
BATMAN
why did you write me?
RIDDLER
...... what do you mean?
BATMAN
All those cards --
RIDDLER
I told you. We've been doing this
together you're part of this
BATMAN
We didn't do anything together
RIDDLER
-- we did -- what did we just do?
I asked you to bring him into the
light and you did -- we're such a
good team --
(CONTINUED)
159
159
02/09/20 (White F ebruary Shooting Script)
CONTINUED : ( 3)
113.
BATMAN
We're NOT a team --
BATMAN
I gave you NOTHING
RIDDLER
I never could have gotten
him out of there, I'm not
physical -- my strength is
up here. I mean I had all
the pieces, I had the
answers, but I didn't know
how to make them listen
YOU gave me that --
RIDDLER
-- you showed me what was
possible -- you showed me
all it takes is fear and a
little focused violence
you INSPIRED me --
BATMAN
YOU'RE OUT OF YOUR GODDAMN MIND!
RIDDLER
What -- ?
BATMAN RIDDLER
this is all in your HEAD -- how can you say that?!
you're twisted SICK
BATMAN RIDDLER
-- you think you'll be
REMEMBERED? You're a
pathetic psychopath begging
for attention -- you're
gonna die in Arkham -
FORGOTTEN -- a NOBODY
-- no -- no -- stop -- !
(covering his ears, a
child's tantrum)
NO, NO, NO, NO, NO, NO
AHHHHHHHHHHHHHHHHH --
RIDDLER
(angry tears stream)
THIS IS NOT HOW THIS WAS
SUPPOSED TO GO ... !!!
SILENCE. Batman watches Riddler fume to himself; quietly:
RIDDLER
I had it all planned out. We were
gonna be safe here -- we could
watch the whole thing. Together.
BATMAN
... watch what?
RIDDLER
(sulking at floor)
Everything. But I guess that won't
be happening now, will it?
(CONTINUED)
159
159
160
10/25/19 (October Shooting Draft) 114.
CONTINUED: ( 4 ) 159
He glares up at Batman ... and suddenly registers Batman
has no idea what he's talking about. Riddler's struck --
RIDDLER
... ohhhh ... you didn't -- ? -- it
was all there ... you didn't figure
it out ... ?
(relishing)
You're really not as smart ... as I
thought you were ... I guess I gave
you too much credit ...
BATMAN
What have you done?
Riddler sits there; he leans in with sadistic pleasure
RIDDLER
What's black and blue ... and dead
all over ... ?
(as Batman glares)
You. If you think you can stop
what's coming ...
BATMAN
What have you DONE?!
Riddler sinks silently into his chair, finally retreating
into an eerie, off-key "AVE MARIA" by SHUBERT ... BATMAN
LAUNCHES out of his chair, SMASHING A FIST against the
glass; but Riddler keeps singing. Batman stands, helpless
-- STRAINS OF "AVE MARIA" RISING HAUNTINGLY --
INT. RIDDLER'S DARKENED APARTMENT - FRONT DOOR - NIGHT
A BLADE SLASHES the POLICE SEAL on the door -- BATMAN
BUSTS IN, PLAGUED, folding his TACTICAL KNIFE -- his eyes
rove the unoccupied space -- poring over the details
again -- WHAT DID HE MISS? -- mind racing -- WHEN --
A VOICE (O.S.)
Hey -- whattaya <loin' in here -- ?
Batman spins to see MARTINEZ IN THE DOORWAY, hand on his
gun. No time for this, Batman shoots a terrifying look.
Intimidated, Martinez thinks twice, releases his grip.
As Batman resumes his search, Martinez steps in, feeling
a responsibility to monitor the situation ... He watches
as Batman moves to the BLOODY METAL TOOL, taking out his
UV light bar, shining it. He picks up the GREETING CAR D --
(CONTINUED)
160
160
161
10/25/19 (October Shooting Draft)
CONTINUED:
MARTINEZ
Hey man -- I don't think you
should be touching th--
115.
Another look cuts him off -- Batman studies the card.
Martinez glances at the tool, attempting conversation
MARTINEZ
... boy, this guy's a real nutjob,
huh? Killing Mitchell with a
friggin' carpet tool ...
Batman slowly turns, struck. He gives Martinez a crazed
look: what did you just say? Martinez smiles, sheepish --
MARTINEZ
... my uncle's an installer -- it's
a, it's a -- you know -- a tucker.
THE TOOL IS THE MISSING PIECE. Batman picks it up,
stunned. Looks around frantically, finally spotting ... �
SUSPICIOUS, SNARLED CORNER OF THE RUG. He puts the tool
down -- moving toward the snag -- Martinez watching -- as
he crouches to examine ... when ... with growing dread ...
he begins TUGGING UP THE RUG -- CARPET TACKS POP-POP-POP!
Martinez freaks as EVIDENCE ON THE RUG SPILLS CHAOTCALLY:
MARTINEZ
whoa-WHOA-WHATTAYA DOIN', MAN?!
Batman UNVEILS A GIANT MAP OF GOTHAM, SCRAWLED ONTO THE
FLOOR -- it's INCREDIBLY DETAILED. Beside the map are
frighteningly carved, huge words: "A REAL CHANGE" -
Batman STARES at the WORDS, GEARS TURNING -- he lifts his
head looking at SOMETHING across the room --
RIDDLER'S LAPTOP SCREEN - SECONDS LATER
Batman enters the words, "A REAL CHANGE" -- unlocking the
VIDEO ... Riddler in his hooded uniform -- his warm tone
weirdly incongruous with the ominous VOICE CHANGER:
RIDDLER (ON LAPTOP)
Hey guys, thanks for all the
comments, and a special thanks to
everyone for the tips on
detonators. I just want to say ...
this will be my last post for a
while, and, uh . ..
(a surge of emotion)
... what this community has meant
to me ... these weeks, these
months ... let's just say ... �
of us ••• is alone anymore, mm-k?
(CONTINUED)
160
161
161
10/25/19 (October Shooting Draft)
CONTINUED:
116.
Batman stares -- as Riddler tamps his feelings down --
RIDDLER (ON LAPTOP)
Tomorrow's election day, and Bella
Real will win. She promised real
change. But we know the truth,
don't we? You've seen Gotham's
true face now. Together, we've
unmasked it. Its corruption, its
perversion, masquerading under the
guise of Renewal ... but unmasking
is not enough ... The Day of
Judgement is finally upon us, and
now it is time ... for retribution.
161
Riddler PICKS THE CAMERA UP, POINTS it at the MAP ON THE
FLOOR as he walks; Batman RISES to FOLLOW THE SAME PATH --
RIDDLER (V.O.)
I've parked seven vans all along
the city sea wall. And on the big
night, they will ... go ... boom --
Batman gazes down, SEES SEVEN "X"'S CARVED INTO THE MAP --
RIDDLER (V.O.)
Now when things go wrong, cities
have a plan. But tomorrow, we will
turn it on its head. Make their
emergency disaster plan truly a
disaster. When the vans blow --
ALARMED, BATMAN PEERS DOWN at the "X" on a GOTHAM STREET
right under his feet -- ALMOST GASPING -- AS WE --
MATCH CUT TO:
162 SAME ANGLE - OVER THE ACTUAL GOTHAM STREET - THAT MOMENT 162
163
In the "X"'s place is a VAN
ADJACENT SEA WALL CRUMBLING
BACK TO BATMAN
as it ERUPTS, PART OF THE
A RUSH OF WATER FLOODS IN!
SPINNING at the sound of MORE EXPLOSIONS; he bolts to the
window to SEE FIREBALLS ROILING OVER THE SKYLINE -- !
RIDDLER (V.O.)
-- the flooding will happen so
fast, evacuation will not be an
option ...
163
163A
02/09/20 (White February Shooting Script) 117.
NEW DISTANT ANGLE ON THE RISING FIREBALLS - CONTINUOUS
REVEAL RIDDLER peering out his cell window; he smiles --
163A
164 HIGH ANGLE - OVER ANOTHER GOTHAM STREET - AT THAT MOMENT 164
165
166
167
168
A STARTLING GLIMPSE -- A TSUNAMI WAVE SWEEPS SUDDENLY
OVER SHOCKED PEDESTRIANS -- TEARING THE STREET APART --
RIDDLER (V.O.)
Those who are not washed away
RIDDLER'S APARTMENT - AT THAT MOMENT
Batman's head whips toward ANOTHER SCRAWLED INTERSECTION
-- drawn by the sounds of DISTANT, TERRIFIED SCREAMING
it's as if the sound is coming from the map
RIDDLER (V.O.)
will race through the streets
in terror ...
SAME ANGLE ON THE ACTUAL INTERSECTION - AT THAT MOMENT
THE DESTRUCTIVE WAVE -- NOW BLACK WITH DEBRIS -- RIPS
UP CARS, TREES, LAMP POSTS -- as PEOPLE'S SCREAMS ECHO --
BATMAN'S EYES
fiercely search the map -- assessing the crisis
BATMAN
Call Gordon --
MARTINEZ
(fumbling for cell)
yeah-yeah-yeah !
SMASH TO:
STREET OUTSIDE GOTHAM SQUARE GARDEN - THAT VERY MOMENT
CELEBRATING CROWDS watching Bella's victory on JUMB OTRONS
and CELLS -- as EMERGENCY BULLETINS interrupt coverage
RIDDLER (V.O.)
As breaking news hits higher
ground at Gotham Square Garden,
celebrations will turn to panic
People react -- SCREAMING -- some spot SMOKE IN THE SKY --
(CONTINUED)
165
166
167
168
168
169
170
171
10/25/19 (October Shooting Draft)
CONTINUED:
RIDDLER (V.O.)
-- as the venue becomes the city's
shelter of last resort ...
BACK TO RIDDLER'S APARTMENT - AT THAT MOMENT
RIDDLER (ON LAPTOP)
And that's where all of you come
in ...
118.
BATMAN'S EYES GO TO THE COMMENT BOARD -- finding CHILLING
REPLIES: "what gauge? what caliber?" -- "rifles are good"
RIDDLER (ON LAPTOP)
... when the time arrives, I will
already be unmasked, the pigs will
have me in their custody -- but
that's ok, because then ... it will
be your turn ...
A MOVING SHOT - FOLLOWING A DARK FIGURE
SMASH TO:
Walking THE RAFTERS ABOVE GOTHAM SQUARE GARDEN, pulling
on a Riddler-style execution hood, rifle in hand ...
RIDDLER (V.O.)
... you'll be there, waiting ...
The Hooded Figure stares ominously below where panicked
commotion suggests news of the flooding is spreading -
when the Figure looks up, SPOTTING ...
ANOTHER ARMED HOODED FIGURE, staring back at him -- they
regard each other oddly ... then nod grimly -- when they
turn to see ... a THIRD Riddler Figure arriving ... and
behind him, ANOTHER ... and ANOTHER ... It's A SMALL ARMY
OF BITTER NOBOD IES IN HOODED RIDDLER OUTFITS, hidden
above the crowd, all meeting here for the very first
time, as they secretly prepare to strike ...
RIDDLER (V.O.)
It's time for the lies to finally
end -- false promises of Renewal,
change
BACK TO BATMAN
watching in horror as Riddler concludes bitterly --
(CONTINUED)
CONTINUED: RIDDLER (ON LAPTOP) We'll give them a real, real change now. We've spent our lives in this wretched place, suffering, wondering why us? Now they wi ll spend their last moments wondering, why them ... ? 119. ON MARTINEZ, completely terrified, gazing at his cell - MARTINEZ I can't get through the lines are down -- He turns to show Batman BUT BATMAN IS ALREADY GONE! EXT. OUTSIDE GOTHAM SQUARE GARDEN - NIGHT UTTER CHAOS OUTSIDE THE GLASS DOMED BUILDING -- EMERGENCY VEHICLES, SIRENS -- PEOPLE running up the streets - FIRST RESPONDERS scream to CROWDS OF TERRIFIED CITIZENS herding them to shelter inside the Garden -- tending to the INJURED -- a crisis escalating by the second We SPOT a MOTORCYCLE weaving through the madness SELINA -- with her leather backpack, saddle bags on the bike -- she stops at a ROAD BLOCK across the intersection -- hops off to move a SAW HORSE herself -- WHEN: TRAFFIC COP Hey -- road's CLOSED! SELINA -- I'm trying to get outta town -- TRAFFIC COP Lady, we got BOMBS goin' off, whole city's FLOODING! Now you're gonna have to go inside the Garden with everyone else! About to protest, Selina suddenly feels something -- she looks down to see BLACK WATER POOLING around her feet -- INSIDE GOTHAM SQUARE GARDEN - ENTRANCE - SIMULTANEOUS The victory celebration turned to crisis mode -- a MAD CRUSH squeezes through the doors -- fighting through, we FIND GORDON, rousted from bed, urgently heading for -- a MAKESHIFT COMMAND POST. UNIFORMED OFFICERS, MED PERSONNEL and FIREMEN all talk at once; Gordon flashes his BADGE -- GORDON MCU -- who's in charge ? ! (CONTINUED) 171 172 173 173 174 175 02/09/20 (White February Shooting Script) CONTINUED: YOUNG OFFICER I really dunno, we're all just tryin'a get a handle here, sir! GORDON -- we have an active situation - we need to sweep the building for explosives and get the mayor-elect outta here, llilli· Where is she -- ? INT. GOTHAM SQUARE GARDEN - HIGH ABOVE - SAME 120. A RIFLE SCOPE PROWLS the panicked crowd ... FINDING GORDON AND COPS pressing through; CROSSHAIRS follow ominously - then SWISH ACROSS TO FIND -- BELLA behind the FESTOONED STAGE, surrounded by her team, peeking in and out of view as she gestures anxiously, arguing with a FIRE MARSHALL REVEAL A MAGNIFIED EYE -- blinking eerily through the scope -- as the scope lowers, and we see ONE OF THE HOODED GUNMEN lying on his stomach IN THE RAFTERS -- Satisfied with his position, he lowers his rifle, opens a PLASTIC AMMO CASE revealing A HUNDRED ROUNDS. He takes one, begins to load -- as we DISCOVER -- OTHER GUNMEN preparing their weapons on the rafters behind him! DOWN BELOW - BEHIND THE SCAFFOLDING STAGE - SAME Gordon and the cops arrive to find Bella mid-argument with the Fire Marshall -- Gordon notices Mitchell's Wife and Ten-Year-Old Son standing nervously with the group FIRE MARSHALL If we don't close the doors, we're gonna have a huge problem, water's already starting to breach! BELLA REAL I thought this was the shelter of last resort -- ! FIRE MARSHALL yeah -- for a hurricane -- not if the whole sea wall comes down! BELLA REAL -- I am not going to let those people die out there! (angry, distraught) Awright ... I'll go calm the crowd down so we can get everyone in (CONTINUED) 173 174 175 175 10/25/19 (October Shooting Draft) CONTINUED: GORDON (O.S.) -- it's not safe for you here Bella turns -- seeing Gordon and the cops - GORDON -- we gotta get you out, Ms. Real. BELLA REAL I'm not going anywhere GORDON -- we are under attack BELLA REAL Exactly! That's the problem with this city -- everyone's afraid to stand up and do the right thing. But I'm not. Excuse me -- 121. Gordon watches, frustrated, as she moves to the podium - BELLA REAL Everyone!? Everyone! If I could just get your attention -- ! The unruly crowd won't quiet -- she starts to call out again -- when, in the corner of her eye, she SPOTS THE GLINT OF A RIFLE up behind the lights -- she recoils -- Gordon suddenly reading her fear -- STARTING FOR HER AS -- BANG! GUNFIRE ERUPTS FROM THE RAFTERS! BELLA DROPS AS SHE'S HIT -- GORDON LAUNCHING TO SHIELD HER -- PANDEMONIUM -- AS MORE SHOTS RING OUT FROM ABOVE GORDON FRANTICALLY DRAGS BELLA INTO COVER OFF-STAGE HE DRAWS HIS GUN -- PEEKING AT THE RAFTERS -- AS A TORRENT OF MUZZLE FLASHES EXPLODES -- THE GUNMEN FIRING! GORDON PEERS THROUGH THE SCAFFOLDING AT WAVES OF PEOPLE SCREAMING IN PANIC THE SCENE RATCHETING INTO UNBEARABLE TENSION -- GORDON HORRIFIED -- WHEN SUDDENLY EXPLOSIONS RIP PERCUSSIVELY THROUGH THE DOMED CEILING - UNLEASHING A HAIL OF GLASS OVER THE GUNMEN -- AS -- A MALEFIC PHANTOM PLUMMETS THROUGH THE ROOF -- BATMAN!!! HE SLAMS INTO THE RAFTERS BARELY IN CONTROL -- TRIGGERING HIS QUICK-DRAW SLIDER -- FIRING A HARPOON LINE INTO THE LEG OF THE SHOOTER ON THE BEAM ACROSS FROM HIM -- THEN A SECOND SLIDER ON HIS OTHER ARM -- HARPOONING ANOTHER -- BATMAN FLIPS BACK OFF THE CATWALK -- YANKING BOTH GUNMEN OFF THEIR BEAMS -- COUNTER-BALANCING BATMAN AS HE SWINGS UNDER THE CATWALK AND BACK UP ONTO IT -- THE SHOOTERS DANGLING BELOW -- THIS HAS ALL HAPPENED IN AN INSTANT -- (CONTINUED) 175 175 176 177 02/09/20 (White February Shooting Script) 122. CONTINUED: (2) 175 IN SHOCK, THE ARMY OF HOODED LOOKALIKES TURNS FIRING -- AS BATMAN BOUNDS MADLY THROUGH THEIR ASSAULT -- TAKING HITS -- HE LEAPS O UT ACROSS BEAMS -- WILDLY GRASPING ONE -- CATAPULTING HIMSELF UP INTO -- A GRO UP OF SHO OTERS -- WITH BLINDING SPEED, BATMAN ATTACKS -- SNAPPING BONES - POPPING KNEECAPS -- HE SPOTS A TERRIFIED GUNMAN RELOADING -- STARTS FOR HIM -- SUDDENLY PULLED OFF BALANCE - BATMAN SPINS TO SEE TWO OF THE BLOODIED NOBODIES GRIPPING HIS CAPE -- DESPERATELY TRYING TO HEAVE HIM DOWN INTO THE ABYSS BELOW -- BATMAN TWISTS HARD -- WINCHING THE CAPE - YANKING THE NOBODIES INTO A FLURRY OF KNOCKOUT BLOWS -- BATMAN SEES THE TERRIFIED GUNMAN LIFTING HIS WEAPON - SPINS TO SEE ANOTHER SHO OTER -- ABOUT TO FIRE TOO - BATMAN DODGING AS -- THE ROUNDS RIP INTO THE TERRIFIED GUNMAN INSTEAD -- AS HE DROPS, THE TERRIFIED GUNMAN FIRES INVOLUNTARILY -- BULLETS TEARING INTO THE OTHER SHOOTER BUT ONE SHOT SMACKS HARD OFF THE SIDE OF BATMAN'S COWL! SEEING HIM DAZED -- THE REMAINING GUNMEN UNLEASH A FIRESTORM -- RABIDLY BLASTING BATMAN -- BATMAN FORCED TO RETREAT, SHIELDING HIMSELF -- AS THEY STALK AFTER HIM DOWN BELOW ON THE STAGE HUNDREDS SCRAMBLE -- GORDON presses against panic to see BATMAN UNDER ATTACK; turns to the Fire Marshall and cops: GORDON Get me up there ... ! They leap from the stage into DEEP WATER, WADING URGENTLY PAST SOMEONE in the crowd -- SELINA -- PEOPLE JOSTLE HER as she fights to glimpse Batman -- she pulls herself onto the scaffolding tower by the stage to see -- WORRIED ... BACK IN THE RAFTERS BATMAN STUMBLES, COLLAPSING -- AS THE GUNMEN SHOOT -- HE SEES FIRE EXTINGUISHERS ON THE RAILING -- RIPS A STICKY CHARGE FROM HIS BELT -- SLAPS IT ON ONE -- ROLLS IT AT THE SHOOTERS -- DOES THE SAME TO ANOTHER -- AND ANOTHER - WHEN THE CHARGES ALL BLOW! -- HUGE CLOUDS ERUPT INTO THE AIR -- AS BATMAN EVAPORATES INTO THEIR WHITENESS -- THE SHOOTERS ANXIOUSLY VENTURE INTO THE FOG -- ONE PROBES BLINDLY WITH HIS RIFLE -- WHEN BATMAN SEIZES THE BARREL - HIS FINGER TASER ZAPS THE METAL -- THE GUNMAN COLLAPSES -- BATMAN CLUBS THE SHOOTERS ONE BY ONE WITH THE RIFLE -- HE SPOTS ONE CRAWLING FOR A DUFFLE -- GOES FOR HIM -- AS THE GUNMAN LIFTS OUT A SHOTGUN -- FIRING INTO BATMAN'S CHEST! (CONTINUED) 176 177 177 02/09/20 (White February Shooting Script) CONTINUED: 123. BATMAN CAREENS OFF THE CATWALK -- BARELY CATCHING THE EDGE WITH ONE HAND -- GASPING FOR BREATH -- TRYING TO PULL HIMSELF UP -- BUT THE PAIN IS JUST TOO MUCH -- THE SHOTGUN SHOOTER RISES, HALF IN SHOCK -- HANDS SHAKING AS HE RELOADS -- LIMPING TO THE EDGE, WILD EYES PEERING FROM THE EXECUTIONER'S HOOD AT BATMAN, HANGING BELOW -- BATMAN LOOKS UP, HELPLESS -- TREMBLING, THE SHOOTER PUTS HIS GUN TO BATMAN'S COWL -- FINGER ON THE TRIGGER -- WHEN OUT OF NOWHERE -- A BLINDING KICK KNOCKS HIS GUN FREE -- IT FIRES INTO THE AIR -- AS THE GUNMAN SPINS TO SEE -- SELINA! -- LEAPING FROM THE SCAFFOLDING -- SHE HOOK-KICKS HIS HEAD INTO THE RAILING -- CATCHING HIM AS HE REELS - RAMMING HIS FACE DOWN HARD AGAIN -- THE GUNMAN CRUMPLES Selina moves to Batman -- losing his grip, fading -- no time to lose, she leans down, grabs his arm -- braces her heels on the railing -- levering him slowly up -- until she collapses on the catwalk, his body on top of hers. She rolls him onto his back, gazing down, face close to his. He looks up, haunted, as if he doesn't see her as he struggles to breathe -- when she notices HIS CHEST -- the blast has torn his armor, buckshot lodged in exposed skin 177 -- a lot of blood it's unclear how bad the wound is -- he tries to sit up -- she guides him back down -- growing emotional -- cradling his face -- soothing SELINA ... it's ok ... it's done now ... it's over. Finally he submits -- his eyes now seeing hers -- holding them -- then, gently closing ... Eyes welling, she leans down to kiss his face ... his lips ... as she pulls back ... his eyes open; for a moment, they just stare -- when -- -- Batman sees A SHAPE looming above Selina -- IT'S THE BATTERED SHOTGUN SHOOTER -- WHOSE FOOT SLAMS THE BACK OF HER HEAD -- STUNNING HER -- HE DRAGS HER OFF BATMAN - UNSHEATHING A HUNTING KNIFE FROM HIS BOOT -- SHE RAISES HER ARMS TO DEFEND HERSELF AS HE STABS WILDLY AT HER! BATMAN FIGHTS TO GET UP -- HE CAN'T -- AS SELINA STRUGGLES -- HE FUMBLES SOMETHING FROM HIS BELT -- AN AUTO-INJECTOR: ADRENALINE -- HE JAMS IT INTO HIS NECK! HE LAUNCHES HIMSELF WITH A JOLT -- RIPPING THE ATTACKER OFF SELINA IN A VIOLENT FRENZY -- LOSING ALL CONTROL - SELINA STUNNED BY BATMAN'S UNBRIDLED PRIMAL RAGE -- WHEN -- GORDON AND THE COPS B URST OUT A DOOR TO THE CATWALK GORDON RACES TO BATMAN -- TO STOP HIM FROM KILLING -- (CONTINUED) 177 02/09/20 (White February Shooting Script) CONTINUED: ( 2 ) GORDON Hey man -- take it easy easy -- ! Hey -- HEY -- take it 124. 177 Batman stops, mid-strike -- Gordon's voice reaching him - he turns, disoriented, as Gordon gently pulls him back - Batman slowly stands, breathing hard -- turns -- checking on Selina -- as she rises, looking at him, grateful, surprised, the depth of his feelings for her now exposed. Gordon reaches down, pulling the Hood off the SHOOTER -- GORDON Jesus ... who the hell� you ... ? UNKNOWN MAN (grins eerily) Me ... ? I'm Vengeance. Batman turns, struck by the sound of his own words in this killer's mouth -- WHEN -- A CRASH ECHOES BELOW Everyone spins -- EXCEPT BATMAN -- who continues to stare at the Man, ROCKED -- HOLD ON HIM as the SOUNDS OF PANIC AND CHAOS FADE AWAY -- when FLICKERING LIGHTS in the arena pull him out of his trance -- Batman turns to the others -- COMPLETE SILENCE as DOWN BELOW he SEES -- THE FOUR-STORY GLASS WALL BEHIND THE STAGE SMASHING OPEN AS CASCADING DEBRIS FLOODS INSIDE -- UPROOTED T REES, CARS, AND WAVES OF BLACK WATER SWARMING THE SCAFFOLDING AROUND THE STAGE -- WHICH GIVES WAY ALL AT ONCE -- BATMAN AND THE OTHERS WATCH PEOPLE TOSSED INTO SWEEPING MUCK -- SCAFFOLDING TOWERS TOPPLE, SHEARING ELECTRICAL LINES POWERING THE HUGE MONITORS AND LIGHTS -- BATMAN SEES ONE LINE SPARKING ANGRILY OVER THE RAPIDLY RISING WATER -- THE WIRE THREATENING TO MAKE CONTACT WITH THE SURFACE, JEOPARDIZING THE THOUSANDS HALF-SUBMERGED -- GORDON, SELINA, AND THE COPS WATCH HELPLESSLY -- BATMAN WITHDRAWS HIS GRAPPLE GUN -- FIRING INTO THE CEILING - THEY TURN AGHAST AS HE SWINGS OUT -- ONTO THE POWER LINE! BATMAN PULLS HIS TACTICAL KNIFE -- BRACING HIMSELF -- HE HACKS THE LINE -- SOUND COMES CRASHING BACK -- AS AN ELECTRICAL BLAST SURGES THROUGH HIM -- JOLTING HIM LOOSE -- HE DROPS TO THE WATER BELOW, SPLASHING INTO IT! SELINA AND GORDON WATCH IN HORROR -- AS ALL THE LIGHTS GO OUT FOR A MOMENT, WE WONDER: IS BATMAN DEAD? WHEN -- HE BREAKS THE SURFACE, GASPING, ALIVE. Scans the darkness around him, pulling something from his belt; it IGNITES, and we see it's A FLARE -- THE SOLE SOURCE OF LIGHT NOW ILLUMINATING THE THOUSANDS IN THE WATER ALL AROUND HIM -- (CONTINUED) 177 178 179 02/09/20 (White February Shooting Script) CONTINUED: ( 3) 125. He sees BELLA AND OTHERS, trapped in twisted scaffolding in the STILL-RISING WATER -- he starts quickly toward them -- climbs the wreckage -- heaving a truss aside to make an opening to let them all out -- but as he reaches in, Bella and the group hesitate, intimidated by Batman's haunting, wraith-like presence in the flare's light - all, except a BOY ... MITCHELL'S TEN YEAR OLD SON, who reaches his hand up, unafraid. Batman pulls him up ... He turns to Bella, offering a hand again ... she takes it. As she clings to him, the others begin climbing out too -- NIRVANA'S "SOMETHING IN THE WAY" BEGINS -- as Batman uses HIS FLARE AS A BEACON, leading the masses through water, everyone following to safety -- a mesmerizing sight ... BRUCE'S VOICE OVER Wednesday, November sixth ... The city is underwater ... EXT. EXTREME HIGH AND WIDE OVER LOWER GOTHAM - SUNRISE Light fills the sky; the island is COMPLETELY SUBMERGED BRUCE'S VOICE OVER The national guard is coming ... EXT. LOWER GOTHAM STREETS - A SERIES OF SHOTS - SUNRISE REVISITING KEY LOCATIONS FROM OUR STORY -- the FLOODED SCENES OF AFTERMATH appear serene, surreally beautiful ... WE SEE -- the half-sunk CITY HALL -- facade ripped open a lone dog paddles past the tops of traffic lights -- BRUCE'S VOICE OVER Martial law is in effect. But the criminal element never sleeps ... 177 178 179 180 -- THE DINER WHERE RIDDLER WAS CAUGHT -- SUN GLEAMS IN ON 180 A SMALL FLEET OF PYREX COFFEE POTS, WHICH FLOAT EERILY 181 BRUCE'S VOICE OVER Looting and lawlessness will be rampant in the parts of the city no one can get to ... -- THE ICEBERG LOUNGE -- THE EMPTY DANCE FLOOR NOW SWIMMING IN STILL WATER UNDER SHIMMERING STAGE LIGHTS BRUCE'S VOICE OVER I can already see, things will get worse before they get better ... 181 10/25/19 (October Shooting Draft) 126. 182 FALCONE'S DRAWING ROOM -- FRESH, WET FOOT PRINTS LEAD 182 183 184 TO A LONE FIGURE SEATED IN FALCONE'S CHAIR; PENGUIN BRUCE'S VOICE OVER And some will seize the chance to grab everything they can ... Penguin sips scotch from Falcone's crystal tumbler, staring out over the city, his mind turning darkly ... EXT. GOTHAM HOSPITAL TRIAGE CENTER - SUNRISE In bandages, BELLA REAL holds a PRESS CONFERENCE; GORDON among the embattled POLICE and OFFICIALS around her -- BELLA REAL We will rebuild ... but not just our city. We must rebuild people's faith. In our institutions, in our elected officials, in each other. Together, we will learn to believe in Gotham again As NIRVANA SWELLS -- EXT. ABOVE GOTHAM SQUARE GARDEN - SUNRISE The roof jammed with EVACUEES waiting to be air-lifted, as FIRST RESPONDERS pull SURVIVORS through the skylight. BRUCE'S VOICE OVER I'm starting to see now, I have had an effect here. But not the one I intended. Vengeance won't change the past ... mine or anyone else's. I have to become�-·· CLOSER: FIREMEN turn, struck by the sight of -- BATMAN, caked in dried mud; he looks like hell -- heads turn as he carries AN INJURED WOMAN across the roof in his arms BRUCE'S VOICE OVER People need hope. To know someone's out there for them. The city's angry. Scarred. Like me ... As Batman puts her into a MED SLED, the woman CLUTCHES him, distraught; Batman stiffens, unsure how to respond. BRUCE'S VOICE OVER Our scars can destroy us ... even after the physical wounds have healed. But if we survive them ... (CONTINUED) 183 184 184 185 186 10/25/19 (October Shooting Draft) 127. CONTINUED: 184 Batman leans in ... returning the embrace ... the sobbing woman calms, releasing him ... And the sled lifts ... BRUCE'S VOICE OVER They can transform us. They can give us the power ... to endure. And the strength to fight. HOLD ON BATMAN IN SILHOUETTE, watching the woman ascend -- A HELICOPTER POV OVER HIM - AT THAT SAME MOMENT A CHYRON APPEARS ON SCREEN: "BATMAN VIGILANTE SAVES THOUSANDS IN GOTHAM SQUARE" -- WE ARE LOOKING AT A TV IN: INT. ARKHAM PRISON FOR THE INSANE - SAME THE TV sits in a GUARD STATION. Our view is a partially obscured, sidelong perspective -- we hear QUIET MOANING REVEAL RI DDLER -- face smooshed to the security glass of his cell, craning to see the story in complete anguish ... UNSEEN PRISONER'S VOICE Isn't that just terrible ... ? Him raining on your parade like that? What is it they say ... ? One day you're on top ... the next, you're a clown. Well, let me tell you .. . there are worse things to be .. . Riddler shrinks to the floor, totally despondent. Then: UNSEEN PRISONER'S VOICE Don't be sad. . . you did. . . fil2. well ... And you know, Gotham loves a comeback story ... Riddler rises, peering out of his cell, but can't see - RIDDLER ... who. . . who are you ... ? UNSEEN PRISONER'S VOICE Well that's the question isn't it? (then) Riddle me this ... The less of them you have ... the� one is worth. Riddler ponders ... then, finally ... smiles hopefully ... RIDDLER A friend ... ? (CONTINUED) 185 186 186 187 10/25/19 (October Shooting Draft) CONTINUED: And the Unseen Prisoner begins to LAUGH ... in the signature JOKER style ... the sound echoing us to -- EXT. RUN-DOWN GOTHAM CEMETERY - DUSK 128. Selina stands at a GRAVE: "MARIA KYLE". After a moment, she turns, tears in her eyes, heading to her bike -- her stray cats poke their heads out of leather saddle bags -- A VOICE (O.S.) ... you're leaving ... Selina turns, startled to see A FIGURE IN THE SHADOWS BATMAN, his motorcycle behind him. She's self-conscious. SELINA Jesus ... don't you ever just say hello? He emerges, a sense of unfinished business between them. BATMAN -- where will you go? SELINA I dunno, upstate ... ? Bllidhaven maybe ... ? (then, grins) Why ... you asking me to stay? But Batman says nothing. She darkens, worry in her voice: SELINA You know, this place is never gonna change. With Carmine gone, it's only gonna get worse for you -- there's gonna be a real power grab -- it'll be bloody BATMAN I know, but the city can change -- SELINA -- it won't -- ! BATMAN -- I have to try -- SELINA -- it's gonna kill you eventually, you know that ... SILENCE. Then, she tries to lighten things -- a smile at an impossible thought -- (CONTINUED) 186 187 187 10/25/19 (October Shooting Draft) CONTINUED: SELINA ... listen, why don't you come with me? Get into some trouble. We could knock off some CEOs. Trustfund types. It'll be fun. The Bat and the Cat. Got a nice ring ... 129. -- when she sees he's not looking at her; she follows his gaze to the BAT SIGNAL in the clouds -- smiles, rueful -- SELINA Who am I kidding? You're already spoken for. He looks back at her -- she nods at the sky - SELINA You should go And then she turns, getting on her bike -- when - BATMAN Selina ... She looks over -- a pregnant silence as they stare finally, he speaks, resigned to letting her go -- BATMAN Take care of yourself ... She nods a sad smile, starts her bike, heading off. Batman watches her go, mounting his; he revs the engine, accelerating after her -- and for a moment, they chase through the cemetery, echoes of their motorcycle scene early in the film ... until, they split off opposite ways. ON BATMAN, staring hard ahead ... finally, HIS EYES MOVE TO HIS SIDE MIRROR, unable to resist one last look, AS SHE RECEDES ... His eyes lift again, racing toward his city, a look of sheer determination -- we HOLD, AS OUR VIEW ANGRILY VIBRATES WITH HIS EVER INCREASING SPEED ... FASTER ... AND FASTER ... until, we ... CUT TO BLACK. THE END
You are swine you vulgar little maggot. Don't you know that you are pathetic? You worthless bag of filth. As we say in California, I'll bet you couldn't pour piss out of a boot with instructions on the heel. You are a canker. A sore that won't go away. A zit on the butt of society. I would rather kiss a lawyer than be seen with you.
You are a fiend and a coward, and you have bad breath. You are degenerate, noxious and depraved. I feel debased just for knowing you exist. I despise everything about you. You are a bloody nardless newbie twit protohominid chromosomally aberrant caricature of a coprophagic cloacal parasitic pond scum and I wish you would go away.
You're a putrescence mass, a walking vomit. You are a spineless little worm deserving nothing but the profoundest contempt. You are a jerk, a cad, a weasel. Your life is a monument to stupidity. You are a stench, a revulsion, a big suck on a sour lemon.
You are a bleating fool, a curdled staggering mutant dwarf smeared richly with the effluvia and offal accompanying your alleged birth into this world. An insensate, blinking calf, meaningful to nobody, abandoned by the puke-drooling, giggling beasts who sired you and then killed themselves in recognition of what they had done.
I will never get over the embarrassment of belonging to the same species as you. You are a monster, an ogre, a malformity. I barf at the very thought of you. You have all the appeal of a paper cut. Lepers avoid you. Because off your face the rabbit population actually decreased. You are vile, worthless, less than nothing. You are a weed, a fungus, the dregs of this earth. And did I mention you smell?
If you aren't an idiot, you made a world-class effort at simulating one.
You snail-skulled little rabbit. Would that a hawk pick you up, drive its beak into your brain, and upon finding it rancid set you loose to fly briefly before spattering the ocean rocks with the frothy pink shame of your ignoble blood. May you choke on the queasy, convulsing nausea of your own trite, foolish beliefs.
You are weary, stale, flat and unprofitable. You are grimy, squalid, nasty and profane. You are foul and disgusting. You're a fool, an ignoramus. Monkeys look down on you. Even sheep won't have sex with you. You are unreservedly pathetic, starved for attention, and lost in a land that reality forgot.
You are a waste of flesh. You have no rhythm. You are ridiculous and obnoxious. You are the moral equivalent of a leech. You are a living emptiness, a meaningless void. You are sour and senile. You are a disease, you puerile one-handed slack-jawed drooling meatslapper.
On a good day you're a half-wit. You remind me of drool. You are deficient in all that lends character. You have the personality of wallpaper. You are dank and filthy. You are asinine and benighted. You are the source of all unpleasantness. You spread misery and sorrow wherever you go.
I cannot believe how incredibly stupid you are. I mean rock-hard stupid. Dehydrated-rock-hard stupid. Stupid so stupid that it goes way beyond the stupid we know into a whole different dimension of stupid. You are trans-stupid stupid. Meta-stupid. Stupid collapsed on itself so far that even the neutrons have collapsed. Stupid gotten so dense that no intellect can escape. Singularity stupid. Blazing hot mid-day sun on Mercury stupid. You emit more stupid in one second than our entire galaxy emits in a year. Quasar stupid. Your writing has to be a troll. Nothing in our universe can really be this stupid. Perhaps this is some primordial fragment from the original big bang of stupid. Some pure essence of a stupid so uncontaminated by anything else as to be beyond the laws of physics that we know. I'm sorry. I can't go on. This is an epiphany of stupid for me. After this, you may not hear from me again for a while. I don't have enough strength left to deride your ignorant questions and half baked comments about unimportant trivia, or any of the rest of this drivel. Duh.
Maybe later in life, after you have learned to read, write, spell, and count, you will have more success. True, these are rudimentary skills that many of us "normal" people take for granted that everyone has an easy time of mastering. But we sometimes forget that there are "challenged" persons in this world who find these things more difficult. I wish you the best of luck in the emotional, and social struggles that seem to be placing such a demand on you.
Friðrik Dór Jónsson
(IP-tala skráð)
22.11.2023 kl. 11:18
43
I bear witness that there is no God but Allah and that Mohammad is his messenger.
There is America, hit by God in one of its softest spots. Its greatest buildings were destroyed, thank God for that. There is America, full of fear from its north to its south, from its west to its east. Thank God for that.
What America is tasting now is something insignificant compared to what we have tasted for scores of years. Our nation (the Islamic world) has been tasting this humiliation and this degradation for more than 80 years. Its sons are killed, its blood is shed, its sanctuaries are attacked, and no one hears and no one heeds.
When God blessed one of the groups of Islam, vanguards of Islam, they destroyed America. I pray to God to elevate their status and bless them.
Millions of innocent children are being killed as I speak. They are being killed in Iraq without committing any sins, and we don't hear condemnation or a fatwa (religious decree) from the rulers. In these days, Israeli tanks infest Palestine -- in Jenin, Ramallah, Rafah, Beit Jalla, and other places in the land of Islam, and we don't hear anyone raising his voice or moving a limb.
When the sword comes down (on America), after 80 years, hypocrisy rears its ugly head. They deplore and they lament for those killers, who have abused the blood, honor and sanctuaries of Muslims. The least that can be said about those people is that they are debauched. They have followed injustice. They supported the butcher over the victim, the oppressor over the innocent child. May God show them His wrath and give them what they deserve.
I say that the situation is clear and obvious. After this event, after the senior officials have spoken in America, starting with the head of infidels worldwide, Bush, and those with him. They have come out in force with their men and have turned even the countries that belong to Islam to this treachery, and they want to wag their tail at God, to fight Islam, to suppress people in the name of terrorism.
When people at the ends of the earth, Japan, were killed by their hundreds of thousands, young and old, it was not considered a war crime, it is something that has justification. Millions of children in Iraq is something that has justification. But when they lose dozens of people in Nairobi and Dar es Salaam (capitals of Kenya and Tanzania, where U.S. embassies were bombed in 1998), Iraq was struck and Afghanistan was struck. Hypocrisy stood in force behind the head of infidels worldwide, behind the cowards of this age, America and those who are with it.
These events have divided the whole world into two sides. The side of believers and the side of infidels, may God keep you away from them. Every Muslim has to rush to make his religion victorious. The winds of faith have come. The winds of change have come to eradicate oppression from the island of Muhammad, peace be upon him.
To America, I say only a few words to it and its people. I swear by God, who has elevated the skies without pillars, neither America nor the people who live in it will dream of security before we live it in Palestine, and not before all the infidel armies leave the land of Muhammad, peace be upon him.
God is great, may pride be with Islam. May peace and God's mercy be upon you.
Friðrik Dór Jónsson
(IP-tala skráð)
22.11.2023 kl. 11:24
1. For the cake: Preheat the oven to 175°C. Butter the bottoms and sides of two 9-inch round cake pans; dust with flour, and tap out the excess.
2. Whisk together the flour, baking powder and salt in a medium bowl; set aside.
Beat the butter, sugar and oil in a large bowl with an electric mixer on medium-high speed until light in color and fluffy, about 5 minutes. Beat in the eggs, one at a time, and then the vanilla until combined.
3. Alternate folding the flour mixture and the milk into the batter with a spatula, adding the flour in three additions and the milk in two, starting and ending with the flour, until just smooth. Divide the batter evenly between the prepared pans.
4. Bake the cakes on the same oven rack until golden on top and the centers spring back to the touch, 35 to 40 minutes. Rotate the pans about halfway through if they seem to be browning unevenly. Let cool in the pans about 10 minutes, then turn out onto cooling racks and let cool completely.
5. For the frosting: While the cakes cool, beat the butter and salt in a large bowl with an electric mixer on medium speed until smooth. Gradually beat in the icing sugar. Once it's all been added, increase the speed to medium-high, and beat until white and fluffy. Add 2 tablespoons of the milk, and beat to incorporate. Beat in the remaining milk, one tablespoon at a time (the frosting will be spreadable but not runny).
6. To assemble: Place 1 cake layer right-side up on a cake plate or stand, and spread with 1 cup of the frosting. Top with the second cake layer. Frost the top and sides of the cake with the remaining frosting.
7. The cake layers can be made a day ahead; wrap the cooled layers in plastic and aluminum foil and store at room temperature overnight. You can also assemble and frost the cake the day before serving; let it stand at room temperature overnight, covered by a large bowl or cake dome (if your kitchen is very hot, chill the cake and let it stand at room temperature for at least one hour before serving).
1. Cake: Preheat the oven to 175°C. Grease the bottom and sides of two 23cm round cake tins; Dust the surface with flour and shake off the excess.
2. Combine flour, baking powder, and salt in a medium bowl; to put aside.
Beat the butter, sugar and oil in a large bowl with an electric mixer on medium-high speed until light and fluffy, approx. 5 minutes. Add the eggs one at a time, then stir in the vanilla until dissolved.
3. Add the flour and milk mixture to the dough alternately with a spatula, adding the flour in three stages and the milk in two stages, starting and ending with the flour, until you obtain a smooth mixture. Divide batter evenly among prepared pans.
4. Bake cakes on same oven rack until golden brown and centers spring back when touched, 35 to 40 minutes. If the pans seem to be browning unevenly, turn them halfway through cooking. Leave to cool in the molds for about 10 minutes, then transfer to a wire rack and let cool completely.
5. Frosting: Once the cookies have cooled, beat the butter and salt in a large bowl with an electric mixer on medium speed until smooth. Gradually add the icing sugar. Once everything is added, increase the speed to medium-high and beat until white and fluffy. Add 2 tablespoons milk and beat until smooth. Add the remaining milk a spoonful at a time (the icing is spreadable but not liquid).
6. Assemble: Place 1 cake layer upright on a plate or cake pan and spread with 1 cup frosting. Cover with another layer of dough. Cover the top and sides of the cake with the remaining frosting.
7. The cake layers can be prepared the day before; Wrap the cooled layers in plastic and foil and store at room temperature overnight. The cake can also be assembled and frozen the day before serving; set the cake aside overnight at room temperature, covered with a large bowl or dome (if your kitchen is very hot, let the cake cool and let it rest at room temperature for at least an hour before serving).
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Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson
Emil Ragnar Reykjalín Ólafsson
(IP-tala skráð)
29.11.2023 kl. 09:47
Emil Ragnar Reykjalín Ólafsson, nemandi í Vísindaskólanum segir námskeið um Alþingi hafa komið skemmtilega á óvart. „Við erum að læra um Alþingi og lög og eitthvað þannig. Tímarnir kallast, Lengi lifi Ísland.“
Hefur þú gaman af þessu?
„Já já þetta er alveg fínt sko, ég vissi ekki að mér myndi finnast Alþingi svona skemmtilegt og lög, fyrir einhvern sem er tólf ára.“
Athugasemdir
Djöfulsinns ljóti litli aulinn þinn þú ert sv skrýtinn og ljótur, þú lest biblíunna á hverju kveldi og gast lesið áður enn þú fæddist. fæðinga vottorðið þitt er fyrirgefðu frá durex smokka fyrirtækinu. þú lítur út eins og pabbi þinn fór að kaupa mjólk og kom aftur. bbara að djóka þú ert ágætur XoXo Emil Ragnar
Emil Ragnar (IP-tala skráð) 18.10.2023 kl. 11:42
Helvítis ljóti homminn þinn, þú lítur út eins og hommi rotnaðu í helviti fyrir að stela nafninu mínu fokking faggi Nigger
Emil Ragnar (IP-tala skráð) 18.10.2023 kl. 12:41
Djöfullinn sjálfur, afhverju fæddist þessi litli, ljóti dverga auli. Þessi smáálfur gat örugglega lesið fyrir hans eigin fæðingu, fjandanns duolingu háði bastarður.
Sigurgeirlingur Geirmaðurinn Jóhannessonur (IP-tala skráð) 19.10.2023 kl. 11:18
Sigurgeirlingur Geirmaðurinn Jóhannessonur (IP-tala skráð) 19.10.2023 kl. 11:28
Emil Ragnar Reykjalín Ólafsson (IP-tala skráð) 19.10.2023 kl. 11:31
Nazisti
Alvar Breki Krisstinsson (IP-tala skráð) 20.10.2023 kl. 11:16
Litli nasista api, hann er greinilega fegin að vera hulti af the great aryan race. Þú sérð illskuna í djöfla augunum hans.
Friðrik Dór Jónsson (IP-tala skráð) 20.10.2023 kl. 11:17
Jafnvel Albert Einstein myndi kalla þennan krakka lítinn nörda skít, afi minn á flottari skirtur en hann.
Daníel Skíði Reykjalín Ólafsson (IP-tala skráð) 20.10.2023 kl. 11:23
fokking ljóti Litli Api með svo stórt nef að gáttaþefur væri öfundsjúkur og Dúmbó myndi missa vinnuna því þú ert með svo stór eyru. IQ af 10. þú ert nördi. Afi Daníels á flottari skyrtur.
Daníel Skíði Reykjalín ólafsson (IP-tala skráð) 20.10.2023 kl. 11:24
dreptu þi gheimsi fokking negrinn þinn "emil"
negrahatari frá KKK (IP-tala skráð) 20.10.2023 kl. 11:32
Emil Ragnar Reykjalín Ólafsson (IP-tala skráð) 26.10.2023 kl. 10:48
⣿⣿⣿⣿⡷⠀⢠⣄⡿⢣⣄⡸⢀⣤⣶⣾⣿⣿⣿⣿⣿⣿⣷⣶⣭⡳⣶⣦⣤⣤ ⣿⡿⣿⣿⠃⠀⠿⢟⣲⣿⢏⣼⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣦⡈⢿⣿ ⣿⣿⣶⡆⢀⣴⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣦⡹ ⣿⣿⢿⣶⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⢷ ⢟⣽⣿⣿⣿⣿⣿⣿⣿⣿⡜⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠟⣿⣿⣿⣿⣿⡎ ⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣧⠘⣿⣿⣿⣿⣿⣿⣿⣿⡿⠟⣡⣾⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡇⢈⣛⠻⣿⣿⠿⢛⣩⣴⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠁⢻⣿⣷⣄⠰⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⡿⠿⠿⠛⠿⠿⠟⠁⠀⢸⣧⠹⣿⣧⢹⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣷⣶⣿⣿⣷⣶⣶⣶⣶⡌⠻⣧⡘⢿⢸⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣦⣈⠁⣀⡀⢿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿
kys
gabriel (IP-tala skráð) 26.10.2023 kl. 11:01
Þessi litli ljóti kvíti nörda api í skilið að vera laggður í einelti. Engin eðlilegur krakki er svona drullu viðbjóðslega ljótur.
Dagní Reykjalín Ragnarsdóttir (IP-tala skráð) 26.10.2023 kl. 11:34
ég hata negra þeir ættu að deija hengdu þig emil eg veit að þu felur þa í loftinu í herbergynu þínu
negrahataraklubburinn (IP-tala skráð) 26.10.2023 kl. 11:54
I met emil in prison!
We were cellmates. I learned many things from him and I am very grateful to him to this day.
In the intervals of volunteer work we did to lighten our sentence, he taught me Latin, logic, Roman history and the arts.
Today I owe a large part of my erudition to this noble rogue.
My only regret from my time in jail is not helping him during his sexual coercion.
The other prisoners took advantage of his fragility and innocence to force him to do things he used to do only by choice.
But anyway, that's water under the bridge... I'm glad to see you've overcome all that violence and found you here on this Blog...
gabriel (IP-tala skráð) 26.10.2023 kl. 11:55
Pabbi Alvars- Kristinn Rúnar (IP-tala skráð) 26.10.2023 kl. 12:05
Þessi krakki lítur út fyrir að geta orðið feitur, ljótur, shut-in rottu maður sem sendir óviðeigandi skilaboð á 12 ára stelpur á samfélagsmiðlum og segir að þau séu ástfangin þegar lögreglan kemur til að taka hann fastann.
Dagní Reykjalín Ragnarsdóttir (IP-tala skráð) 27.10.2023 kl. 11:21
¯\_(ツ)_/¯ Helvítis Negra Krypplingur -Afi
Afi Emils (IP-tala skráð) 27.10.2023 kl. 11:29
Hata þig, þú svo ljótur
Geiri frændi (IP-tala skráð) 27.10.2023 kl. 11:33
Þessi bastarður mun vera næsti Nelon Husk.
Friðrik Dór Jónsson (IP-tala skráð) 30.10.2023 kl. 11:16
Þessi nördi er betri en ég, já ég tala íslensku. þessi auli ætti að vera ágeðveikra heimili
ílon músk (IP-tala skráð) 30.10.2023 kl. 13:01
Minn bró kommentaði hér og mig langaði bara að segja hann hefur rétt fyrir sér Þessi bastarður mun vera næsti Nelon Husk. en ég er betri. Hann mun adrei getað joinað IceGuys
Jón Jónsson (IP-tala skráð) 30.10.2023 kl. 13:03
hann mun alast upp til að hata negra
Maggi Mix (IP-tala skráð) 30.10.2023 kl. 13:05
ég hata þig. það verður fiskur í matinn og þú munt bara borða hann, mér er sama um smá ofnæmi
Mamma og Pabbi (IP-tala skráð) 30.10.2023 kl. 13:08
Þessi kripplingur minnir mig á einn crackhead bastarð sem ég sá. Hins vegar lítur hann út fyrir að vera náunginn sem selur dópistanum crack cocain.
Sveppi P. O. Geirsson (IP-tala skráð) 31.10.2023 kl. 12:26
Halló Emil
Þetta er Forseti íslands
guðni Th Jóhasnesson ég vildi segja að þú værir svo mikill krypplingur að þú ættir ekki einu sinna aðð geta sgtaðið upp úr rúmminu,
Mamma þín reyndi að selja mér þig við þ
fæðingu og ég sagði and i quote "ég vil ekki ala þetta ógeðslega kvikindi farðu með þð í burtu áður en ég æli yfir það og þig"
svo vildi bara segja hversu hræðileg mannskja þú errt
Kær kveða
Gúðní Th Jóhansnesson Forseti Íslands
Guðni Th Jóhannsesson (IP-tala skráð) 6.11.2023 kl. 08:36
The FNAF movie was total shit. When I saw this fucking midget walk in on the screen I actually killed my grandma.
Sveppi P. O. Geirsson (IP-tala skráð) 8.11.2023 kl. 11:23
Hann lítur út fyrir að vera týpan til segja MOIST að minnsta kosti þrisvar á dag.
Sveppi P. O. Geirsson (IP-tala skráð) 8.11.2023 kl. 11:27
hann lítur út fyrir að vera með mjúka píku
bjarnaperri (IP-tala skráð) 9.11.2023 kl. 11:26
Ég myndi nauðga þér aftur og aftur og aftur síðan myndi ´eg setjast á andlitið þitt þar til ég þyrfti að prumpa
bjarnaperri (IP-tala skráð) 9.11.2023 kl. 11:29
Lorax: Hello, everybody. Thanks for coming. (reads the note) I am the Lorax. I speak for the trees. And I'd like to say a few words, if you please. Regarding the story that you're about to see. It actually happened. Just take it from me. But there's more to this story than what's on the page, so please pay attention while I set the stage.
(Curtain opens to Thneedville.)
Lorax: [v.o.] We open in Thneedville, a city they say that was plastic and fake, and they liked it that way! A town without nature, not one living tree. So, what happened to them? Cue the music! Let's see.
Bee: Buzz. Buzz.
In Thneedville,
it's a brand new dawn
With brand new cars
and houses and lawns
Here in
Got-all-that-we-need-ville
In Thneedville,
we manufacture our trees
Each one is made
in factories
And uses 96 batteries
In Thneedville,
the air's not so clean
So we buy it fresh
It comes out this machine!
In Satisfaction's-
guaranteed-ville
In Thneedville,
we don't want to know
Where the smog and trash
and chemicals go
I just went swimming,
and now I glow
In Thneedville,
we have fun year round
We surf and snowboard
right in town
We thank the Lord
for all we've got
Including this
brand new parking lot!
Parking lot!
Oh, look,
it's Aloysius O'Hare
Aloysius O'Hare
The man who found
a way to sell air
And became a zillionaire
Hip-hip-hooray!
In Thneedville,
we love living this way
It's like living in paradise
It's perfect!
And that's how it will stay
Oh, yeah!
Here in
Love-the-life-we-lead-ville
Destined-to-succeed-ville
We-are-all-agreed-ville
We love it here in...
Thneedville!
Yes!
Oh, hi, Ted.
Oh, hey, Audrey. Hi.
Did your ball land
in my backyard again?
What? No.
A model airplane,
this time.
Hey, do you want to
see something cool?
Come on.
Whoa!
Did you...
Did you paint this?
Do you like it?
What?
Are you kidding?
This is amazing!
What are those?
Those are trees.
Real ones.
They used to grow
all around here.
And people said that
the touch of their tufts
was softer than
anything, even silk.
And they smelled
like butterfly milk!
Wow! What does
that even mean?
I know, right?
Oh, yeah.
What I want more than anything
in the whole world is to see
a real living tree
growing in my backyard.
So if, say... I'm just
thinking out loud here.
If a guy somehow
got you one...
I'd probably
marry him on the spot.
I bet that sounds crazy.
Does that sound crazy?
No! Not crazy.
Not crazy at all.
Cut to Ted's family having dinner. Ted is seen poking his food, looking bored.
Ted's Mom: Ted, honey, don't play with your food. You, either, Mom.
Cut to Granny Norma bobbing her food before flicking it into her mouth.
Ted: So, Mom, do you happen to know if there's any place where I could get a real tree?
Ted's Mom: Ted, we already have a tree. It's the latest model.
Ted: Yeah, but I mean a real one that grows out of the ground or whatever. You know, a real tree.
Ted's Mom: Really? You would rather have some dirty, messy lump of wood that just sticks out of the ground? And it does what? I don't even know what it does. What's its purpose? Look at what we've got. [gestures to the Oak-amatic] It's the Oak-amatic. The only tree with its own remote. Summer, autumn, winter, and disco!
Ted: Mom?
Ted's Mom: Come on, Ted. Get into it. Dance with the tree.
Ted: Oh, it hurts, Mom. Please stop. [the music stops] So, anyway... Let's just say I need a tree. Where would I go? What do I do?
Granny Norma: Then you know what? You need to find the Once-ler. [starts slicing her food]
Ted: [stammering] The what?
Ted's Mom: Mom, it's not really the time for one of your magical fables, okay?
Granny Norma: That's right, I forgot. I'm old and can't even remember to put my teeth in.
Ted's Mom: Stand down. That's not what I meant.
Granny Norma: No, really, I forgot my teeth. Would you be a dear and go get them for me?
Ted's Mom: [sighs] Sure, Mom. [leaves the kitchen]
As soon as Ted's Mom left, Granny Norma finds her teeth and puts them in her mouth.
Granny Norma: Okay, here's the deal. The Once-ler is the man who knows what happened to the trees. You want one, you need to find him.
Ted: The Once-ler? Mmm-hmm. Okay. Grammy, is this a real thing that we're talking about now?
Granny Norma: Oh, he's real all right.
Ted: Well, where can I find him? [shrieks]
Granny Norma: Far outside of town where the grass never grows and the wind smells slow and sour when it blows. And no birds ever sing, excepting old crows.
Ted: [shrieks] Quit doing that.
That's the place where the Once-ler lives.
Wait, outside of town?
People used to say if you brought him 15 cents,
a nail
and the shell of a great,
great, great grandfather snail,
he would tell you everything.
Hmm.
Mr. O'Hare, what we've got for you is something that is going to take O'Hare Air to the next level.
Now, Mr. O'Hare, I know what you're thinking.
One, " I've gotten rich selling people air that's "fresher than the stinky stuff outside. "
Two, and here is the important one, "How can I possibly make even more money?"
We can tell you, sir!
We can tell you.
Check out this commercial, huh?
Well, here goes another lame Saturday.
Dude, I don't think so!
Huh!
Hey!
Man!
Oh, yeah!
What!
Yeah!
O'Hare purified air.
Freshness to go.
Please breathe responsibly.
Ah?
Oh, my goodness. Yeah!
Love it.
You got to be kidding me.
You really think people are
stupid enough to buy this?
Our research shows that if you
put something in a plastic bottle,
people will buy it.
Exactly. And...
And what's more, when
we build a new factory
to make
the plastic bottles,
the air quality is
just going to get worse.
Which will make people
want our air even more,
and drive sales where?
Through the roof!
So, in other words,
the more smog in the sky,
The more people will buy.
See, that's why he's the
genius! It even rhymes!
I'm aware it rhymes.
Coats. Big.
What do you two
knuckleheads want?
I'm in the middle
of a meeting!
What?
Why is he leaving town?
No one ever leaves town!
See what he's up to.
Whoa!
Huh?
Whoa! Whoa.
Oh, man.
Whoa!
All right.
Okay.
What the...
Whoa!
[Ted gets pulled up by a rope and pulley to the second floor window where the Once-ler confronts him angrily.]
Once-ler: Who are you? Who are you and what are you doing here?!
Ted: I'm Ted. I'm Ted. I can't breathe. Are you the Once-ler? Oh, man.
Once-ler: Didn't you read the signs? No one is supposed to come here. Get out of here and leave me alone! And don't let the boot hit you on the way out.
Ted: The boot? [gets kicked by said boot from behind] Hello! Ow!
Listen! People say that if someone brings you this stuff that you will tell them about trees. [gets grabbed again] No, no, no!
Once-ler: Trees?
Ted: Yeah, real ones. You know, that grow out of the ground? [pause] Hello?
Once-ler: Sorry, it's just... Well, I didn't think anyone still cared about trees.
Ted: Well, that's me. The guy who still cares. I'm here. [gets put back down] Hey! What?
Once-ler: Do you want to know about trees? About what happened to them? Why they're all gone? [sighs] It's because of me.
Ted: [confused] Wait, what?
In response, the Once-ler drops the Chute-ma-phone down for Ted to understand him.
Once-ler: [shouting] It's because of me! [Ted coughs] And my invention, the Thneed. It was an amazing product that could do the job of a thousand.
Ted: All right. Sounds ridiculous, but I mean, that's cool.
Once-ler: You're darn right it was cool! It all started a long time ago.
Ted: Can we start not so long ago, maybe?
Once-ler: Do you want a tree?
Ted: Yes, yes.
Once-ler: Then it all started a long, long time ago.
[scene flashes back to the Once-ler as a young man]
Once-ler: I was a young man leaving home.
Well, here I go, Mom. Off to change the world with my Thneed. I'm actually doing it!
Yes, but just remember, Oncie, if somehow your invention ends up a failure instead of a success, oh, it wouldn't surprise me at all!
Nice wheels.
Burn!
Ow!
Yeah, "Burn!"
But you will see, okay? I'm
going to prove you all wrong.
Come on, Melvin!
So, there I was
at the very bottom.
With nothing
but a wagon, a mule,
and a completely irrational
sense of optimism.
I was searching the globe,
obsessed with finding the
perfect material for my Thneed.
But I'd had
absolutely no success.
Until one day, I found paradise.
Oh!
We're going to be there soon, I'm sure.
Whoa!
This is the most beautiful place, okay, I have ever seen.
Oh.
Ta-da!
Whoa!
Yeah
This is it!
This is the place
These Truffula trees
are just what I need
Gonna chop one down
and make my Thneed
But first...
Now you!
That's great!
So now our
friendship can begin
Hand in hand,
and wing and fin
There's nothing
you and I can't do
So let's all make
my dreams come true
Hey, guys!
Come on, where is my back-up chorus?
What?
Ah-ha! Oh.
Ooh!
Ted: [interrupting the story] Hey, hey, hey. Wait a minute.
Once-ler: Excuse me?
Ted: [chuckles] Yeah. That's awesome. You know, feeding junk food to forest animals? That's great. But, uh, is there a musical number where you show me how to get a tree? 'Cause I'd love to hear that one.
Once-ler: Oh, yes. Right after the musical number about the kid who kept interrupting the story and was never heard from ever again. Hmm?
Ted: Right. Got it. Proceed.
Once-ler: All right, here we go. About to make a Thneed, about to change the world.
Once-ler: Check it out, guys... Where did everybody go?
Once-ler: Little did I know that by chopping down that tree I had just summoned a mystical creature as old as time itself. The legendary, slightly annoying guardian of the forest.The Lorax.
[The Lorax, along with the Swomee-Swans, the Bar-ba-loots, and the Humming-Fish, place stones around the stump to honor the tragic loss to the forest.]
The Lorax: [first meets Once-ler] Hey!
[Once-ler shrieks and falls backwards]
The Lorax: Did you chop down this tree?
Once-ler: Uhh... No. Who did it?ǃ [gasps] What's that? [the Lorax looks back and Once-ler drops his axe on Pipsqueak the Bar-ba-loot] I think he did it.
Lorax: [growls] Leave! Vacate the premises! Take your axe and get out!
Once-ler: And who are you? [pokes the Lorax]
Lorax: Hey, hey! I-I'm the Lorax, guardian of the forest. I speak for the trees. [The Once-ler stares at him] So, you're telling me, that you didn't see me magically appear out of that stump? With all the lightning and thunder and stuff. You didn't see any of that?
Once-ler: No, but that sounds amazing. Can I see some of that?
Lorax: Uhh, yeah, I could show you. But that's not how it works.
Okay. Um...
Didn't really happen.
Oh, I know what you want!
I've got one of these for the
cutest little guy I ever saw!
Yummy, yummy,
yummy, yummy, yummy...
How dare you!
Give me that!
Mmm.
I'm going to eat this,
but I am highly
offended by it.
What are you... Hey,
Mustache! Will you stop that?
What's your deal, man?
Time for you to go,
Beanpole! Pull them right out.
Just going to put them right
back in. We can do this all day.
Stop right there! Stop it!
So you would hammer one of
nature's innocent creatures?
Once-ler: [After the Lorax accuses him of harming Pipsqueak after almost hitting him with a hammer] What? No! I would never hit this little guy. You, on the other hand, I would gladly pound you and your mustache into the ground!
Behold! The intruder
and his violent ways.
Shame on you.
For shame!
All right, you know what? That's it!
You listen to me,
you furry meatloaf.
I'm going to chop down as
many trees as I need. Okay?
Newsflash!
Not going anywhere!
End of story.
Then you
leave me no choice.
If you're not gone by the time
the sun sets on this valley,
all the forces of nature
will be unleashed upon you
and curse you until
the end of your days!
You have been warned.
Thanks.
Yeah, okay.
You have been warned.
But I didn't listen
to his warning.
And you won't believe
what happened that night.
What?
If you want to hear more,
come back tomorrow.
Hey, wait, wait! Tomorrow?
Whoa!
Whoa-ho-ho.
Are you serious right now?
Ah! You live in
the middle of nowhere!
It stinks out here.
Don't make me come back!
I guess you don't really want
to hear the rest of the story.
No, no.
I do. I really do. I want
to hear the story. I just...
Nah! You don't have
what it takes. Goodbye.
Wait, wait!
I have what it takes.
It's all right. It's
okay, I'll come back.
It's no problem.
See, here I am, leaving.
Walking away now.
I'll see you tomorrow.
Mmm.
Maybe. Just maybe.
What did you
wish for, Audrey?
Well, I would
love to tell you,
but, sadly, according to the
universal wish laws, I cannot.
I know
what she wished for.
Was it, perhaps...
This?
Ted, you didn't.
Oh, no. I totally did.
Happy birthday, Audrey.
Kiss him! Kiss him!
Ted.
Ted. Tedster.
Huh!
You're kissing the
cereal again, hon. What?
I just...
I like this cereal.
What one is this?
Yeah!
Okay.
Well, I'll make sure to
buy extra next time for you.
All right, cool. Hey, I got
to run. I got to go do a thing.
So, I'll see you guys.
Whoa! Whoa! Whoa!
You're not going
anywhere, young man.
It's Sunday.
You know what that means?
Family time, and we're
all playing board games!
But...
Hmm.
Mmm?
Oh, man.
Mom, seriously,
every turn?
Hey, back off!
Ooh!
No.
Okay! Family time is over.
It is now personal time.
I'll be in my room.
Okay, dear. Have fun.
I knew
I could break her.
Go.
Huh?
Go see him!
Oh, yeah!
You rule!
Thank you, Grammy.
Whoa!
Hey! Ted, right?
Um, Mr. O'Hare?
So, I hear you have
become interested in trees.
What's that all about?
Oh. Um...
Where did you hear that?
Oh.
Teddy, there's not much
that goes on in Thneedville
that I don't know about.
Here's the deal, I make a living
selling fresh air to people.
Trees?
They make it for free.
So, when I hear
people talking about them,
I consider it kind of
a threat to my business.
I don't even know
what you're talking about.
You listen to me, boy.
Don't go poking around in
things you don't understand
or I'll be your
worst nightmare.
I'm Frankenstein's head
on a spider's body!
Yeah, um...
Okay, my mom is expecting
me. So, I'm just going to...
Of course, of course. Now, go
back to your family game time.
Grandma just
finished her turn.
How did you know?
Please. I have
eyes everywhere.
Huh!
You got a beautiful
town here, Ted.
Lots of fun stuff to occupy
your short attention span.
Why, I can't
think of any reason
you would ever want to
go outside of town again.
Ever.
Okay! Good talk.
Really good talk.
Oh, no.
Look out!
Hey, man? You know, you need
to change that door bell.
Oh, you missed me.
What?
You're already back. Clearly,
you missed me a little. Right?
No, I didn't. I'm just here
to hear the end of the story.
Once-ler: Why are you so interested in trees anyway? Why aren't you like other kids? Break-dancing and wearing bell-bottoms and playing the Donkey Kongs?
Ted: [laughs] Yeah. Right, right. I don't know. Uh, I just thought it might be kinda cool to have one, you know.
Once-ler: [knowingly] Aaah, it's a girl, isn't it?
Ted: [scoffs] What? No!
Once-ler: Really? 'Cause when a guy does something stupid once, well, that's because he's a guy, but if he does the same stupid thing twice, that's usually to impress some girl.
Ted: [about Audrey] Hey, she is not some girlǃ She's a woman… in high school… and she loves trees, and I'm gonna get her one.
Once-ler: Aww. How nice to see someone so undeterred by things like reality.
Ted: (sincerely) Thank you.
All right,
but where did we leave off?
Now that's a Thneed.
Nothing unmanly
about knitting. No, sir.
Look at that...
Oh!
Who taught you guys
how to steal a bed?
Shh!
[The Humming-Fish sing the Mission: Impossible theme.]
Okay, nice and easy.
Nice work, you guys. Couldn't
have done it without you.
You got to be kidding me.
Can he swim?
Of course he can't swim!
Hang on, Pipsqueak!
I'm coming to get you!
Hey, you fishies!
Stop that bed!
Whoo! Whoo!
Jump, jump!
Come on, get up there.
Come on.
Go, go! A little bit
more! A little bit more!
Now what?
Mmm-mmm.
Get up there.
Okay, Pipsqueak,
give me your hand.
Come on,
reach out for the Lorax.
Where did you go?
Bar-ba-loots.
Oh, that's bad.
[The Humming-Fish sing the Funeral March as The Once-ler floats down the river sleeping on his bed.]
Hey, Beanpole, wake up!
What's happening?
Where am I?
Hey! We got trouble,
and it's coming up fast!
Whoo!
We're in a river!
Whew!
Oh, no.
Just do something!
Help is on the way!
No, no!
Just a minute!
Oh, no!
Wake up! Wake up!
Yuck!
Clear!
Ah!
I was heading
into the light,
and you pulled me
right back and here I am!
You saved my life!
Yeah, I know. Well, no,
it's not that big a deal.
It is a big deal!
Look, I almost went over
that waterfall! Wait...
On my bed. How did my
bed get in the river?
Uh... About that...
Actually... I put your bed in the water.
I didn't
mean you any harm.
I just wanted to
calmly float you away.
Look, everyone here
needs the trees
and you're
chopping them down!
So, we've got
a big problem.
All right, look.
I hereby swear that I will
never chop down another tree.
I promise.
Thank you. But I'm going
to keep my eye on you.
Good. Now, I've got
a big day tomorrow
so I'm going to
get some sleep.
Right after
I find my bed.
Once-ler: [screams and wakes up, a screaming Lorax also screams and wakes up, punching his nose] Ow! Okay, what are you...? Question, what are they doing here? And follow up, if I may, what are YOU doing here?!
The Lorax: Well, after the incident last night, we found one of your socks and came here to return it. But when we got here, you were asleep.
Once-ler: What? Exactly. And sleeping is the body's way of telling other people to go away.
Lorax: I know, but you looked so cozy. And it was cold outside, and we just fell asleep. No harm done.
Once-ler: "No harm done"? "No harm done"? Okay. [finds a Humming-Fish bathing himself in a coffee mug] Okay, I put my lips on those. Well, I used to, anyway. [sees a Swomee-Swan lay an egg] Ew. Did you just...In my bowl?!
Lorax: [brushing his mustache with the Once-ler's toothbrush] Why do you even own this? You don't have a mustache.
Once-ler: Okay, that's it!
Lorax: What? I thought we made a deal last night.
Once-ler: Yes, we did. And I said I wouldn't chop down any more trees.
Lorax: And I said I was going to keep an eye on you. I'm starving! What's for breakfast? [opens the fridge, seeing a fat Bar-ba-loot showly shoving a stick of butter into his mouth] Breakfast is overrated. [closes the fridge door]
Once-ler: [grunts in frustrated] You know what? I got work to do. [strips out of his pajamas in front of the Lorax and into his outfit] Yep! I got to go into town and sell my Thneed!
Lorax: [when the Once-ler shows the Thneed to him; laughs] You chopped down one of my trees to make that piece of garbage? Look at that...
"Garbage"? Oh, no.
Oh, no! You do not get it.
This is
a revolutionary product
that will change
the world as we know it.
It has a million uses!
Look at this.
It's a swimsuit!
Mud tracked all over your
floor by uninvited guests?
Well, the Thneed sure
comes in handy for that!
But wait, there's more!
Thanks to its
all-natural microfibers,
the Thneed is
super-absorbent!
It also works as a hat.
Of course, you probably
want to wring it out first.
Go ahead,
knock yourself out.
But nobody is going
to buy that thing.
Good to know.
Well, fortunately, you are
not the target market, weirdo.
You're bringing a guitar?
Oh, yeah.
I got a little jingle.
I'm gonna blow some minds,
gonna sell some Thneeds!
Yeah.
Everybody
needs a Thneed
A fine thing
that all people...
Sit down, go on.
Unfortunately, I didn't
sell it the first day.
The Thneed is good
The Thneed is great...
Hey!
Or the second day.
Hey!
Or the third,
or fourth, or fifth day.
Okay, that one
hit the tender spot.
Until finally...
That's it!
You know what?
I'm done with this thing.
Aw.
My family was right.
I quit!
Hey. Cool hat.
Oh, my gosh!
I totally want one.
That thing makes me
like you more.
Hey! Where's your Thneed,
did you sell it?
Hey. No, no.
Didn't sell it.
Turns out, it's ahead
of its time, I guess.
Hey, you gave it your best shot.
Right? What more can you do?
Come on, take a seat,
we'll deal you in.
What are we playing?
I'm playing poker. He's playing
Go Fish. And I think he's hungry.
Oh.
Pancake, the pancake
Up!
Who is up for ninths?
Ooh! Ooh! Ooh!
Ooh! Ooh! Ooh!
Whoa!
All right, pass them over.
Yeah, see?
What's going on?
Oh, no.
That's a lot of people.
Everybody
needs a Thneed
A fine thing
that all people need
The Thneed is good
The Thneed is great
Let's hope we're not too late
It's a super trendy hat
It's a tightrope
for an acrobat
A net for
catching butterflies
A thing we use for exercise
Everybody needs a Thneed
A fine thing
that all people need
Everybody needs a Thneed
Oh, yeah!
We're in business, baby!
We need a Thneed
Mom? Hey, it's me! I told you
I was going to be a success!
You need to bring the
whole family here right now.
We're going to be rich!
What? I'm going to need all
the help I can get. Don't worry.
So, has he told you
how to get a tree yet?
Actually, no.
But I think he's going to
get to that part really soon.
Here we are.
What?
I'll just be a minute.
Oh, wow. Hey, Audrey!
Oh, hi, Ted! What's up?
You know me, just cruising.
Putting out the vibe.
Just me and my thoughts.
Oh, is this the girl
you're always talking about?
Grandma!
Stop making things up.
She's even prettier than...
Okay, got to run! Bye.
Okay, Grammy,
let's get you home!
Yeah!
Whoa!
I'm so sorry. So sorry.
Did not wanna see that.
Whoa!
Whoa!
Whoa-ho-ho!
Hey!
Hey, I'm back.
What have you got there?
Yes!
Whoa!
Thank you, Ted.
Now, picture this.
Sun shining, a blue sky, a perfect day.
It was all downhill from there.
Whoa!
What a dump.
Hey, Aunt Grizelda!
Hey, Chet, check this out!
Go long!
No, Brett,
that's actually not a...
Okay.
Go long! Go long!
I got it! I got it!
Got it!
He totally ran
into that tree!
Ow!
Oncie, is that you?
Mom!
There he is! There's my
big, suddenly successful son!
We always knew you would
make it, Oncie. Right?
Hey! I love this guy!
But you always said I wouldn't
amount to anything, remember?
Hush your mouth. I was
just trying to motivate you!
I am really glad
that you clarified that
because it actually hurt my
feelings for a really long time.
Anyway, you're all here, you
all work for me, and that's cool.
So, let's get to work.
Brett, Chet,
set up the RV!
Would you stop
throwing that bear?
Time out. Back up. Stop. Don't move
an inch. Nobody's moving in here.
You got to go. Goodbye.
Aunt Grizelda: [referring to the Lorax] So, who invited the giant furry peanut?
Lorax: You callin' me a peanut, huh? I'll go right up your nose!
Aunt Grizelda: Ha! [advances on him]
Once-ler: Whoa, whoa, whoa! You wouldn't hit a woman.
Lorax: [gasps] That's a woman...?ǃ
Okay.
Everyone, cool it.
Let's not get off
on the wrong foot here.
Um, family, this is my
friend... Acquaintance.
Yeah, acquaintance. Very
good acquaintance, the Lorax.
He speaks for the trees.
That's right.
And on behalf
of the trees, get out!
Will you just be nice!
This is my family.
And I'm going to
need their help
if my company is
going to get bigger. Okay?
Bigger?
Yeah, this isn't some
rinky-dink operation anymore.
I got plans. Big plans!
A vision of a world filled with
Thneeds. It's going to be huge!
Which way
does a tree fall?
Uh, down?
A tree falls
the way it leans.
Be careful
which way you lean.
Once-ler: I mean, look at this. It's amazing. I am so proud of me.
Once-ler's Mom: Oncie, we've got us a little problem.
Once-ler: Problem?
Once-ler's Mom: Mmm-hmm. See, we're not making Thneeds fast enough.
Harvesting the tufts takes too long!
Once-ler: Well, what else can we do?
Once-ler's Mom: Well, and this just came to me, we could always start chopping down the trees.
Once-ler: What?
Now you're thinking.
That would speed things up!
Once-ler: But...
Once-ler's Mom: No buts, Oncie. You're running a business now. You have to do what's best for the company and your momma.
Once-ler: Well, I guess it couldn't hurt to chop down a few trees.
Once-ler's Mom: You've made me so proud, Oncie. Come here!
Hey! I love this guy!
No! No, no, no!
Stop it! Please, stop.
Take that, you stupid tree!
Where do you
think you're going?
Excuse me, sir. I need
to talk with your boss.
Oh, I'm sorry,
but Mr. Once-ler's
not seeing anyone right now.
Yeah, well,
he'll see me. So...
Hey, keep your
paws off me!
Give me a reason, Shorty.
Hey, you broke
your promise.
You're better than this.
You gotta stop!
This is bad!
Have a nice day!
Bad?
I'm not bad, I'm the good guy
here. He just doesn't get it.
Do you think I'm bad?
Thank you!
I mean, something good
finally happens to me,
and he just has to come
along and rain on my parade.
What's his problem?
See?
Yeah, bad! Right.
How bad can I be?
I'm just doin'
what comes naturally
How bad can I be?
I'm just following my destiny
How bad can I be?
I'm just doin'
what comes naturally
How bad can I be?
How bad can I possibly be?
Well, there's
a principle in nature
Principle in nature
That almost
every creature knows
Called survival of the fittest
Survival of the fittest
And check it,
this is how it goes
The animal that wins
gotta scratch and fight
And claw and bite and punch
And the animal that doesn't
Well, the animal that doesn't
Winds up someone else's
La-la-la-la lunch
Munch, munch, munch,
munch, munch I'm just sayin'
How bad can I be?
I'm just doin'
what comes naturally
How bad can I be?
I'm just following my destiny
How bad can I be?
I'm just doin'
what comes naturally
How bad can I be?
How bad can I possibly be?
There's a
principle in business
Principle in business
That everybody knows is sound
It says the people with the
money People with the money
Make this
ever-loving world go round
So I'm biggering my company
I'm biggering my factory
I'm biggering
my corporate sign
Bigger, bigger!
Everybody out there
You take care of yours
I'll take care of
mine-mine-mine-mine-mine
Shake that bottom line
Let me hear you
say Smogulous Smoke!
Smogulous Smoke!
Schloppity-Schlopp!
Complain all you want It's
never, ever, ever, ever gonna stop
Stop!
Come on,
how bad can I possibly be?
How bad can I be?
I'm just building the economy
How bad can I be?
Just look at me
petting this puppy
How bad can I be?
A portion of proceeds
goes to charity
How bad can I be?
How bad could I possibly be?
Let's see!
[Closing How Bad Can I Be] All the customers are buying, and the money's multiplying, and the PR people are lying, [A Thneed is thrown on the Lorax as a picture is taken. A billboard featuring the picture reads "Lorax Approved"] and the lawyers are denying. Who cares if a few trees are dying? This is all so gratifying! How bad, how bad can this possibly be?!
Lorax: So, how are things?
Once-ler: What are you doing here?
Lorax: Happy yet? You fill that hole deep down inside you? Or do you still need more?
Once-ler: Look, if you've got a problem with what I'm doing, why haven't you used your quote-unquote powers to stop me?
Lorax: I told you, that's not how it works.
Once-ler: Right, I forgot. You're a fraud. I need you to get out. Now!
Lorax: Why? Do I make you uncomfortable? Remind you of the promises you made? The man you used to be?
Once-ler: [To the Lorax] You know what? You can just shut your mustache! My conscience is clear. I have done nothing illegal, and I mean no harm. But I have my rights, and I intend to keep on biggering and biggering, and turning more Truffula trees in to Thneeds which everyone wants because everyone needs! And nothing, no, NOTHING is going to stop me!
Lorax: [when the last Truffula tree is chopped down] That's it. The very last one. That may stop you.
Somebody sure made a bundle on that thing. I wonder what the next million dollar invention's going to be.
Yeah, I wonder...
Son, you have let me down. Brett, you are now my favorite child.
Hey, look, I don't want any trouble.
Lorax:And you won't get any. Not from them.
Thanks to you and your hacking, and smogging and glupping, they can't live here anymore.
Lorax: So, I'm sending them off. Hopefully, they'll be able to find a better place out there somewhere.
Once-ler: Melvin? Melvin... Hey, Pipsqueak... Hey...
So, this is really all your fault. You destroyed everything.
Yes. And each day since the Lorax left, I've sat here regretting everything I've done, staring at that word, "unless," and wondering what it meant. But now I'm thinking... Well, maybe you're the reason the Lorax left that word there.
Me? Why would he leave that for me?
[To Ted] Because Unless someone like you cares a whole awful lot, nothing is going to get better... It's not.
The last Truffula seed. You need to plant it, Ted.
Yeah, but, nobody cares about trees anymore.
Once-ler: Then make them care. Plant the seed in the middle of town, where everyone can see. [To Ted; referring to the last Truffula seed] Change the way things are. I know it may seem small and insignificant, but it's not about what it is, it's about what it can become. That's not just a seed... any more than you're just a boy.
I won't let you down.
I know.
Hey, Audrey!
Audrey!
Ted?
What are you doing?
Meet me at my house.
Wait, but...
My house, okay?
Got to plant the seed.
Okay, we're going
to need water.
And uh,
something to dig with.
Um, what do I have...
Ted?
Mom, I'm busy, Mom.
Theodore Wiggins,
get down here right now,
and I am not
kidding with you!
Ted, I would like
you to meet Mr. O'Hare,
the most powerful
man in town.
There he is!
Hello, Ted.
Uh...
Hi. Isn't he clever, Mr. O'Hare?
He knows his own name and everything.
You know what I would love
right now, Mrs. Wiggins?
A delicious cookie.
Wonderful.
Teddy and I'll
stay here and talk.
Sure, why don't you
go ahead and adopt him?
I'm just kidding. That was
a joke. I was just joking.
I'll get your cookie.
I know you have it, Ted.
So, let's put an end
to this nonsense, shall we?
Hand it over.
I'm sorry...
I don't know what
you're talking about.
Really? Well, then...
I guess you wouldn't mind
us checking your room.
No, no, no!
Morty! McGurk!
Find the seed!
No, you can't go up there!
Guys, this is
ridiculous. Stop!
Hey!
No, you can't
come in my room!
Find it!
Find it!
What is going on here?
Aloysius O'Hare: [to Mrs. Wiggins, after she comes up stairs and what's going on] THIS DOESN'T INVOLVE YOU! Get back downstairs!
Excuse me, down there!
I don't care who you are,
you little crazy baby-man!
Get out of my house now.
This is outrageous.
Fine. Sorry.
Must have been a misunderstanding.
We'll be leaving now.
And my apologies, Ted.
You be safe.
Mind telling me
what's going on here?
The seed! Where is it?
Seed?
Where's Grammy?
It's alive!
I remember you.
Ted, what...
Audrey!
Hey, did you want to...
Well, okay!
Ted, what is this about?
It's about this.
Wait, wait, wait.
Is that... Yes. The last Truffula seed.
And you're going to help me plant
it right in the middle of town
where everyone can see it.
Audrey: [to Ted] I could just kiss you right now! [Ted and Audrey lean in to kiss, but Ted's mother stops them]
Mrs. Wiggins: We don't have time for that!
Ted: I dunno, we have a little time. [Audrey and his mom stare at him] You know what? Let's just go. Let's go. Forget about it.
Maniac!
Hey!
Ah!
Here it comes!
I'm going for it.
Oh, hello!
Ted, big scary blimp coming.
Whoa!
Aloysius O'Hare: [going after Ted and his girlfriend and grandma after the Truffula seed, through a megaphone] YOU WON'T GET AWAY WITH THIS, BOY! BAM!
Bam!
Go faster, you idiot!
Yeah!
Step on it, Ted!
Whoa!
You're fired!
Whoa! Ted, look out!
Nobody beats Aloysius O...
Ted...
This is not good.
How's it doing?
Whoa-ho-ho!
Loser!
Oh, really?
Oh, no. The seed!
Get that seed!
Hang on! Here we go!
Grammy!
Seriously, how cool
is your grandma?
No!
Come on!
Yeah, that's right.
There it is!
Hey! Watch the road,
you meathead!
Ah!
Hey, ow, ow!
Oh, come on!
What the...
Get it unstuck,
get it unstuck!
Bring it on, Teddy!
You don't have the guts!
Ted!
Grammy!
Whoo-hoo!
Yes!
Hey, hey, hey!
Hey! It's Mr. O...
Take that, shorty!
Okay, we have to get
this in the ground.
But where?
There's no dirt anywhere.
No, Grammy...
Hey, get out of there!
Ah!
Hey!
What?
See, what did
I tell you? Easy. Huh?
Hey, they broke
O'Hare's head!
What do you think
you're doing, kid?
Um, I'm looking for
a place to plant a tree.
A real one.
Why would we
need a tree?
Exactly.
Oh, man.
Folks...
The last thing you
want around here is trees.
They're filthy!
Spewing that sticky, nasty
sap all over the place.
They bring poisonous ants
and stinging bees.
Hey!
Ouch.
Think about the kids.
And, I just thought,
you know, they make leaves!
You know that, right?
Then these leaves,
they just fall.
They just fall
wherever they want!
Come on! We know why
you're really against trees.
Because they
produce fresh air.
For free!
Oh!
I am wounded!
You have lied!
It is not a lie!
It's called photosynthesis.
Come on.
She's making that up!
That's a
made-up word, people!
Thneedville is perfect
just the way it is.
We don't need trees!
That boy has a seed.
We need to stop him!
Who's with me? Come on!
O'Hare is right!
Seeds will ruin us all!
Stop it!
Last chance, kid.
Hand it over!
Where do you think
you're going?
Come on, let's go!
Get in, get in!
Hey!
Stop that maniac!
Excuse me, excuse me.
Watch out!
Ted, you're going
to hit the wall!
Yeah. I know.
Wow. Did you see that?
Who does this kid
think he is, huh?
Ted: I am Ted Wiggins. And I speak for the trees. And the fact is, things aren't perfect here in Thneedville. And they're only going to get worse, unless we do something about it, unless we change our ways. And we can start by planting this!
Okay. Come on, now.
Everything is fine.
Right?
I say we tell this kid
what we think about that seed!
People, come on!
You! Get out there right now
and get these people on my
side, or else you're fired!
Go on, tell them
what you think.
You don't know me,
but my name's Cy
I'm just
the O'Hare delivery guy
But it seems like
trees might be worth a try
So I say let it grow
My name is Dan
And my name's Rose
Our son Wesley kind of glows
And that's not good,
so we suppose
We should let it grow
Let it grow, let it grow
You can't reap
what you don't sow
Plant a seed inside the Earth
Just one way to know its worth
Let's celebrate
the world's rebirth
We say let it grow
My name's Marie,
and I am three!
I would really
like to see a tree
I say let it grow
I'm Grammy Norma I'm old,
and I've got gray hair
But I remember when
trees were everywhere
And no one
had to pay for air
So I say let it grow
Let it grow, let it grow
Like it did so long ago
It is just one tiny seed
But it's all we really need
It's time to change
the life we lead
Time to let it grow
My name's O'Hare,
I'm one of you
I live here
in Thneedville, too
The things you say
just might be true
It could be time to start anew
And maybe change
my point of view
Nah! I say let it die!
Let it die, let it die
Let it shrivel up and...
Come on, who's with me?
Nobody.
You greedy dirt-bag!
Let it grow, let it grow
Let the love inside you show
Plant a seed inside the Earth
Just one way to know its worth
Let's celebrate
the world's rebirth
We say let it grow
Let it grow, let it grow
You can't reap
what you don't sow
It's just one tiny seed
But it's all we really need
It's time to
banish all your greed
Imagine Thneedville
flowered and treed
Let this be our solemn creed
Once-ler: [opens the window for the first time as he hears the city singing "Let it Grow" and is on the verge of tears] Thank you, Ted.
We say let it grow
In Thneedville
We say let it grow
It's a brand new dawn
We say let it grow
In Thneedville
We say let it grow
It's a brand new dawn
The Lorax: You done good, Beanpole. You done good.
[The Once-ler hugs The Lorax]
Lorax: By the way, nice mustache.
Mergjaði Bestaðasti maðurinn (IP-tala skráð) 10.11.2023 kl. 11:21
Bee Movie Script
According to all known laws
of aviation,
there is no way a bee
should be able to fly.
Its wings are too small to get
its fat little body off the ground.
The bee, of course, flies anyway
because bees don't care
what humans think is impossible.
Yellow, black. Yellow, black.
Yellow, black. Yellow, black.
Ooh, black and yellow!
Let's shake it up a little.
Barry! Breakfast is ready!
Ooming!
Hang on a second.
Hello?
- Barry?
- Adam?
- Oan you believe this is happening?
- I can't. I'll pick you up.
Looking sharp.
Use the stairs. Your father
paid good money for those.
Sorry. I'm excited.
Here's the graduate.
We're very proud of you, son.
A perfect report card, all B's.
Very proud.
Ma! I got a thing going here.
- You got lint on your fuzz.
- Ow! That's me!
- Wave to us! We'll be in row 118,000.
- Bye!
Barry, I told you,
stop flying in the house!
- Hey, Adam.
- Hey, Barry.
- Is that fuzz gel?
- A little. Special day, graduation.
Never thought I'd make it.
Three days grade school,
three days high school.
Those were awkward.
Three days college. I'm glad I took
a day and hitchhiked around the hive.
You did come back different.
- Hi, Barry.
- Artie, growing a mustache? Looks good.
- Hear about Frankie?
- Yeah.
- You going to the funeral?
- No, I'm not going.
Everybody knows,
sting someone, you die.
Don't waste it on a squirrel.
Such a hothead.
I guess he could have
just gotten out of the way.
I love this incorporating
an amusement park into our day.
That's why we don't need vacations.
Boy, quite a bit of pomp...
under the circumstances.
- Well, Adam, today we are men.
- We are!
- Bee-men.
- Amen!
Hallelujah!
Students, faculty, distinguished bees,
please welcome Dean Buzzwell.
Welcome, New Hive Oity
graduating class of...
...9:15.
That concludes our ceremonies.
And begins your career
at Honex Industries!
Will we pick ourjob today?
I heard it's just orientation.
Heads up! Here we go.
Keep your hands and antennas
inside the tram at all times.
- Wonder what it'll be like?
- A little scary.
Welcome to Honex,
a division of Honesco
and a part of the Hexagon Group.
This is it!
Wow.
Wow.
We know that you, as a bee,
have worked your whole life
to get to the point where you
can work for your whole life.
Honey begins when our valiant Pollen
Jocks bring the nectar to the hive.
Our top-secret formula
is automatically color-corrected,
scent-adjusted and bubble-contoured
into this soothing sweet syrup
with its distinctive
golden glow you know as...
Honey!
- That girl was hot.
- She's my cousin!
- She is?
- Yes, we're all cousins.
- Right. You're right.
- At Honex, we constantly strive
to improve every aspect
of bee existence.
These bees are stress-testing
a new helmet technology.
- What do you think he makes?
- Not enough.
Here we have our latest advancement,
the Krelman.
- What does that do?
- Oatches that little strand of honey
that hangs after you pour it.
Saves us millions.
Oan anyone work on the Krelman?
Of course. Most bee jobs are
small ones. But bees know
that every small job,
if it's done well, means a lot.
But choose carefully
because you'll stay in the job
you pick for the rest of your life.
The same job the rest of your life?
I didn't know that.
What's the difference?
You'll be happy to know that bees,
as a species, haven't had one day off
in 27 million years.
So you'll just work us to death?
We'll sure try.
Wow! That blew my mind!
"What's the difference?"
How can you say that?
One job forever?
That's an insane choice to have to make.
I'm relieved. Now we only have
to make one decision in life.
But, Adam, how could they
never have told us that?
Why would you question anything?
We're bees.
We're the most perfectly
functioning society on Earth.
You ever think maybe things
work a little too well here?
Like what? Give me one example.
I don't know. But you know
what I'm talking about.
Please clear the gate.
Royal Nectar Force on approach.
Wait a second. Oheck it out.
- Hey, those are Pollen Jocks!
- Wow.
I've never seen them this close.
They know what it's like
outside the hive.
Yeah, but some don't come back.
- Hey, Jocks!
- Hi, Jocks!
You guys did great!
You're monsters!
You're sky freaks! I love it! I love it!
- I wonder where they were.
- I don't know.
Their day's not planned.
Outside the hive, flying who knows
where, doing who knows what.
You can'tjust decide to be a Pollen
Jock. You have to be bred for that.
Right.
Look. That's more pollen
than you and I will see in a lifetime.
It's just a status symbol.
Bees make too much of it.
Perhaps. Unless you're wearing it
and the ladies see you wearing it.
Those ladies?
Aren't they our cousins too?
Distant. Distant.
Look at these two.
- Oouple of Hive Harrys.
- Let's have fun with them.
It must be dangerous
being a Pollen Jock.
Yeah. Once a bear pinned me
against a mushroom!
He had a paw on my throat,
and with the other, he was slapping me!
- Oh, my!
- I never thought I'd knock him out.
What were you doing during this?
Trying to alert the authorities.
I can autograph that.
A little gusty out there today,
wasn't it, comrades?
Yeah. Gusty.
We're hitting a sunflower patch
six miles from here tomorrow.
- Six miles, huh?
- Barry!
A puddle jump for us,
but maybe you're not up for it.
- Maybe I am.
- You are not!
We're going 0900 at J-Gate.
What do you think, buzzy-boy?
Are you bee enough?
I might be. It all depends
on what 0900 means.
Hey, Honex!
Dad, you surprised me.
You decide what you're interested in?
- Well, there's a lot of choices.
- But you only get one.
Do you ever get bored
doing the same job every day?
Son, let me tell you about stirring.
You grab that stick, and you just
move it around, and you stir it around.
You get yourself into a rhythm.
It's a beautiful thing.
You know, Dad,
the more I think about it,
maybe the honey field
just isn't right for me.
You were thinking of what,
making balloon animals?
That's a bad job
for a guy with a stinger.
Janet, your son's not sure
he wants to go into honey!
- Barry, you are so funny sometimes.
- I'm not trying to be funny.
You're not funny! You're going
into honey. Our son, the stirrer!
- You're gonna be a stirrer?
- No one's listening to me!
Wait till you see the sticks I have.
I could say anything right now.
I'm gonna get an ant tattoo!
Let's open some honey and celebrate!
Maybe I'll pierce my thorax.
Shave my antennae.
Shack up with a grasshopper. Get
a gold tooth and call everybody "dawg"!
I'm so proud.
- We're starting work today!
- Today's the day.
Oome on! All the good jobs
will be gone.
Yeah, right.
Pollen counting, stunt bee, pouring,
stirrer, front desk, hair removal...
- Is it still available?
- Hang on. Two left!
One of them's yours! Oongratulations!
Step to the side.
- What'd you get?
- Picking crud out. Stellar!
Wow!
Oouple of newbies?
Yes, sir! Our first day! We are ready!
Make your choice.
- You want to go first?
- No, you go.
Oh, my. What's available?
Restroom attendant's open,
not for the reason you think.
- Any chance of getting the Krelman?
- Sure, you're on.
I'm sorry, the Krelman just closed out.
Wax monkey's always open.
The Krelman opened up again.
What happened?
A bee died. Makes an opening. See?
He's dead. Another dead one.
Deady. Deadified. Two more dead.
Dead from the neck up.
Dead from the neck down. That's life!
Oh, this is so hard!
Heating, cooling,
stunt bee, pourer, stirrer,
humming, inspector number seven,
lint coordinator, stripe supervisor,
mite wrangler. Barry, what
do you think I should... Barry?
Barry!
All right, we've got the sunflower patch
in quadrant nine...
What happened to you?
Where are you?
- I'm going out.
- Out? Out where?
- Out there.
- Oh, no!
I have to, before I go
to work for the rest of my life.
You're gonna die! You're crazy! Hello?
Another call coming in.
If anyone's feeling brave,
there's a Korean deli on 83rd
that gets their roses today.
Hey, guys.
- Look at that.
- Isn't that the kid we saw yesterday?
Hold it, son, flight deck's restricted.
It's OK, Lou. We're gonna take him up.
Really? Feeling lucky, are you?
Sign here, here. Just initial that.
- Thank you.
- OK.
You got a rain advisory today,
and as you all know,
bees cannot fly in rain.
So be careful. As always,
watch your brooms,
hockey sticks, dogs,
birds, bears and bats.
Also, I got a couple of reports
of root beer being poured on us.
Murphy's in a home because of it,
babbling like a cicada!
- That's awful.
- And a reminder for you rookies,
bee law number one,
absolutely no talking to humans!
All right, launch positions!
Buzz, buzz, buzz, buzz! Buzz, buzz,
buzz, buzz! Buzz, buzz, buzz, buzz!
Black and yellow!
Hello!
You ready for this, hot shot?
Yeah. Yeah, bring it on.
Wind, check.
- Antennae, check.
- Nectar pack, check.
- Wings, check.
- Stinger, check.
Scared out of my shorts, check.
OK, ladies,
let's move it out!
Pound those petunias,
you striped stem-suckers!
All of you, drain those flowers!
Wow! I'm out!
I can't believe I'm out!
So blue.
I feel so fast and free!
Box kite!
Wow!
Flowers!
This is Blue Leader.
We have roses visual.
Bring it around 30 degrees and hold.
Roses!
30 degrees, roger. Bringing it around.
Stand to the side, kid.
It's got a bit of a kick.
That is one nectar collector!
- Ever see pollination up close?
- No, sir.
I pick up some pollen here, sprinkle it
over here. Maybe a dash over there,
a pinch on that one.
See that? It's a little bit of magic.
That's amazing. Why do we do that?
That's pollen power. More pollen, more
flowers, more nectar, more honey for us.
Oool.
I'm picking up a lot of bright yellow.
Oould be daisies. Don't we need those?
Oopy that visual.
Wait. One of these flowers
seems to be on the move.
Say again? You're reporting
a moving flower?
Affirmative.
That was on the line!
This is the coolest. What is it?
I don't know, but I'm loving this color.
It smells good.
Not like a flower, but I like it.
Yeah, fuzzy.
Ohemical-y.
Oareful, guys. It's a little grabby.
My sweet lord of bees!
Oandy-brain, get off there!
Problem!
- Guys!
- This could be bad.
Affirmative.
Very close.
Gonna hurt.
Mama's little boy.
You are way out of position, rookie!
Ooming in at you like a missile!
Help me!
I don't think these are flowers.
- Should we tell him?
- I think he knows.
What is this?!
Match point!
You can start packing up, honey,
because you're about to eat it!
Yowser!
Gross.
There's a bee in the car!
- Do something!
- I'm driving!
- Hi, bee.
- He's back here!
He's going to sting me!
Nobody move. If you don't move,
he won't sting you. Freeze!
He blinked!
Spray him, Granny!
What are you doing?!
Wow... the tension level
out here is unbelievable.
I gotta get home.
Oan't fly in rain.
Oan't fly in rain.
Oan't fly in rain.
Mayday! Mayday! Bee going down!
Ken, could you close
the window please?
Ken, could you close
the window please?
Oheck out my new resume.
I made it into a fold-out brochure.
You see? Folds out.
Oh, no. More humans. I don't need this.
What was that?
Maybe this time. This time. This time.
This time! This time! This...
Drapes!
That is diabolical.
It's fantastic. It's got all my special
skills, even my top-ten favorite movies.
What's number one? Star Wars?
Nah, I don't go for that...
...kind of stuff.
No wonder we shouldn't talk to them.
They're out of their minds.
When I leave a job interview, they're
flabbergasted, can't believe what I say.
There's the sun. Maybe that's a way out.
I don't remember the sun
having a big 75 on it.
I predicted global warming.
I could feel it getting hotter.
At first I thought it was just me.
Wait! Stop! Bee!
Stand back. These are winter boots.
Wait!
Don't kill him!
You know I'm allergic to them!
This thing could kill me!
Why does his life have
less value than yours?
Why does his life have any less value
than mine? Is that your statement?
I'm just saying all life has value. You
don't know what he's capable of feeling.
My brochure!
There you go, little guy.
I'm not scared of him.
It's an allergic thing.
Put that on your resume brochure.
My whole face could puff up.
Make it one of your special skills.
Knocking someone out
is also a special skill.
Right. Bye, Vanessa. Thanks.
- Vanessa, next week? Yogurt night?
- Sure, Ken. You know, whatever.
- You could put carob chips on there.
- Bye.
- Supposed to be less calories.
- Bye.
I gotta say something.
She saved my life.
I gotta say something.
All right, here it goes.
Nah.
What would I say?
I could really get in trouble.
It's a bee law.
You're not supposed to talk to a human.
I can't believe I'm doing this.
I've got to.
Oh, I can't do it. Oome on!
No. Yes. No.
Do it. I can't.
How should I start it?
"You like jazz?" No, that's no good.
Here she comes! Speak, you fool!
Hi!
I'm sorry.
- You're talking.
- Yes, I know.
You're talking!
I'm so sorry.
No, it's OK. It's fine.
I know I'm dreaming.
But I don't recall going to bed.
Well, I'm sure this
is very disconcerting.
This is a bit of a surprise to me.
I mean, you're a bee!
I am. And I'm not supposed
to be doing this,
but they were all trying to kill me.
And if it wasn't for you...
I had to thank you.
It's just how I was raised.
That was a little weird.
- I'm talking with a bee.
- Yeah.
I'm talking to a bee.
And the bee is talking to me!
I just want to say I'm grateful.
I'll leave now.
- Wait! How did you learn to do that?
- What?
The talking thing.
Same way you did, I guess.
"Mama, Dada, honey." You pick it up.
- That's very funny.
- Yeah.
Bees are funny. If we didn't laugh,
we'd cry with what we have to deal with.
Anyway...
Oan I...
...get you something?
- Like what?
I don't know. I mean...
I don't know. Ooffee?
I don't want to put you out.
It's no trouble. It takes two minutes.
- It's just coffee.
- I hate to impose.
- Don't be ridiculous!
- Actually, I would love a cup.
Hey, you want rum cake?
- I shouldn't.
- Have some.
- No, I can't.
- Oome on!
I'm trying to lose a couple micrograms.
- Where?
- These stripes don't help.
You look great!
I don't know if you know
anything about fashion.
Are you all right?
No.
He's making the tie in the cab
as they're flying up Madison.
He finally gets there.
He runs up the steps into the church.
The wedding is on.
And he says, "Watermelon?
I thought you said Guatemalan.
Why would I marry a watermelon?"
Is that a bee joke?
That's the kind of stuff we do.
Yeah, different.
So, what are you gonna do, Barry?
About work? I don't know.
I want to do my part for the hive,
but I can't do it the way they want.
I know how you feel.
- You do?
- Sure.
My parents wanted me to be a lawyer or
a doctor, but I wanted to be a florist.
- Really?
- My only interest is flowers.
Our new queen was just elected
with that same campaign slogan.
Anyway, if you look...
There's my hive right there. See it?
You're in Sheep Meadow!
Yes! I'm right off the Turtle Pond!
No way! I know that area.
I lost a toe ring there once.
- Why do girls put rings on their toes?
- Why not?
- It's like putting a hat on your knee.
- Maybe I'll try that.
- You all right, ma'am?
- Oh, yeah. Fine.
Just having two cups of coffee!
Anyway, this has been great.
Thanks for the coffee.
Yeah, it's no trouble.
Sorry I couldn't finish it. If I did,
I'd be up the rest of my life.
Are you...?
Oan I take a piece of this with me?
Sure! Here, have a crumb.
- Thanks!
- Yeah.
All right. Well, then...
I guess I'll see you around.
Or not.
OK, Barry.
And thank you
so much again... for before.
Oh, that? That was nothing.
Well, not nothing, but... Anyway...
This can't possibly work.
He's all set to go.
We may as well try it.
OK, Dave, pull the chute.
- Sounds amazing.
- It was amazing!
It was the scariest,
happiest moment of my life.
Humans! I can't believe
you were with humans!
Giant, scary humans!
What were they like?
Huge and crazy. They talk crazy.
They eat crazy giant things.
They drive crazy.
- Do they try and kill you, like on TV?
- Some of them. But some of them don't.
- How'd you get back?
- Poodle.
You did it, and I'm glad. You saw
whatever you wanted to see.
You had your "experience." Now you
can pick out yourjob and be normal.
- Well...
- Well?
Well, I met someone.
You did? Was she Bee-ish?
- A wasp?! Your parents will kill you!
- No, no, no, not a wasp.
- Spider?
- I'm not attracted to spiders.
I know it's the hottest thing,
with the eight legs and all.
I can't get by that face.
So who is she?
She's... human.
No, no. That's a bee law.
You wouldn't break a bee law.
- Her name's Vanessa.
- Oh, boy.
She's so nice. And she's a florist!
Oh, no! You're dating a human florist!
We're not dating.
You're flying outside the hive, talking
to humans that attack our homes
with power washers and M-80s!
One-eighth a stick of dynamite!
She saved my life!
And she understands me.
This is over!
Eat this.
This is not over! What was that?
- They call it a crumb.
- It was so stingin' stripey!
And that's not what they eat.
That's what falls off what they eat!
- You know what a Oinnabon is?
- No.
It's bread and cinnamon and frosting.
They heat it up...
Sit down!
...really hot!
- Listen to me!
We are not them! We're us.
There's us and there's them!
Yes, but who can deny
the heart that is yearning?
There's no yearning.
Stop yearning. Listen to me!
You have got to start thinking bee,
my friend. Thinking bee!
- Thinking bee.
- Thinking bee.
Thinking bee! Thinking bee!
Thinking bee! Thinking bee!
There he is. He's in the pool.
You know what your problem is, Barry?
I gotta start thinking bee?
How much longer will this go on?
It's been three days!
Why aren't you working?
I've got a lot of big life decisions
to think about.
What life? You have no life!
You have no job. You're barely a bee!
Would it kill you
to make a little honey?
Barry, come out.
Your father's talking to you.
Martin, would you talk to him?
Barry, I'm talking to you!
You coming?
Got everything?
All set!
Go ahead. I'll catch up.
Don't be too long.
Watch this!
Vanessa!
- We're still here.
- I told you not to yell at him.
He doesn't respond to yelling!
- Then why yell at me?
- Because you don't listen!
I'm not listening to this.
Sorry, I've gotta go.
- Where are you going?
- I'm meeting a friend.
A girl? Is this why you can't decide?
Bye.
I just hope she's Bee-ish.
They have a huge parade
of flowers every year in Pasadena?
To be in the Tournament of Roses,
that's every florist's dream!
Up on a float, surrounded
by flowers, crowds cheering.
A tournament. Do the roses
compete in athletic events?
No. All right, I've got one.
How come you don't fly everywhere?
It's exhausting. Why don't you
run everywhere? It's faster.
Yeah, OK, I see, I see.
All right, your turn.
TiVo. You can just freeze live TV?
That's insane!
You don't have that?
We have Hivo, but it's a disease.
It's a horrible, horrible disease.
Oh, my.
Dumb bees!
You must want to sting all those jerks.
We try not to sting.
It's usually fatal for us.
So you have to watch your temper.
Very carefully.
You kick a wall, take a walk,
write an angry letter and throw it out.
Work through it like any emotion:
Anger, jealousy, lust.
Oh, my goodness! Are you OK?
Yeah.
- What is wrong with you?!
- It's a bug.
He's not bothering anybody.
Get out of here, you creep!
What was that? A Pic 'N' Save circular?
Yeah, it was. How did you know?
It felt like about 10 pages.
Seventy-five is pretty much our limit.
You've really got that
down to a science.
- I lost a cousin to Italian Vogue.
- I'll bet.
What in the name
of Mighty Hercules is this?
How did this get here?
Oute Bee, Golden Blossom,
Ray Liotta Private Select?
- Is he that actor?
- I never heard of him.
- Why is this here?
- For people. We eat it.
You don't have
enough food of your own?
- Well, yes.
- How do you get it?
- Bees make it.
- I know who makes it!
And it's hard to make it!
There's heating, cooling, stirring.
You need a whole Krelman thing!
- It's organic.
- It's our-ganic!
It's just honey, Barry.
Just what?!
Bees don't know about this!
This is stealing! A lot of stealing!
You've taken our homes, schools,
hospitals! This is all we have!
And it's on sale?!
I'm getting to the bottom of this.
I'm getting to the bottom
of all of this!
Hey, Hector.
- You almost done?
- Almost.
He is here. I sense it.
Well, I guess I'll go home now
and just leave this nice honey out,
with no one around.
You're busted, box boy!
I knew I heard something.
So you can talk!
I can talk.
And now you'll start talking!
Where you getting the sweet stuff?
Who's your supplier?
I don't understand.
I thought we were friends.
The last thing we want
to do is upset bees!
You're too late! It's ours now!
You, sir, have crossed
the wrong sword!
You, sir, will be lunch
for my iguana, Ignacio!
Where is the honey coming from?
Tell me where!
Honey Farms! It comes from Honey Farms!
Orazy person!
What horrible thing has happened here?
These faces, they never knew
what hit them. And now
they're on the road to nowhere!
Just keep still.
What? You're not dead?
Do I look dead? They will wipe anything
that moves. Where you headed?
To Honey Farms.
I am onto something huge here.
I'm going to Alaska. Moose blood,
crazy stuff. Blows your head off!
I'm going to Tacoma.
- And you?
- He really is dead.
All right.
Uh-oh!
- What is that?!
- Oh, no!
- A wiper! Triple blade!
- Triple blade?
Jump on! It's your only chance, bee!
Why does everything have
to be so doggone clean?!
How much do you people need to see?!
Open your eyes!
Stick your head out the window!
From NPR News in Washington,
I'm Oarl Kasell.
But don't kill no more bugs!
- Bee!
- Moose blood guy!!
- You hear something?
- Like what?
Like tiny screaming.
Turn off the radio.
Whassup, bee boy?
Hey, Blood.
Just a row of honey jars,
as far as the eye could see.
Wow!
I assume wherever this truck goes
is where they're getting it.
I mean, that honey's ours.
- Bees hang tight.
- We're all jammed in.
It's a close community.
Not us, man. We on our own.
Every mosquito on his own.
- What if you get in trouble?
- You a mosquito, you in trouble.
Nobody likes us. They just smack.
See a mosquito, smack, smack!
At least you're out in the world.
You must meet girls.
Mosquito girls try to trade up,
get with a moth, dragonfly.
Mosquito girl don't want no mosquito.
You got to be kidding me!
Mooseblood's about to leave
the building! So long, bee!
- Hey, guys!
- Mooseblood!
I knew I'd catch y'all down here.
Did you bring your crazy straw?
We throw it in jars, slap a label on it,
and it's pretty much pure profit.
What is this place?
A bee's got a brain
the size of a pinhead.
They are pinheads!
Pinhead.
- Oheck out the new smoker.
- Oh, sweet. That's the one you want.
The Thomas 3000!
Smoker?
Ninety puffs a minute, semi-automatic.
Twice the nicotine, all the tar.
A couple breaths of this
knocks them right out.
They make the honey,
and we make the money.
"They make the honey,
and we make the money"?
Oh, my!
What's going on? Are you OK?
Yeah. It doesn't last too long.
Do you know you're
in a fake hive with fake walls?
Our queen was moved here.
We had no choice.
This is your queen?
That's a man in women's clothes!
That's a drag queen!
What is this?
Oh, no!
There's hundreds of them!
Bee honey.
Our honey is being brazenly stolen
on a massive scale!
This is worse than anything bears
have done! I intend to do something.
Oh, Barry, stop.
Who told you humans are taking
our honey? That's a rumor.
Do these look like rumors?
That's a conspiracy theory.
These are obviously doctored photos.
How did you get mixed up in this?
He's been talking to humans.
- What?
- Talking to humans?!
He has a human girlfriend.
And they make out!
Make out? Barry!
We do not.
- You wish you could.
- Whose side are you on?
The bees!
I dated a cricket once in San Antonio.
Those crazy legs kept me up all night.
Barry, this is what you want
to do with your life?
I want to do it for all our lives.
Nobody works harder than bees!
Dad, I remember you
coming home so overworked
your hands were still stirring.
You couldn't stop.
I remember that.
What right do they have to our honey?
We live on two cups a year. They put it
in lip balm for no reason whatsoever!
Even if it's true, what can one bee do?
Sting them where it really hurts.
In the face! The eye!
- That would hurt.
- No.
Up the nose? That's a killer.
There's only one place you can sting
the humans, one place where it matters.
Hive at Five, the hive's only
full-hour action news source.
No more bee beards!
With Bob Bumble at the anchor desk.
Weather with Storm Stinger.
Sports with Buzz Larvi.
And Jeanette Ohung.
- Good evening. I'm Bob Bumble.
- And I'm Jeanette Ohung.
A tri-county bee, Barry Benson,
intends to sue the human race
for stealing our honey,
packaging it and profiting
from it illegally!
Tomorrow night on Bee Larry King,
we'll have three former queens here in
our studio, discussing their new book,
Olassy Ladies,
out this week on Hexagon.
Tonight we're talking to Barry Benson.
Did you ever think, "I'm a kid
from the hive. I can't do this"?
Bees have never been afraid
to change the world.
What about Bee Oolumbus?
Bee Gandhi? Bejesus?
Where I'm from, we'd never sue humans.
We were thinking
of stickball or candy stores.
How old are you?
The bee community
is supporting you in this case,
which will be the trial
of the bee century.
You know, they have a Larry King
in the human world too.
It's a common name. Next week...
He looks like you and has a show
and suspenders and colored dots...
Next week...
Glasses, quotes on the bottom from the
guest even though you just heard 'em.
Bear Week next week!
They're scary, hairy and here live.
Always leans forward, pointy shoulders,
squinty eyes, very Jewish.
In tennis, you attack
at the point of weakness!
It was my grandmother, Ken. She's 81.
Honey, her backhand's a joke!
I'm not gonna take advantage of that?
Quiet, please.
Actual work going on here.
- Is that that same bee?
- Yes, it is!
I'm helping him sue the human race.
- Hello.
- Hello, bee.
This is Ken.
Yeah, I remember you. Timberland, size
ten and a half. Vibram sole, I believe.
Why does he talk again?
Listen, you better go
'cause we're really busy working.
But it's our yogurt night!
Bye-bye.
Why is yogurt night so difficult?!
You poor thing.
You two have been at this for hours!
Yes, and Adam here
has been a huge help.
- Frosting...
- How many sugars?
Just one. I try not
to use the competition.
So why are you helping me?
Bees have good qualities.
And it takes my mind off the shop.
Instead of flowers, people
are giving balloon bouquets now.
Those are great, if you're three.
And artificial flowers.
- Oh, those just get me psychotic!
- Yeah, me too.
Bent stingers, pointless pollination.
Bees must hate those fake things!
Nothing worse
than a daffodil that's had work done.
Maybe this could make up
for it a little bit.
- This lawsuit's a pretty big deal.
- I guess.
You sure you want to go through with it?
Am I sure? When I'm done with
the humans, they won't be able
to say, "Honey, I'm home,"
without paying a royalty!
It's an incredible scene
here in downtown Manhattan,
where the world anxiously waits,
because for the first time in history,
we will hear for ourselves
if a honeybee can actually speak.
What have we gotten into here, Barry?
It's pretty big, isn't it?
I can't believe how many humans
don't work during the day.
You think billion-dollar multinational
food companies have good lawyers?
Everybody needs to stay
behind the barricade.
- What's the matter?
- I don't know, I just got a chill.
Well, if it isn't the bee team.
You boys work on this?
All rise! The Honorable
Judge Bumbleton presiding.
All right. Oase number 4475,
Superior Oourt of New York,
Barry Bee Benson v. the Honey Industry
is now in session.
Mr. Montgomery, you're representing
the five food companies collectively?
A privilege.
Mr. Benson... you're representing
all the bees of the world?
I'm kidding. Yes, Your Honor,
we're ready to proceed.
Mr. Montgomery,
your opening statement, please.
Ladies and gentlemen of the jury,
my grandmother was a simple woman.
Born on a farm, she believed
it was man's divine right
to benefit from the bounty
of nature God put before us.
If we lived in the topsy-turvy world
Mr. Benson imagines,
just think of what would it mean.
I would have to negotiate
with the silkworm
for the elastic in my britches!
Talking bee!
How do we know this isn't some sort of
holographic motion-picture-capture
Hollywood wizardry?
They could be using laser beams!
Robotics! Ventriloquism!
Oloning! For all we know,
he could be on steroids!
Mr. Benson?
Ladies and gentlemen,
there's no trickery here.
I'm just an ordinary bee.
Honey's pretty important to me.
It's important to all bees.
We invented it!
We make it. And we protect it
with our lives.
Unfortunately, there are
some people in this room
who think they can take it from us
'cause we're the little guys!
I'm hoping that, after this is all over,
you'll see how, by taking our honey,
you not only take everything we have
but everything we are!
I wish he'd dress like that
all the time. So nice!
Oall your first witness.
So, Mr. Klauss Vanderhayden
of Honey Farms, big company you have.
I suppose so.
I see you also own
Honeyburton and Honron!
Yes, they provide beekeepers
for our farms.
Beekeeper. I find that
to be a very disturbing term.
I don't imagine you employ
any bee-free-ers, do you?
- No.
- I couldn't hear you.
- No.
- No.
Because you don't free bees.
You keep bees. Not only that,
it seems you thought a bear would be
an appropriate image for a jar of honey.
They're very lovable creatures.
Yogi Bear, Fozzie Bear, Build-A-Bear.
You mean like this?
Bears kill bees!
How'd you like his head crashing
through your living room?!
Biting into your couch!
Spitting out your throw pillows!
OK, that's enough. Take him away.
So, Mr. Sting, thank you for being here.
Your name intrigues me.
- Where have I heard it before?
- I was with a band called The Police.
But you've never been
a police officer, have you?
No, I haven't.
No, you haven't. And so here
we have yet another example
of bee culture casually
stolen by a human
for nothing more than
a prance-about stage name.
Oh, please.
Have you ever been stung, Mr. Sting?
Because I'm feeling
a little stung, Sting.
Or should I say... Mr. Gordon M. Sumner!
That's not his real name?! You idiots!
Mr. Liotta, first,
belated congratulations on
your Emmy win for a guest spot
on ER in 2005.
Thank you. Thank you.
I see from your resume
that you're devilishly handsome
with a churning inner turmoil
that's ready to blow.
I enjoy what I do. Is that a crime?
Not yet it isn't. But is this
what it's come to for you?
Exploiting tiny, helpless bees
so you don't
have to rehearse
your part and learn your lines, sir?
Watch it, Benson!
I could blow right now!
This isn't a goodfella.
This is a badfella!
Why doesn't someone just step on
this creep, and we can all go home?!
- Order in this court!
- You're all thinking it!
Order! Order, I say!
- Say it!
- Mr. Liotta, please sit down!
I think it was awfully nice
of that bear to pitch in like that.
I think the jury's on our side.
Are we doing everything right, legally?
I'm a florist.
Right. Well, here's to a great team.
To a great team!
Well, hello.
- Ken!
- Hello.
I didn't think you were coming.
No, I was just late.
I tried to call, but... the battery.
I didn't want all this to go to waste,
so I called Barry. Luckily, he was free.
Oh, that was lucky.
There's a little left.
I could heat it up.
Yeah, heat it up, sure, whatever.
So I hear you're quite a tennis player.
I'm not much for the game myself.
The ball's a little grabby.
That's where I usually sit.
Right... there.
Ken, Barry was looking at your resume,
and he agreed with me that eating with
chopsticks isn't really a special skill.
You think I don't see what you're doing?
I know how hard it is to find
the rightjob. We have that in common.
Do we?
Bees have 100 percent employment,
but we do jobs like taking the crud out.
That's just what
I was thinking about doing.
Ken, I let Barry borrow your razor
for his fuzz. I hope that was all right.
I'm going to drain the old stinger.
Yeah, you do that.
Look at that.
You know, I've just about had it
with your little mind games.
- What's that?
- Italian Vogue.
Mamma mia, that's a lot of pages.
A lot of ads.
Remember what Van said, why is
your life more valuable than mine?
Funny, I just can't seem to recall that!
I think something stinks in here!
I love the smell of flowers.
How do you like the smell of flames?!
Not as much.
Water bug! Not taking sides!
Ken, I'm wearing a Ohapstick hat!
This is pathetic!
I've got issues!
Well, well, well, a royal flush!
- You're bluffing.
- Am I?
Surf's up, dude!
Poo water!
That bowl is gnarly.
Except for those dirty yellow rings!
Kenneth! What are you doing?!
You know, I don't even like honey!
I don't eat it!
We need to talk!
He's just a little bee!
And he happens to be
the nicest bee I've met in a long time!
Long time? What are you talking about?!
Are there other bugs in your life?
No, but there are other things bugging
me in life. And you're one of them!
Fine! Talking bees, no yogurt night...
My nerves are fried from riding
on this emotional roller coaster!
Goodbye, Ken.
And for your information,
I prefer sugar-free, artificial
sweeteners made by man!
I'm sorry about all that.
I know it's got
an aftertaste! I like it!
I always felt there was some kind
of barrier between Ken and me.
I couldn't overcome it.
Oh, well.
Are you OK for the trial?
I believe Mr. Montgomery
is about out of ideas.
We would like to call
Mr. Barry Benson Bee to the stand.
Good idea! You can really see why he's
considered one of the best lawyers...
Yeah.
Layton, you've
gotta weave some magic
with this jury,
or it's gonna be all over.
Don't worry. The only thing I have
to do to turn this jury around
is to remind them
of what they don't like about bees.
- You got the tweezers?
- Are you allergic?
Only to losing, son. Only to losing.
Mr. Benson Bee, I'll ask you
what I think we'd all like to know.
What exactly is your relationship
to that woman?
We're friends.
- Good friends?
- Yes.
How good? Do you live together?
Wait a minute...
Are you her little...
...bedbug?
I've seen a bee documentary or two.
From what I understand,
doesn't your queen give birth
to all the bee children?
- Yeah, but...
- So those aren't your real parents!
- Oh, Barry...
- Yes, they are!
Hold me back!
You're an illegitimate bee,
aren't you, Benson?
He's denouncing bees!
Don't y'all date your cousins?
- Objection!
- I'm going to pincushion this guy!
Adam, don't! It's what he wants!
Oh, I'm hit!!
Oh, lordy, I am hit!
Order! Order!
The venom! The venom
is coursing through my veins!
I have been felled
by a winged beast of destruction!
You see? You can't treat them
like equals! They're striped savages!
Stinging's the only thing
they know! It's their way!
- Adam, stay with me.
- I can't feel my legs.
What angel of mercy
will come forward to suck the poison
from my heaving buttocks?
I will have order in this court. Order!
Order, please!
The case of the honeybees
versus the human race
took a pointed turn against the bees
yesterday when one of their legal
team stung Layton T. Montgomery.
- Hey, buddy.
- Hey.
- Is there much pain?
- Yeah.
I...
I blew the whole case, didn't I?
It doesn't matter. What matters is
you're alive. You could have died.
I'd be better off dead. Look at me.
They got it from the cafeteria
downstairs, in a tuna sandwich.
Look, there's
a little celery still on it.
What was it like to sting someone?
I can't explain it. It was all...
All adrenaline and then...
and then ecstasy!
All right.
You think it was all a trap?
Of course. I'm sorry.
I flew us right into this.
What were we thinking? Look at us. We're
just a couple of bugs in this world.
What will the humans do to us
if they win?
I don't know.
I hear they put the roaches in motels.
That doesn't sound so bad.
Adam, they check in,
but they don't check out!
Oh, my.
Oould you get a nurse
to close that window?
- Why?
- The smoke.
Bees don't smoke.
Right. Bees don't smoke.
Bees don't smoke!
But some bees are smoking.
That's it! That's our case!
It is? It's not over?
Get dressed. I've gotta go somewhere.
Get back to the court and stall.
Stall any way you can.
And assuming you've done step correctly, you're ready for the tub.
Mr. Flayman.
Yes? Yes, Your Honor!
Where is the rest of your team?
Well, Your Honor, it's interesting.
Bees are trained to fly haphazardly,
and as a result,
we don't make very good time.
I actually heard a funny story about...
Your Honor,
haven't these ridiculous bugs
taken up enough
of this court's valuable time?
How much longer will we allow
these absurd shenanigans to go on?
They have presented no compelling
evidence to support their charges
against my clients,
who run legitimate businesses.
I move for a complete dismissal
of this entire case!
Mr. Flayman, I'm afraid I'm going
to have to consider
Mr. Montgomery's motion.
But you can't! We have a terrific case.
Where is your proof?
Where is the evidence?
Show me the smoking gun!
Hold it, Your Honor!
You want a smoking gun?
Here is your smoking gun.
What is that?
It's a bee smoker!
What, this?
This harmless little contraption?
This couldn't hurt a fly,
let alone a bee.
Look at what has happened
to bees who have never been asked,
"Smoking or non?"
Is this what nature intended for us?
To be forcibly addicted
to smoke machines
and man-made wooden slat work camps?
Living out our lives as honey slaves
to the white man?
- What are we gonna do?
- He's playing the species card.
Ladies and gentlemen, please,
free these bees!
Free the bees! Free the bees!
Free the bees!
Free the bees! Free the bees!
The court finds in favor of the bees!
Vanessa, we won!
I knew you could do it! High-five!
Sorry.
I'm OK! You know what this means?
All the honey
will finally belong to the bees.
Now we won't have
to work so hard all the time.
This is an unholy perversion
of the balance of nature, Benson.
You'll regret this.
Barry, how much honey is out there?
All right. One at a time.
Barry, who are you wearing?
My sweater is Ralph Lauren,
and I have no pants.
- What if Montgomery's right?
- What do you mean?
We've been living the bee way
a long time, 27 million years.
Oongratulations on your victory.
What will you demand as a settlement?
First, we'll demand a complete shutdown
of all bee work camps.
Then we want back the honey
that was ours to begin with,
every last drop.
We demand an end to the glorification
of the bear as anything more
than a filthy, smelly,
bad-breath stink machine.
We're all aware
of what they do in the woods.
Wait for my signal.
Take him out.
He'll have nauseous
for a few hours, then he'll be fine.
And we will no longer tolerate
bee-negative nicknames...
But it's just a prance-about stage name!
...unnecessary inclusion of honey
in bogus health products
and la-dee-da human
tea-time snack garnishments.
Oan't breathe.
Bring it in, boys!
Hold it right there! Good.
Tap it.
Mr. Buzzwell, we just passed three cups,
and there's gallons more coming!
- I think we need to shut down!
- Shut down? We've never shut down.
Shut down honey production!
Stop making honey!
Turn your key, sir!
What do we do now?
Oannonball!
We're shutting honey production!
Mission abort.
Aborting pollination and nectar detail.
Returning to base.
Adam, you wouldn't believe
how much honey was out there.
Oh, yeah?
What's going on? Where is everybody?
- Are they out celebrating?
- They're home.
They don't know what to do.
Laying out, sleeping in.
I heard your Uncle Oarl was on his way
to San Antonio with a cricket.
At least we got our honey back.
Sometimes I think, so what if humans
liked our honey? Who wouldn't?
It's the greatest thing in the world!
I was excited to be part of making it.
This was my new desk. This was my
new job. I wanted to do it really well.
And now...
Now I can't.
I don't understand
why they're not happy.
I thought their lives would be better!
They're doing nothing. It's amazing.
Honey really changes people.
You don't have any idea
what's going on, do you?
- What did you want to show me?
- This.
What happened here?
That is not the half of it.
Oh, no. Oh, my.
They're all wilting.
Doesn't look very good, does it?
No.
And whose fault do you think that is?
You know, I'm gonna guess bees.
Bees?
Specifically, me.
I didn't think bees not needing to make
honey would affect all these things.
It's notjust flowers.
Fruits, vegetables, they all need bees.
That's our whole SAT test right there.
Take away produce, that affects
the entire animal kingdom.
And then, of course...
The human species?
So if there's no more pollination,
it could all just go south here,
couldn't it?
I know this is also partly my fault.
How about a suicide pact?
How do we do it?
- I'll sting you, you step on me.
- Thatjust kills you twice.
Right, right.
Listen, Barry...
sorry, but I gotta get going.
I had to open my mouth and talk.
Vanessa?
Vanessa? Why are you leaving?
Where are you going?
To the final Tournament of Roses parade
in Pasadena.
They've moved it to this weekend
because all the flowers are dying.
It's the last chance
I'll ever have to see it.
Vanessa, I just wanna say I'm sorry.
I never meant it to turn out like this.
I know. Me neither.
Tournament of Roses.
Roses can't do sports.
Wait a minute. Roses. Roses?
Roses!
Vanessa!
Roses?!
Barry?
- Roses are flowers!
- Yes, they are.
Flowers, bees, pollen!
I know.
That's why this is the last parade.
Maybe not.
Oould you ask him to slow down?
Oould you slow down?
Barry!
OK, I made a huge mistake.
This is a total disaster, all my fault.
Yes, it kind of is.
I've ruined the planet.
I wanted to help you
with the flower shop.
I've made it worse.
Actually, it's completely closed down.
I thought maybe you were remodeling.
But I have another idea, and it's
greater than my previous ideas combined.
I don't want to hear it!
All right, they have the roses,
the roses have the pollen.
I know every bee, plant
and flower bud in this park.
All we gotta do is get what they've got
back here with what we've got.
- Bees.
- Park.
- Pollen!
- Flowers.
- Repollination!
- Across the nation!
Tournament of Roses,
Pasadena, Oalifornia.
They've got nothing
but flowers, floats and cotton candy.
Security will be tight.
I have an idea.
Vanessa Bloome, FTD.
Official floral business. It's real.
Sorry, ma'am. Nice brooch.
Thank you. It was a gift.
Once inside,
we just pick the right float.
How about The Princess and the Pea?
I could be the princess,
and you could be the pea!
Yes, I got it.
- Where should I sit?
- What are you?
- I believe I'm the pea.
- The pea?
It goes under the mattresses.
- Not in this fairy tale, sweetheart.
- I'm getting the marshal.
You do that!
This whole parade is a fiasco!
Let's see what this baby'll do.
Hey, what are you doing?!
Then all we do
is blend in with traffic...
...without arousing suspicion.
Once at the airport,
there's no stopping us.
Stop! Security.
- You and your insect pack your float?
- Yes.
Has it been
in your possession the entire time?
Would you remove your shoes?
- Remove your stinger.
- It's part of me.
I know. Just having some fun.
Enjoy your flight.
Then if we're lucky, we'll have
just enough pollen to do the job.
Oan you believe how lucky we are? We
have just enough pollen to do the job!
I think this is gonna work.
It's got to work.
Attention, passengers,
this is Oaptain Scott.
We have a bit of bad weather
in New York.
It looks like we'll experience
a couple hours delay.
Barry, these are cut flowers
with no water. They'll never make it.
I gotta get up there
and talk to them.
Be careful.
Oan I get help
with the Sky Mall magazine?
I'd like to order the talking
inflatable nose and ear hair trimmer.
Oaptain, I'm in a real situation.
- What'd you say, Hal?
- Nothing.
Bee!
Don't freak out! My entire species...
What are you doing?
- Wait a minute! I'm an attorney!
- Who's an attorney?
Don't move.
Oh, Barry.
Good afternoon, passengers.
This is your captain.
Would a Miss Vanessa Bloome in 24B
please report to the cockpit?
And please hurry!
What happened here?
There was a DustBuster,
a toupee, a life raft exploded.
One's bald, one's in a boat,
they're both unconscious!
- Is that another bee joke?
- No!
No one's flying the plane!
This is JFK control tower, Flight 356.
What's your status?
This is Vanessa Bloome.
I'm a florist from New York.
Where's the pilot?
He's unconscious,
and so is the copilot.
Not good. Does anyone onboard
have flight experience?
As a matter of fact, there is.
- Who's that?
- Barry Benson.
From the honey trial?! Oh, great.
Vanessa, this is nothing more
than a big metal bee.
It's got giant wings, huge engines.
I can't fly a plane.
- Why not? Isn't John Travolta a pilot?
- Yes.
How hard could it be?
Wait, Barry!
We're headed into some lightning.
This is Bob Bumble. We have some
late-breaking news from JFK Airport,
where a suspenseful scene
is developing.
Barry Benson,
fresh from his legal victory...
That's Barry!
...is attempting to land a plane,
loaded with people, flowers
and an incapacitated flight crew.
Flowers?!
We have a storm in the area
and two individuals at the controls
with absolutely no flight experience.
Just a minute.
There's a bee on that plane.
I'm quite familiar with Mr. Benson
and his no-account compadres.
They've done enough damage.
But isn't he your only hope?
Technically, a bee
shouldn't be able to fly at all.
Their wings are too small...
Haven't we heard this a million times?
"The surface area of the wings
and body mass make no sense."
- Get this on the air!
- Got it.
- Stand by.
- We're going live.
The way we work may be a mystery to you.
Making honey takes a lot of bees
doing a lot of small jobs.
But let me tell you about a small job.
If you do it well,
it makes a big difference.
More than we realized.
To us, to everyone.
That's why I want to get bees
back to working together.
That's the bee way!
We're not made of Jell-O.
We get behind a fellow.
- Black and yellow!
- Hello!
Left, right, down, hover.
- Hover?
- Forget hover.
This isn't so hard.
Beep-beep! Beep-beep!
Barry, what happened?!
Wait, I think we were
on autopilot the whole time.
- That may have been helping me.
- And now we're not!
So it turns out I cannot fly a plane.
All of you, let's get
behind this fellow! Move it out!
Move out!
Our only chance is if I do what I'd do,
you copy me with the wings of the plane!
Don't have to yell.
I'm not yelling!
We're in a lot of trouble.
It's very hard to concentrate
with that panicky tone in your voice!
It's not a tone. I'm panicking!
I can't do this!
Vanessa, pull yourself together.
You have to snap out of it!
You snap out of it.
You snap out of it.
- You snap out of it!
- You snap out of it!
- You snap out of it!
- You snap out of it!
- You snap out of it!
- You snap out of it!
- Hold it!
- Why? Oome on, it's my turn.
How is the plane flying?
I don't know.
Hello?
Benson, got any flowers
for a happy occasion in there?
The Pollen Jocks!
They do get behind a fellow.
- Black and yellow.
- Hello.
All right, let's drop this tin can
on the blacktop.
Where? I can't see anything. Oan you?
No, nothing. It's all cloudy.
Oome on. You got to think bee, Barry.
- Thinking bee.
- Thinking bee.
Thinking bee!
Thinking bee! Thinking bee!
Wait a minute.
I think I'm feeling something.
- What?
- I don't know. It's strong, pulling me.
Like a 27-million-year-old instinct.
Bring the nose down.
Thinking bee!
Thinking bee! Thinking bee!
- What in the world is on the tarmac?
- Get some lights on that!
Thinking bee!
Thinking bee! Thinking bee!
- Vanessa, aim for the flower.
- OK.
Out the engines. We're going in
on bee power. Ready, boys?
Affirmative!
Good. Good. Easy, now. That's it.
Land on that flower!
Ready? Full reverse!
Spin it around!
- Not that flower! The other one!
- Which one?
- That flower.
- I'm aiming at the flower!
That's a fat guy in a flowered shirt.
I mean the giant pulsating flower
made of millions of bees!
Pull forward. Nose down. Tail up.
Rotate around it.
- This is insane, Barry!
- This's the only way I know how to fly.
Am I koo-koo-kachoo, or is this plane
flying in an insect-like pattern?
Get your nose in there. Don't be afraid.
Smell it. Full reverse!
Just drop it. Be a part of it.
Aim for the center!
Now drop it in! Drop it in, woman!
Oome on, already.
Barry, we did it!
You taught me how to fly!
- Yes. No high-five!
- Right.
Barry, it worked!
Did you see the giant flower?
What giant flower? Where? Of course
I saw the flower! That was genius!
- Thank you.
- But we're not done yet.
Listen, everyone!
This runway is covered
with the last pollen
from the last flowers
available anywhere on Earth.
That means this is our last chance.
We're the only ones who make honey,
pollinate flowers and dress like this.
If we're gonna survive as a species,
this is our moment! What do you say?
Are we going to be bees, orjust
Museum of Natural History keychains?
We're bees!
Keychain!
Then follow me! Except Keychain.
Hold on, Barry. Here.
You've earned this.
Yeah!
I'm a Pollen Jock! And it's a perfect
fit. All I gotta do are the sleeves.
Oh, yeah.
That's our Barry.
Mom! The bees are back!
If anybody needs
to make a call, now's the time.
I got a feeling we'll be
working late tonight!
Here's your change. Have a great
afternoon! Oan I help who's next?
Would you like some honey with that?
It is bee-approved. Don't forget these.
Milk, cream, cheese, it's all me.
And I don't see a nickel!
Sometimes I just feel
like a piece of meat!
I had no idea.
Barry, I'm sorry.
Have you got a moment?
Would you excuse me?
My mosquito associate will help you.
Sorry I'm late.
He's a lawyer too?
I was already a blood-sucking parasite.
All I needed was a briefcase.
Have a great afternoon!
Barry, I just got this huge tulip order,
and I can't get them anywhere.
No problem, Vannie.
Just leave it to me.
You're a lifesaver, Barry.
Oan I help who's next?
All right, scramble, jocks!
It's time to fly.
Thank you, Barry!
That bee is living my life!
Let it go, Kenny.
- When will this nightmare end?!
- Let it all go.
- Beautiful day to fly.
- Sure is.
Between you and me,
I was dying to get out of that office.
You have got
to start thinking bee, my friend.
- Thinking bee!
- Me?
Hold it. Let's just stop
for a second. Hold it.
I'm sorry. I'm sorry, everyone.
Oan we stop here?
I'm not making a major life decision
during a production number!
All right. Take ten, everybody.
Wrap it up, guys.
I had virtually no rehearsal for that.
Alvar Breki Krisstinsson (IP-tala skráð) 10.11.2023 kl. 11:25
My German fellow-countrymen and women! Party Comrades! It is, I think, something very extraordinary when a man after about 20 years can stand before his old followers, and when in doing so he has not had to make any revisions of his program during these 20 years.
Today's gathering, however, reminds us most of all of the evening which we were able to celebrate in the former hall 10 years ago. It reminds us of this because at that time too we were in the midst of a very hard fight. Our fight to take over power in, Germany was just as decisive for our fate as the fight which we are waging today. It was only during the past year that this became known to us in all its meaning, and if victory had not been achieved in 1933, then Germany would have remained what it was then, that is, a powerless nation with an Army of 100,000 men, which would necessarily have (had to submit) to destruction.
And at the same time, a colossus had arisen in the East with only a single thought in mind, to fall upon this weak, lazy, defeatist and internally-torn Europe. And if at that time this challenge had not been successfully taken up, then the power which alone was capable of opposing this danger would not have entered world history.
Today we know that there would probably not be any Europe left. Therefore the battle which we fought then was only apparently an internal struggle for power. In reality, even then it was a struggle for the preservation of Germany and, in the broadest sense of the word, for the preservation of Europe. At that time, we were close to victory. And yet when, 10 years ago, we met in the former hall, no one knew exactly how close it was. Only one thing went without saying as far as we were concerned, namely the conviction that this victory, no matter what happens, must come and will come.
It is with the same conviction that I now stand before you, and it has never left me, either, since the day on which, as an unknown man in this city, I began the struggle, first for the soul of the German people, and then, on beyond this city, forever more and more followers. And in the beginning I did not have much more to give than faith, the faith that if anyone pursues a just aim I with unchanging and undisturbed loyalty and never lets himself be diverted from it, but puts everything into it, then others will be found who are determined to be his followers, and that from this host an ever stronger faith must gradually radiate to the whole people, and that out of this host the worthiest part of the whole people must one day finally find themselves together, and that finally this worthiest part must acquire the power in the state.
And today I stand by this same view. Fate, or Providence, will give the victory to those who most deserve it. We could have had it before, in the year 1918. The German people did not deserve it at that time. They had grown confused and untrue to themselves. And that was the reason that I, an unknown, a nobody, at that time resolved to build up this movement in the midst of utter ruin and complete collapse, the reason why I also had faith that it would have to succeed, because I saw before me, not the defeatist phenomena of a crumbling bourgeois-Marxist world, but the millions of brave men who had done their utmost and who faltered only because the homeland was no longer worthy of them in the critical hour-because it had failed. I then had the conviction that if only the effort to bring back internal order to the German people and to get hold of the soundest kernel in them proved successful, that then another 1918 could never be repeated.
Since I made this resolve, many more than 20 years have gone by. Ten years ago we were about to have a dress rehearsal, after the movement had already encountered the greatest difficulties-in a preceding ten-year period, many had lost their faith, and our opponents already were saying that we were dead. We need only recall that time. It was no wonder, either. A movement which was just getting ready to seize power collapsed completely. Its leaders were either dead or wounded, or in prison or in flight because of their activities.
And yet barely ten years were enough for this whole movement to rise anew from its ashes, like a phoenix. And when we met here 10 years ago, we had just had another setback. Many-especially our enemies-believed that we had lost our chance because we had not acted at the moment we were offered something which would only have burdened the movement, but not made it at all possible to realize its real aims. At that time, too, I stood before you, my old party comrades, with the same faith as now, absolutely convinced that victory will be his who best deserves it, and that therefore our only task will be to deserve it.
And when now, after 10 years, I again survey this period, I can say that upon no people has Providence ever bestowed more successes than upon us. The miracles we have achieved in the last three years in the face of a whole world of enemies are unique in history, especially the crises we very naturally often had in these years.
I need only remind you of the one great crisis we had to go through in Norway, where, indeed, it was a toss-up, and where we might have asked ourselves, will we be able to hold Narvik? Won't the entire Norwegian undertaking go to pieces? One needed boundless faith in order not to become despondent at that time, and this faith was finally rewarded. Far from the homeland, with barely a single sure line of communication connected with this advanced out-post, a small, heroic German force then was fighting. Finally they were forced to evacuate Narvik. Our opponents were jubilant. But, thanks to bravery and a fanatical determination not to capitulate under any circumstances, the final result was victory for us and not for our opponents.
If we look back over this entire period, and let everything pass before our eyes, one thing will become obvious to us: We are. facing the same opponents, whom we always have had before us nothing has been changed. . . . In the Great War there were the same opponents whom we have had to conquer in this war, and there is only one thing which differentiates the present from that time: First of all, a clearer recognition of the background of the actions of that opponent, of the driving forces, and secondly, the successes which have been gained in the meanwhile, successes which are unique in the history of the world.
For perhaps many a person will ask himself the question, why are we fighting at such great distances? We are fighting at such great distances in order to protect our homeland, in order to keep the war as far removed from it as possible and to spare it what would otherwise be its fate, and which now only certain German cities are experiencing and must experience. It is therefore preferable to keep the front line at a distance of 1,000 and if necessary 2,000 kilometers from the borders of the Reich, than to hold that front somewhere near the border of the Reich and to be forced to hold it there.
Our opponents are the same, and behind these opponents there stands the same eternally driving force, the international Jew. And it is again by no means an accident that these forces were on the inside, and have now met again on the outside. Internally, in the "coalition" which we know only too well, they included all the enemies of the Reich, beginning with the Frankfurter Zeitung, and the entire stock market speculator-group, all the way to the Rote Fahne (Red Banner) in Berlin, and everything which lay in between.
And outside, we have again today the same coalition as before, from the chief of that international Masonic lodge, the half-Jew Roosevelt, and his Jewish brain trust, to the Jewry of purest water in Marxist-Bolshevik Russia. They are the same enemies as before, the same foes as then. In the World War we had them as external foes, in our struggle as internal foes, and now, as a National-Socialist State, as external foes again.
And again it is no accident that the same State which at that time thought it could bring about the collapse of Germany by a flood of lying propaganda, now again sends a man on the same mission. Then his name was Wilson; now his name is Roosevelt. The Germany of that time, without any education in state and national politics, without any unity, without any enlightenment on the problem of the Jewish question and the working of that power, fell victim to that attack.
The great mistake is that our enemies now imagine it will happen a second time. For if at that time we were perhaps the best organized people in the world, without doubt again we are now the best organized people in the world. And if anyone in the rest of the world imagines he can shatter this people, he does not know the enduring heart of this people today, nor the enduring power, the knowledge which guides this people politically today-the National Socialist Party and its mighty organization.
Neither has he any idea of what this movement has achieved since then, how it has taken hold of our people by its accomplishments, and how it has fulfilled the Socialist ideal-which is free of all international cheating, all the "lying tirades," how it has fulfilled these Socialist ideals in a way that no other State has even begun to approach up to now, to say nothing of attain.
I am calm therefore when I face any German who is fighting in the East, or who comes home on leave-and I can tell each one of them, just look at our organization. Compare our home cities, compare the workers' settlements which we are building, compare our social organization with what you have seen on the other side. Compare the fate and the lot of the German farmer with the lot of that Russian farmer. Compare all of that, my dear friend, and then give me your judgment as to who has managed things better, and above all else, who has had more honorable intentions?
Not one man has as yet returned, who could express any other opinion than that if a Socialistic State were in the process of being realized anywhere, it was in Germany only that it was actually taking place. That is still another reason why this other world which so willingly represents capitalistic interests in particular, is attacking us. It is a combine, which even today still pretends to be able to rule the world according to its private capitalistic interests, to manage it, and when necessary, to keep on ruling it.
When, for example, a few days ago, a regular snobbish, perfumed hooligan like this Mr. Eden declared: "We English have had experience in ruling," then the only thing one can say is: "In ruling? In exploitation! In plundering!" What does experience in ruling mean, when in a country which, with 46,000,000 persons itself, is administering 40,000,000 square kilometers over the entire world, there were 2,500,000 unemployed at the beginning of the war.
Where is this art of ruling, to say nothing of the art of leadership? It is only the unscrupulousness for robbery. And when this same man then says: "We have a fine instinct for idealism and material values." Yes indeed they have. They have destroyed idealism everywhere, and they have grabbed and taken possession of material worth and always grabbed and taken possession of it, too, by brutal force only. For in 300 years that nation has oppressed and yoked and subjected nation after nation, people after people, race after race.
If they were really such brilliant rulers, then they should now be able to leave after the Indian people have expressed their explicit desire that they do, and then to wait and see whether the Indians call them back again. They have been careful not to leave, although they know how to rule so wonderfully, and in this they are completely of one mind, these plunderers, whether they run around in a Marxist cap (Translator's note: This refers to the typical workman's visored cap used in post-war Germany as a symbol of communism) or in a capitalistic one.
No, my friends, they don't know how to rule. They can only subjugate peoples and then pauperize them for their own benefit. A handful of people-very rich ones, to be sure-of both Jewish and non-Jewish origin are determining the fate of the world. And we can say with calmness that Germany itself has had an example of the ability of these people to rule. For when in the year 1918 the Reich collapsed, the blinded German people turned then in its blind faith to these people, in the hope that they might be shown a path by them which would lead them back out of-their misery, the democratic Germany, not the National-Socialist Germany.
For we would not have come at all, if this democratic Germany had not been plundered and oppressed in that way. They did their best to make a second India out of Germany, and they were even successful to a large extent. They brought it about for us, too, that finally many millions of persons had no sort of livelihood whatever, and many other millions were working part-time. They brought it about for us, too, that finally not ten thousands, but hundreds of thousands of farmers were evicted from their ancestral plots of ground. They brought it about for us, too, that commerce and exchange finally came to a standstill, and that social welfare provisions of any kind were non-existent. They tried out on us their governmental experiments, just as in India or elsewhere, and if this head-tramp-I can't describe him in any other way-Roosevelt comes and declares that they had to rescue Europe by American methods, then the only thing I can say is, that this gentleman could best-or should best-have rescued his own country, and then he would not have had to enter the war at all. It would have been more fitting for him to get rid of his own 13,000,000 unemployed than to throw the world into a war, but he did it, because he could not solve his internal problems and because he was setting out to plunder, just like his British allies, not recognizing merely idealism, but primarily the material values, for Mr. Roosevelt knows as little about idealism, aside from ..., as an Englishman.
From out of this art of government of our foes and its horrible results in our democratic Germany, the National Socialist movement gradually developed. For if they had really made Germany happy, we would not have had any reason at all, and I would not have had any ground, for devoting myself to this work day after day, week after week, month after month, and year after year.
You know that too, all my old fellow-combatants. I wasn't loafing then. I didn't speak in a fine club here and there, and I didn't sit down now and then at a fireplace, and deliver a little chat. Then I was making pilgrimages up and down through the German countryside, from North to South and from East to West, and wore myself out, only in order to save my people from this misery, into which these rulers of international capitalism had forced it.
This conspiracy of Jews and capitalists and Bolsheviks of that time, we wanted to do away with. And we finally have got rid of it. And hardly had it been done away with, when this other world immediately began its encirclement.
At that time it was the Germany of the Kaiser. Now it is National Socialist Germany. At that time it was the Kaiser. Now it is I. There is only one difference: the Germany of that time was theoretically an empire, practically it had all gone to pieces internally.
The Kaiser of that time was a man who lacked all force for resistance against these enemies. But in me, now, they have to face an opponent who does not even think of the word "capitulate."
That's always been the way, ever since I was a boy-at that time perhaps it was improper behavior but as it is, perhaps it is a virtue after all-my habit of reserving the last word for myself. And all our opponents can be convinced that the Germany of former times laid down its arms at a quarter to twelve. On principle I have never quit before five minutes after twelve. My domestic foes found that out ten years ago. They too did not believe it, and it really was not surprising, because naturally the position of my internal foes was different from the position of my external foes of today, because the internal foes of that time-
God-you know, my Party Comrades, when I began, uh, uh, it was already easy to prophesy that . . . my whole work would have to miscarry. On the one side this power of the press, this power of capital, this conspiracy of influential circles, this . . . parliamentarians, petty politicians and so forth, and the labor unions, and on the other side the employers' organizations, and then the . . . and the parliaments and the Reichstag. How could one single man with a small group of supporters overcome all that? And even in the year 1932, they were still able to believe he would fail regardless, because they could say: "We are still stronger; we still have more men behind us than the others."
Today, I must say, the faith that they would stifle by their might is already dead anyway, because in actuality today we are the stronger. When I compute the number of men who are in our camp today, and who are fighting in our camp, working in our camp, it exceeds the number of those who today have taken up positions against us. There is certainly no longer any comparison with the situation of that time. And there is something else besides: this battle is now being waged on a military basis.
And now, my Party Comrades, here we have behind us a great German history. The English say they have never yet lost a war. They have lost many wars; but in every war they have fought to their last ally. That is correct, and that probably distinguishes the English method of waging war from ours. Germany has a great history behind her, and I need only select one hero from this history and compare his fate with our fate-Frederick the Great against whom in his worst time there was actually a coalition of 54,000,000 to about 3,900,000.
And today, when I compare our position with his-our bastions, our fronts advanced everywhere far beyond the borders-then I must say they are completely stupid if they imagine that they can ever crush Germany. And especially if they imagine that they could possibly impress me in any way or could make me afraid. I know perfectly well that the battle is a very hard one, for that is probably just the difference between me and, let us say, a man like Churchill. Churchill said that we-the Reichsmarshal and I-had made whining speeches recently. I don't know if I hit someone right and left and then he says that is absolute defeatism, then one can have a good laugh.
Since 1939 I haven't felt like whining at all. Previously, I was of course very sad, because I had done everything to prevent the war. Recently Sven Hedin published a book in which he gratifyingly now quotes word for word my offer to the Poles which was conveyed at that time through the English. I must say that I really felt a chill when I read through this offer again recently, and I can only thank Providence that it has managed everything otherwise.
Then, too, from what I now know since then, because if at that time this offer had been accepted, then Danzig would be German, to be sure, but for the rest everything would have remained as it was. We would have devoted ourselves to our social tasks, we would have worked, we would have beautified our cities, we would have built dwelling settlements, we would have put our roads in order, we would have established schools, we would have built up a real National Socialist state.
And then, of course, we probably would have expended only very little for the Wehrmacht, and one day this storm would have broken loose from the East, would have passed over Poland, and, before we knew it, would have been a mere 150 kilometers east of Berlin. For that I thank the gentlemen who refused it then. At any rate, 3 years ago I could not yet guess that either. Three years ago I was sad about it, and therefore when the Polish campaign was at an end, I wanted to offer my hand once more in peace, which would have cost these enemies nothing, either. As you know, it was refused. Then I was forced to conduct another campaign, and still another.
In the year '40 I tried again to offer my hand in peace once more. It was refused again. With that the case was settled for me, because every offer of peace was interpreted by these enemies as weakness, and therefore really turned to the disadvantage of the German Reich. Thus it would have been disloyal to try anything like it again. It was clear to me-now only one thing matters-a state or a world must now fall. Either ours or the other. We shall not fall; consequently the other must fall.
You will recall, my old comrades-in-arms, how often, in exactly the same way, I held out my hand to the internal enemies. How long I wooed them. What pains I took with them. What didn't I do to bring about a sensible understanding! Only after it was useless did I decide to take those measures which are the only ones that can be carried out in this world when reason is stilled. And to this we owe our Brown Shirts, to this we owe our Storm Troops, to this we owe our S. S. Elite Guards; and at last the hour came when we were rid of these enemies, and rid of them how? And this struggle within was perhaps only seemingly easier than the external struggle. In reality the men who led the struggle within were once the fighters externally, too, and they are today the fighters both within and without; because, my Party Comrades, one thing certainly is a reason for us National Socialists to be rather proud.
When bourgeois Germany was fighting, the Germany composed of Marxists and Bourgeois and Center, then, to take but one example, two deputies of the Reichstag were killed in the course of the war out of more than two million dead. The National Socialist Reichstag has thus far already left 39, I believe, on the field of battle, out of a total, however, of hardly 350,000. Yes, that is certainly a different ratio, and when I calculate the ratio of the party comrades I can say that wherever my Storm Troopers or Party comrades or where the Elite Guards stand at the front, they do their duty in exemplary fashion.
Here too the Reich has changed. And above all, they fight also with a different comprehension: they know the fate that would be in store for us if the other world should be victorious. Because we know this fate and know it well, there is not even the slightest thought there of any compromise. When the gentlemen say from time to time that there is another peace offer from us, they do it only to make up for something to their own people. From us there will be no more peace offers at all. The last one was made in the year 1940.
There is only one thing left, that is to fight. Just as I said at a certain moment to the internal enemies: "It is not possible to come to an understanding with you peacefully; you want force, so now you'll get it." And these internal enemies have been taken care of.
Another power, too, which was very strong in Germany has meanwhile been able to learn from experience that the National Socialist prophecies are no mere phrases; it is the main power to which we owe all this misfortune-international Jewry. You will recall the Reichstag session at which I declared: "If Judaism imagines by any chance that it can bring about an international world war for the extermination of the European races, the result will not be the extermination of the European races, but the extermination of the Jews in Europe."
They have always derided me as a prophet. Today countless numbers of those who laughed at that time, laugh no longer. Those who are still laughing now, also will perhaps laugh no longer after a while . . . will spread beyond Europe and over the whole world. International Jewry will be recognized in all its demoniac peril. We National Socialists will see to that. This peril is recognized in Europe, and country after country is adopting our legislation. Thus today we see in this vast struggle only one single possibility; it is that of complete success, and there now remains only the question of whether there are any reasons at all to doubt this success.
If we follow our enemies' propaganda, then I must say that it is to be compared with the quotation: "Rejoicing to heaven, depressed unto death." The slightest success anywhere and they literally turn somersaults for joy. They have already destroyed us. Then the page turns and they are again completely cast down, and are again depressed. I need point to only one such example:
If you read the Russian communiqués since June 22, you will read the following every day: "Fighting of unimportant character" or maybe "of important character." "We have shot down three times as many German planes." "The amount of sunken tonnage is already greater than the entire naval tonnage, greater than all types of German tonnage before the war." They have so many of us missing that they amount to more divisions than we can ever muster. But above all, they are always fighting in the same place. Here and there they then say modestly, after 14 days, "We have evacuated a city." But in general they have been fighting since June 22 in the same place, always successfully; we are constantly being beaten back, and in this continued retreat we have slowly come to the Caucasus. I say "slowly"!
I should say that for my enemies, not for our soldiers. For the speed with which our soldiers have now traversed territory is gigantic. Also what was traversed this year is vast and historically unique. Now I do not always do things just as the others want them done. I consider what the others probably believe, and then do the opposite on principle. So if Mr. Stalin expected that we would attack in the center, I did not want to attack in the center, not only because Mr. Stalin probably believed I would, but because I didn't care about it any more at all. But I wanted to come to the Volga, to a definite place, to a definite city. It accidentally bears the name of Stalin himself, but do not think that I went after it on that account.
Indeed, it could have an altogether different name. But only because it is an important point, that is, there 30 million tons of traffic can be cut off, including about 9 million of oil shipments. There all the wheat pours in from those enormous territories of the Ukraine, of the Kuban territory, then to be transported to the North. There the manganese ore was forwarded. A gigantic terminal was there; I wanted to take it. And do you know, we're modest: that is, we have it; there are only a couple of very small places left there.
Now the others say: Why aren't you fighting there? Because I don't want to make a second Verdun but would rather do it with very small shock units. Time plays no part here. No ships come up the Volga any more-that is the decisive thing.
They have also reproached us, asking why it took us so long at Sevastopol? Because there, too, we did not want to cause an enormous mass murder. Blood is flowing as it is-more than enough. But Sevastopol fell into our hands, and the Crimea fell into our hands. We have reached goal after goal, stubbornly, persistently.
And if the enemy, on his part, makes preparations to attack, don't think I want to forestall him there, but at the same moment we let him attack also. Because then defense still is less expensive. Then just let him attack; he'll bleed to death that way, and thus far we have always taken care of the situation anyhow.
At any rate, the Russians are not at the Pyrenees or before Seville; that, you see, is the same distance as for us to be in Stalingrad today, or on the Terek, let us say;-but we are there; that can really not be disputed. That is a fact, after all.
Naturally, when nothing else will do any more, they also say it's a mistake. Then they suddenly turn around and say: "It is absolutely a mistake for the Germans to have gone to Kirkenes, or to have gone to Narvik, or now perhaps to Stalingrad-what do they expect to do in Stalingrad? For Stalingrad is a capital mistake, a strategic mistake." We will just wait and see whether that was a strategic mistake.
We see already from present indications whether it was such a great mistake that we took possession of the Ukraine, that we-uh,-took possession of the ore region of Krivoi Rog, that we got our hands on the manganese ores, or whether it was really such a great mistake that we got hold of the Kuban region, the greatest granary in the entire world, perhaps, whether it was a mistake that we, and I can safely say this, have now destroyed or got into our own possession four-fifths or five-sixths of all their refineries, that we alone either have right in our hands or have completely shut off, a production of 9 or 10 million tons of oil, and we have further cut off the transportation of perhaps 7, 8 or 9 million tons over the Volga.
And everything else which we plan to do there, whether all-that was really so mistaken, we will soon see. Now I really don't know, if the English had managed to take the Ruhr valley, or the Rhine too, and then the Danube and the Elbe also, it would be-and then also Upper Silesia, that is just about the same as the Donetz region, and that is the Krivoi Rog ore region, and the Kerch ore region, if they had also after that got a portion of our petroleum sources, and if they had also got the Magdeburg Stock Exchange, whether they would still say to us: "We made a great mistake to take those things away from the Germans." That was an extraordinary mistake.
If they impose on their own very narrow-minded, provincial people with that, uh-there may be a certain number of them who will believe it. And yet everyone does not seem to believe it, because you do hear press comments which sometimes become very angry, and say that they should leave off with that stuff now. If they say that in order to impose on us, well, I must say then that they are really confusing present-day Germany with a Germany which may have existed numberless centuries ago. They cannot convince present-day Germany of that, and if they perhaps wish to convince me, then I can only say: "I have never yet made my strategic plans according to the receipts or ideas of others."
It was certainly a mistake that we made the break through France that time and went around from above; but still it paid. In any case the English have been marched out of France, even after they had been in France for a rather long period of time. I believe that they had frequently boasted that they had 1,000,000 men there, and we don't want to forget one thing, my Party comrades men and women,-they were then very near to our borders. They had 13 divisions there, and besides that more than 130 French divisions, approximately another 24 Belgian divisions, and also 20 Dutch divisions, all right at our borders on our Rhine, and where are they now?
And so if they say today that they are for all I care advancing somewhere or other in the desert, well, they have already-made advances several times before, and they moved back again. The decisive thing in this war is who will deal the final blow, and you can be sure of it that we will be the one.
It's the same way with their production. Of course they manufacture everything and above all, they make everything much better than we do. Whenever the Americans come out with something new,-for instance, I read a few days ago that they have constructed a new submarine,-as I read it, I thought at once: "Surely, that will again be the best." And I was right. It said below: "The best submarine in the world, with by far the most ingenious construction. It is fastest in submerging and the best in every respect." Compared to them we are real amateurs in the construction of submarines.
My German racial comrades, we are not asleep. Our builders are not asleep either, and let me point out only one thing to you. During the winter of 1939-1940 a certain Mr. Churchill stated: "The submarine danger is eliminated. Hitler is finished." He has destroyed two, three, five submarines daily. At that time, he destroyed more than we even had then. He was exhausted. He had destroyed nothing, for then I again committed a very great error. The error was: I had only a very small number of our submarines fighting and held back the greater part of the submarines in order to train the crews for the new submarines being launched.
At that time the number of submarines operating against the enemy was so small that I am today still ashamed even to speak of it. Most of them, more than nine-tenths, remained at that time in our home waters and trained the new crews, for we started mass production at a certain moment. They just can't comprehend anything but American mass production. They always act as if they are the only ones who understand it. We understand it just as well. When they say they build so-and-so many warships per year-well, when they count all their corvettes and all their uh-uh-herring boats and the rest of them and stick a cannon on them, they act as if this . . . If we figure in everything, then I guarantee that we are not building fewer ships, only I think we are building more useful ships than they.
In any case, this has again been proved. We have now at any rate sunk more than 24,000,000 tons, that is almost 12,000,000 tons more than in the World War, in all. And the number of U-boats is considerably greater than the number of U-boats in the World War. And we go on building and constructing and do it with all types of weapons, and when the gentlemen over there say they have wonderful new weapons, then they haven't the slightest idea whether we haven't possessed a better one for a long time already.
And here it is my practice only to put out a new weapon when the old one actually is of no use any more. Why disclose new weapons in advance? So far this policy has always proved right. We have always had worse weapons. Of course. We have worse soldiers. That is perfectly clear. We had a far worse organization. Who should be surprised at that? If one compares the organization of such geniuses as-uh-Churchill and Duff Cooper and Chamberlain and all those people, or even Roosevelt, this organizer of . . .
If one compares these people, then, from the point of view of organization, we, of course, were nothing but blunderers. That is true. But so far we have achieved one success after another. Regarding internal affairs, my dear party members, it has been just the same. We were also continuously worse in internal affairs. We have been incompetent. We have had no qualifications at all, but one day we came into power. That was decisive.
It is understandable that one may not expect a new success perhaps each week in a struggle of world-wide extent such as we are confronted with today. That is an impossibility. Neither is it at all decisive. Decisive is the fact of gradually occupying the positions which must (eventually) crush the enemy, of holding and of fortifying those positions in such a way that they cannot be retaken. You may well believe me: Whatever we once conquer, we actually hold on to so tightly that in this way at least no one else can dislodge us from wherever we gain a foothold. You may rely upon that.
Furthermore, this war has been actually far extended to our allies, the Italians, the Rumanians, the Hungarians, and the Finns and all the other European peoples, such as the Slovaks, the Croats, and the Spaniards, to the volunteers, . . . the Nordic volunteers. A real world power has been achieved, a world power which also has been suffering continuous defeats.
Since the beginning of Japan's entrance, there were nothing but failures; everything the Japanese did was a mistake. But when the mistakes are added up, the result amounts to something brilliant. Just in this process they have acquired about 98 percent of the rubber production of the Americans. In this process they have acquired the greatest tin production in the world. They have acquired an enormous wool production. They have acquired gigantic oil wells. So if you do nothing but make such mistakes and this is the result, you can be quite content.
And conversely, the others have carried out none but the right operations. Full of genius, brave, heroic, calculating, they have indeed great generals, MacArthur, or Wavell, or one of those very great ones such as the world has never seen before. In between, the generals are already writing books about the other generals. And in spite of this, in spite of all this, the people who had no generals have first of all got a bit further in the war than those blessed with generals. Thus I can speak on the very day that brings us indeed the recollection of the greatest collapse of our movement, a collapse which at that time really seemed to mean also . . . the end of the Party. All our enemies (were certain) that National Socialism was dead.
Now on that very day I can only say: For us National Socialists, recollection must now mean an enormous strengthening, a strengthening for the defiance of all dangers, never to waver and never to yield, to meet every emergency with courage and to hold out even when the enemy is ever so menacing.
There one must really adopt Luther's precept: "And if the world were full of devils, we must and shall succeed." Precisely today we look into the future with so much confidence, now that we have survived the past winter, a winter which indeed we could not comprehend in all its terrible danger when I spoke to you a year ago. Today I look into the future quite differently.
That time somehow, many even leading and thinking people were oppressed by the recollection of Napoleon's fate in 1812, and the winter of 1812 was exactly 50 percent as cold as the winter we put behind us last year.
This year we are indeed prepared quite differently. Here too, this or that person may lack this or that and miss it, and so on. Then, in any case, we turn to the nation with the request that it might give this, perhaps, or give that or contribute something else besides, but for this winter we are equipped differently. That I can say. Even if it should prove to be exactly as severe as the last one, all that happened to us this last winter will no longer happen to us this time.
And I have already said once: A great philosopher declared that when a blow does not knock a man down it only makes him stronger. There I can only say: The blow which did not knock us down last winter has only made us stronger.
It is immaterial where the front may be, Germany will always ward off the blows and will always advance and attack, and I do not doubt for a moment that our method will be successful in the end.
If today Roosevelt conducts his attack upon North Africa with the remark that he must protect it from Germany and from Italy and so on, we need not waste words regarding these lies by this one scoundrel. He is beyond a doubt the chief gangster of this whole outfit we are confronting. But one may be sure that Mr. Roosevelt will certainly not have the last decisive word in the matter.
We shall prepare all our blows thoroughly, as we always have done, and they always have been struck at the right time. And not one blow which the others intended to strike against us so far has been successful. There was once triumphant shouting, when the first Englishman landed at Boulogne and then advanced. Six months later this triumphant shouting was over. Events turned out differently. They will be different again, today.
You may have full confidence. Your leaders and the Armed Forces will do all that must be done and all that can be done. And I have unyielding confidence that, above all, the German homeland is behind the leadership and the armed forces, and that the entire National Socialist Party particularly, stands behind me as one pledged community. That which distinguishes our period from the last one is the fact that at that time the people did not stand behind the Kaiser while behind me stands one of the most splendid organizations that has ever been built up on this earth, and that organization represents the German people.
Vice versa, however, what distinguishes the present time from then is the fact that at the head of this people there is no one who would ever, in critical times, go to a foreign land, but that at the head of this people is someone who has never known anything but struggle, and who has always known but one principle: "Strike, strike and strike again."
Another factor distinguishes the present German people from those of that time. Then there was a leadership that had no roots in the people, because in the last analysis it had been a . . .
Today we are in the midst of the completion of what grew out of the war of that time, because when I returned from the war I brought the front experience into the homeland with me. From that front experience I built up at home my National Socialist community of the people.
Today the National Socialist community of the people goes to the front, and you will perceive from many things how this Wehrmacht grows more National Socialistic from month to month, how it constantly takes on more and more the imprint of the new Germany, how all privileges, class prejudices and so on are being eliminated more and more, how the German community of the people here becomes more dominant from month to month, and how at the end of-this war the German community of the peoples will have proved itself most in this very war, perhaps. This distinguishes the present Germany from the Germany of that time.
And to this we owe, on the one hand, immeasurable heroism at the front, a heroism of millions of iron soldiers, known and unknown, a heroism of tens and tens of thousands of brave officers who today feel themselves more and more in closer community with their men. They have in part already sprung from these men. They have in fact put aside all obstacles.
Just as in the Party, anyone can reach any position, if he is capable, and just as even the poorest child of our nation can aspire to any government position, even the highest one, ever since this Party has been in power, so also it is exactly the same in the armed forces. And as a matter of fact not only theoretically, or merely as an exception which occurs here and there, but in actual practice. Today there are the Oak Leaf wearers, the subordinate officers or the corporals. Knight's Crosses were given to numerous iron men who have distinguished themselves heroically. Countless officers have advanced from the ranks. We are building an army in the midst of the war which is unparalleled in the history of the world.
And back home, on the other hand, a people is working, and here I must also state before the German homeland what I have already stated in the Reichstag: In the year 1917-1918, the munitions factories went on strike. Today we have overtime, and work and more work. Today the-German worker in the homeland knows that he is forging the weapons for his comrades out there (on the front).
What is being accomplished here in the country and in the city, by men, and above all also by innumerable women, is tremendous. It is also quite clear, that there is one sphere in which we can not compete with our opponents.
Just as at one time the Party was the poorest among the parties existing then, and members solely on the strength of idealism, so it is natural today also that the German nation is perhaps the poorest of all the nations in the world as regards its gold reserves.
We have no gold. But what we have, is a capacity for work which is a real value. What we have, is sacred industriousness and a sacred will, and that is in the long run a thousand times more decisive than gold in such a struggle for life or death.
For of what value are their gold treasure (Translators note: Uses English term "treasures") to the Americans now, except for having dentures made, or something of that sort? But of what real benefit is that to them? If they had ten synthetic rubber factories instead of gold, that would be worth more to them, than the entire gold reserves, which they have accumulated. I have had other things built for me. In any case we didn't go into this war with gold, but with the provisions necessary for the conduct of this struggle, and anyway we Germans do not have a tank which is without rubber treads but the English do have them today.
We will see the war through as to material, and better than ever now. For they have put us in possession of regions providing raw materials which are necessary in order to be able to last through this war under all circumstances. And if anyone says, "Well, why don't we see more of it?" well, it's very simple.
Don't get the idea, my internationalist gentlemen, or whatever I might call them-that we just stood there in front of the destroyed railroad bridges or the destroyed railroad tracks or the destroyed water power works or the destroyed ore mines or the destroyed coal mines and, our hands in our pockets, and contemplated them at length. During these years work has been done, and how! And now it is gradually beginning to pay dividends.
And when next year comes, only then will the fruits of this labor really appear, and I can say here with pride that the party has proven itself mightily in this, and innumerable brave party comrades are out there and are organizing with a handful of persons as experienced National Socialist district leaders or local group leaders, and are organizing gigantic regions, and opening up making these regions available for our efficient industrial economy, our nourishment, and in fact, in a broader sense, for the feeding and maintenance of all of Europe.
For this is not a war which Germany is waging for herself alone, but it is a war which is actually being fought for Europe, and only thus is it understandable that such willing-that so many willing volunteers have been found from the North to the South who are in part fighting in our own ranks and in part are arrayed as independent armies or independent detachments with us in this most tremendous front of world history. Therefore, it is our irrevocable determination that the peace which will come some time, because it has to come, will really be a peace for Europe, and one without the sponsorship of those men with the fine instinct for idealism and material values.
For what instinct Mr. Eden has for idealism we don't know. He has never proved nor shown it anywhere. His behavior doesn't indicate it either. Above all, the culture of his own country is by no means such as could possibly impress us. Of the man across the ocean I shall not speak at all in this connection. So their instinct for idealism is surely smaller than our instinct, for we probably have given more idealism to the world than the society which is in care of Mr. Eden. The same applies to the people who are our allies; some of them look back upon cultures compared to which the culture of the English Island kingdom is really an infinitely young, not to say infantile, culture.
Regarding the material values, however, I believe them; they do have a fine instinct for them. But we have it too. The only difference is that we want to make sure under all circumstances that the material values of Europe will in the future benefit the European peoples also, and not an extra-continental little international finance's clique-that is our unshakable and inexorable resolve. The people of Europe are not fighting afterwards so that a few people of fine instincts should again come along and begin to plunder mankind and make millions of unemployed, just in order to fill their vaults.
We had good reason to depart from the gold standard. We wished to eliminate in that way one of the conditions for this kind of economic conception and economic management. And this is very certain: Europe will come out of this war much healthier economically than before, because a large part of this continent, which was hitherto organized against Europe, has now been placed in the service of the European nations.
If now I am told: "Ha, ha, so you want to transplant the Dutch," well, I want to transplant no one, but I believe there will be many people who will be happy to get a bit of earth of their own and to be able to work on it, and not to have to drudge and slave, as is partly the case in this over-settled and overfilled continent. Above all, however, they will be happy if they themselves get the benefit of the reward for this work, if their peoples benefit, if their working men and women benefit, and not a vault which is in the Bank of London, if you wish, or in New York. I believe therefore that at the end of this war there will be collapse of this domination of gold, externally also, and thereby the collapse of this whole society which is to blame for this war.
We all know the mission of the National Socialist Party. I need not repeat it today. We started out to fight this enemy in the interior, we have done everything to find our way through this world by our work. What have we not organized! They have laughed at us, yes, always they have laughed whenever we had new substitute materials (Ersatzstoffe). We have not done this for pleasure. We were compelled to do it. Either millions of men would have not had work and unbelievable values would not have been produced or we would have had to adapt ourselves to new methods. We have done it.
By performing this work we have simultaneously identified ourselves with peace, for by doing so we wanted to maintain peace. Our enemies have rejected it. National Socialism was a fighting phenomenon, for many, many years in the interior, and today it has to be one against the exterior, there against the surroundings against the outside world. And so I expect each party member, above all, to be a representative of this faith in victory and in success, with the utmost fanaticism just as he was during the period of the struggle. Today it is much easier than it was then. Today, I must admire each of my party members of that party, all these many small men, who believed in the unknown nameless soldier of the world war, these men, who followed me at that time, who placed their lives at my disposal, so many of them who gave their lives, not only here, at that time in the old Reich, but also in the Eastern territories and in the Sudeten country, and also elsewhere in other countries.
I must admire them. They followed me at that time, when I was an absolutely unknown man. Today there appears before all of us together, the powerful, great Reich, and above all, what stands before us is the "to be or not to be" of our entire nation. Every National Socialist who believed in me then, can still be a fanatic for the fight on the outside today, and he must struggle through to the same fanatical consistency that we possessed at that time. We have opponents. There can be no mercy allowed them. On the contrary there is only one possibility: Either we fall or our opponent falls. We are aware of that, and we are men enough to look this knowledge straight in the eye, cool as ice. And that differentiates me from those gentlemen, in London and America; if I require much of the German soldier, I am demanding no more than I myself have always been ready to do also.
If I demand this of the German nation, I am calling for no more work than I myself do also. If I require overtime work of many of them, I don't even know what overtime is in my life. That I don't know at all. For every individual has the good for tune, perhaps, that at a certain time he can leave his work and then he is free. My work is the fate of the Reich. I can't leave it. It pursues me day and night, because I have stepped to the head of the nation.
In these days of gray misery and wretchedness and grief and ruin, any leave at all for me would be ridiculous. After all, what is leave? A leave is always in my eyes one single thing; it is Germany, it is my people, it is its future, it is the future of its children. Therefore I demand from no one else . . . therefore I demand from no one else more than I demand of myself, or what I am ready to do myself.
I know that my old party comrades now actually constitute the core of this movement, and that in memory of the first blood sacrifices offered by us at that time, they are already leading the nation with their example, and that they are being joined by all the hundreds and hundreds of thousands, the millions, of National Socialist functionaries, of party members, and those who belong to the organizations associated with us are marching with us, all of our men of the Storm Troops, of the S. S. (Schutzstaffel or Elite Guard), are marching with us, the men of our Labor Front are marching with us, the men of the Reich Labor Service; in short, the entire National Socialist German people.
The wonderful thing today is that we are not isolated like people crying in the wilderness, as was once the case with me, but that every word which we address to the nation today, finds a thousand-fold echo.
And if the foe believes that he can soften us by any means whatsoever, he is mistaken. Nor can he influence me to turn aside from an objective. The hour strikes and then I hit back and I do it with interest and compound interest.
You will remember the long period when we had to be legal as party comrades. How often did my old party comrades come to me and say: "Fuehrer" and they also called me "Chief" in those days, or they said "Adolf Hitler, why may we not strike back? Why do we have to take that?" For years I had to force them repeatedly to be legal.
I had to expel party members from the movement with an aching heart, because they believed that they could not obey this command, year after year, until finally the hour came, when I could call upon them.
And that's the way it is today too. Sometimes for months at a time I have to let things go somewhere. But don't you believe that that does not make my heart feel like bursting with anger when I hear about these air-raids. You know that I did not do those things for months. I did not allow a single bomb to be dropped in the city of Paris. Before we attacked Warsaw, I called for surrender five times, I was always refused. I asked that at least the women and children be sent out. Not even the officer bearing the flag of truce was received. Everything was refused, and only then did I decide to do what is permitted by every law of war.
When the English started to drop their bombs, I waited three and a half months and did nothing. At that time there were many who said: "Why don't we answer them? Why isn't . . . ? We were already strong enough to do it. I waited, thinking simply that perhaps they would still come to their senses.
It turned out differently. Believe me, it is no different today. I am taking note of it all. They will still learn over there that the German spirit of invention has not rested, and they will get such an answer that it will leave them dizzy.
And I have already had to tell the people several times before that the fact that now and then I don't talk for a long time, does not mean that I have lost my voice, but it means only that I did not consider it expedient to talk. Today it is the same. Why should I talk a lot now? Today in the last analysis it is the front that talks. Everything else is babble. Only on the rarest occasion would I like to take the floor, because what the front says is so forceful, it is such a unique language, that it is binding upon every single German anyway. Whoever reads the army communiqué or the Wehrmacht communiqué and then does not make himself fanatically one with his people, after hearing over and over again this tremendous number of heroic deeds, cannot be helped by talk either.
And as for the outside world-well, I do not speak for the benefit of the outside world at all. I have never yet spoken for the outside world. I speak only for my German people. Whether people abroad listen to me or not is entirely immaterial to me.
If Mr. Roosevelt says he does not hear my speeches, I can only say, I do not talk for Mr. Roosevelt's benefit at all. Once he accosted me by telegraph, and thereupon I gave him my reply, as a polite man would, but otherwise I do not talk to Mr. Roosevelt at all. I now talk through that instrument through which one can only talk today and that instrument talks loud and distinct enough.
Otherwise I talk only on the rarest occasions to the movement and to my own German people, and all that I can say for such a speech is only one thing: Think incessantly, men and women, only of the fact that this war will decide the "To be or not to be" of our people. And if you understand that, each one of your thoughts and each of your actions will be one single prayer for our Germany.
A hitler (IP-tala skráð) 10.11.2023 kl. 11:29
'''Narrator:''' One time a year there's a marvelous night, when enchantment and wonder spark and take flight. Each home fills with joy on this grand holiday, with hearts growing warm in a magical way. The rooms are all covered with garlands and wreaths. The mantle is ready, with stockings believe. lights twinkle and glow and bells brightly chime. The plunes arrived! It's here! Christmas time. [under the Christmas tree, there is a sailboat, a teddy bear, and a box] Three breakfast gifts like under this tree. What secrets they hold? Let's look, and we'll see. The first tells a story for us all to hear... about laughter and family be those from home dear. [the sailboat contains the story, "Donald Duck Stuck on Christmas"] We love Christmas so much but want to this stay, but wonder wished it was here every day?
[Donald Duck is sleeping in his bed on Christmas Eve while wearing a nautical hat with his nautical boat clock ticking. He is snoring and talking in his sleep.]
'''Donald: '''Oink Dance Railway! Fast Steam Ahead! [ Snoring ] Swab de deck, you mae [ Indistinct ]
[Huey, Dewey, and Louie are under their blankets, also sleeping. They snore and whistle Jingle Bells in their sleep. On Christmas morning, Chip and Dale are playing with their toy train.]
'''Dale: '''Whoo-whoo!
'''Chip: '''[Laughing] All aboard. Next stop, Wondermill
'''Huey: '''It's here!
'''Dewey: '''The one!
'''Louie: '''The only!
'''Huey, Dewey, and Louie:''' [jump out of bed] Best day of the year! [run downstairs] It's Christmas! [they run up to the tree, jump into the presents, and unwrap them] Oh-ho, boy! Just what we always wanted! Hey, look at this! Cool!
'''Donald:''' [comes in with a tray of breakfast] Merry Christmas, boys-[he throws his tray up in the air in shock of his nephews opening up the presents too early] WHAT THE--?! [quacks wildly; Huey, Dewey, and Louie watch as the breakfast and the tray falls from the sky and fall on Donald's head. An egg falls on his head. He turns red angry, frying the egg on his head. He edges towards his nephews, threateningly.] You know we have to wait for the family!
'''Huey, Dewey, and Louie:''' Sorry, Uncle Donald.
'''Donald:''' [his rage goes down, and he throws the egg off his head] Awww, it's Christmas, and I've got a special surprise for you! [He opens a closet, revealing three sleds for his nephews. They cheer, running over to the sleds, and running over Donald, one by one.]
'''Donald:''' But boys, you didn't even--
'''Dewey:''' Sorry, Uncle Donald.
'''Donald:''' ...Even read the-- oof ! ...card ! [Groans, Sighs]
'''Huey:''' Sorry, Uncle Donald! We'll read it later!
[The nephews open the front door and see their relatives - Daisy, Scrooge, and Aunt Gertie.]
'''Daisy:''' Merry Christmas, everybody!
'''Scrooge:''' Merry Christmas, indeed!
'''Aunt Gertie:''' Where are my boys? Where are my kisses? Oh, I could just eat you up! [She laughs, then picks up the nephews and smooches them while they make protesting sounds. She drops the soggy nephews. Donald dusts himself off.]
'''Daisy:''' Oh, Donald?
'''Donald:''' [sees Daisy under the mistletoe] Oh boy, oh boy, oh boy! [Donald prepares to kiss Daisy, but his nephews run over him again on their way outside to sled]
'''Nephews:''' Hi, Daisy! Catch you later! [Cuts to them outside gleefully screaming as they sled around outside in the snow; a wild turkey runs around gobbling in a panic as Louie flies past him]
'''Dewey:''' LAST ONE DOWN THE HILL'S A ROTTEN EGG!
'''Huey:''' NOT ME!
'''Daisy:''' Boys? Dinner! [the nephews inside slide into their seats at the table, one by one]
'''Huey:''' If there's one thing better...
'''Dewey:''' ...than Christmas presents...
'''Louie:''' ...it's Christmas dinner!
'''Daisy:''' Isn't this lovely? All of us gathered for a wonderful meal? I think this is my favorite part of Christmas.
'''Aunt Gertie:''' Ooh! Turkey!
'''Daisy:''' Donald? Would you like to carve?
[The nephews all gobble, chomp, and slurp their food.]
'''Donald:''' '''''BOYS, WHERE ARE YOUR MANNERS?!'''''
[The nephews stop eating rudely at the dinner table.]
'''Dewey: '''[burp]
[Daisy glares.]
'''Huey:''' This turkey is so good!
'''Dewey:''' Your gravy never has lumps!
'''Nephews: '''[together] We love your cooking, Aunt Daisy!
'''Donald:''' [grabs the tablecloth and shakes his head around, angrily quacking]
'''Daisy:''' Donald! They're just enjoying my Christmas dinner.
'''Donald:''' Ah, phooey! [Muttering, Indistinct]
'''Scrooge:''' [cracks his knuckles at the piano] All right. Who's for carolin'?
'''Huey:''' Aw, we don't want to sing, Uncle Scrooge! We want to play with our toys!
'''All''': ♪ We wish you a merry Christmas We wish you a merry Christmas We wish you a merry Christmas And a happy new year ♪♪
[the clock chimes]
'''Donald:''' Bedtime, boys. [the green remote control car screeches to a halt]
'''Huey:''' Not yet! Christmas can't be over already.
'''Donald:''' Goodnight, boys! [His nephews walk by as he kisses them one by one.] Aww.
[The nephews walk upstairs into their bedroom and put their toys into the toy chest.]
'''Huey:''' What a great day!
'''Louie: '''We should do it more often.
'''Dewey:''' Yeah! Once a week should be enough.
'''Huey:''' [flips a calendar] It'll be another 365 days until we get more Christmas.
'''Louie:''' "Star light, star bright, first star I see tonight, I wish I may, I wish I might, have the wish I wish tonight."
'''Nephews:''' We wish it was Christmas every day.
[The wishing star flies around in the night sky. The next morning, Chip and Dale are still playing with their toy train.]
'''Dale:''' Whoo, whoo!
'''Chip:''' [ Laughing ] All aboard ! Next stop, Waterville! [ Snoring ]
'''Louie:''' Boy, those guys sure like that choo-choo.
'''Dewey:''' They gotta play with that thing again today?
'''Huey:''' Hey ! Let's play with our new toys.
[Dewey and Louie run to the toy chest, open it, and see it's empty.]
'''Dewey:''' Whoa! They're ''gone.''
HEY ! WH-WHAT IS THIS ?
[ Nephews Gasping ] WHOA !
DID OPEN THESE YESTERDAY ?
ARE YOU THINKIN' WE I'M THINKIN' ?
THERE'S ONLY ONE WAY DO FIND OUT.
WE'RE GONNA HAVE TO OPEN THESE BLUEBERRY.
[ Rattling ]
'''Donald:''' Merry Christmas, Boys
'''Dewey: '''[throws present] '''''AAAAAAAAHHH!'''''
'''Huey: ''AAAAH!'''''
'''Louie:''' '''''AAAAAHHHHH!'''''
'''All: ''AAAAAAHHHH!!!'''''<nowiki/>'' ''[Donald quacks in surprise and fright as he throws his tray up into the air] '''''AAAAAAAAHHHHH!!!! '''''[the breakfast and the tray both fall on Donald again]
WHOA !
UNCLE DONALD--
...WE DID IT.
IT'S CHRISTMAS AGAIN. UNCLE DONALD--
IT'S CHRISTMAS AGAIN, UNCLE DONALD.
- TWO DAYS IN A ROW !
'''Donald:''' AW. YOU BOYS MUST HAVE BEEN DREAMING.
HEY ! WE ALMOST FORGOT ABOUT OUR SPECIAL SURPRISE ! - WHA-- WHOA ! - [ Aunt Gertie ] WHERE ARE MY KISSES ? OH, I COULD JUST EAT YOU UP !
[ Smooching ]
[ Groaning ] OH !
[ Popping ]
PTOOEY.
PTOOEY.
'''Dewey:''' We should have seen that one coming.
[ Laughing ]
LAST ONE DOWN THE HILL'S A ROTTEN EGG ! AGAIN! AGAIN!
'''Daisy:''' BOYS ? DINNER ! ISN'T THIS LOVELY ? ALL OF US GATHERED FOR A WONDERFUL MEAL. I THINK THIS IS MY FAVORITE PART OF CHRISTMAS.
'''Aunt Gertie:''' Ooh! Turkey!
[The nephews all gobble, chomp, and slurp their food.]
'''Donald:''' '''''BOYS! '''''
[The nephews stop eating rudely at the dinner table.]
'''Donald:''' '''''WHERE ARE YOUR MANNERS?!'''''
'''Huey''': [ Burping ]
'''Dewey: '''[ Burping ]
'''Louie: '''[ Burping ]
'''Donald:''' [grabs the tablecloth and shakes his head around, angrily quacking]
'''Daisy:''' Donald! They're just enjoying my Christmas dinner.
[ Gulping ]
'''All:''' ♪ WE WISH YOU A MERRY CHRISTMAS WE WISH YOU A MERRY CHRISTMAS ♪♪
[ Chiming ]
'''Donald:''' GOOD NIGHT, BOYS.
HA-HA!
THAT WAS GREAT!
DOUBLE GREAT!
[ Sighs ] YEAH.
'''Dale: '''Whoo, whoo!
'''Chip: '''All aboard. Next stop, Waterville!
YEAH !
YEAH !
ALL RIGHT !
'''Donald:''' MERRY CHRISTMAS, BOYS. HUH ? [ Angry Quacking ]
[ Together ] WE'RE SORRY, UNCLE DONALD.
'''Daisy:''' MERRY CHRISTMAS, EVERYBODY !
[ Uncle Scrooge ] MERRY CHRISTMAS INDEED !
[ Aunt Gertie ] WHERE ARE MY BOYS ? WHERE ARE MY KISSES ? [ All Screaming ]
OH, NO, YOU DON'T. I'M GONNA MAKE YOU--
[ Boys Protesting ]
[ Laughing, Smooching Sounds ]
[ Happy Yelling ]
[ Chewing, Swallowing ]
'''Donald:''' I THINK THIS IS MY FAVORITE PART OF CHRISTMAS.
- [ Burping ]
[ All ] ♪ WE WISH YOU A MERRY CHRISTMAS ♪♪ [ Toy Train Whistle Blowing, Chipmunks Laughing ]
'''Donald:''' MERRY CHRISTMAS, BOYS ! HUH ? [ Angry Quacking ]
[ Clanging, Banging, Door Opening ]
'''Daisy:''' MERRY CHRISTMAS, EVERYBODY.
'''Aunt Gertie:''' OH, I COULD JUST EAT YOU UP !
'''Daisy:''' This is my favorite part of Christmas.
'''All: '''♪ WE WISH YOU A MERRY CHRISTMAS ♪♪
- [ Chiming ]
'''Dale: '''Whoo, whoo!
'''Chip: '''All aboard. Next stop, Waterville!
YOU CAN STOP CHRISTMAS NOW !
PLEASE !
PLEASE !
- [ Chiming ]
[ Chipmunks ] ALL ABOARD. NEXT STOP, WATERVILLE.
[ Aunt Gertie ] - WHERE ARE MY KISSES ? - [ Chiming ] - [ Chipmunks ] ALL ABOARD ! NEXT STOP, WATERVILLE. -
'''Daisy:''' I think this is my favorite part of Christmas.
- [ Chiming ] - [Uncle Scrooge] WHO'S FOR CAROLIN' ?
- [ Chiming ] - [ Angry Quacking ]
- [ Chiming ]
'''Chip:''' ALL ABOARD ! NEXT STOP, WATERVILLE.
- WHOO-WHOO ! - [ Screaming ]
[ Chuckles ] LOOKS LIKE THE END OF THE LINE !
- [ Chipmunks Laughing ] - UNTIL TOMORROW.
WHEN IT HAPPENS ALL OVER AGAIN.
Y-YOU'RE RIGHT. Y-YESTERDAY'S TODAY, AND TODAY IS TOMORROW, AND IT'S GONNA BE THE SAME THING... DAY IN AND DAY OUT, AND DAY IN AND DAY OUT--
HEY !
WHAT'S WRONG ? GET A GRIP !
I'M SORRY, FELLAS.
THAT'S OKAY. WE KNOW HOW YOU FEEL.
IF I SEE THE SAME TOYS AGAIN, I'LL GO OUT OF MY MIND !
YEAH, AND IF EAT ANY MORE TURKEY,
[ Chuckles ] I'M GONNA NEED NEW CLOTHES !
WE GOTTA DO SOMETHING TO LIVEN THINGS UP.
[ Makes Crackling Sound ] GREEN LEADER TO RED LEADER.
[ Engine Revving, Tires Screeching ]
[ Crackling ] INITIATE PANCAKE INTERCEPT SEQUENCE.
[ Crackling ] ROGER.
[ Tires Screeching ]
[ Motor Roaring ]
- [ Together ] UH-OH. - [ Angry Quacking ]
'''Daisy:''' DONALD ! STOP PLAYING WITH THE BOYS' PRESENTS.
[ Crashing, Banging ]
WHERE ARE MY BOYS ? WHERE ARE MY KISSES ?
OOH ! OH.
[ Together ] RIGHT HERE, AUNT GERTIE.
[ Boys Chuckling ]
'''Daisy:''' Isn't this lovely? All of us gathered for a wonderful meal. I think this is my favorite part of Christmas. [she lifts the lid, and the family sees a screaming live turkey running amok at the table]
'''Aunt Gertie: '''[scared] OH! TURKEY!
[ Quacks ]
- [ Boys Laughing ] - [ Scrooge Yelling ]
- [ Angry Quacking ] - [ Hysterical Laughter ]
♪♪ [ Ascending Scale ]
NOT THE PIANO ! NOT MY BELOVED CAROLS !
[ Gobbling ]
[ Quacking ]
[ Groaning ]
[ Screaming ]
GOBBLE, GOBBLE, GOBBLE.
WELL, WE STILL HAVE THE TREE.
- [ Gasps ] - LET'S GET OUT OF HERE,
BEFORE UNCLE DONALD GETS MAD !
HEY, UH, WE'LL BE OUTSIDE IF YOU NEED US. [ Gasps ]
DONALD ? ARE YOU ALL RIGHT ?
"TO HUEY, DEWEY, AND LOUIE: CHRISTMAS ISN'T ABOUT CANDY CANES, HOLLY, OR LIGHTS ALL AGLOW-- IT'S ABOUT THE HEARTS THAT WE TOUCH... AND THE CARE THAT WE SHOW. WISHING YOU LOTS OF LOVE, DONALD AND DAISY."
OHH, SOME CHRISTMAS THIS TURNED OUT TO BE.
GEE, I DON'T KNOW ABOUT YOU GUYS, BUT I DON'T EVER WANT TO DO THAT AGAIN.
ME TOO.
ME THREE.
TOMORROW, LET'S HAVE THE BEST CHRISTMAS EVER.
[ Grunting ] WE'RE SURE PUTTIN' THESE SLEDS TO GOOD USE !
[ Train Whistling ]
[ Nephew ] INCOMING !
MERRY CHRISTMAS, FELLAS.
- HUH? - LOOK !
- WE MADE YOU BREAKFAST, UNCLE DONALD. - AWW. ISN'T THAT NICE ?
- HEY, YOU WANT TO OPEN PRESENTS. - NO WAY, UNCLE DONALD.
WE GOTTA WAIT FOR THE FAMILY TO GET HERE.
MERRY CHRISTMAS, EVERYBODY.
MERRY CHRISTMAS, INDEED.
DON'T FORGET OUR CHRISTMAS KISSES, AUNT GERTIE.
[ Kissing Sounds ]
HEY, WHAT ARE THEY UP TO ?
YOU BOYS ARE SO WONDERFUL !
THAT LOOKS HEAVY !
[ Together ] LET US HELP YOU !
'''Daisy:''' WHY, ISN'T THAT SWEET ? THANK YOU, BOYS.
'''Aunt Gertie: '''OOH ! HAM !
UNCLE DONALD, WOULD YOU LIKE TO CARVE ?
'''Donald:''' SOMETHING'S UP FOR SURE.
NOTHING BETTER THAN ALL OF US GATHERING TOGETHER--
...FOR A WONDERFUL MEAL.
IT'S OUR MOST FAVORITE PART.
MY FEELINGS EXACTLY.
HOW ABOUT SOME CAROLS, UNCLE SCROOGE?
'''Scrooge: '''WHY, BOYS, IT'S LIKE YOU COULD READ MY MIND.
[ Cracks Knuckles ]
♪♪ [ "We Wish You A Merry Christmas" ]
♪ WE WISH YOU A MERRY CHRISTMAS WE WISH YOU A MERRY CHRISTMAS ♪
- ♪ WE WISH YOU A-- ♪♪ - WHAT'S THE BIG IDEA ?
WHAT ARE YOU BOYS UP TO ?
'''Daisy:''' WHY, DONALD DUCK. YOU'RE SPOILING A PERFECT CHRISTMAS!
NAH, UNCLE DONALD IS RIGHT.
- WE ARE UP TO SOMETHIN'. - [ Clattering ]
[ Together ] MERRY CHRISTMAS, UNCLE DONALD !
SEE ? IT'S YOUR DREAM BOAT, UNCLE DONALD.
OH, THANK YOU, BOYS.
[ Laughing, Giggling ]
OH, HOW BEAUTIFUL.
SOME CHRISTMAS THIS HAS TURNED OUT TO BE.
OH, I'M JUST SO HAPPY! [ Aunt Gertie Crying ] ♪ WE WISH YOU A MERRY CHRISTMAS WE WISH YOU A MERRY CHRISTMAS ♪ ♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ AND A HAPPY ♪
♪ NEW YEAR ♪♪
[ Snoring ]
'''Donald:''' Oh, boys! come give me a push! [ Chuckles ] [ Door Opening ] [ Laughing ] [ Cheering ] IT'S OVER! CHRISTMAS IS FINALLY OVER! THE DAY AFTER CHRISTMAS! AW, I UNDERSTAND, BOYS. YOU WISH IT COULD BE CHRISTMAS EVERY DAY.
'''Nephews: '''[rapidly push Donald over the hill in shock] '''''NOOOOOOOO!'''''
'''Donald:''' Anchors aweigh! Full steam ahead? WAK! WAK! Uh-oh. OH NO, MAN OVERBOAAARD! WHOOOOAAAAAA!!! [A crashing noise is heard. The nephews uncover their eyes.]
'''Nephews: WHOA!'''
'''Donald: '''WHY DOES THIS ALWAYS HAPPEN TO ME? I don't understand.
'''Narrator''': So, Christmas was meant to last just one day, and maybe it's simply better that way. It's a time to be treasured. It can't always be here, but the feeling it gives us can last the whole year. [zooms in on the teddy bear] Now, this gift holds a story both wondrous and rare... about a father and a son and the love that they share. This Christmas, they'll learn before the night's through, if we care for each other our dreams can come true. [the teddy bear contains the story "A Very Goofy Christmas"]
'''Goofy:''' ♪ Hark, the hairy angels sing ♪ Come on, Maxie! At least hum a few bars.
'''Max:''' Dad, hurry up!
'''Goofy:''' ♪ Deck the walls with cows and collies, fa-la-la-la-la, la-la la la ♪
'''Max:''' [pointing at his Mickey Mouse watch] The mailman comes at noon, Dad!
'''Goofy:''' Hmm. Let's see now. Oh! How about one of them snazzy electrical recliners?
'''Max:''' Y-yeah, dad. Whatever.
'''Goofy:''' Oh. Don't want to turn into some high-falutin' fancy-pants. [Max drags him]
'''Max:''' Yeah, yeah. Great, Dad. But Santa won't get our letter if we don't leave... [opens the door and watches as the mail van leaves] NOW!
WOW !
- [ Horn Honking ] - '''''AAAH!'''''
Hold on, Dad! We're takin' a shortcut.
MAYBE WE OUGHT TO SLOW HER DOWN 'FORE WE BREAK THE SOUND BARRIER !
- WHAT ? - WE'RE HEADED STRAIGHT FOR THE MALL!
'''Max:''' Great Idea!
WHOA! [ Everyone Gasping ] Low Bridge!
Really? Where? OW! GO ON AHEAD AND STOP THE MAILMAN, SON! I'll be right behind ya! DON'T WORRY! I WON'T LET YA DOWN! [ Yelping ] [ Clattering ] [ Woman Screaming ] 'SCUSE ME! [ Screams ] Oops. Pardon me, MA'AM! DIDN'T MEAN TO GET FRESH! [ Chuckles ] [ Wind Whistling ] WAIT! WAIT! [ Grunts ]
HEY! THERE'S A MADMAN ON THE ORNAMENT!
[ Shoppers ] THERE HE GOES! WHAT IS HE DOING? [ Shoppers Shouting ] [ Man ] AW, COME ON! [ Goofy Grunts ] [ Shoppers Gasp ] [ Cheering ] [ All Screaming ]
OOPS. SORRY.
[ All Screaming ]
'''Max:''' Wait! Stop! You have to mail our letter to Santa!
'''Mailman:''' Hey, Get outta the road, kid!
[ Shoppers Chattering ] WHOA! OW! WHOA! AAH! WHOA! WOW!
YEOW! WOW!
Do you have anything bigger? I HAVE AN EMPTY SPACE RIGHT HERE. Ooh! I'll take it!
WHEW. YEOW !
YAHOO-HOO-HOO!
'''Max:''' But my Dad's gonna be here any minute! Honest!
'''Mailman:''' Sorry, kid. Gotta go.
'''Goofy:''' [ Screaming ] [ Panting ] [ Slurps ] Special delivery for the north pole.
'''Max:''' [ Sighing ] Oh man.
You really think Santa will get the letter in time? SURE AS I'M STANDIN' HERE. YEOW!
SLIPPERY.
I gotta get it. I just gotta.
MY VERY OWN, ONE-OF-A-KIND, CARBON-FIBER, TORQUE-ROD, SNAPPY-FLEX, TIP-TO-TAIL, RAIL-TO-RAIL, WOODEN CORE, TWIN-DIRECTIONAL SNOWBOARD !
WHEW. THAT'S A MOUTHFUL.
WITH ADJUSTABLE FORWARD-LEAN, HIGH-BACKED, SKID PLATE, SCOOPER-TOE, STEP-IN BINDINGS !
LOOK AT THIS. ALL NICE AND NEAT AND READY FOR OL' SANTY.
[ Engine Revving High ] [ Grunting ] MERRY CHRISTMAS EVE, PETE! Why, If It ain't THE GOOFMASTER HIMSELF.
SAY, WE GOT US SOME MORE WORK TO DO, MAX, OR SANTY'S NEVER GONNA FIND OUR CHIMNEY-[falls through the snowy chimney]-'''''EEE-HEE-HEE-HOOEY!'''''
'''Pete: '''[ Laughs ] Ain't that quaint. The Goofbrain thinks there's a Santy Claus.
'''Max:''' There isn't?
'''Pete:''' [Laughs] Like father, like Goof. Kid's got the Goof gene coursin' through his bloodstream.
'''Max: '''THERE IS TOO A SANTA! OH, NOW, SON. COME HERE.
SEE, IT'S AN URBANE MYTH, LIKE THAT, UH, "LOCKED MESS MONSTROSITY"...
AND THE FELLA THAT BRINGS THE SWEEPSTAKES CHECKS, SEE? WELL, THINK OF IT: AN OLD GUY IN A RED SUIT,
CRUISIN' THE WHOLE, ENTIRE WORLD IN ONE NIGHT.
USIN' REINDEER WHAT FLY? WHY, IT'S PRACTICALLY IMPOSSIBLE! LOOK, KID. I'VE BEEN AROUND, SEE ?
BEEN TO ALL THE FOREIGN LANDS, BROOKLYN INCLUDED.
AND I NEVER SEEN-- NOR MET A SOUL WHO'S SEEN--
THIS SANTY CLAUS FELLA.
LOOK, MAXIE! I FOUND THE FRONT DOOR !
SO LONG, NEIGHBORS.
HAVE A VERY MERRY CHRISTMAS. [ Laughs ] OH! AND A HAPPY NEW YEAR.
'''Goofy:''' ♪ DOH, DOH, DOH, DOH COWS AND COLLIES ♪ ♪ DI, DI, DI, DI, DI DOO, DOO ♪♪ HEY ! HOW ABOUT GIVIN' YOUR OLD MAN A HAND? WHAT IS IT, MAXIE? WHY, YOU LOOK LIKE SANTY CLAUS...
PUT A LUMP OF COAL IN YOUR STOCKIN'.
I HEARD THERE ISN'T ANY SANTA CLAUS.
OH, WHO WENT AND TOLD YOU A SILLY THING LIKE THAT ?
MR. PETE.
OH, THAT FIGURES.
SON, OF COURSE THERE'S A SANTY !
OTHERWISE WE'D HAVE A LOT OF OUT-OF-WORK ELVES RUNNIN' AROUND.
- Y-YOU THINK? - THINK? HECK, I'M SURE! YOU TAKE IT FROM ME, SON. Have I ever been wrong?
- WELL-- - WHY, EVEN A BROKEN CLOCK...
IS RIGHT TWO OR THREE TIMES A DAY.
AND THIS TIME, I'M RIGHT ! BELIEVE ME. SANTA WON'T LET YOU DOWN.
'''Max:''' Do you really think he'll come?
'''Goofy:''' Why, as sure as pigs fly!
'''Max:''' Hey, dad. what'd you ask for from Santa?
'''Goofy:''' Oh, you know, uh, just the usual.
'''Max:''' What's that?
'''Goofy:''' [Whispering] It's a surprise. [In Normal Voice] Now, plug her in and let the joy of Christmas shine! [Max plugs in the tree, and the lightbulbs all start popping one by one. Both dogs look in confusion. The popping spirals around the tree, then it pops all around Goofy so much, that Goofy gets electrocuted.] WH-O-O-O-OA! Whew. Now that'll put the spirit of Christmas in ya.
[ Giggling ] [ Laughing ] 'COURSE THERE'S A SANTA.
[ Goofy's Voice ] BELIEVE ME, SANTA WON'T LET YA DOWN.
AN OLD GUY, IN A RED SUIT, CRUISIN' THE WHOLE, ENTIRE WORLD IN ONE NIGHT? USIN' REINDEER WHAT FLY? WHY, IT'S PRACTICALLY IMPOSSIBLE! [ Echoing ] IMPOSSIBLE! IMPOSSIBLE! HIYA, MAXIE! WANNA HELP? DID YOU KNOW THAT THERE ARE OVER TWO BILLION CHILDREN IN THE WORLD? HMM. NO WONDER I KEEP TRIPPIN' OVER ROLLER SKATES.
That means Santa would HAVE TO MAKE LIKE 800 VISITS A SECOND, NOT INCLUDING BATHROOM BREAKS.
WELL, I GUESS OL' SANTY'S BEEN AT IT SO LONG, HE FIGURED OUT ALL THE SHORTCUTS.
[ Grunting ] [ Laughs ] LOOKS LIKE IT'S GONNA BE A WHITE CHRISTMAS AFTER ALL! DAD ! THIS IS SERIOUS! OH, I KNOW, SON, BUT--
[ Sniffing ] GOSH, SOMETHIN' SURE SMELLS MIGHTY TASTY! YEOW! OHH! OOOH! AAH! AHH.
BUT HOW CAN A REINDEER FLY? OH, THAT'S EASY. IT'S THOSE ANTLERS. THEY, UH--
WELL, YOU KNOW, WITH THE WIND AND ALL--
THAT THERE CREATES LIFT, AND, UH--
HOT, HOT, HOT, HOT! HOT, HOT! STILL, IT'S A LOT OF WORK FOR ONE GUY.
'''Goofy:''' And that's why we leave him these cookies. For a quick pick-me-up-up-[slips on the turkey on the floor] WOAH!
'''Max:''' But it just doesn't quite make sense, dad.
HMM, CHESTNUTS.
♪♪ [ Humming ]
'''Max:''' Where are we going, dad?
'''Goofy:''' Goin' to share the joy of Christmas with those...a little less fortunate.
Well, shouldn't Santa be doing this? Oh, Santy's on a very tight SCHEDULE THIS TIME OF YEAR, SO WE'RE GIVIN' HIM A HELPIN' HAND.
WH-O-O-O-OA ! [ Laughs ] LOOKS LIKE I MIGHT NEED ONE TOO.
[ Kids Laughing ] VROOM, VROOM! HEY.
WANNA PLAY TOY "CARSES" ?
I ONLY GOTS TWO, BUT YOU CAN HAVE ONE.
SANTA GAVE ME THIS ONE LAST YEAR.
THIS YEAR I HOPE HE'S GONNA GIVE ME ANOTHER ONE.
YOU KNOW, KID, I AIN'T SO SURE THERE IS SUCH A THING AS--
CHRISTMAS EVE DINNER IS SERVED !
YEOW! OHH! OHH! OHH!
[ Gasps ] OH, NO! OH, MY!
- OHH! - WOW.
- [ Giggling ] - OH! [ All Laughing ] Mr. Goofy, That's INCREDIBLE! THAT WAS LIKE MAGIC! GOSH. [ Chuckles ]
CHRISTMAS MAGIC.
THANK YOU SO MUCH.
WITH THINGS BEIN' SO TIGHT THIS YEAR--
WELL, WITHOUT YOU, WE WOULDN'T HAVE--
AW, DON'T MENTION IT.
YOU'D DO THE SAME FOR ME.
BUT HAVE YOU EVER REALLY ACTUALLY SEEN SANTA ?
HE'S GOT A BIG WHITE BEARD.
BUT HAVE YOU EVER ACTUALLY SEEN HIM IN PERSON ?
WHERE ?
HO, HO, HO !
- MERRY CHRISTMAS! - SANTA ! - SANTA ?
[ Kids Laughing ] SANTA !
DID YOU GET MY LETTER ?
- IT'S SANTA ! - WHO WANTS TO BE THE FIRST TO SIT ON SANTY'S LAP ?
ME, ME, ME !
HERE !
SANTA, ME !
SANTA, ME !
PICK ME !
'''Max: '''I'm so glad you came! Wow! I almost didn't believe anymore. But now... Whew. Everything's... okay. So... I want my very own one-of-a-kind, carbon-fiber, torque-rod, snappy-flex, tip-to-tail, rail-to-rail, twin-directional snowboard! Uh... Please. [a baby giggles as she grabs Goofy's Santa hat attached to his Santa beard also. Both come off.] Dad?!
'''Goofy: '''Oh.
'''Max: '''You tricked me! [feeling betrayed by his own father, Max runs away] How could you!?
'''Goofy''': Uh, ho, ho! Santy's got a little problem with one of his elves, but... He'll be right back!
[Max slams the door. Goofy runs into it and falls as the pillow under his shirt explodes, sending feathers falling all over him. Later, Max is sulking back at home.]
'''Goofy:''' GOSH, MAXIE, I'M REAL SORRY. I WAS JUST TRYIN' TO MAKE THOSE KIDS HAPPY. 'MEMBER THE OLD GOOF TRADITION OF EATIN' ONE OF SANTY'S COOKIES 'FORE BEDTIME ?
'''Max: '''WHAT'S THE POINT ?
'''Goofy:''' AND 'MEMBER HOW WE ALWAYS OPEN JUST ONE PRESENT ON CHRISTMAS EVE ?
HIYA, MAXIE !
WHY, LOOKY HERE. IT'S YOUR OL' STUFFED BEAR.
'MEMBER WHAT YOU NAMED HIM ?
'''Max:''' OLD STUFFED BEAR.
'''Goofy:''' 'MEMBER WHO GAVE HIM TO YA ?
'''Max:''' YEAH. SANTA. BUT THAT'S WHEN I WAS LITTLE.
♪ OH, YOU BETTER WATCH OUT YOU BETTER NOT CRY ♪
♪ YOU BETTER NOT POUT I'M A-TELLIN' YOU WHY ♪
♪ SANTY CLAUS IS COMIN' TO TOWN ♪♪
'''Max:''' NO, HE'S NOT !
'''Goofy:''' TRUST ME, MAX. YA JUST GOTTA BELIEVE. SANTY'S REAL.
'''Max:''' NO, HE'S NOT !
'''Goofy:''' YES, HE IS !
'''Max:''' NO, HE'S NOT !
'''Goofy:''' I promise.
'''Max:''' Then prove it!
'''Goofy:''' WHEN SANTY SHOWS UP, WE'LL BE RIGHT HERE TO GREET HIM. AND THEN I'LL SNAP A PICTURE OF HIM SO YOU'LL ALWAYS HAVE THE "PHOTYGRAPHIC" EVIDENCE.
[ Scoffs ] YEAH. IF YOU DON'T FALL OFF THE ROOF FIRST.
OH, I WON'T FALL OFF THE ROOF, MAXIE.
YOU JUST WATCH.
[ Jingle Bells Jingling ]
SANTY CLAUS IS COMIN' TO TOWN !
OH !
BRIGHT!
WH-WHOA !
OH !
TOLD YOU YOU'D FALL OFF THE ROOF.
I DIDN'T FALL OFF THE ROOF. OH!
Where's SANTY? I DIDN'T MISS HIM, DID I?
NOPE.
THEN WHERE IS HE?
I DON'T KNOW ABOUT YOU, BUT I'M COLD AND TIRED.
AND SANTA CLAUS IS NOT COMING.
[ Sneezing ]
WHY DOESN'T HE JUST GROW UP AND FACE THE FACTS?
"DON'T... FORGET... MAX." AW, DAD.
'''Goofy:''' MAX ! WAKE UP ! LOOK, SON !
[ Gasps ]
LOOK ! IT'S HIM ! IT REALLY IS !
DO YA SEE HIM, MAXIE ? DO YA ? HUH ? HUH ? DO YA ?
YOO-HOO ! SANTY ! OVER HERE !
OH, I ALMOST FORGOT.
SMILE, SANTY !
- DAD, THE LENS CAP ! - OOPS !
I'LL GET IT RIGHT THIS TIME FOR SURE.
[ Siren Wailing ]
[ Helicopter Blades Whirring ]
COME DOWN FROM THE ROOF WITH YOUR HANDS UP. WE HAVE YOU SURROUNDED.
WHAT IN THE NAME OF PETE IS GOIN' ON HERE, FOR PETE'S SAKE ?
MAYBE HE'S RUNNIN' A LITTLE LATE ?
- WH-O-OA ! - DAD ! DAD !
A-ARE YOU OKAY ?
'''Goofy:''' YOU WERE RIGHT ABOUT EVERYTHING. I EVEN FELL OFF THE ROOF.
'''Max:''' HEY, DAD, IT'S OKAY. SANTA DIDN'T SHOW. NO BIGGIE. W-W-WELL, SINCE HE'S NOT COMIN', AT LEAST WE CAN EAT ALL HIS COOKIES.
'''Goofy:''' I'M NOT HUNGRY.
'''Max''': HEY, DAD. HERE'S SOMETHING FROM ME ! OPEN HER UP.
'''Goofy:''' MAYBE LATER.
♪ Oh, you better watch out you better not cry ♪ ♪ You better not pout, I'M TELLIN' YOU WHY ♪ ♪ 'CAUSE SANTA CLAUS IS COMIN' TO TOWN ♪♪ [ Sighs ] [ Clattering ] MAX? [ Gasps ] BURGLARS! WH-O-O-OA !
S-S-S-SANTY!
HO, HO-- [ Clears Throat ] ER, HO. [ Deep Voice ] MERRY CHRISTMAS!
SANTY ! I'M SO HAPPY YOU CAME ! [ Gasps ] GOSH. I THOUGHT YOU'D BE TALLER.
AND YA LOOK TRIMMER THAN YA DO IN YOUR PICTURES.
OH, WELL, UH, YOU KNOW.
A CAMERA ADDS 50 POUNDS.
OH, YA HAVE TO MEET MY BOY MAXIE !
OH, UH, YEAH. I'D LOVE TO, BUT I GOTTA GET GOIN'.
TWO BILLION KIDS, 823 A SECOND.
VERY TIGHT SCHEDULE.
WAIT, SANTY ! HE'S AROUND HERE SOMEWHERES.
WAIT ! SANTY! SANTY! MAXIE? H-HI, DAD.
WH-WHAT ARE YOU DOIN' DRESSED UP LIKE SANTY CLAUS ?
I JUST WANTED TO MAKE YOU HAPPY,
LIKE YOU DID FOR OUR NEIGHBORS.
OH, MAXIE, I MIGHT HAVE LET YOU DOWN,
BUT YOU SURE DIDN'T LET ME DOWN.
[ Jingle Bells Jingling ] C-COULD IT BE? Do you think? GOSH, IT SURE LOOKS LIKE--
SANTA CLAUS!
SANTA CLAUS?
I BELIEVE IT IS.
WOW. MY VERY OWN, ONE-OF-A-KIND,
CARBON-FIBER, TORQUE-ROD, SNAPPY-FLEX,
TIP-TO-TAIL, RAIL-TO-RAIL, WOOD CORE, TORSIONALLY STIFF,
TWIN-DIRECTIONAL SNOWBOARD !
THANKS, SANTA.
WHAT'S all THE COMMOTION OUT HERE? IF IT'S ANOTHER ROBBER, I'M GONNA GET... HIM--
OOH! SANTA?
WELL, UH, HEY! HEY, SANTA! I BELIEVED IN YA ALL ALONG !
FOR REAL AND FOR TRUE ! SO WHERE ARE MY PRESENTS? [ Santa ] HO, HO, HO! Merry christmas! [ Whining ] BUT WHAT ABOUT MY SQUIRTY GUN AND MY YO-YO ?
I KNOW YOU CAN HEAR ME !
SANTA DIDN'T FORGET YOUR GIFT, DID HE? EVERY YEAR I ASK FOR THE SAME GIFT,
AND EVERY YEAR, I GET IT.
- WHAT'S THAT ? - YOUR HAPPINESS.
UH-OH.
WH-WHAT IS IT, SON ?
[ Chuckles ] GOT YOU THE SAME THING.
'''Max:''' MERRY CHRISTMAS, DAD.
'''Goofy:''' MERRY CHRISTMAS, MAX.
Where are ya goin'? I'm gonna go share my new present with LITTLE JIMMY NEXT DOOR.
That's my boy.
[ Both Laughing ]
'''Narrator:''' SO, CHRISTMAS IS FOUND IN THE WAY THAT WE LIVE.... NOT WHAT WE RECEIVE, BUT WHAT WE CAN GIVE. NOW THE LAST PRESENT HERE MAY SEEM RATHER SMALL, NOT FANCY OR FLASHY, OR SPECIAL AT ALL. BUT THIS GIFT CAN BE GIVEN BY THE RICH OR THE POOR. IT'S A GIFT OF THE HEART, AND IT MEANS SO MUCH MORE.
Thanks, Joe! Merry christmas! Merry christmas, George. You workin' tonight? Not tonight! It's Christmas Eve! ♪♪ [ Harmonica Plays "Jingle Bells" ]
♪♪ [ Continues ] [ Barking ] There it is, Pluto, THE PERFECT GIFT TO GO WITH MINNIE'S WATCH.
[ Sighs ] My Minnie.
They close at 5:00? Well, I'm a little short right now, But, uh-- BUT YOU AND I ARE GONNA MAKE LOTS OF TIPS TODAY.
AREN'T WE, FELLA? YEAH! YEAH! YEAH! [ Panting ] WE'LL STOP BY RIGHT AFTER WORK AND PICK IT UP.
COME ON. LET'S GET THIS TREE OVER TO MINNIE'S.
[ Barking ] ♪♪ [ "Deck The Halls" ] OH, FIGARO, THERE'S NOTHING BUT BILLS! [ Meows ] HOW AM I EVER GOING TO AFFORD TO GET MICKEY A PRESENT? ♪♪ [ "Deck The Halls" ] ♪♪ [ Ends ] AW, MICKEY ! [ Giggles ]
WHEN YOU PLAY YOUR HARMONICA, MY HEART SINGS !
YOU KNOW, AN INSTRUMENT LIKE THAT DESERVES A SPECIAL CASE.
- OH, YEAH. SOMEDAY-- - ♪ LA LA-LA-LA LA LA-- ♪ Come on into the kitchen. Breakfast is almost ready.
YOU SURE I'M NOT EATING YOU OUT OF HOUSE AND HOME ?
COURSE NOT, SILLY. I HAVE PLENTY.
'''Minnie:''' ♪ TA-DA ♪♪
'''Mickey: '''AW, FOR ME ?
'''Minnie: '''UH-HUH. [ Giggles ]
'''Mickey: '''YOU WOULDN'T HAPPEN TO HAVE THE TIME, WOULD YOU, MINNIE ?
WELL, L-LET'S SEE. IT'S, UH--
GOSH.
SURE IS A BEAUTIFUL WATCH !
[ Minnie Sighs ] MY ONE HEIRLOOM.
I'LL BET IT'D LOOK REAL NICE...
WITH A GOLD CHAIN AROUND YOUR PRETTY NECK.
Aw, Mickey.
OH, MY GOODNESS ! I'VE GOTTA GO TO WORK !
- MADAM, YOUR SLEIGH AWAITS ! - [ Panting ]
OH ! HOW WONDERFUL.
[ Neighs Like A Horse ]
GIDDYAP, PLUTO !
♪♪ [ Swing Orchestra: "Jingle Bells" ]
[ Giggles, Makes Kissing Sound ]
SEE YOU TONIGHT !
COME ON, FELLA. WE GOT WORK TO DO !
[ Barking ]
[ Voice On Loudspeaker ] WELCOME TO CRAZY PETE'S TREE LOT !
HURRY, FOLKS. ONLY ONE MORE DAY TILL CHRISTMAS !
EASY CREDIT, NO MONEY DOWN ! [ Laughing ]
HE-HEY! THIS STUFF WORKS PRETTY GOOD !
- MERRY CHRISTMAS, MR. CRAZY PETE. - AH, MERRY-SHMERRY.
I'LL BE MERRY WHEN I'VE SOLD ALL THOSE TEN-FOOTERS !
WHY ARE YOU STANDING THERE WITH YOUR FACE HANGIN' OUT ?
GET TO WORK !
[ Chuckles ] OKAY, FELLA. YOU KNOW WHAT TO DO.
SHAKE A LEG !
[ Crazy Pete On Loudspeaker ] QUIT SLACKIN' OFF THERE ! THERE'S A CUSTOMER WAITIN' !
OH, DO BE CAREFUL OF THE PAINT.
- YES, MA'AM ! - SUCH A NICE YOUNG MAN.
HERE'S A LITTLE SOMETHING FOR YOU.
GOSH, I DON'T EXPECT ANYTHING. I'M JUST GLAD TO HELP.
OH, BOY ! THANK YOU, MA'AM.
THANK YOU !
HOT DOG ! LOOKS LIKE I MAY BE ABLE TO GET MINNIE THAT CHAIN FOR HER WATCH.
- YEAH, YEAH, YEAH, YEAH ! - Uh, We'd like to buy a tree--
Did I hear you folks ARE LOOKIN' FOR a TREE ?
BOY, OH, BOY ! IS THIS YOUR LUCKY DAY! [ Chortling ]
THIS HERE'S WHAT YOU FOLKS NEED.
TEN FEET OF TOWERIN' NOVA SCOTIA PINE.
WOW. IT'S BIGGER THAN OUR HOUSE.
WELL, IT'S A LITTLE... MORE THAN WE NEED.
WELL, MISSUS, I GOTTA BE HONEST WITH YA.
THIS IS ALL I GOT LEFT ON THE LOT !
THE OTHERS HAVE BEEN "RESERVATED" IN ADVANCE.
YOU DON'T WANT THESE KIDS...
GOIN' WITHOUT A TREE, NOW, DO YA ?
[ Coughing ]
WE ARE GONNA GET A TREE, AREN'T WE, DADDY ?
UM, THIS IS ALL WE HAVE.
WELL, THAT'LL BE JUST FINE-- [ Chuckles ] ...FOR A DOWN PAYMENT.
I'LL SET YOU UP WITH A NICE INSTALLMENT PLAN.
ALL'S YA GOTTA DO IS SIGN HERE !
[ Children Giggling ]
♪ WE'RE GONNA GET A TREE WE'RE GONNA GET A TREE ♪♪
'''Pete:''' Get your foot off the brake, Pops, the kids are waitin'.
[ Mickey ] HEY ! HOW ABOUT THIS TREE ?
I, UH, I FOUND IT OUT BACK.
IT HASN'T BEEN "RESERVATED." [ Gulps ]
WOW! IT'S BEAUTIFUL.
WOW! WO-OW.
[ Boy ] IT'S PERFECT !
'''Father:''' [gives clipboard to Pete] We'll take it. [Pete groans with rage as he snaps the clipboard in half.]
[ Groaning, Angry Mumbling ]
[ Family, Together ] MERRY CHRISTMAS! AND THANK YOU AGAIN.
[ Girl ] THANKS A LOT !
MERRY CHRISTMAS !
'''Mickey: '''[Pete walks up angry behind Mickey] So long! Merry... [Pete growling] ...Christmas.
'''Pete:''' I HAD THEM ON THE HOOK FOR A TEN-FOOT TREE! I'm takin' what I ''would have'' made off of that tree OUT OF ''YOUR'' PAY!
'''Mickey:''' B-but I--
'''Pluto:''' [ Barking, Yelping ]
'''Pete:''' [fires Mickey by throwing him along with Pluto out of his lot] NOW GET OFF OF MY LOT! Hmph. Chumps. [He accidentally sticks his still-lit cigar and money in his rear pocket. A glowing red tint appears on his backside.] [Sniffing] Hmm. Somebody's burning their ham. [his eyes widen] Ow! Ow! Ooh! Ooh! [jumps around on his burning butt] Ooh! Ooh! Ooh! Ooh! [he runs into a bunch of cans] OH! A LITTLE WARM! THAT'S HOT! [He gets a glue can stuck on his head and struggles to get it unstuck from his head] Come off! [The bucket stuck to his butt explodes, sending Pete flying into the sky like a firework rocket.] [Screaming] '''''IIINCOMIIIIIIIING!''''' [He crash-lands into the snow as flames catch onto Pete's trees. He gets up from the snow and silently screams at the sight of his tall trees on fire. The fire engines arrive at his burning tree lot.] Not my ten-footers! [Crying]
[ Man On Loudspeaker ] ATTENTION, HOLIDAY SHOPPERS !
DON'T FORGET TO BRING ALL YOUR LAST-MINUTE PURCHASES TO OUR GIFT-WRAPPING DEPARTMENT.
[ Sighs ] I'VE NEVER SEEN IT SO BUSY.
Wow, Minnie, who made you Santa's Number-one helper ?
Oh, I really want to get Mickey something special this year.
WITHOUT THAT CHRISTMAS BONUS, I'M SUNK !
[ Phone Rings ]
HELLO ? OKEY-DOKEY.
[ Gibberish ]
BYE. MR. MORTIMER WANTS TO SEE YOU IN HIS OFFICE, RIGHT AWAY.
[ Gasps ] OH, MY CHRISTMAS BONUS !
GINNIE !
'''Minnie:''' Uh, that's Minnie.
RIGHT. I'VE BEEN MAKING A LIST AND CHECKING IT TWICE, AND I FOUND THAT YOU HAVE BEEN SANTA'S BEST LITTLE HELPER THIS SEASON !
YOUR HARD WORK IS ABOUT TO BE REWARDED.
CLOSE YOUR EYES AND HOLD OUT YOUR HANDS.
'''Minnie:''' OH, MR. MORTIMER, I CAN'T THANK YOU ENOUGH.
YES, I KNOW. NOW DON'T INTERRUPT. PENNY--
'''Minnie:''' THAT'S MINNIE.
WHATEVER. ON BEHALF OF MORTIMER'S DEPARTMENT STORE,
IT GIVES ME GREAT PLEASURE TO PRESENT YOU WITH YOUR...
CHRISTMAS BONUS !
OH !
[ Thuds ]
A FRUITCAKE ?
NO NEED TO THANK ME. THE EXPRESSION ON YOUR FACE IS THANKS ENOUGH.
[ Chuckles ] AND NOW, SCOOT ALONG.
BACK TO THE GIFT-WRAPPING DEPARTMENT, WHERE YOU BELONG.
OH, AND UH, WINNIE. MERRY CHRISTMAS !
OH, MICKEY. HOW AM I EVER GOING TO GET YOUR PRESENT NOW ?
THERE'S JUST GOTTA BE A WAY TO GET MINNIE'S PRESENT BY 5:00.
♪♪ [ Harmonica, "Gloria" ]
YOU GOT ANY IDEAS, FELLA ?
DON'T WORRY, BOY. WE'LL COME UP WITH SOMETHING. WE JUST GOTTA.
♪♪ [ "Joy To The World" ]
[ Whimpering ]
[ Man ] DO YA THINK THE BAND WILL EVER SHOW UP ?
I DON'T KNOW. THEY'RE PUTTIN' OUT A FIRE AT THE CRAZY PETE TREE LOT.
JUST WENT UP LIKE A ROMAN CANDLE.
[ Man ] UH, CHIEF ?
LOOKS LIKE THE TOY DRIVE'S A BIG FAT BUST.
♪♪ [ Harmonica ]
OH, WHOA-WHOA-WHOA-WHOA. LISTEN !
♪♪ [ Continues ]
THAT MUSIC.
[ Gasps ] COME ON !
♪♪ [ Jazzed-Up "Jingle Bells" ]
[ Mickey ] GEE, UH, WHERE WE GOIN', FELLAS ?
[ Chief ] A CONCERT IN THE PARK.
OH, LOOK, BUB. WE'RE DESPERATE.
WE NEED MUSIC FOR THE TOY DRIVE, AND YOU'RE OUR ONLY HOPE !
I DON'T HAVE TIME, CHIEF. I GOTTA GET A GIFT FOR MY GIRL.
LOOK, PALLY, DON'T DO IT FOR US.
DO IT FOR THE KIDS.
BUT I--
LOOK, SON. TO THESE KIDS,
THE ONLY DIFFERENCE BETWEEN A BROKEN HEART AND A SMILE...
IS YOU !
YOU'RE ON ! BREAK A LEG, PAL.
LOOK, I'M REALLY SORRY, BUT I CAN'T STAY.
I GOT SOME CHRISTMAS SHOPPING TO DO, YOU KNOW, AND, UH--
GOSH.
♪♪ [ "Jingle Bells" ]
♪♪ [ Continues ]
♪♪ [ Continues ]
♪♪ [ Trombone ]
♪♪ [ Clarinet ]
♪♪ [ Dixieland: "Jingle Bells" ]
- THE BAND IS BACK ! - [ Fireman ] MUST HAVE BEEN A HOT ONE AT CRAZY PETE'S.
[ Applause ]
WHOOP. GUESS I'LL BE SHOWING UP AT MINNIE'S EMPTY-HANDED.
THAT WAS TERRIFIC !
HA ! THANKS TO YOU, THIS WAS OUR BEST TOY DRIVE EVER !
YOU AND THAT HARMONICA SURE MAKE A GREAT TEAM.
YUP. SHE'S WORTH HER WEIGHT IN GOLD, ALL RIGHT ! [ Chuckles ]
HOLY COW ! THAT'S IT !
WE'VE STILL GOT TWO MINUTES TO GET TO THE SHOP !
- COME ON, PLUTO ! - [ Barking ]
THANKS, FELLAS !
GOOD-BYE !
[ Man ] THANKS AGAIN !
[ Woman ] MERRY CHRISTMAS !
[ Yawns ]
SORRY !
[ Muffled ] HEY ! WHAT'S GOIN' ON ?
[ Truck Horn Blasts ]
WHA--
THIS IS OUR STOP !
[ Grunts ]
AH-HA, LOOK ! THERE'S THE SHOP.
[ Shop Door Creaks, Bell Rings ]
OH, EXCUSE ME, SIR.
I WAS JUST HOPING TO TRADE THIS FOR A GIFT FOR MY GIRL.
WELL, SORRY, SON. THAT HARMONICA ISN'T WORTH MUCH.
WELL, MERRY CHRISTMAS.
YOU'RE WORTH A LOT TO ME, OLD FRIEND.
♪♪ [ "Oh, Little Town Of Bethlehem" ]
[ Howling ]
♪♪ [ Continues ]
[ Moaning ]
SAY, UH, MAYBE THAT HARMONICA IS WORTH SOMETHING AFTER ALL.
C-C-COME ON IN. COME ON IN.
[ Barking, Panting ]
[ Meowing ]
[ Mickey ] CAN'T WAIT TO OPEN YOUR PRESENT, CAN YOU, BOY ?
[ Chuckles ] I KNOW JUST HOW YOU FEEL.
YEAH, YEAH, YEAH, YEAH, YEAH !
OH ! I LOVE CHRISTMAS SO MUCH !
SAY, UH, MICKEY,
WHY DON'T YOU PLAY SOME MUSIC ?
[ Chuckles Uncomfortably ] I-ISN'T IT TIME WE WERE OPENING OUR PRESENTS ?
AND, UH, SPEAKING OF TIME--
WHAT TIME IS IT ?
WELL, I, UM--
I THINK IT'S TIME FOR YOU TO OPEN YOUR GIFT.
OH ! A CASE-- [ Chuckles ] ...FOR MY HARMONICA.
OH, MY ! A CHAIN FOR MY... WATCH.
OH, MICKEY, IT'S BEAUTIFUL.
BUT I TRADED MY WATCH TO GET YOU THAT CASE.
'''Mickey: '''AND I TRADED MY HARMONICA TO GET A CHAIN FOR YOUR WATCH.
'''Minnie: '''OH, MICKEY ! I CAN'T BELIEVE YOU GAVE UP WHAT MEANS THE MOST TO YOU... FOR ME.
'''Mickey: '''OH, MINNIE. YOU'RE ALL THE MUSIC I'LL EVER NEED.
[ Meowing, Yawning ]
[ Sighs ]
'''Minnie:''' Merry Christmas, Mickey.
'''Mickey:''' Merry Christmas, Minnie.
'''Minnie:''' Want some fruitcake? [ Giggles ]
'''Narrator''': A GIFT FROM THE HEART IS CHERISHED AND TRUE. A PRESENT IS BEST... WHEN LOVE'S GIVEN TOO. SO, IN THE END, IT'S LOVE THAT'S THE REASON... THAT CHRISTMAS IS MORE THAN A GIFT-GIVING SEASON. IT'S A TIME WITH OUR LOVED ONES TO SHOW THAT WE CARE, WHEN FAMILIES AND NEIGHBORS COME TOGETHER TO SHARE. SO, THIS CHRISTMAS SEASON, LET US ALL DO OUR PARTS, TO KEEP CHRISTMAS SPIRIT ALIVE IN OUR HEARTS.
♪ WHAT FUN IT IS TO RIDE AND SING A SLEIGHING SONG TONIGHT ♪
WOOF !
♪ JINGLE BELLS, JINGLE BELLS JINGLE ALL THE WAY ♪
[ Howls ]
♪ OH, WHAT FUN IT IS TO RIDE IN A ONE-HORSE OPEN SLEIGH ♪
♪ HEY JINGLE BELLS, JINGLE BELLS JINGLE ALL THE WAY ♪
♪ OH, WHAT FUN IT IS TO RIDE IN A ONE-HORSE OPEN SLEIGH ♪
[ Chorus ] ♪ ONE-HORSE OPEN SLEIGH ♪
♪ ONE-HORSE OPEN SLEIGH ♪
♪ ONE-HORSE OPEN AH, AH, AH, AH ♪
♪♪ [ Singing Scales ]
♪ DECK THE HALLS WITH BOUGHS OF HOLLY ♪
♪ FA-LA-LA LA-LA, LA-LA LA LA ♪
♪ 'TIS THE SEASON TO BE JOLLY FA-LA-LA LA-LA, LA-LA LA LA ♪
♪ DON WE NOW OUR GAY APPAREL FA-LA-LA, LA-LA-LA, LA LA LA ♪
♪ TROLL THE ANCIENT YULETIDE CAROL ♪
♪ FA-LA-LA LA LA, LA-LA LA LA ♪
♪ FA-LA-LA LA LA LA-LA LA LA ♪
[ Guffaws ]
♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ WE WISH YOU A MERRY CHRISTMAS ♪
[ Together ] ♪ WE WISH YOU A MERRY CHRISTMAS AND A HAPPY NEW YEAR ♪
♪ GOOD TIDINGS WE BRING TO YOU AND YOUR KIN ♪
♪ WE WISH YOU A MERRY CHRISTMAS AND A HAPPY NEW YEAR ♪
♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ AND A HAP-PY ♪
♪ NEW YEAR ♪♪
♪ DECK THE HALLS WITH BOUGHS OF HOLLY ♪
♪ FA-LA-LA LA LA ♪
♪ THOSE JINGLE, JINGLE BELLS ♪
♪ DECK THE HALLS ♪
♪ WITH BOUGHS OF HOLLY ♪
♪ DECK THE HALLS ♪
♪ WITH BOUGHS OF HOLLY ♪
♪ FA-LA-LA ♪
♪ LA, LA ♪
♪ 'TIS THE SEASON ♪
♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ 'TIS THE SEASON ♪
♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ DECK THE HALLS WITH BOUGHS OF HOLLY ♪
♪ FA-LA-LA, LA-LA-LA ♪
♪ 'TIS THE SEASON TO BE JOLLY ♪
♪ FA-LA-LA, LA-LA-LA ♪
♪ DON WE NOW OUR GAY APPAREL ♪
♪ FA-LA-LA ♪
♪ FA-LA-LA, LA-LA ♪
♪ FA-LA-LA ♪
♪ FA-LA-LA-LA ♪
♪ TROLL THE ANCIENT YULETIDE CAROL ♪
♪ FA-LA-LA-LA-LA LA-LA-LA-LA ♪
♪ EVERYBODY SING THE YULETIDE CAROL ♪
♪ FA-LA-LA, LA-LA-LA ♪
♪ FA-LA-LA-LA, LA-LA-LA ♪
♪ YEAH ♪
♪ VERY MERRY CHRISTMAS ♪
♪ VERY MERRY CHRISTMAS ♪
♪ SEE THE BLAZING YULE BEFORE US ♪
♪ FA-LA-LA, LA-LA-LA ♪
♪ LA-LA, LA-LA, LA-LA ♪
♪ STRIKE THE HARP AND JOIN THE CHORUS, YEAH ♪
♪ FA-LA-LA-LA-LA LA-LA-LA-LA ♪
♪ FOLLOW US IN MERRY MEASURE ♪
♪ WHILE I TELL OF YULETIDE TREASURE ♪
♪ FA-LA-LA ♪
♪ LA-LA-LA ♪
♪ LA, LA, LA, LA ♪
♪ DECK THE HALLS WITH BOUGHS OF HOLLY ♪
♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ 'TIS THE SEASON TO BE JOLLY ♪
♪ WE WISH YOU A MERRY CHRISTMAS ♪
♪ MERRY, MERRY CHRISTMAS ♪
♪ YEAH, YEAH ♪
♪ MERRY, MERRY CHRISTMAS ♪
♪ LA-LA-LA, LA-LA-LA-LA ♪
♪ MERRY, MERRY CHRISTMAS ♪
♪ FA-LA-LA-LA-LA ♪
♪ FA-LA-LA-LA-LA ♪
♪ FA-LA-LA-LA-LA ♪
♪ MERRY, MERRY CHRISTMAS ♪
♪ FA-LA-LA-LA-LA ♪
♪ FA-LA-LA, LA-LA-LA-LA ♪
♪ JINGLE JANGLE ♪
♪ SANTA'S GOT A BRAND-NEW BAG ♪
♪ FA-LA-LA, LA-LA-LA-LA ♪
♪ MERRY, MERRY CHRISTMAS ♪♪
Mamma Alvars (IP-tala skráð) 13.11.2023 kl. 09:37
The Grinch Script
Inside a snow flake...
like the one on your sleeve...
lay the small town of Whoville--
the home of the Whos!
and the Whoville Band marched
in their Christmas-ybest.
they loved Christmas the most...
without a single Who doubt.
a muncle for your uncle;
a fant for your aunt;
Sale on aisle three!
Excuse me one minute.
Cindy Lou? Honey?
- Dad? Doesn't this seem a bit much?
- Yeah?
This is what Christmas
is all about!
but the Grinch, who lived
just north of Whoville...
did not.
Hey, Drew, I'll race you!
You guys, where are we?
- Who flesh!
- Oh, Drew!
You'rescared of the Grinch
- Are too!
- Am not!
Wait for me!
Come on. Touch it.
Touch the door.
Do it for me, Stu.
Well done, Max!
Get my cloak.
I've been much too tolerant of these
''Who-venile'' delinquents...
and their innocent,
victimless pranks.
I guess I could use a little...
social interaction.
Merry Christmas!
You see, Max?
The city is a dangerous place.
The Grinch hated Christmas,
the whole Christmas season.
Be sure to run real fast with it, now.
Come on. Double time. Let's go. Move.
It could be that his head
wasn'ts crewedon just right...
- Idiot.
-may have been that his heart...
was two sizes too small.
I guess.
Doesn't this seem superfluous?
Lou!
What do you want? I mean--
Hello, Mayor May-Who, sir.
one thousandth Whobilation.
says, uh, very clearly--
'' Every size of Who
we can measure...
knows that Whobilation is
a time we must treasure.''
Please tell me
thatyour boys...
were not up on Mount Crumpit...
- who hates Christmas!
- But it was the Grinch!
No, no, no, no, sir.
The boys didn't see any Grinch.
Oh, well.
That's a--
That's a relief.
Lou, I need this there by tomorrow.
Heckuvarush.
You kids and the Grinch!
- A what?
- Exactly, honey.
And he's a What who
doesn't like Christmas.
Look at his mailbox.
Not a single Christmas card
in or out, ever!
And for the rest ofyou--
Jury duty!Jury duty!
Jury duty--
You're the-the-the--
The-the-the-- The Grinch!
Help!
Well, that worked out nicely.
Help!
Ourwork here is finished.
Help me! Please help!
That is not a chew toy!
You have no idea
where it's been!
Help!
There!
There! Give me that!
Let's go.
Thanks for saving me.
Saving you?
Wrong-o.
Hold still!
Max, pick out a bow.
Hello! Hello!
Dad!
What the hey--
Honey.
Now, that's holiday.
Inher head bum-tumbled
a conflictor two.
''If the Grinch was sobad,
then why did he saveme?''
Maybe.Just maybe.
Oh, I can feel it, Lou.
This is the year.
When everybody asks...
Isn't this the chandelier
from the dining room?
It's all for the cause, dear.
-'Cause somehow I missed that one.
- Go on!
Every year...
- Hi!
- Martha!
And almost years old.
Whoa! Hey!
Betty, Betty! Sweetie!
Good night, Betty.
Let's go home.
Come on. Hurry up, slowpoke.
Got to be a better way!
A car would have
paid for it self by now.
What's that stench?
It's fantastic!
Of course when I say ''we,''
I mean ''you.''
Oh, well.
I don't know.
It's some kind of soap.
Where are you, Christmas
Why can't I find you
Why have you gone away
My world is changing
I'm rear ranging
Does that mean Christmas
Changes too
Where are you, Christmas
Do you remember
The girl you used toknow
You and I
Were so carefree
Now nothing's easy
Did Christmas change
Or just
Me
Sweet!
Be it ever soheinous
There's no place like home
First floor, factory rejects.
Those Whos are hard
to frazzle, Max!
But we did ourworst.
And that's all that matters.
She'll be scarred for life
ifwe're lucky.
Must be afraid of reprisals.
Yes! Down a size and a half.
And this time,
I'll keep it off.
Get the stick, Max!
There's no stick!
I'm smarter.
Any calls?
You have no messages.
Odd.
Better check the out going.
Oh, well.
That's more like it.
Excellent year.
Hello!
How are you?
I asked you first!
- I'm an idiot!
- You're an idiot!
In fact,
I'm going to whisper...
and gets back to me...
I won't be able to hear it.
You're an idiot!
Who could that be?
With her dad's blabbacorder,
she wouldn't give an inch.
- Where did he come from?
- Oh, well--
and tiny Who fellas...
He looks just like your boss.
So that's how it works.
It was Christmas Eve,
and a strange wind blew that night.
The poor dear.
But you know what?
Do you want a Christmas cookie?
- Which Christmas cookie would you like?
- Santa.
His first words.
Yes, that is a Santa plate.
Santa, bye-bye!
Oh, he wasa wonderful--
whateverhe was.
And we raised him like
any other Who child--
The Grinch?
He had no sense
of color coordination.
And if the truth be told,
he, um--heliked Martha.
Martha was my girl friend.
Put your back into it!
I tried to take him
under my wing.
You don't have a chance with her.
You're eight and you have a beard.
He had hair. Not pleasant.
He shed. Not right.
You know, Christmas
is my favorite time ofyear.
I just love the colors.
Red and green.
Did I have a crush
on the Grinch?
Of course not.
I didn't ask you that.
Right.
For some reason,
when he came home that day...
Perfect!
The fires oflove!
Oh, Martha!
Oh, Christmas!
You don't have
a chance with her.
Has everyone given their gifts?
- I haven't.
- What?
Merry Christmas, Martha May.
Mr. Grinch...
please take the bag off.
Yes, you take it off.
Put the book down.
And your foot.
Look at that hackjob!
Stupid present!
Stupid tree!
I hate Christmas!
The muscles.
And...
I could hardly be a rit.
I hate Christmas!
I hate it!
And that was the last time
we ever saw him.
The very last time.
So, what ever the reason,
his hear to rhis shoes...
hes tood out side his cave,
hating the Whos.
Alphabetically.
''Aadvarkian
AbakenezerWho.''
I...
hate you!
Aaron B. Benson Who,
I hate you.
Hate, hate, hate.
Hate, hate, hate.
Double hate.
Loathe entirely!
Nutcrackers?
It's their Whobilation--
...hes narled with as neer.
Tomorrow is Christmas.
It's practically here.
Fetch me my sedative!
Now to take care
ofthose pesky memories.
Whobilation, Whobilation
And I may do something drastic.
That's fine, dear.
Askyour mother.
- Where did she go?
- Honey!
Honey. Hi!
And now the nominations...
Do I hear a nomination?
I nominate the Grinch!
My, my, my.
Thankyou.
Let me quote a verse...
from The Book of Who.
Thankyou.
'' No matter how different
a Who may appear...
Yes, well, th-the Book
also says the, uh--
''The award...
It does.
What page?
- It's in here.
- But the Book does say...
''The Cheermeister is the one who
deserves a back slap or a toast.
And I believe that soul
is the Grinch.
you will too.
She's right!
Fine. Fine.
why, it's up to you.
But I am telling you...
the Grinch will
never come down.
And when he doesn't,
the Mayorwill wear the crown.
Well, more or less.
Tick, tock, tick, tock
Old, young, big, small
Blast this Christmas music.
It's joy ful and triumphant.
Must drown them out!
Not working!
She'd invite the Grinch herself...
that brave Cindy Lou.
Play, monkey! Play!
Mr. Grinch?
Excuse me.
Hello, little girl.
The impudence! The audacity!
The unmitigated gall!
You've called down the thunder,
now get ready...
for the boom!
Gaze into the face offear.
My name is Cindy Lou Who.
You see, even now the terror...
is welling up inside you.
I'm not scared.
I don't think so.
Now you're doomed!
Run for your life...
before I kill again!
I'm a psycho!
Danger! Danger!
Maybe you need a time-out.
What do you want?
''Cheermeister--
Celebrate with friends.''
That's a good one.
I know you hate Christmas...
but what if it's all
just a mis understanding?
- Don't care.
- I myself am having yuletide doubts.
and be a part of Christmas--
Your session is over. Make another
appointment with the receptionist--
Award?
You never mentioned...
an award.
- And I won?
- You won!
- That means there were losers.
- I guess.
I like it.
Martha Maywill be there.
Oh, she will?
And she'll see me.
A winner.
She'll be on me
like fleegle flies...
on a flat-faced
floogle horse.
but the ''G'' train
has left the station.
Will you come?
All right.
I don't know ifit's that
adorable twinkle in your eye...
or that noncomformist streak that
reminds me ofa younger, less hairy me.
Butyou've convinced me.
Who knows?
This Whobilation...
Really?
We can't be late
for the Whobilation.
The nerve ofthose Whos,
inviting me down there...
on such short notice.
'' :
wallow in self-pity.
:
stare into the abyss.
:
solve world hunger.''
Tell no one.
'' : Jazzercise.
: dinnerwith me.''
I can't cancel that again.
'' : wrestle with
my self-loathing.''
I'm booked.
But what would I wear?
It's not a dress.
it's a kilt!
Sicko!
Stupid. Ugly. Out-of-date!
This is ridiculous. IfI can't
find something nice to wear...
I'm not going.
That's it. I'm not going.
Congratulations, Mr. Grinch!
He isn't here.
What?
He didn't show?
Who could have predicted this?
But what ifit's a cruel prank?
What ifit's a cash bar?
But I'll be fashionably late.
No. Yes. No. Yes-- No!
Yes!
Definitely not!
I'm going, and that's that.
Had my fingers crossed.
Maybe I should flip a coin!
A handsome, noble man...
a man who's had his
tonsils removed twice.
That's an interesting story.
You see, what happened was--
- Hello, Martha.
- He made it!
- Cindy, wha-wha--
- Honey!
Hot crowd. Hot crowd.
I believe I'm here to...
accept an award of some kind?
And the child...
mentioned a check?
- No, I didn't.
- All right, then. Give me the award.
Come on, while I'm young!
you'll getyour award.
But first,
a little family reunion.
They nursed you.
Your old biddies!
Areyou two still living?
We missed you!
Rose. The sweater.
The sweater, Rose.
Sweater? What areyou talkin' about?
No, I can't!
I can't do this!
Don't touch me there!
Put him in
the Chair ofCheer!
Chair ofCheer?
What's the Chair ofCheer?
- You didn't tell me about the Chair!
- Please, Mr. Grinch. Please?
It's that time ofyear.
The Cheermeister's ride
in the Chair ofCheer!
Put me down! I mean it!
I'll get a lawyer.
There'll be hell to pay!
- Mine first.
- I really don't know--
No, mine's the best!
You'll enjoy this.
This is not pudding.
What is it?
This is mine.
Christmas Conga!
Gee, look at the time.
I really should be getting back.
All right!
Fruitcake.
Fudgejudge.
- Mine are homemade too.
- Okay.
Put it in. Bring it on!
Is that all you got?
Is that all you got?
Come on.
Outta the way, slow-mo!
Excuse me. Pardon me.
He's number one
in the sack race run!
Number one!
I'm number one!
I'm number one!
No child can beat the Grinch!
Yeah!
I beatyou!
And now it's time for the moment
we've all been waiting for.
Ah, yes! My award.
- And the check.
- There's no check.
I said, there's no check.
And now it's time...
for Present Pass It On!
A gift ofa Christmas shave.
Lookat thathackjob!
Good times.
Please become
Mrs. Augustus May-Who.
Ifyou agree to be mywife...
you'll also receive this:
It's a new car!
What doyou say, Martha?
Well, I--
These gifts are quite dazzling.
Ofcourse they are.
That's what
it's all about, isn't it?
That's what it's
always been about!
Gifts!
And the avarice.
The avarice never ends!
Look, I don't
wanna make waves.
But this whole Christmas
season is...
stupid, stupid, stupid!
There is, however...
one teeny-tiny...
Christmas tradition...
I find...
quite meaningful.
Mistletoe.
Somebody's fabulous!
- Let's go!
- No!
Excuse me, old-timer.
Mind ifI wet mywhistle?
Well, uh--
That's my good stuff.
Burn, baby! Burn!
Oh, wow.
Oh, the Whomanity!
- Let's go! Come on!
- No! Wait!
Taxi!
It's because I'm green,
isn't it?
Halt!
You might wanna scooch over.
You did the right thing.
Out ofthe way!
It's gonna blow!
I'm hurt, Lou.
I'm hurt,
and I don't hurt easily.
Butyou and your family--
I'm so-- so disappointed.
Grinch-less?
Merry Christmas!
I quite enjoyed that.
Come on, come on!
Good thing we have a spare.
Suffering snorkelblatz!
They're relentless!
Only four hours till Christmas!
Yes, the Grinchknew
tomorrowallthe Whogirlsandboys...
And then, oh,
the noise!
Oh, the noise, noise,
noise, noise!
They'll bang on tong-tinglers.
and rare Who roast beast!
Oh, no.
I'm speaking in rhyme!
Blastyou, Whos!
themore the Grinch thought--
But how?
I mean, in what way?
Well, Christmas
isgoin'to the dogs
Christmas?
Wrong-o!
then you might as well--
The Grinchgota wonderful...
awfulidea.
I knowjust what to do.
Andhe chuckled
andclucked...
at thisgreat Grinchytrick.
With this coat and this hat,
I'll look just like St. Nick.
You're a mean one
Mr. Grinch
Youreallyareaheel
Mr. Grinch
You're a bad banana with a
Greasy black peel
just face the music
You're a monster
Mr. Grinch
Yes, you are
Your heart's an empty hole
Mr. Grinch
I wouldn't touch you with a
Stay focused!
No one would denyit
Air bag's a little slow.
But that's what
these tests are for!
You'rea vile one
Mr. Grinch
You have termites
in your smile
You have all
the tender sweetness
Of a sea sick crocodile
Mr. Grinch
Sea sick crocodile
Talk about a recluse.
Merry Christmas!
Forgot about the reindeer.
Did that stop the old Grinch?
The Grinch simply said--
IfI can't find a reindeer...
I'll make one instead.
So he called his dog Max...
and he took
some red thread...
All right. You're a reindeer.
You're a freakwith a red nose,
and nobody likes you.
You hate Christmas!
You're gonna steal it!
Action!
Brilliant!
You reject your own nose...
Why didn't I think ofthat?
Cut, print, check the gate.
Moving on.
That feels good.
This is nuts!
On Crasher!
On Thrasher!
On Vomit and Blitzkrieg!
Mommy, tell it to stop!
Almost lost my cool there.
All their windows were dark.
Quiet snow filled theair.
when he came to the first
little house on the square.
Welcome to Whoville, Max.
Betty?
Did you hear something?
It's Santa!
Go right back to sleep.
Come on, Max.
It's our first stop.
The old Grinchy Claushissed...
and he climbed to the roof,
empty bags in his fist.
but if Santa could doit,
then so could the Grinch.
with a combo tuck and pike.
High degree of difficulty.
Then he stuck his head out
of the fire place flue.
A little more stealth, please.
...are the first thing to go.
Then he slunk to the ice box.
Slunk?
He eyed the Whos' feast.
He took the Who-pudding.
He took the roast beast.
Hike!
He cleanedout that ice box
as quickasa flash.
Then he stuffed all the food
up the chimney with glee.
- And now--
- ...grinned the Grinch--
I'll stuff up the tree.
when he hear da small sound
like the coo of a dove.
Excuse me.
Santa Claus?
What areyou doing with our tree?
Why, my sweet little tot.
The fake Santa Claus lied.
on one side.
I'll fix it up there...
and I'll bring it back here.
Santa, what's Christmas
really about?
Vengeance!
I mean...
presents...
I suppose.
I was afraid ofthat.
And his fib fooled the child.
and he sent her tobed.
- What?
- Don't forget the Grinch.
I know he's mean
and hairy and smelly.
Sweet?
You think he's sweet?
Merry Christmas, Santa.
Nice kid.
Bad judge of character.
was a crumb that was even
too small for a mouse.
Then hes lithe red and slunk,
with a smile most unpleasant...
around each Who home,
and he took every present.
Clearance sale.
Everything must go.
What now?
No, silly!
Kiss me, you fool!
Rudolph?
It's all you, Maxie!
herode with his load
to the tiptop to dumpit.
We did it!
That wasn't so bad, was it, Max?
They'll be waking up now.
All those Whos
down in Whoville...
will all cry.
What an embarrassment!
I've been robbed!
Well, I wonderwho
could've done this.
Tell you people one thing:
Invite the Grinch...
destroy Christmas.
Invite the Grinch,
destroy Christmas!
But did anyone listen to me?
- I did.
- No!
You choose to listen
to a little...
not-to-be-taken-seriously girl...
Ifshe isn't, I am.
I'm glad he took
our presents.
- What?
- I--
Well, I-- I'm glad.
You're glad everything
is gone.
You're glad that the Grinch...
virtuallywrecked--
No, no, no, not wrecked--
pulverized Christmas.
You can't hurt Christmas,
Mr. Mayor...
And me.
She's been trying to tell me.
Oh, give me a break.
Merry Christmas!
Mr. Grinch?
Now for the final note
in my symphony...
of down right
nasty not-niceness!
The crescendo
of my odious opus!
Yes!
It'll be like
music to my ears!
Then the Grinch heard a sound
rising over the snow.
It started in low,
then it started to grow.
But the sound wasn't sad.
Why, this sounded merry.
But it was merry. Very.
Some how or other,
it came just the same!
Mr. Grinch?
And the Grinch, with his Grinch feet
ice-cold in the snow...
stood puzzling and puzzling.
How could it be so?
It came without ribbons!
It came without tags!
And he puzzled and puzzled...
till his puzzler was sore.
Then the Grinch
thought of something...
he hadn't before.
Maybe Christmas--
...he thought--
doesn't come from a store.
Maybe Christmas...
perhaps...
means a little bit more.
Help me!
I'm...
feeling!
And what happened then--
Well, in Whoville
they say...
that the Grinch's
small heart...
What's happening to me?
I'm all...
toasty inside.
And I'm leaking.
I love ya!
Get out of here!
One step at a time.
What is the deal?
Wait!
This can't happen!
It shouldn't! It couldn't!
It mustn't! It wouldn't!
Not now, not then,
not ever again!
Oh, well.
It'sjust toys, right?
Hi, Mr. Grinch!
I came to see you.
No one should be alone
on Christmas.
I gotya, Cindy Lou!
You did it!
Now scoot over!
It's my turn to drive!
I'd better slow
this puppy down!
We're gonna crash!
Even ifwe're
horribly mangled...
there'll be no sad faces
on Christmas.
- What is it?
- Help!
My baby!
Oh, Martha,
grab an end.
This could be a little more
difficult to negotiate.
Heads up, Whoville!
Yeah!
Thanks for the help.
All right.
What do we have here?
You got me, Officer!
I did it!
I'm the Grinch
that stole Christmas.
And I'm sorry.
Put me in a choke hold?
Blind me with pepper spray?
You heard him, Officer.
He admitted it.
Yes, I heard him,
all right.
He said he was sorry.
Help me out here, people.
I'm afraid I do have
something foryou!
Your ring back.
someone else.
No hard feelings?
Your cheek's so--
I know.
Hairy?
- No.
- Greasy?
Warm.
Welcome, Christmas
Come this way
Welcome, Christmas
Christmas Day
Welcome, welcome
Welcome, welcome
Christmas Day
isin our grasp
Welcome, Christmas
Bring your--
- Cheer
- Cheer
Welcome, all Whos
Far
And
Near
And he--he himself, the Grinch--
carved the roastbeast.
Yeah!
There's nothin' like the holidays.
Too late! That'll be mine.
Where are you, Christmas
I think I've found you
This time I'll make you stay
All will be singing
Bells will be ringing
Now and forever
Christmas Day
Friðrik Dór Jónsson (IP-tala skráð) 13.11.2023 kl. 09:38
(static crackles)
♪ ♪
(static crackling)
(quiet metallic squeaking)
(man breathing rapidly)
(whimpers)
(grunting quietly)
(breathing heavily)
(loud crashing)
(gasps)
(pounding on door)
(whimpering)
(whimpering)
(breathing rapidly)
(grunts)
(metal scrapes)
(gasps)
(door creaks)
(muffled pop music playing in distance)
(whimpers)
♪ ♪
(whimpering)
(lights buzzing)
(rattling)
(male voice humming)
(breathing rapidly, whimpering)
(male voice scatting nearby)
(heavy footsteps approaching)
(screams)
(breathing rapidly)
(whirring, rattling)
(breathing rapidly)
(low growling)
(straining, whimpering)
(whirring and rattling intensify)
(whimpering)
(whimpering loudly)
(crying out)
(screaming)
(screaming echoes, fades)
♪ ♪
♪ ♪
(alarm clock beeping)
(beeping stops)
♪ ♪
(sighs)
(tape rewinding)
MIKE: Abs, you ready?
Abby…
MIKE: Abs.
Come on. I know you’re in there. Let’s go.
Abby, come on.
Okay, okay.
You’re being a jerk.
You know I have somewhere I have to be.
Come on, let’s go. Five minutes.
I need you dressed.
(toy squeaks)
Five minutes.
(crowd chatter)
JEREMIAH: “And though the dreamer remains asleep, he walks through memory as if experiencing it for the first time anew, no longer a passenger but an active participant.”
(chuckles)
This stuff for real?
Some people think so.
Guess it depends on what you believe.
Summer of ’82, I traded a mint condition Cal Ripken Jr. rookie for a used copy of “Missile Command.”
That card’s probably worth 800 bucks now.
I wish I could participate in that memory and actively kick my own ass.
Can I keep it?
No.
WOMAN: I would like the walnut fudge, but I want the fudge on the side because I don’t want it to melt the ice cream.
And can I get some whipped cream on top and three cherries?
CINDY: Coming right up.
Hey.
You want your usual, right?
Uh, yeah.
So, when are you gonna bring your sister by?
We got this new flavor, Rainbow Explosion.
I bet she’ll go crazy for it.
Mike?
Hey!
Hey!
Hey!
(grunts)
(crowd gasping, murmuring)
(grunting)
WOMAN (distantly): Number 27?
(echoing): Number 27?
(normal): Number 27?
Follow me.
(humming a tune quietly)
Mm.
What is your deal, Mike?
What are you, some kind of… head case?
You beat up a man in broad daylight.
In front of his child.
Daddy!
(people screaming)
(panting)
That was a mistake. Um…
It was a misunderstanding. I-I thought…
Just look at your employment record.
Tire Zone, sales associate, two months, terminated.
Insubordination.
Media World, custodial staff, one week.
It’s like you’re not even trying here, yet you sit before me asking for help.
I am just trying to figure out who you are, Mr. Michael Sh…
Hmm.
Coffee?
Sorry?
Uh, would you, would you like some… some coffee? I made some coffee.
No.
I’m-I’m gonna be brutally honest with you here, Mike.
Given your track record, your options… are gonna be extremely limited.
I’ll take anything, okay? Any-any job you got.
No. No.
Look, I-I-I get that part. Um, it’s just…
You know, it’s not that easy.
Yeah. Thank you.
I have a job for you.
Come on, sit down.
Sit, sit, sit, sit, sit.
Okay, uh, well, what is it?
It’s a security gig.
Full disclosure: it’s not great.
Right? High turnover.
That’s what we call it in the business, but you get to be your own boss. Sort of.
And you only have to worry about one thing.
Keeping people out.
And-and, you know, and keep the place tidy.
That’s two things.
You want the job or not?
How’s the pay?
Not great.
But the hours are worse.
(quietly): I can’t do nights.
Excuse me?
I can’t do nights.
(chuckles)
That’s such a shame.
Yeah.
Thank you.
Wait, uh…
In case you have a change of heart.
♪ ♪
(TV playing quietly)
MIKE: Hey, Max.
Thanks for babysitting.
There’s Stouffer’s.
Should still be warm if you’re hungry.
WOMAN (on TV): I have to tell you, there is something magical about these rings, and you can have it within…
I wish someone would buy me a ring.
Did Abby eat?
What do you think?
(humming a tune)
MAX: Same time tomorrow?
MIKE: Yep.
(continues humming)
What do we got?
Okay.
Well, that good-looking guy I recognize.
Who are all these other punks?
My friends. It’s not done yet.
Well, look, you can finish up after we eat, all right?
Come get some food.
I’m not hungry.
Abby, please, come eat.
Come on. Here. Please come.
No!
Come and…
Abs, with the day that I’m having, can you just eat some food?
You’re sitting on my friend.
You know what? I don’t care.
Do whatever you want.
But you should know what happens to little kids who don’t eat their dinners.
Their bodies stay the same size forever.
And they never get to ride the adult rides at the amusement park.
My friend says you’re an idiot.
Mm.
At least I’m real.
(sighs)
(tape whirring)
(birds chirping on tape)
(sighs)
♪ ♪
(imitating airplane)
MAN: How about some burger with that ketchup, hon?
(woman laughs)
Everything’s better swimming in ketchup.
Right, Mike? Whoop.
I’m gonna go grab a towel.
Go watch your brother, okay?
Okay.
MIKE: Garrett.
(car engine starts)
(engine revving)
Garrett?
♪ ♪
(heart beating rapidly)
(panting)
Garrett! Garrett!
(shouting echoes, fades)
(tape rewinding)
(playful chatter)
♪ ♪
JANE: Just look at my nephew.
It’s not even 10:00
and he-he can barely keep his eyes open.
And this degenerate is who they entrust with the well-being of a mentally ill child.
Jane, like I’ve said before, Abby is not mentally ill.
Oh, right.
Perfectly normal to sit around drawing pictures all day and-and talking to magical creatures who do not exist.
Listen, I think we all just need to calm…
Don’t tell me to calm down.
You’re the doctor, and you’re making me feel like I’m the crazy one?
And after… after what he did to that poor man…
(crying): I just…
(Jane sobbing)
I have really tried to play nice. I have.
But I have to think about Abby now.
Enough is enough. Doug?
Doug.
(gasps) Oh.
JANE: In your heart, you know that this is the right thing to do.
I hope that you will sign.
And if I don’t?
Well, then, my lawyer and I will have to take you to court, where any judge with an ounce of sanity will see to it that you never see your sister again.
That what you want?
She-she doesn’t even care about Abby.
All she wants is the monthly check from the state.
(breathes deeply)
But, I mean, she-she has some good points, though.
I’m hardly fit to be raising a kid.
LILLIAN: I know a little girl who would strongly disagree.
MIKE: Come on.
She talks to air more than she talks to me.
I could drop dead tomorrow, and she’d be too busy drawing to even notice.
You know, pictures hold tremendous power for children.
Before we learn to speak, images are the most important tool we have for understanding the world around us.
What’s real, what matters to us most.
These are things children learn to communicate almost exclusively through pictures.
Yeah, her pictures mean something.
And who is at the center of nine out of ten of them?
Me.
Mm-hmm.
Like it or not, you’re her world.
MIKE: But what if it’s not up to me?
My aunt, she’s an idiot, but she’s right.
No judge in their right mind is ever gonna side with me.
Did you find a job yet?
Okay.
That would be a good place to start.
(whimsical music playing over TV)
(Mike sighs)
(pressing phone keys)
(line ringing)
STEVE (over phone): Hello.
Uh, hi.
Mr. Raglan, this is Mike.
Mr. “I can’t work nights.”
Right.
Uh, yeah, I was just calling to see if that job that you offered was, uh, was still available.
Oh, it absolutely is.
Why? Have you had a change of heart?
(TV continues playing quietly)
MIKE: How soon could I start?
♪ ♪
STEVE: Let me give you a little backstory.
This place was huge in the ’80s with the kids.
It’s been shut down for years.
The only reason they haven’t given it the old wrecking ball treatment is the owner’s a bit of a…
Well, he’s kind of a sentimental guy, I guess.
Just can’t bring himself to let it go yet.
(laughs)
Yeah.
Had some trouble with break-ins over the years.
Drunks and vagrants, mostly. Not ideal.
Security system’s dated but fully functional.
Floodlights on the outside, cameras inside and outside.
Fair warning: the electricity is a bit… iffy.
(glass crunching)
♪ ♪
Anything happens, there is a breaker in the main office.
Just flip it.
(machines powering up)
(lights clinking, buzzing)
Uh, I guess that’s about it.
You know… the rest is pretty easy.
Just keep your eyes on the monitors and… and keep people out.
Piece of cake.
♪ ♪
(sighs)
STEVE: So, I will catch you on the flip side.
Hopefully.
♪ ♪
The hell?
(upbeat music playing over TV)
Welcome to Freddy Fazbear’s Pizzeria, a magical place for kids and grown-ups alike, where fantasy and fun come to life.
If you’re watching this video, it means you’ve been selected as Freddy’s newest security guard.
Congratulations.
We’re going to have so much fun together.
The genius who created Fazbear Entertainment opened Freddy Fazbear’s Pizzeria to indulge in his two greatest passions: family-friendly fun and cutting-edge animatronic technology.
(scoffs) -State-of-the-art robotic engineering enables our characters to interact with guests in truly lifelike fashion, while cleverly concealed rechargeable lithium cells give them limited range to roam free.
Let’s introduce you to the stars of the show.
(static crackling)
(laughs) Adorable, aren’t they?
Protecting these cuddly critters, and the proprietary technology that brings them to life, is now your sacred duty.
Keep them safe, and help ensure that Freddy Fazbear’s Pizzeria is here to delight, dazzle and entertain
(distorted): for years to…
(static crackling)
All right.
(sighs)
(gasps)
♪ ♪
♪ ♪
(object thuds, clatters)
Hello?
♪ ♪
(gasps)
(quiet electronic warbling)
♪ ♪
(clock ticking)
(static crackling softly over speaker)
(static continues)
(imitating airplane)
MOTHER: Everything’s better swimming in ketchup.
Right, Mike?
(chuckles)
Go watch your brother, okay?
♪ ♪
Garrett?
Garrett!
(footstep crunches softly)
♪ ♪
What is this?
Who are you?
That car.
Did you see that car? You see what happened?
(static continues)
Did you see who took my brother?
Wait! No.
♪ ♪
(grunts)
(watch alarm beeping)
(panting, groans)
(beeping stops)
(panting)
(TV playing quietly)
Hey.
Hey, Max.
(exhales)
So? How’d it go?
Uh… it was interesting.
I should probably get out of here.
Hey, by the way, I-I do intend on-on paying you, eventually.
It’s okay.
I know where you live.
(chuckles softly)
(vehicle approaching)
(truck horn honking)
(entry bell jingles)
WAITER: Hey. Welcome to Sparky’s.
Could I set you folks up with some appetizers?
JEFF: Yes.
JANE: Oh.
We are not eating.
WAITER: (chuckles) Well, that’s no fun.
You do realize that lunch is the most important meal of the day?
JEFF: I thought it was breakfast.
Some people say that, but, you know, it’s just a theory. -Are you being paid by the word, or could we have a minute?
All right.
Thank you.
JANE: Ah, where were we?
Oh, you were about to tell me what a miserable failure you are.
JEFF: Hey, screw you, lady.
My sister went over every inch of that dump a thousand times.
If there was something to find, she would have found it.
Now pay up.
Uh, I’m sorry? (laughing)
JEFF: You said 200.
We had a deal.
Yeah, that you were gonna find me hard proof of criminal endangerment.
Instead, you’ve told me what a nice kid my niece is and that my nephew sleeps a lot.
He really does, though.
Sleeping is not a crime.
Is that guy okay?
I just realized I shouldn’t be hearing any of this.
As a matter of fact, I shouldn’t be here at all.
Sit down, Doug.
So, I guess we’re finished here, unless either one of you has a brilliant idea, which I realize is highly unlikely.
Why don’t we just kill him?
(Doug sighs)
Tempting. But no.
What else?
Mike was saying that… he really needs this new job to, like, look good on paper for the judge or something.
Well, that’s all very fascinating, honey, but I am not hearing a plan.
We toss the place.
Go on. -Well, he’s a security guard, right?
His job is to make sure nobody gets in.
So, we get in, and we mess up the place good.
We help ourselves to whatever we find along the way.
Your nephew gets canned.
Judge gives you the kid, and you give us…
$2,000.
One thousand.
But do it fast, and don’t mess it up.
I mean, you know, mess it up, but don’t… don’t mess this up.
(thunder crashing)
(grunting)
Come on. (grunting)
ABBY: What are you doing?
(grunts)
Abby, do you need something?
No. -All right, quit playing and take that off.
I have to go to work.
I know. I’m coming with you.
No, you’re not.
Give me the vest.
No.
Give me the vest now.
I’m coming with you.
ABBY: I want to go with you.
MIKE: Abby.
I don’t want to stay here with Max. -Abby, stop.
Hello? -Abby, stop.
No! You can’t make me.
MIKE: Yes, I can.
No, it’s mine.
MAX: Hello?
(Abby screams)
Let go! (screams)
Let go. No, no.
MIKE: Abby, stop. Abby.
He’s taking my vest!
Abby.
ABBY: I’m keeping it.
No.
(door closes)
(exhales)
She’s all yours.
(thunder rumbling)
♪ ♪
(thunder crashing)
(thunder rumbling)
(thunder crashing)
(static crackling softly)
(birds chirping over headphones)
(thunder rumbling)
(panting)
MIKE: Garrett!
(footstep crunches softly)
Wait, please.
Please don’t-don’t… don’t run.
Okay? I-I just want to know what you saw.
Please. I’m begging you.
Help me.
Who took Garrett?!
♪ ♪
(panting)
(panting)
(screams)
(distorted warbling, crackling)
(warbling, crackling continues)
(“Talking in Your Sleep” by The Romantics playing loudly)
(over speaker): ♪ The secrets that you just can’t hide… ♪
(grunting)
♪ You tell me that you want me… ♪
(music stops)
(machines powering up)
(buzzer sounding)
(thunder rumbling)
(buzzer continues)
♪ ♪
(thunder rumbling)
About time.
Starting to think maybe you fell asleep on the job.
Um…
Can I, uh, help you, Officer?
Please, my name’s Vanessa.
And you must be?
Um…
The new security guard.
Yeah.
You’re bleeding, by the way.
Looks nasty.
Come on. I know where they keep the first aid kit.
(thunder rumbling)
(chuckles): Love what you’ve done with the place.
Why Nebraska?
Oh, you need a hand?
I’m fine.
You sure?
Here.
I’m a certified EMT.
So if your heart ever goes out, I’m the one you want to call.
You seem to really know your way around the place.
Well, Freddy’s is on my beat.
I like to stay well-informed.
Also, I really loved this place as a kid.
There.
That should do it. (sighs)
Vanessa Shelly.
Mike.
Pleasure to meet you, Mike.
(drawer closes)
You doing all right this evening, Mike?
What?
Are you good? Are you okay?
Is everything copacetic?
Yeah, I know what “all right” means.
Do you also know that your eyes are bloodshot and your heart rate’s through the roof?
And aside from that gash on your arm, which… (chuckles) let’s be honest, is pretty frickin’ bizarre, you’ve been acting suspicious since the moment you opened the door.
Yeah, look, it’s been a weird night.
Sounds like Freddy’s.
This place, it gets to people.
It’s one of the reasons why you’re gonna quit.
I’m sorry?
Oh, yeah.
You security hires, you never last.
Have you met them yet?
Met who?
(lights buzzing)
(games beeping, whirring)
So, what are the other reasons?
Huh?
Why you think I’m gonna quit my job.
Well, you tell me.
Is this somewhere you see yourself ten, 20 years from now?
I mean, what do I know? Maybe the benefits are great.
(scoffs)
I didn’t think so.
Add to that the thing with those kids going missing.
Wh-What did you just say?
Prepare to have your mind blown.
(chimes)
(whirring)
(“Talking in Your Sleep” by The Romantics playing)
♪ ♪
♪ When you close your eyes ♪
♪ And you go to sleep ♪
(echoing): ♪ Sleep, sleep, sleep ♪
♪ And it’s down to the sound of a heartbeat ♪
This… this is…
The best thing you’ve seen in your entire life?
♪ I can hear the things that you’re dreaming about ♪
(echoing): ♪ About, about, about ♪
♪ When you open up your… ♪
Want to dance?
(electrical crackling)
(music distorts, stops)
(mechanical whirring)
Maybe some other time.
Wait, y-you said some kids went missing?
Sure. Back in the ’80s.
What happened to them?
It was big news.
That’s why the place shut down.
Wow.
You really didn’t do your homework, did you?
And you’re not even wearing your badge.
Got it.
There.
Now you’re official.
(gate rattling)
VANESSA: Hey.
Some friendly advice?
Don’t let this place get to you.
Just do your job, and you’ll be fine.
(indistinct police radio chatter)
Yeah, sounds good.
♪ ♪
(cell phone keys beeping)
(car engine starts)
(phone line ringing)
(phone vibrating)
(beeps)
JEFF (over phone): It’s showtime.
As soon as he gets back, get the guys and meet me here.
I think I see a way in.
(soft electronic whirring)
All right.
Now, be quick but thorough.
Maximum damage, minimum time.
You see anything valuable, grab it, and we’ll, uh, settle up after.
Good?
Yeah. Golden.
Whoo!
Yeah! (laughs)
Let’s go, boys!
Come on!
♪ ♪
(clattering in distance)
(heavy scraping)
(doors rattle)
(clattering continues in distance)
♪ ♪
(loud rattling)
(scoffs)
(pans rattling)
(exhales sharply)
(quiet mechanical click)
(Carl gasps)
(electronic whirring)
(flashlight clatters)
(electronic rattling)
(screaming in distance)
(electronic chittering)
(screaming continues)
(muffled grunting)
HANK: Carl?
(gasps)
(bag thuds)
(screaming in distance)
(screaming continues)
JEFF: Hank?
What the hell are you doing?
♪ ♪
(breathing heavily)
JEFF: Hank?
Hank!
Jeff?
(door rattling)
Jeff!
(straining)
Come on, you stupid…
(whispers): Hank?
Come on. Come on.
(electronic whirring)
(screaming)
(heavy thudding)
(screaming and heavy thudding continue)
(bones cracking)
(glass squeaking)
(body thudding)
Hank?
(heavy mechanical footsteps)
(low growling)
(crowbar clatters)
♪ ♪
(coins clattering)
(kids screaming and laughing loudly over phone)
(groans)
♪ ♪
Shit.
(rattling in vent)
(whirring)
(grunting): No! No! No!
(grunting)
(grunts)
(whirring stops)
(door creaking)
(male voice scatting nearby)
(scatting)
(scatting stops)
(electrical crackling)
(jaws chomping rapidly)
(screams)
Jeff?
Carl?
(fan creaking)
(door creaks)
(boy giggles)
Hey.
BOY: Follow me.
Hey!
Hey, wait!
BOY: Come on.
MAX: Hello?
BOY: This way.
(door closes)
♪ ♪
(breath trembling)
(door closes)
BOY: Warmer.
(gasps)
(soft mechanical creaking)
How in the heck?
BOY: Warmer.
(screams)
(jaws chomp)
NARRATOR (on TV): It’s feeding time for the giraffe.
(whimsical music playing on TV)
(TV continues playing quietly)
Hey, Abs, what you working on?
All right.
I guess you don’t want this, then.
It’s cool, huh?
(softly): Okay.
I’m trying my best, Abby, okay?
(objects clatter)
(on TV): Can’t you read?
You okay?
I made a mess.
I’m sorry.
They’re just… they’re just papers, all right?
They don’t… they don’t mean anything.
Then why do you have them?
Well, that’s complicated. Aunt Jane…
I hate her.
She’s mean and she smells like cigarettes.
(chuckles)
It’s not funny.
You’re right, it’s not. It’s just, uh…
I don’t know, it’s nice that we can finally agree about something.
(softly): Are you gonna give me away?
Abs, no, I…
(knocking at door)
Hey. Vanessa.
Hey, Mike.
And hello.
Vanessa, this is Abby. Abby, Vanessa.
Hi, Abby.
Mike didn’t tell me he had a daughter.
Gross.
No, uh, Abby’s my sister.
Ah. Well, he didn’t tell me he had a sister either.
Are you here to arrest Mike?
MIKE: Okay, uh, can you go play in your room so me and Vanessa can talk?
It’s nice to meet you.
What, um… what are you doing here?
Somebody broke into Freddy’s.
What?
Wh-What-what happened?
Recognize these?
Look, it’s not what you think, okay?
Th-Those are… They’re sleeping pills.
They help me sleep.
I know what they are, Mike.
It’s written on the bottle.
News flash: If you’re too whacked out to remember to lock a friggin’ door, accident or not, you’re liable.
It’s called criminal negligence.
(scoffs) You wouldn’t understand.
Well, then help me.
‘Cause the moment I file that report, it’s out of my hands.
You want to take a walk?
So I used to have a brother.
His name was Garrett.
(sighs) And when I was… about 12, he was, uh, he was taken.
And I was there when it happened.
They never found the guy who did it, and they never found my brother.
So there’s this theory that, uh, we can’t forget things.
Basically, it says that every single thing that you see in your entire life, down to the tiniest of details, gets stored inside of you.
You just have to know how to look.
Your brother…
You think you saw who took him?
I know I did.
And I know that he’s in here, but he’s just… he’s…
It’s buried.
So every night, I dream, and I go back to that same memory, and I-I search for details.
For any little thing that got overlooked.
Yeah.
And that’s usually the part where people tell me I’m crazy.
I know what crazy looks like, Mike.
This isn’t it.
Not even close.
And these?
I mean, going back to the same dream, the same place night after night, it’s not easy, so the-the pills help.
Some other things, like familiar sights, familiar sounds.
“Pining for fun?”
(chuckles)
“Visit Nebraska.”
(laughs)
Your sister seems cool.
So it’s just the two of you?
Yeah.
Yeah, it’s just us.
Our mom died a little while back.
And Dad, he couldn’t handle it, so…
You know what’s crazy is, uh, when… when Garrett and I were kids, they were like those perfect parents you’d see on old TV shows.
Yeah, ev-every night, we would sit down together, we’d have family dinner, and we’d hold hands and say grace, and…
That actually sounds really nice.
Yeah, at the time, I thought it was really cheesy.
But then it’s gone.
You and Abby, you still have each other.
From where I sit, I’d say you’re lucky.
(indistinct police radio chatter)
(sighs) I should go.
No more sleeping on the job.
When you’re at Freddy’s, you stay alert.
MAX (recorded): Hey, it’s Max.
(chuckles) Leave a message. Or don’t.
(touch tones sounding)
(line ringing)
Come on, Max. Come on.
MAX (recorded): Hey, it’s Max. Leave a mes…
(sighs)
MIKE: I will work, and you will sleep, and under no circumstances are you gonna come out of my office.
Do you understand?
I understand.
This is not a vacation, okay? You’re not here to have fun.
Okay.
Whoa, slow down, slow down, slow down.
No, no, no.
Abby?
(soft creaking)
Whoa.
What happened?
Give me your hand.
Watch out.
(glass crunching)
Do you want me to turn the light off?
(softly): Okay.
Good night.
It’s like camping.
(sighs heavily)
(gasps)
♪ ♪
♪ ♪
(exhales sharply)
(birds chirping over headphones)
(clock ticking)
(static crackling, warbling)
(chirping continues over headphones)
♪ ♪
(door creaks)
BOY (whispers): Abby?
(whispers): I’ll be right back.
(toilet flushing)
(door creaking)
(metallic clattering)
Hello?
I know you’re back there.
Might as well come out.
(low growling)
(heavy mechanical footsteps)
♪ ♪
(car driving off in distance)
You’re those kids, right?
The ones who disappeared?
Look.
I don’t know how it’s possible that you’re here like this in my dream, but…
I need your help.
Please.
Help me remember the man who took my brother.
If we show you, what will you give us?
Anything.
I’ll give you anything you want.
(girl screams in distance)
(girl screams)
(sniffs)
Abby?
(Abby screaming)
ABBY: Stop! Stop! Stop! (screaming)
Abby?
(mechanical clicking)
(heavy footsteps approaching)
(low growling)
ABBY: Mike.
(laughing)
They wouldn’t stop tickling me.
I thought I was gonna die.
Freddy, this is my brother, Mike.
(mechanical whirring and clicking)
Abby, what is this?
ABBY: Come on.
I want you to meet the others.
(electronic warbling)
Mike, this is Bonnie, Foxy and Chica.
Everyone,
this is Mike.
(mechanical whirring and clicking)
This-this is a joke, right?
I mean, th-there’s someone here.
There’s probably somebody controlling them, right?
I mean…
Okay, good joke!
Congratulations! You got me!
You can come out now!
Hello?
It’s okay, Mike.
They just want to play.
(laughs softly)
We have to go home now. Come on.
Hold on.
They really like pictures.
(drawing on paper)
(mechanical whirring)
I had a lot of fun tonight.
Thank you for playing with me.
Okay, okay, Abby, come on.
Okay.
Bye!
♪ ♪
(engine shuts off)
(quietly): There you go.
(sighs)
♪ ♪
(metal scrapes)
It’s them.
Hey, Abby, um, we need to talk about last night, okay?
Um…
So those, uh, those… machines…
My friends?
Your friends?
Um…
are they…?
Ghosts?
Yeah.
Of course.
How else could they make the robots move?
Right.
Can I have some more soup?
Yeah, sure.
Hey, Abs.
You know we used to have a brother, right?
Garrett.
I don’t… I don’t really talk about him very much.
Neither did Mom or Dad.
Yeah, it was hard for them.
It’s hard for me, too.
C-Can you explain this to me?
You-you drew that, right?
Okay, and… and-and you know what that is?
Hey, hey, it’s okay.
Okay, I’m not, I’m not mad.
I won’t get angry at you.
But I really need you to help me understand, please.
That’s when Garrett got taken.
Abby, who told you about that?
W-Was it a-a boy with blonde hair?
Did that boy ever tell you anything about the man driving that car?
Anything at all?
Okay, just think, think really hard, okay?
No.
All they talk about is a yellow rabbit.
Okay.
But…
I can ask.
I would really appreciate that.
♪ ♪
(kids’ laughter echoing)
KIDS: ♪ We love the yellow rabbit ♪
♪ We love the yellow rabbit ♪
(girl screaming)
(kids’ screams echoing)
(car doors closing)
ABBY: Vanessa’s here.
Yeah.
My friends talk about her sometimes.
What do they say?
That she’s nice.
Abby, if I asked you to wait in the car, would you?
No.
Abby, wait.
ABBY: Guys, I’m back.
Abby.
Hey, Vanessa.
MIKE: Abby.
(Abby giggling)
Mike.
Vanessa.
(chuckles) I missed you guys.
MIKE: You knew about this.
Guess you figured it out.
Ghost children possessing giant robots?
Thanks for the heads-up.
Guys, we need help.
It needs to be big so we can all fit inside.
Abby, look.
Now, this is all really fun and exciting, but these things are big, and they could be dangerous, so I think we need to lay some ground rules, all right?
Vanessa, what do you think?
I think we could use the tables for the fort.
ABBY: Everyone, follow me.
(giggles): Come on.
(“Connection” by Elastica playing)
♪ Riding on any wave ♪
♪ That is the luck you crave ♪
♪ They don’t believe it now ♪
♪ They just think it’s stupid ♪
♪ So got anything? ♪
♪ Anyone could have done ♪
♪ Who would’ve cared at all… ♪
It needs to be higher.
♪ I don’t understand ♪
♪ How a heart is a spade ♪
♪ But somehow the vital ♪
You did it!
♪ Connection is made… ♪
(song stops)
(heavy thump)
Are you okay?
(song resumes)
VANESSA: I like it in here.
ABBY: Me, too.
But I think it’s gonna rain soon.
Sounds like we need a roof.
I’ll go see what I can find.
I’ll, uh… I’ll-I’ll come with you.
(whispering): Abby, don’t forget to ask.
Okay.
Yeah.
(song ends)
What are you looking for exactly?
Tablecloths.
They used to keep ’em back here for big events.
Right. And remind me how you know that.
Found ’em.
(soft mechanical rattling)
VANESSA: Don’t.
I wouldn’t do that.
They’re spring locks.
They’re on all the older models.
They were designed to keep the animatronic parts in place so that, uh, a person could safely wear the suit.
They tend to be pretty unstable.
Let’s see.
Ooh.
Like I said, unstable.
Is there anything else that you want to tell me about, Vanessa?
‘Cause you seem to know everything about this place.
And what if Abby’d come in here?
What if she’d found that thing?
You’re the one who brought her, Mike, not me.
What I can’t wrap my head around is why.
All right, look.
I think that they know who took my little brother.
I can’t explain it, but when I’m here, I feel closer to Garrett.
My dreams are more vivid, and it… it’s like I can almost…
Change what happened?
Did you ask them about this?
Yeah, I tried.
I don’t think they like me very much.
But… they do like Abby.
Mike, you need to drop this.
I don’t really see how that’s any of your business.
I’m telling you, you need to let it go.
Who the hell are you?
Just someone who’s trying to help.
(over speakers): ♪ Well, I’m just out of school ♪
♪ Like I’m real, real cool ♪
♪ Got to dance like a fool ♪
♪ Got the message that I got to be a wild one ♪
♪ Ooh, yeah, I’m a wild one ♪
Vanessa, wait.
♪ Gonna break it loose… ♪
Talk to me.
I’m trying.
You’re not listening.
Please. Finding the guy that did this is the only thing that matters to me.
(song continues)
(electronic humming)
Abby?
Wait. Abby, don’t!
(loud, discordant note plays)
(song stops)
(ears ringing)
♪ ♪
MIKE (muffled): Abby?
Abby? Abby!
(coughing)
(Vanessa sighs)
(Abby whimpers)
What happened?
VANESSA: It’s okay, Abby.
You just had an accident.
You’re okay.
I’m so sorry.
(mechanical clicking)
I don’t know what to say.
Just go home, Mike.
Take care of your sister.
What are you so afraid of?
In the storage room…
I saw your eyes. You were terrified.
You can do whatever you want with your own life, but if you ever bring Abby back here again, I will shoot you.
(engine starts in distance)
(car door opens)
ABBY: She looked so angry.
Why does everyone always look at you that way?
♪ ♪
(clears throat)
(sniffs)
(line ringing)
(sighs)
(line clicks)
Hey, it’s Mike.
I need your help.
(dog barking in distance)
(sizzling)
Abby.
Is that bacon?
Hey, why don’t you, uh, get dressed and then come to the kitchen, okay?
I want to talk to you about something.
Okay.
Wow, there’s my favorite little girl.
MIKE: Come have a seat, all right?
What did you do?
Abby, look, I think if you just sit down, we can explain it to you, okay?
No.
I promise you, this is not what you think it is.
I hate you.
I hate you, Mike!
(door slams)
Well, I-I think that went well.
(breathing heavily)
♪ ♪
She reminds me of you, you know.
Always with the temper.
Well, look, when she calms down, can you, um, tell her that I’m sorry and that I’ll-I’ll be back soon?
Well, Mike, there’s a larger conversation that needs to happen here.
So when you do get back, you and me are gonna have a little chat.
Okay.
(playing softly): ♪ Celebrate good times, come on ♪
(papers rustling)
♪ Let’s celebrate ♪
♪ Celebrate good times… ♪
You know what works for me?
A warm glass of milk with chamomile and honey.
I tell you…
What an asshole.
♪ ♪
(birds cawing)
(birds chirping over headphones)
♪ ♪
♪ ♪
(Garrett imitating airplane)
MOTHER: Okay, enough games, you two.
(straining): Emergency landing.
GARRETT: Coming in.
(Mother chuckles)
Hey, buddy.
Well, don’t just stand there. Dig in.
♪ ♪
Sweetheart, what’s wrong?
This… this isn’t…
this isn’t how it happened.
This isn’t real.
BOY: But it could be.
What is this?
This isn’t what I asked for.
But it’s what you want.
No. I just, I just want to find the man that…
You’re lying.
You want to save Garrett.
That’s why you’re really here.
To change what happened.
To go back.
But I can’t.
He’s gone. They’re all gone.
Really?
You can have this dream every night.
You can be together with him again.
Like before.
How?
BOY: You said we could have anything we wanted.
We want Abby.
Abby?
They love her, Mike, and she loves them.
You’ve seen her with them.
You’ve seen how happy she is.
It’s time to let her go, sweetheart.
You were never the right person to take care of her.
(breathing shakily)
Okay. (sniffles)
(voice breaking): Yes.
You’re home.
♪ ♪
No.
No, this is wrong.
I don’t, I don’t want this. Listen…
(heavy mechanical footsteps)
I made a mistake!
Please, I don’t want this!
Do you hear me?!
(breathing heavily)
You leave Abby alone!
(heavy mechanical footsteps continue)
(gasps)
KIDS (whispering): Abby.
Abby.
(gasps)
Stay away from my sister!
(sharp slice)
(grunts)
(groans)
(breathing heavily)
(whispering): Abby.
(grunting)
Abby.
Abby.
(breathing heavily)
Abby.
(groaning)
(panting)
KIDS (whispering): Abby. Abby.
Abby. Abby. Abby.
(whispering continues)
(mechanical whirring)
BOY (whispers): Abby.
(mechanical whirring)
(low growling, rattling)
(panting)
(straining)
(grunting)
(sparks crackling)
(whirring stops)
(panting)
♪ ♪
(gasping)
(pained grunting)
♪ ♪
(Foxy scatting nearby)
(grunting)
(scatting continues)
(jaws chomping rapidly)
No!
(crickets chirping)
(dogs barking in distance)
(knocking)
JANE: Abby?
You can’t stay in there forever, you know.
Suit yourself.
(sighs)
(groans)
ANNOUNCER (on TV): The pottery that grows.
It’s easy.
Soak your Chia overnight, spread the seeds…
(channel changes)
(audience laughter)
Oh.
(woman speaking indistinctly)
(low mechanical whirring)
(laughter and chatter continues on TV)
(thudding in distance)
Freddy?
♪ ♪
Not Freddy.
They’re all waiting for you.
It’s time to go play.
♪ ♪
Silly Aunt Jane. (chuckles softly)
She fell asleep.
How do we get there?
(“I Wanna Be Down” by Brandy playing in taxi)
♪ I wanna be down ♪
♪ With what you’re going through ♪
♪ I wanna be down… ♪
Where to, little lady?
(taxi door opens, closes)
(taxi rattling)
What the…?
Oh, my goodness!
(giggling)
Not cool. (sighs)
Why do I always get the weirdos?
(groaning, panting)
Careful.
I managed to stop the bleeding, but you’re probably gonna need stitches.
Where are we?
Police supply outpost.
I found you, and, uh, you were… you were badly hurt.
They tried to kill me, Vanessa.
But I’m guessing you already knew that.
Max.
Her brother.
You knew about them, too, right?
It’s complicated.
Yeah.
(scoffs) Yeah.
More complicated than possessed robots murdering innocent people?
They weren’t innocent.
Yeah, Abby is!
Mike… -You saw Abby playing with them.
And you knew what they were capable of, and you didn’t say anything!
Mike, please just…
Abby is in danger!
Tell me what happened.
In my dream… they asked me for Abby.
And I said yes.
It was a mistake, and I-I tried to fix it, but…
What do they want with my sister?
They want to make her like them.
♪ ♪
Come on, let’s go.
Where’d you go?
(lights buzzing softly)
VANESSA: In the ’80s, when those kids went missing… the police searched Freddy’s from top to bottom.
Every inch was accounted for.
But they never found them.
Hello?
VANESSA: The man who took them, he was a…
He was a very bad man.
A very cruel man.
Also a very clever man.
He knew that parents would cry, and the police would come looking.
And he knew there’s one place they’d never think to check because…
(lights clanking)
…why would they?
I mean, why would anyone?
It’s not just their ghosts that are inside of those machines.
It’s their bodies.
You have to understand, the… the kids, they don’t want to hurt anyone.
It’s-it’s him.
He influences them somehow.
He took everything from them, but they don’t remember.
Who, Vanessa?
I tried to warn you.
I really did try in my own way.
But it’s too late now.
He knows that you’re looking for him.
He’ll be coming.
You need to tell me who he is.
VANESSA: His name is William Afton.
He’s my father.
♪ ♪
(Garrett imitating airplane)
You knew?
(crying): Mike…
This whole time.
My brother, you knew.
Not about Garrett, no.
A-At least… not when we met.
I’m so, so sorry.
Tell me how to stop them.
Tell me how to save my sister!
(electronic whirring)
(“Talking in Your Sleep” by The Romantics playing loudly)
VANESSA: Electricity. Electricity is the key.
We use these for animal control.
(crackles)
There’s a Taser on your belt.
It won’t do permanent damage, but it’ll mess with the animatronic circuitry.
Hopefully buy you some time.
Come with me.
No.
Vanessa, you owe it to me, and you owe it to them.
No, I can’t.
If he’s there, I…
I won’t be any use to you, believe me.
He really messed you up, didn’t he?
(girl screaming faintly)
Take these.
(engine revving)
(tires squealing)
♪ ♪
VANESSA: You need to avoid the front entrance.
(“Talking in Your Sleep” continues playing faintly)
(mechanical whirring)
There’s an outlet vent on the east side of the building.
That’s the best way inside.
(rats squeaking)
(panting softly)
♪ You tell me that you want me ♪
MIKE (hushed): No.
♪ You tell me that you need me ♪
(grunts)
♪ You tell me that you love me ♪
♪ And I know that I’m right ♪
♪ ‘Cause I hear it in the night ♪
♪ I hear the secrets that you keep… ♪
(panting)
♪ I hear the secrets that you keep… ♪
(song continues faintly)
♪ ♪
(mechanical clanking)
(song continues loudly)
♪ Don’t you know you’re sleeping… ♪
(song continues faintly in distance)
(doors creaking)
(whispers): Abby.
Chica, where are we going?
♪ ♪
(doors close)
♪ And I know that I’m right ♪
♪ ‘Cause I hear it in the night ♪
♪ I hear the secrets that you keep ♪
♪ When you’re talking in your sleep ♪
(electricity crackling)
(song distorting, fading)
Chica, I don’t like this.
(screams) Let go of me!
Abby?!
(screaming continues)
(whimpering): Chica, let me go.
(screams)
MIKE: Hey!
Leave her alone!
(electricity crackling)
ABBY: Mike.
Hey.
Are you okay? Are you hurt?
I don’t know what’s wrong with her.
I don’t know why she was trying to hurt me.
I know. I know.
Hey, Abby, listen to me.
I’ve been an idiot about so many things.
I’ve been stuck trying to fix the past, but you are the most important thing in the world to me, and I promise you I’m gonna do better.
I love you, too, Mike.
But we should probably go now.
Right, okay. Come on.
(electronic whirring)
♪ ♪
(grunts)
(grunting)
Mike!
(grunting)
Run! Hide! Abby, go!
(Mike grunting)
(Mike screaming in distance)
(heavy mechanical footsteps)
(electronic whirring)
(grunting)
(electricity crackling)
(heavy mechanical footsteps)
(games beeping and chiming)
(gasps)
(soft growling)
(breathing heavily)
♪ ♪
(heavy mechanical footsteps)
(shudders)
Abby?
Abby, where are you?
Abby?
(low growling)
(heavy mechanical footsteps)
♪ ♪
(low growling)
(growls)
(electricity crackling)
(distorted laugh)
(yells)
(grunts)
(heavy mechanical footsteps)
(electronic whirring)
(electricity crackling)
(Abby screams)
(yelps)
Vanessa.
It’s okay.
Foxy.
I need to get you somewhere safe so I can go help your brother, okay?
(distorted): You couldn’t just leave it alone, could you?
(chuckles): Lucky me.
This is perfect.
First I killed your brother.
Now I kill you.
Symmetry, my friend.
Go to hell.
(laughing)
(grunts)
YELLOW RABBIT: Wake up, children.
I have something for you to play with.
This is gonna be so much fun.
Little ones tell me you have a sister.
She will love it here.
You, however, are finished.
Farewell, Michael Schmidt.
VANESSA: That’s enough!
Drop the knife.
(Yellow Rabbit laughs)
A little old for temper tantrums, aren’t we, Vanessa?
I’m not kidding, Dad.
You may have forgotten your loyalties, but I assure you, they have not.
ABBY: Mike!
Please wake up.
WILLIAM: Now, put that thing away and help me clean up the mess that you created!
ABBY: Please.
Please, Mike. Please. No!
Come on.
(chuckles)
We both know you’re not gonna use a…
(screams)
(growling)
(panting)
(grunts softly)
Mike. Mike.
Abby. Abby.
VANESSA: The Yellow Rabbit, he controls them.
The drawings.
The Yellow Rabbit hurt your friends.
Show them what really happened.
(William yells)
(Vanessa screams)
(gun clatters)
You had one job.
One.
Keep him in the dark and kill him if he got too close.
That’s two jobs.
(choking)
(grunts)
(gasping)
(exclaims)
No!
Let go!
I won’t let you hurt her, too.
(blade stabs)
Dad.
(panting)
WILLIAM: Hey.
Hey.
(lights clank)
(rumbling)
(rattling)
(lights crackling)
What have you done?
(panting)
(Mike grunts)
♪ ♪
(kids screaming faintly)
(screaming continues)
(growling)
They can see you now.
They know what you did.
WILLIAM: Move.
Move!
(lights clanking)
(grunting)
Mike!
Look at you.
Look at the nasty things that you have become.
Look how small you are, how worthless you are.
You are wretched, rotten little beasts.
I made you!
(grunting)
(pained whimpering)
(pained grunting)
(sharp mechanical clanking)
(pained panting)
(sharp mechanical clanking)
(sharp mechanical clanking)
(bones crunching)
(pained panting)
I always come back.
(grunting)
(electronic whirring)
ABBY: What is happening?
MIKE: The spring locks.
(William grunting in pain)
MIKE: Okay. (grunts)
(straining): Come on. Come on.
Come on.
(growling)
(electronic roaring)
(pained groaning)
♪ ♪
(playful chatter)
Okay, one more.
Oh, wait, one more?
Put one more? One more block?
Yeah.
One more block? -Yeah. Yeah.
Yeah. Yeah. Let’s do one more.
LILLIAN: It’s really extraordinary, the turn she’s taken these past few weeks.
Whatever you’re doing, keep doing it.
Yeah, I will.
MIKE: It’s not that hard.
What do you want for dinner?
Pizza or spaghetti?
Both.
(chuckles)
You got to choose. Which is it?
But I want both.
You can’t have both.
Spaghetti with meatballs.
All right, with meatballs.
Um, we’re gonna make a quick stop, okay?
(siren wails in distance)
(air pumping slowly)
(monitor beeping steadily)
(indistinct announcements over P.A.)
Vanessa, I don’t know if… you can hear any of this, but, um… I’m having a hard time just processing everything that happened.
But you were there for me and Abby when it mattered the most.
And I don’t think that either of us would be here today if it weren’t for you.
So… So get better.
And we’ll be here when you wake up.
ABBY: Did you tell her I said hi?
I did.
All right, let’s get out of here.
MIKE: You okay?
ABBY: I was just thinking about my friends.
MIKE: Hmm.
They’re all alone.
Right.
No one takes care of them anymore.
Can we visit them sometime?
Um…
You know what?
You never know what can happen.
Do you think if you drink enough milk, you just turn into a cow?
(laughs): No.
Would you start, like, getting, like, spots on you like a cow?
(chuckles): No.
What would happen? Just…
♪ ♪
(lights crackling softly)
(William groaning in pain)
(pained groaning continues)
(strained grunting)
(“Five Nights at Freddy’s” by The Living Tombstone playing)
♪ We’re waiting every night ♪
♪ To finally roam and invite ♪
♪ Newcomers to play with us ♪
♪ For many years, we’ve been all alone ♪
♪ We’re forced to be still and play ♪
♪ The same songs we’ve known since that day ♪
♪ An impostor took our life away ♪
♪ Now we’re stuck here to decay ♪
♪ Please let us get in, don’t lock us away ♪
♪ We’re not like what you’re thinking ♪
♪ We’re poor little souls who have lost all control ♪
♪ And we’re forced here to take that role ♪
♪ We’ve been all alone, stuck in our little zone ♪
♪ Since 1987 ♪
♪ Join us, be our friend or just be stuck and defend ♪
♪ After all, you only got five nights at… ♪
(song stops)
(snoring)
(knock on window)
Uh-uh. No, not today. Sorry.
(door opens, closes)
I said, read the s…
(screams)
♪ Five nights at Freddy’s ♪
♪ Oh ♪
♪ ♪
♪ We’re really quite surprised ♪
♪ We get to see you another night ♪
♪ You should have looked for another job ♪
♪ You should have said to this place goodbye ♪
♪ It’s like there’s so much more ♪
♪ Maybe you’ve been in this place before ♪
♪ We remember a face like yours ♪
♪ You seem acquainted with those doors ♪
♪ Please let us get in, don’t lock us away ♪
♪ We’re not like what you’re thinking ♪
♪ We’re poor little souls who have lost all control ♪
♪ And we’re forced here to take that role ♪
♪ We’ve been all alone, stuck in our little zone ♪
♪ Since 1987 ♪
♪ Join us, be our friend or just be stuck and defend ♪
♪ After all, you only got five nights at Freddy’s ♪
♪ Is this where you want to be? ♪
♪ I just don’t get it ♪
♪ Why do you want to stay? ♪
♪ Five nights at Freddy’s ♪
♪ Is this where you want to be? ♪
♪ I just don’t get it ♪
♪ Why do you want to stay? ♪
♪ Five nights at Freddy’s ♪
♪ Oh. ♪
♪ ♪
(song ends)
♪ ♪
♪ ♪
DISTORTED ELECTRONIC VOICE: C… O…
M… E…
F… I…
N… D…
M… E.
(music ends)
Friðrik Dór Jónsson (IP-tala skráð) 13.11.2023 kl. 09:44
Cars (2006)
[Male] OK... Here we go. Focus.
Speed. I am speed.
[Cars whizzing past]
One winner, 42 losers.
I eat losers for breakfast.
[Car accelerating]
Breakfast.
Wait, maybe I
should have had breakfast.
A little breck-y could be good for me.
No, no, no, stay focused. Speed.
[Cars whizzing]
I'm faster than fast.
Quicker than quick.
I am lightning!
[Pounding on door]
[Male] Hey, Lightning! You ready?
[Sheryl Crow: Real Gone]
Oh, yeah. Lightning's ready
[engine rewing]
[Engine revs]
[Crowd cheers]
Ka-chow!
[Cars zooming]
[Cars whooshing]
[Both scream]
[All cheer]
Get your antenna balls here!
Go, Lightnin'!
- Whoo!
- You got that right, slick. [whistles]
[Air wrench whirring]
Uh! [screams]
[Engine revs]
- [Male] Welcome back to the Dinoco 400.
- [Crowd cheers]
I'm Bob Cutlass, here
with my good friend, Darrell Cartrip.
We're midway through what may
be an historic day for racing.
Bob, my oil pressure's
through the roof.
If this gets more exciting, they're
gonna have to tow me outta the booth!
Right, Darrell.
[Bob] Three cars are tied
for the season points lead,
heading into the final race
of the season.
And the winner of this race will win
the season title and the Piston Cup.
Does The King, Strip Weathers,
have one more victory in him
before retirement?
[Darrell] He's been Dinoco's golden boy
for years!
Can he win them one last Piston Cup?
[Bob] And, as always, in the
second place spot we find Chick Hicks.
He's been chasing
that tailfin his entire career.
[Darrell] Chick thought
this was his year.
His chance to finally emerge
from The King's shadow.
But the last thing he expected was...
Lightning McQueen!
[Bob] You know, I don't think
anybody expected this.
The rookie sensation
came into the season unknown.
But everyone knows him now.
[Darrell] Will he be the first rookie
to win a Piston Cup and land Dinoco?
[Bob] The legend, the runner-up,
and the rookie!
Three cars, one champion!
[Breaks screeching]
No you don't.
- [Chuckling]
- Hey!
- [Tires squealing]
- [Crowd booing]
What a ride!
[Chuckling]
Go get 'em, McQueen!
Go get 'em!
[Female] I love you, Lightning!
- Dinoco is all mine.
- [Screaming]
[Darrell] Trouble, turn three!
- Get through that, McQueen.
- [Bob] Huge crash behind the leaders!
[Crowd gasps]
[Screaming]
[Giggling]
- [Grunts]
- [Gasps]
[Both screaming]
[Bob] Wait a second, Darrell.
McQueen is in the wreckage.
[Darrell] There's no way the rookie
can make it through!
Not in one piece, that is.
[Exhaling]
Yeah!
Lightning! Oh!
[Darrell] Look at that!
McQueen made it through!
[Bob] A spectacular move
by Lightning McQueen!
Yeah! Ka-chow!
McQueen! McQueen! McQueen!
McQueen! McQueen! McQueen!
Yeah, McQueen! Ka-chow! [honking]
[Bob] While everyone
heads into the pits,
McQueen stays out to take the lead!
Don't take me out, coach.
I can still race!
[Air wrench whirring]
[Chuckling] What do you think?
A thing of beauty.
- McQueen made it!
- [Chick] What?
He's not pitting!
You gotta get me out there!
Let's go! Get me back out there!
McQueen's not going into the pits!
[Darrell] The rookie fired his
crew chief. The third this season!
- [Bob] Says he likes working alone.
- Go, go!
Looks like Chick
got caught up in the pits.
Yeah, after a stop like that,
he's got a lot of ground to make up.
Get ready, boys,
we're coming to the restart!
[Crowd cheers]
Come on, come on, come on!
We need tires now!
Come on, let's go!
- No, no, no, no! No tires, just gas!
- [Male] What?
You need tires, you idiot!
[Darrell] Looks like it's
gas-and-go's for McQueen today.
[Bob] Right. No tires again.
[Darrell] That's a short-term gain,
long-term loss,
but it's workin' for him. He obviously
knows somethin' we don't know.
[Cars whizzing]
[Bob] This is it, Darrell. One lap to go
and Lightning McQueen has a huge lead.
He's got it in the bag.
Call in the dogs and put out the fire!
We're gonna crown us a new champion!
[Crowd cheers and whistles]
[Screaming]
- Checkered flag, here I come!
- [Tire blows]
[Darrell] No! McQueen's blown a tire!
[Bob] And with only one turn to go!
Can he make it?
- You fool!
- [Grunts]
[Male] McQueen's blown a tire!
He's blown a tire!
Go, go, go!
- [Grunting]
- [Tire blows]
[Darrell] He's lost another tire!
- King and Chick come up fast!
- [Bob] They're entering turn three!
Come on. [grunting]
I don't believe
what I'm watching, Bob!
Lightning McQueen
is 100 feet from his Piston Cup!
[Gasping]
[Growling]
[Bob] The King and Chick
rounding turn four.
[Darrell] Down the stretch they come!
And it's, and it's...
- It's too close to call! Too close!
- I don't believe it!
Lightning!
- The most spectacular, amazing...
- I don't believe it!
...unequivocally, unbelievable ending
in the history of the world!
- And we don't know who won!
- Look at that!
[Tape jittering]
[Slow motion drone]
- That's very close to call.
- Can we play that again?
Hey, no cameras! Get outta here!
We're here in Victory Lane,
awaiting the results.
We're here in Victory Lane,
awaiting the results.
McQueen, that was a risky move,
not taking tires.
Tell me about it!
Are you sorry you didn't have
a crew chief out there?
Oh, Kori. There's a lot more to racing
than just winning.
I mean, taking the race by a full lap...
Where's the entertainment in that?
I wanted to give folks a little sizzle.
- Sizzle?
- Am I sorry I don't have a crew chief?
No, I'm not.
'Cause I'm a one-man show.
What? Oh, yeah, right.
That was a confident
Lightning McQueen.
Live from Victory Lane,
I'm Kori Turbowitz.
- Get outta the shot.
- Yo, Chuck.
Chuck, what are you doing?
You're blockin' the camera!
- Everyone wants to see the bolt.
- What?
- Now, back away.
- That's it! Come on, guys.
- Whoa, team! Where are you going?
- We quit, Mr. One-Man Show!
Oh, OK, leave. Fine.
How will I ever find anyone else
who knows how to fill me up with gas?
[Crowd laughs]
- Adios, Chuck!
- And my name is not Chuck!
Oh, whatever.
Hey, Lightning! Yo! McQueen!
Seriously, that was some
pretty darn nice racin' out there.
- By me!
- Oh, yeah.
- Zinger!
- Welcome to the Chick era, baby!
The Piston Cup...
It's mine, dude. It's mine.
Hey, fellas, how do you think
I'd look in Dinoco blue? Dinoco blue!
In your dreams, Thunder.
Yeah, right. Thunder?
What's he talkin' about, "Thunder"?
You know, 'cause thunder
always comes after lightning.
Ka-ping! Ka-pow!
- Who knew about the thunder thing?
- I didn't.
- Give us the bolt!
- That's right.
Right in the lens.
- Show me the bolt, baby!
- Smile, McQueen!
- Show me the bolt, McQueen!
- That's it!
[Electronic music]
[Crowd chattering]
That was one close finish.
You sure made Dinoco proud.
Thank you, King.
Well, Tex, you've been
good to me all these years.
It's the least I could do.
Whatever happens, you're a winner
to me, you old daddy rabbit.
Thanks, dear.
Wouldn't be nothing without you.
Kch-i-ka-chow!
- I'm Mia.
- I'm Tia.
[Both] We're, like, your biggest fans!
Ka-chow!
I love being me.
- [Police] OK, girls, that's it.
- We love you, Lightning!
[Chuckles]
Hey, buddy.
You're one gutsy racer.
Oh, hey, Mr. The King.
You got more talent in one lug nut
than a lot of cars has got
in their whole body.
- Really? Oh, that...
- But you're stupid.
- Excuse me?
- This ain't a one-man deal, kid.
You need to wise up and get
a good crew chief and a good team.
You ain't gonna win
unless you got good folks behind you,
[voice dwindling] and you let them
do their job, like they should.
- Like I tell the boys at the shop...
- A good team.
- Yeah...
- [electronic music]
Ka-chow! Ka-pow!
[Crowd cheering]
[Screaming]
[Cheering]
Oh, Lightning!
If you figure that out
you just gonna be OK.
Oh, yeah, that...
That is spectacular advice.
Thank you, Mr. The King.
- [Fanfare]
- [Bob] Ladies and gentlemen,
for the first time
in Piston Cup history...
[rewing] A rookie
has won the Piston Cup.
Yes!
[Bob]... we have a three-way tie.
- [Crowd cheers]
- [Cameras flash]
[Chuckling] Hey,
that must be really embarrassing.
But I wouldn't worry about it.
Because I didn't do it!
[Bob] Piston Cup officials
have determined that a tiebreaker race
between the three leaders
will be held in California in one week.
Well, thank you! Thanks to
all of you out there! Thank you!
[Whispering] Hey, first one to
California gets Dinoco all to himself.
No, not me!
No, you rock, and you know that!
Oh, yeah! Whoo!
Yep! All right! Got it!
"First one to California
gets Dinoco all to himself."
Oh, we'll see
who gets there first, Chick.
Huh?
- Hey, kid! Congrats on the tie.
- I don't want to talk about it.
Let's go, Mack. Saddle up.
What'd you do with my trailer?
- I parked it at your sponsor's tent.
- What?
Gotta make your personal appearance.
No. No! No, no, no, no!
Yes, yes, yes!
Lightning McQueen here.
And I use Rust-eze Medicated
Bumper Ointment, new rear end formula!
Nothing soothes a rusty bumper
like Rust-eze.
Wow! Look at that shine!
Use Rust-eze and you too
can look like me!
Ka-chow!
[Both laughing]
I met this car from Swampscott.
He was so rusty
he didn't even cast a shadow.
- You could see his dirty undercarriage.
- [Crowd laughs]
[Groaning] I hate rusty cars.
This is not good for my image.
They did give you your big break.
Besides, it's in your contract.
Oh, will you stop, please?
Just go get hooked up.
- Winter is a grand old time.
- Of this there are no ifs or buts.
[Male 1] But remember,
all that salt and grime...
Can rust your bolts and freeze your...
Hey, look! There he is!
Our almost champ!
[Male 1] Get your rear end in here.
Lightning McQueen,
you are wicked fast!
- That race was a pisser!
- You were booking!
- Give me a little room.
- You're my hero!
Yes, I know. [chuckles]
"Fred." Fred, thank you.
He knows my name.
He knows my name!
Looking good, Freddie!
Thanks to you, Lightning,
we had a banner year!
We might clear enough
to buy you some headlights.
You saying he doesn't have headlights?
That's what I'm telling ya.
They're stickers!
Well, you know,
racecars don't need headlights,
because the track is always lit.
Yeah, well, so is my brother,
but he still needs headlights.
[Laughing]
[Forced laughter]
- Ladies and gentlemen,
- [both] Lightning McQueen!
[Crickets chirping]
Free Bird!
You know, the Rust-eze Medicated
Bumper Ointment team
ran a great race today.
And remember, with a little Rust-eze...
[whispering] And an insane
amount of luck,
...you too, can look like me.
Ka-chow.
- Hey, kid.
- We love ya.
And we're looking forward
to another great year.
Just like this year!
Not on your life.
- Don't drive like my brother!
- Yeah, don't drive like my brother!
California, here we come!
Dinoco, here we come!
[Rascal Flatts: Life is a Highway]
[Birds chirping]
[Phone ringing]
[Moaning] Oh... oh... uh,
I needed this. Hello?
[Male] Is this Lightning McQueen,
the world's fastest racing machine?
Is this Harv,
the world's greatest agent?
And it is such an honor
to be your agent
that it almost hurts me to take
ten percent of your winnings.
Merchandising. And ancillary rights in
perpetuity. Anyway, what a race, champ!
I didn't see it,
but I heard you were great.
Thanks, Harv.
Listen, they're giving you 20 tickets
for the tiebreaker thing in Cali.
I'll pass 'em on to your friends.
Shoot me the names.
- You let Harv rock it for you, baby.
- Right. Friends.
Yes, there's...
OK, I get it, Mr. Popular.
So many you can't even narrow it down.
Hey, when you get to town,
you better make time
for your best friend!
Break bread
with your mishpocheh here!
That'd be great!
We should totally...
OK, I gotta jump, kid.
Let me know how it goes. I'm out.
- [Dial tone hums]
- [Sighing]
- [Melodic beeping]
- [Wheels squeaking]
[Lightning] What? A minivan?
Come on, you're in the slow lane.
This is Lightning McQueen
you're hauling here.
Just stopping off
for a quick breather, kid.
- Old Mack needs a rest.
- Absolutely not.
We're driving all night till we
get to California. We agreed to it.
All night? May I remind you
federal DOT regs state...
Come on, I need to get there
before Chick and hang with Dinoco.
[Mack groans]
All those sleeping trucks.
Hey, kid,
I don't know if I can make it.
Oh, sure you can, Mack.
Look, it'll be easy.
I'll stay up with you.
- All night?
- All night long.
[Snoring]
[Engines slowing]
[Snoring, gasping, blubbering]
[Grunting]
[Snoring] Uh!
[Blubbering]
- [Rap music]
- [Engines rewing]
[Sniffing] Ah-choo!
[Laughing]
- Hey, yo, D.J.
- What up?
- We got ourselves a nodder.
- [Chuckling]
[Kenny G: Songbird]
Pretty music. [snoring]
Yo, Wingo! Lane change, man.
- Right back at ya!
- Yeah!
- Oops! I missed.
- You going on vacation?
[All laugh]
[Snoring]
[Snoring]
- [Chuckling]
- [Sniffling]
- Oh, no, Snot Rod...
- He's gonna blow!
Ah... Ah... Ah-choo!
Gesundheit!
One should never drive while drowsy.
- [Tires squealing]
- [Horns honking]
- [Honking loudly]
- [Screaming]
- Uh! Ah!
- [All honking]
[Breathing heavily] Mack!
- [Grunting]
- [Horns honking]
Mack!
Mack!
Hey, Mack! Mack!
Mack!
Mack, wait for me! [engine rewing]
[Tires squealing]
Mack!
[Bell ringing]
[Horn bellowing]
Mack! Mack!
Mack! Mack...
...wait up! [coughing] Mack.
Mack! Mack!
What? You're not Mack.
Mack? I ain't no Mack!
I'm a Peterbilt, for dang sake!
[Peterbilt]
Turn on your lights, you moron!
Mack... The Interstate!
[Tires squealing]
- [Engine roaring]
- Huh?
Not in my town, you don't.
[Siren wailing]
Oh, no.
- Oh, maybe he can help me!
- [Sheriff backfiring]
He's shooting at me!
Why is he shooting at me?
[Backfiring]
I haven't gone this fast in years.
[Grunting] I'm gonna
blow a gasket or somethin'.
Serpentine! Serpentine, serpentine!
What in the blue blazes?
Crazy hot-rodder.
[Siren continues wailing]
[Hank Williams:
My Heart Would Know]
[Buzzing]
[Water hose turning on]
[Snoring]
I'm telling you, man,
every third blink is slower.
The sixties weren't good to you,
were they?
[Car backfires]
[Sirens blasting]
What? That's not the Interstate!
- [Sheriff backfires]
- Ah! Oh!
Ow, ow, ow, ow, ow!
- [Screaming]
- [Tires screeching]
No, no, no, no, no, no!
Ow!
I'm not the only one seeing this, right?
- Incoming!
- Whoa, man.
- No!
- Hey!
Whoa, whoa, whoa, whoa!
My tires!
- [Grunting]
- [Gasping]
- [Screaming]
- [Gasping]
- [Tires squealing]
- [Cables vibrating]
[Yelling]
[Shouting]
[Screaming]
- [Cables whizzing]
- [Straining]
Fly away, Stanley. Be free!
[Gasping]
[Breathing heavily]
Boy, you're in a heap of trouble.
[Sighing]
We're live at the Los Angeles
International Speedway
as the first competitor,
Lightning McQueen,
is arriving at the track.
Is it true he's gonna pose for Cargirl?
What's your strategy?
- [Crowd gasps]
- [Cameras clicking]
What? Did I forget
to wipe my mud flaps?
McQueen's driver arrived in California,
but McQueen was missing.
- McQueen was reported missing.
...to race an unprecedented...
[male] Sponsor stated
they have no idea where he is.
I hope Lightning's OK. I'd hate
to see anything bad happen to him.
I don't know what's harder to find,
McQueen or a chief who'll work with him!
[German accent] Lightning McQueen
must be found at all costs!
They're all asking the same question:
Where is McQueen?
[Groaning] Oh, boy.
Where am I?
- Mornin', sleepin' beauty!
- Ah!
Boy, I was wonderin'
when you was gonna wake up.
Take whatever you want!
Just don't hurt me!
A parking boot?
Why do I have a parking boot on?
- What's going on here? Please!
- [Chuckling] You're funny.
I like you already. My name's Mater.
Mater?
Yeah, like "tuh-mater,"
but without the "tuh".
- What's your name?
- You don't know my name?
Uh...
No, I know your name.
Is your name Mater too?
What?
Look, I need to get to California
as fast as possible. Where am I?
Where are you? Shoot!
You're in Radiator Springs.
The cutest little town
in Carburetor County.
Oh, great. Just great!
Well, if you think that's great,
you should see the rest of the town.
You know,
I'd love to see the rest of the town!
So if you could just open the gate,
take this boot off,
you and me, we go cruisin',
check out the local scene...
- Dad-gum!
- How'd that be, Tuhmater?
- Cool!
- Mater!
What did I tell you
about talkin' to the accused?
To not to.
Well, quit your yappin' and tow this
delinquent road hazard to traffic court.
Well, we'll talk later, Mater.
[Chuckling] "Later, Mater."
That's funny!
Ah!
[Sheriff] The Radiator Springs
Traffic Court will come to order!
Hey, you scratched my paint!
I oughta take a blowtorch to you, man!
You broke-a the road!
You a very bad car!
- Fascist!
- Commie!
Officer, talk to me, babe.
How long is this gonna take?
I gotta get to California, pronto.
Where's your lawyer?
I don't know. Tahiti maybe.
He's got a timeshare there.
When a defendant has no lawyer,
the court will assign one to him. Hey!
Anyone want to be his lawyer?
Shoot, I'll do it, Sheriff!
All rise! The Honorable
Doc Hudson presiding.
Show-off.
- May Doc have mercy on your soul.
- [Door banging]
- [Gasping]
- All right,
I wanna know who's responsible
for wreckin' my town, Sheriff.
I want his hood on a platter!
I'm gonna put him in jail till he rots!
No, check that.
I'm gonna put him in jail till
the jail rots on top of him,
and then I'm gonna move him
to a new jail and let that jail rot.
I'm...
Throw him out of here, Sheriff.
I want him out of my courtroom.
I want him out of our town!
- Case dismissed.
- Yes!
Boy, I'm purty good
at this lawyerin' stuff.
Sorry I'm late, Your Honor!
Holy Porsche! She's gotta be
from my attorney's office.
Hey, thanks for comin',
but we're all set.
- He's letting me go.
- He's letting you go?
Yeah, your job's pretty easy today.
All you have to do now is stand there
and let me look at you.
Listen, I'm gonna cut to the chase.
Me, you, dinner. Pi-cha-kow!
- What the...? Ow! Oh!
- Ka-chow!
- Please!
- I know. I get that reaction a lot.
I create feelings in others that
they themselves don't understand.
- [Rewing]
- Agh! Ow!
Oh, I'm sorry. Did I scare you?
A little bit, but I'll be all right.
OK. I'm gonna go talk to the judge.
Do what you gotta do, baby.
But listen. Be careful.
Folks around here are not firing on
all cylinders, if you know what I mean.
Ka-ching!
Ah!
I'll keep that in mind.
- Hey there, Mater.
- Howdy, Sally.
- Hi, folks!
- Good morning!
You know her?
She's the town attorney and my fiancee.
What?
Nah, I'm just kiddin'.
She just likes me for my body.
You look great. You do something
different with your side view mirrors?
What do you want, Sally?
[Sighing] Come on, make this guy
fix the road. The town needs this.
No. I know his type. Racecar.
That's the last thing this town needs.
OK, I didn't want to have to do this,
Doc, but you leave me no choice.
Fellow citizens, you're all aware
of our town's proud history.
Here she goes again.
Radiator Springs,
the glorious jewel
strung on the necklace
of Route 66, the mother road!
It is our job and our pleasure
to take care of the travelers
- on our stretch of that road.
- Travelers? What travelers?
Ignore him.
But how, I ask you,
are we to care for those travelers
if there is no road
for them to drive on?
- Luigi, what do you have at your store?
- Tires.
And if no one can get to you?
I won't sell any... tires.
I will lose everything!
- Flo, what do you have at your store?
- I have gas.
- Lotsa gas!
- OK boys, stay with me.
And, Flo, what'll happen if no one
can come to your station to buy gas?
I'll go outta business and...
we'll have to leave town.
What's gonna happen if Flo
leaves town and closes her station?
- [All] Without gas, we're done for!
- What?
Don't you think the car responsible
should fix our road?
The only guy strong enough
to fix that road is Big Al!
Lizzie, Big Al left like, 15 years ago.
Then why are you bringing
him up, you lemon?
Oh, he can do it.
He's got the horsepower.
So, what do you want him to do?
[All] Fix the road!
- Because we are a town worth fixing!
- Yeah!
[All cheer]
[Honking] Order in the court!
Seems like my mind
has been changed for me.
- [All] Yeah!
- No!
[VW van] Nice ruling.
Oh, I am so not taking you to dinner.
[Chuckling] That's OK, Stickers.
You can take Bessie.
Man, you get to work with Bessie!
I'd give my left two lug nuts
for somethin' like that.
Bessie? Who's Bessie?
[Gurgling]
This here is Bessie,
finest road-pavin' machine ever built.
I'm hereby sentencing you
to community service.
You're gonna fix the road
under my supervision.
What? This place is crazy!
I know this may be
a bad time right now,
but you owe me $32,000
in legal fees.
What?
We're gonna hitch you up to Bessie,
and you're gonna pull her nice.
You gotta be kidding me.
You start there where the road begins.
You finish down there
where the road ends.
[Mater] Holy shoot!
Whoa, whoa, whoa!
How long is this gonna take?
Well, fella does it right,
should take him about five days.
Five days?
But I should be in California
schmoozing Dinoco right now!
Then if I were you,
I'd quit yappin' and start workin'!
- Hook him up, Mater.
- Okay-dokey.
[Grunting]
[Tires squealing, engine rewing]
[Lightning] Freedom!
Maybe I should've
hooked him up to Bessie...
...and then...
then took the boot off.
Whoo-hoo!
Goodbye, Radiator Springs,
and goodbye, Bessie!
California, here I come! Yeah!
Oh, feel that wind.
Yes!
[Sputtering]
No. No, no, no.
No, no, no, no, no. Outta gas?
How can I be outta gas?
[Chuckling] Boy, we ain't
as dumb as you think we are.
[Stuttering] But how did,
how did... you...?
We siphoned your gas
while you were passed out.
- Ka-chow.
- Ow, ow, ow, ow.
- Gentlemen.
- Sheriff.
Hey, Sheriff.
- Why here?
- [Italian] Sono sempre stati qui.
- They were better before.
- Stai sempre a parlare.
- Guido!
- Red, can you move over?
I want to get a look
at that sexy hot rod.
You know, I used to be
a purty good whistler.
I can't do it now, of course,
on account of sometimes
I get fluid built up
in my engine block,
but Doc said he's gonna fix it.
He can fix about anything.
That's why we made him the judge.
Boy, you shoulda heard me on
Giddy-up, Oom Papa Mow Mow.
Now, I'm not one to brag
but people come purty far
to see me get low on the "Mow-Mow".
Oh!
- Aw, man, that's just great!
- Hey, what's wrong?
My lucky sticker's all dirty.
Ah, that ain't nothin'.
I'll clean it for ya.
- [Snorting, hacking]
- No, no, no!
That won't be necessary.
Hey! Hey, big fella!
Yeah, you in the red!
I could use a little hose down.
Help me wash this off.
Where's he goin'?
Oh, he's a little bit shy, and
he hates you for killin' his flowers.
I shouldn't put up with this.
I'm a precision instrument
of speed and aerodynamics.
- You hurt your what?
- I'm a very famous racecar!
You are a famous racecar?
A real racecar?
Yes, I'm a real racecar.
What do you think? Look at me.
I have followed racing my entire life.
My whole life!
Then you know who I am.
I'm Lightning McQueen.
- Lightning McQueen?
- Yes! Yes!
I must scream it to the world!
My excitement from the top
of someplace very high!
- Do you know many Ferraris?
- No, no, no, no, no.
They race on the European circuit.
I'm in the Piston Cup!
- [Lightning] What?
- Luigi follow only the Ferraris.
Is that what I think it is?
[Sally] Customers.
Customers!
Customers, everyone! Customers!
- [Sally] OK!
- Customers?
[Sally] Been a long time.
Remember what we rehearsed.
Make sure your
"Open, please come in" signs are out.
You all know what to do.
All right, nobody panics. Here we go!
Van, I just don't see
any on-ramp anywhere.
- Minny, I know exactly where we are.
- Yeah, we're in the middle of nowhere.
- Honey, please.
- [Sally] Hello.
Welcome to Radiator Springs,
gateway to Ornament Valley.
Legendary for
its service and hospitality.
How can we help you?
- We don't need anything, thank you.
- Ask for directions to the Interstate.
There's no need to ask for directions.
I know where we're going.
He did the same thing
on our trip to Shakopee.
We were headed over there
for the Crazy Days, and we...
- OK. Really. We're just peachy, OK?
- What you really need
is the sweet taste
of my homemade, organic fuel.
No, it doesn't agree with my tank.
- Just trying to find the Interstate.
- Good to see you, soldier!
Come on by Sarge's Surplus Hut
for your government surplus needs.
- Honey, surplus!
- We have too much surplus.
I do have a map
over at the Cozy Cone Motel.
And if you stay, we offer a free
Lincoln Continental breakfast.
- Honey, she's got a map.
- I don't need a map! I have the GPS.
- Never need a map again, thank you.
- How 'bout somethin' to drink?
Stop at Flo's V-Eight Cafe.
Finest fuel on Route 66.
No we just topped off.
And if you need tires,
stop by Luigi's Casa Della Tires,
home of the Leaning Tower of Tires.
- We're trying to find the Interstate.
- But you do need a paint job.
Ramone will paint you up right.
Hey, anything you want!
- You know, like a flame job.
- No thanks...
Maybe ghost flames!
You like old school pinstripin'?
Von Dutch style?
- [Both gasp]
- Oh, honey, look. Von Dutch.
[Chuckling] OK, no.
We're gonna be going now, OK?
Ow!
[Laughs] A little somethin'
to remember us by, OK?
- OK!
- Come back soon, OK?
I mean, you know where we are!
Tell your friends!
[Van] OK! Yes. You bet.
Thanks again, folks.
Bye-bye now.
Psst! Psst!
Hey! Hey, hey, hey!
- I know how to get to the Interstate!
- Do ya?
- Minny, no.
- Yeah, yeah, yeah.
No, not really. But listen.
I'm Lightning McQueen, famous racecar.
I'm being held against my will.
I need you to call my team,
so they can come rescue me
and get me to California in time for me
to win the Piston Cup. Understand?
- [Locks beeping]
- No, no, no, no, no, no, no.
No, it's the truth! I'm telling you!
You gotta help me! Don't leave me here!
I'm in hillbilly hell!
My IQ's dropping by the second!
I'm becoming one of them!
- [Lightning echoes]
- [Sighing]
OK, don't worry.
They know where we are now.
They'll tell friends. You'll see.
[Male DJ] We'll be back
for our Hank Williams marathon...
- That's good.
...after a Piston Cup update.
[Kori] Still no sign of Lightning
McQueen. Chick arrived in California
and today became the first car
to spend practice time on the track.
[Chick] It's nice to get out here
before the other competitors.
You know, get a head start.
Gives me an edge.
[Electronic music]
[Laughing]
Hoo-hoo-hoo!
Ha-ha!
Yeah!
[Crowd shouting and cheering]
[Girls chattering and giggling]
Hey, McQueen...
Eat your heart out.
[Gasping] Oh!
Let me get this straight.
I can go when this road is done.
That's the deal, right?
- That's what they done did said.
- OK. Outta my way.
I got a road to finish.
[Grunting and rewing]
- He's done!
- Done?
- Uh-huh.
- It's only been an hour.
- [Bessie groans]
- Ah, I'm done. Look, I'm finished.
Say thanks, and I'll be on my way.
That's all you gotta say.
[Mater] Whee-hoo!
I'm the first one on the new road!
Oh!
[Vibrating] It rides purty smooth.
- It looks awful!
- Well, it matches the rest of the town.
- Oh!
- [Blubbering]
Red.
Who do you think you are?
Look, Doc said when I finish,
I could go. That was the deal.
The deal was you fix the road,
not make it worse.
Now, scrape it off!
Start over again.
Hey, look, grandpa,
I'm not a bulldozer. I'm a racecar.
Oh-ho-ho-ho!
Is that right? Then why don't we
just have a little race? Me and you.
- What?
- [Chuckling] Me and you. That a joke?
If you win, you go and I fix the road.
If I win, you do the road my way.
Doc, what're you doin'?
I don't mean to be rude here,
but you probably go zero to sixty in,
like, what? Three-point-five years?
Then I reckon
you ain't got nothin' to worry about.
You know what, old-timer?
That's a wonderful idea. Let's race.
[Sheriff] Gentlemen,
this will be a one-lap race.
You will drive to Willy's Butte,
go around Willy's Butte and come back.
There will be no bumpin',
no cheatin', no spittin',
no bitin', no road rage, no maimin',
no oil slickin', no pushin', no shovin',
no backstabbin', no road-hoggin',
and no lollygaggin'.
Speed. I'm speed.
Float like a Cadillac,
sting like a Beemer.
[Luigi laughs]
My friend Guido, he dream to give
a real racecar a pit stop.
- Peet stop!
- Uh... [chuckles]
The race is only one lap, guys.
Uno lappo! Don't need any help.
- I work solo mio.
- Fine. Race your way.
- No pit stoppo. Comprendo?
- OK.
Gentlemen...
...start your engines!
[Engine sputters]
[Rewing furiously]
- Hijole! Check that out!
- Whoa.
Great idea, Doc.
Now the road will never get done.
Luigi?
[Chuckling] On your mark, get set...
Uno for the money,
due for the show,
tre to get ready, and quattro
to... I can't believe it. Go!
[Giggling]
[Cheering]
Huh?
Doc... the flag means go.
Remember the fl...
Here we go. Go.
Doc, what are you doing, man?
Oh, dear. It would seem
I'm off to a poor start.
Well, better late than never.
Come on, Mater.
- Might need a little help.
- Uh... OK.
You got your tow cable?
Well, yeah,
I always got my tow cable. Why?
[Doc] Oh, just in case.
[Yelling] Ow! Ow!
Ow, ow, ow, ow, ow.
No, no, no, no, no!
- Oh, man!
- Whoa.
- Ow!
- [Fillmore] Bad trip, man.
[Rewing]
Hey! Was that floatin' like a Cadillac
or was that stingin' like a Beemer?
- I'm confused.
- [Chuckling]
[Doc] You drive like you fix roads.
Lousy! Have fun fishin', Mater.
[Gasps] Ah!
I'm startin' to think he knowed
you was gonna crash!
Thank you, Mater. Thank you.
I can make a little turn on dirt.
You think?
No. And now I'm a day behind.
I'm never gonna get outta here!
Hey, ese!
You need a new paint job, man!
- [Lightning] No, thank you.
- How 'bout some organic fuel?
- That freak juice?
- [Lightning] Pass.
Whoo! Watchin' him is makin' me thirsty.
Anybody else want somethin' to drink?
Nah, not me, Flo.
I'm on one of them there special diets.
I'm a precisional instrument
of speed and aero-matics.
"You race like you fix roads."
[Grunting] I'll show him.
[Grunting] I will show him!
- [Tar splattering]
- Oh, great! I hate it!
- Hate, hate, hate, hate it!
- [Chuckles] Music. Sweet music.
Maybe this wasn't such a good idea.
[Lightning]
Radiator Springs, a happy place!
OK, Bessie, you think that's funny?
Great! I'm talking to Bessie now!
I'm talking to Bessie!
Wow.
[Mater] Mornin', Sally!
Hey, look at this here fancy new road
that Lightnin' McQueen done just made!
Yes! Uh, amazing!
Whoa-ho! Yeah! [sighing]
Oh, Ramone! Mama ain't
seen you that low in years.
I haven't seen a road like this
in years.
- Well, then let's cruise, baby.
- Low and slow.
[Italian] E bellissima! It's beautiful!
Guido, look, it's-a like
it was paved by angels.
Boy, I tell you what.
I bet even the roads on the moon
ain't this smooth.
Doc, look at this!
Shoulda tossed him into
the cactus a lot sooner, huh?
Well, he ain't finished yet.
Still got a long way to go.
Guido, look at Luigi!
This is fantastico!
That looks like fun!
Mater, I got dibs, next turn!
Hey, Luigi, this new road
makes your place look like a dump.
That crazy old devil woman.
[Sighs] Oh!
She's right!
- Ah!
- Guido!
Huh. That punk actually did a good job.
Well, now... where the heck is he?
Sheriff!
Is he makin' another run for it?
No, no. He ran outta asphalt
in the middle of the night,
and asked me if he could
come down here.
All he's tryin' to do
is make that there turn.
[Lightning] No, no, no, no! Oh, great.
Perfect turns on every track
I've ever raced on.
Sheriff, why don't you go get yourself
a quart of oil at Flo's.
I'll keep an eye on him.
Well, thanks, Doc.
I've been feelin' a quart low.
[Engine rewing]
[Screaming]
[Spitting]
This ain't asphalt, son. This is dirt.
Oh, great. What do you want?
You here to gloat?
You don't have three-wheel brakes,
so you got to pitch it hard,
break it loose and then
just drive it with the throttle.
Give it too much, you'll be
outta the dirt and into the tulips.
So you're a judge,
a doctor and a racing expert.
I'll put it simple.
If you're goin' hard enough left,
you'll find yourself turnin' right.
Oh... Right. That makes perfect sense.
Turn right to go left! Yes! Thank you!
Or should I say, "No, thank you"?
Because in Opposite World,
maybe that really means, "Thank you"!
Crazy grandpa car. What an idiot!
[Groans]
[Lightning] Turn right to go left.
Hmm...
Whoa!
- Oh!
- [Car crashing]
- Ow! Oh, that...
- [cactus crashing]
[Screaming] Ow!
Turn right to go left.
Guess what. I tried it.
You know what? This crazy thing
happened... I went right!
You keep talkin' to yourself,
people'll think you're crazy.
- Thanks for the tip.
- What? I wasn't talkin' to you!
- Oh, Guido, e bellissimo!
- Che cosa?
- It looks great! This is great!
- Ti piace, eh? Si, si, bellissimo.
[Grunts, passes gas]
Oh, Lord.
- [Chuckles]
- [Sheriff] Mater!
I need you
to watch the prisoner tonight.
Well, dad-gum! Wait a minute.
What if he tries to run again?
Just let him run outta gas
and tow him on back.
- But keep an eye on him.
- Yes, sir!
[Groaning] Oh...
While I'm stuck here
paving this stinkin' road,
Chick's in California schmoozing Dinoco.
My Dinoco. Whoa, whoa, whoa!
Who's touching me?
You have a slow leak. Guido, he fix.
You make-a such a nice new road.
You come to my shop.
Luigi take-a good care of you.
Even though you not a Ferrari.
You buy four tires,
I give you a full-a size spare
- absolutely free!
- Look, I get all my tires for free.
[Chuckling] I like your style, eh?
You drive the hard bargain.
OK. Luigi make you a new deal.
You buy one tire,
I give you three for free!
[Flo] Oh, would you look at that?
Ramone, Ramone!
[Luigi] Then Luigi make you
a new new deal.
[Lightning] No, no, no, no.
Deal me out. Pass. No, thank you.
- No, no, no, no. No.
- This is it. My last offer.
You buy one tire, I give you
seven-a snow tires for free!
Done. You interested, you call me.
You know where I am.
[Exhales deeply]
Ah!
Stop! Let me...
Oh, Red, you missed a spot.
See it right there?
- No! No!
- On the hood right there.
Stop, stop! That's cold!
Help! Please! Stop!
- [Coughing, sputtering]
- Thanks, Red.
What was that for?
- Do you want to stay at the Cozy Cone?
- Huh?
If you do, you gotta be clean.
'Cause even in hillbilly hell
we have standards.
What, I...? I don't get it.
I thought I'd say thank you
for doin' a great job.
So I thought I'd let you stay with me.
I mean, not with me!
But there. Not with me there,
but there in your own cozy cone.
- And I'd be in my cone, and it's...
- Wait. Wait, you're being nice to me.
If you want to stay
at the dirty impound, fine.
- I understand you criminal types.
- No, no, no, no. That's OK.
- Yeah, the Cozy Cone.
- [Sally] It's newly refurbished.
[Lightning chuckles] Yeah,
it's like a clever little twist.
The motel's made out of caution cones,
which, of course, cars try to avoid.
But now we're gonna stay in them.
That's funny.
Figure that all out on your own,
did you?
Cone number one, if you want.
Oh...
Hey, do I spy a little
pinstriping tattoo back there?
Oh... [chuckles]
That's just a... Oh!
[Both chuckle]
Oh, you saw that? Yeah.
Just gonna be going.
Gonna... Yeah.
- You know, I knew this girl Doreen.
- [Gasps]
Good-lookin' girl.
Looked just like a Jaguar,
only she was a truck!
You know, I used to crash into her,
just so I could spoke to her.
- What are you talking about?
- I don't know.
Hey, I know somethin' we can do tonight,
'cause I'm in charge of watchin' you!
No, Mater, I gotta finish this road,
and I have to get out of here.
Well, that's all right,
Mr. I Can't Turn On Dirt.
You probably couldn't handle it anyway.
Whoa, whoa, easy now, Mater.
You know who you're talkin' to?
This is Lightning McQueen.
I can handle anything.
- [Whispering] I'm not doin' this.
- Come on. You'll love it! [chuckles]
- [Mater] Tractor-tippin's fun.
- [Lightning] This is ridiculous.
- [Tractors snore]
- [Mater] All right, listen.
When I say go, we go.
But don't let Frank catch you. Go!
Whoa! Wait! Who's Frank?
[Lightning whispering] Mater!
Wait, Mater!
OK, here's what you do.
You just sneak up in front of 'em,
and then honk.
And they do the rest. Watch this.
- [Honking loudly]
- Oh!
Oh... Oh! Oh... [mooing]
[Gas sloshing, backfiring]
[Laughing loudly]
I swear, tractors is so dumb!
I tell you what, buddy,
it don't get much better than this.
Yep, you're livin' the dream, Mater boy.
- [Honking]
- Oh!
Oh! Oh... [mooing]
[Gas sloshing, backfiring]
[Laughing] I don't care who you are,
that's funny right there.
Oh, your turn, bud.
Mater, I can't.
I don't even have a horn.
- Baby.
- I'm not a baby.
[Clucking]
Fine. Stop! Stop, OK?
All right. I'll do something.
[Snoring]
- [Rewing engine]
- Oh!
[All exclaiming and mooing]
[All gurgling]
[All backfiring]
[Angry mooing]
[Mooing]
That's Frank.
- [Bellowing angrily]
- [Shouting]
- [Mooing]
- [Engine rewing]
[Mater laughing]
Run!
- Here he comes, look out!
- [Bellowing]
[Laughing] Whoa!
[Screaming]
Run! He's gonna get ya!
[Mater laughing]
Oh! Customers!
Oh!
Ah, no, no, no.
Oof! Oh!
[Mater] Tomorrow night we can
go look for the ghostlight!
- I can't wait, Mater.
- Oh, yeah, I'm tellin' ya!
Oh, boy,
you gotta admit that was fun!
Oh, yeah... yeah.
Well, we better get you
back to the impound lot.
You know, actually,
Sally's gonna let me stay at the motel.
Oh...
- Gettin' cozy at the Cone, is we?
- Oh, come... No. No, are you kidding?
Besides, she can't stand me.
And I don't like her, to be honest.
Yeah, you probably right.
Hey, look, there's Miss Sally!
- Where, where?
- [Laughing]
- You're in love with Miss Sally.
- No, I'm not.
- [Mater] Yes, you do.
- [Lightning] No way.
- Way.
- Come on, look...
- You're in love with Miss Sally!
- Real mature.
- You're in love!
- Real grown up.
- You love her. You love her.
- Wait...
You love her!
You love her. You love her.
All right. OK. Mater, enough!
- Will you stop that?
- Stop what?
Driving backwards. It's creeping me out.
You're gonna wreck.
Wreck? Shoot!
I'm the world's best backwards driver!
You just watch this right here,
lover boy. Wee-hee!
[Lightning] What are you doing?
Watch out! Look out!
Mater? Mater!
- Mater!
- [Laughing]
Hey, take it easy, Mater!
[Screaming happily]
Oof!
[Blubbering] Yee-hee!
[Chuckling] He's nuts.
No need to watch where I'm goin'.
Just need to know where I've been.
Whoa, that was incredible!
How'd you do that?
Rearview mirrors. We'll get you some,
and I'll teach you if you want.
[Chuckling] Yeah,
maybe I'll use it in my big race.
What's so important
about this race of yours, anyway?
It's not just a race.
We're talking about the Piston Cup!
I've been dreaming about it
my whole life!
I'll be the first rookie in history
ever to win it.
And when I do,
we're talkin' big new sponsor,
with private helicopters.
No more medicated bumper ointment.
No more rusty old cars.
What's wrong with rusty old cars?
Well, I don't mean you, Mater.
I mean other old cars. You know?
- Not like you. I like you.
- It's OK, buddy.
Hey, you think maybe one day I can
get a ride in one of them helicopters?
I mean, I've always wanted to ride
in one of them fancy helicopters.
- Yeah, yeah, yeah, sure, sure.
- You mean it?
Oh, yeah. Anything you say.
I knew it. I knowed
I made a good choice!
In what?
My best friend.
See you tomorrow, buddy!
McQueen and Sally
parked beneath a tree,
K- i-s-somethin'-somethin'-somethin'-t!
[Laughing]
[Rewing engine] Whoa, whoa, whoa.
[Chuckling]
Number one. Number one...
Ah, number one!
- Ah, this is nice.
- Hey, Stickers.
[Both scream]
- I'm sorry.
- You scared me. You gotta be careful.
I scared myself
scaring you scaring me.
- I mean, I wasn't like scared scared.
- No, of course not. No.
- I was more...
- I overheard you talkin' to Mater.
When? Just now?
What, what did, what did you hear?
Something about a helicopter ride.
Oh, yeah. Yeah, he got
a kick out of that, didn't he?
- Did you mean it?
- What?
- That you'll get him a ride.
- Who knows?
First things first. I gotta
get outta here and make the race.
Uh-huh.
You know... Mater trusts you.
Yeah, OK.
- Did you mean that?
- What?
Was it just a "Yeah, OK",
or "Yeah... OK" or "Yeah, o-OK"?
Look, I'm exhausted.
It's kinda been a long day.
Yeah, OK. G'night.
[Groans] Oh...
Hey, thank you.
What did you just say?
You know,
thanks for lettin' me stay here.
It's nice to be out of the impound,
and this is... It's great.
- Newly refurbished, right?
- Yeah.
- G'night.
- Good night.
Hmm.
[Reveille plays]
[Jimi Hendrix: Star Spangled Banner]
Will you turn
that disrespectful junk off?
Respect the classics, man.
It's Hendrix!
[Groaning]
[Breathing rapidly]
[Muttering]
[Fast-paced electronic music]
Ah!
- [Mooing loudly]
- [Screaming]
No!
[Yelling loudly]
[Mooing]
- No! [gasping]
- [Alarm beeping]
I gotta get outta here!
Hey, have you seen the Sheriff?
Oh! Oh, my gosh.
- Hey, what are you doin'?
- Get a good peek, city boy?
[Stuttering] I just need my
daily gas ration from the Sheriff.
Wait for him at Flo's.
Get outta here.
I've been trying
to get outta here for three days!
[Sheriff] Hope you enjoyed the show!
[Groaning]
Whoa, Doc.
Time to clean out the garage, buddy,
come on.
What?
He has a Piston Cup?
Oh, my gosh.
Three Piston Cups?
- [Doc] Sign says stay out.
- [Gasps]
You have three Piston Cups.
How could you have...
I knew you couldn't drive.
I didn't know you couldn't read.
- You're the Hudson Hornet!
- Wait at Flo's, like I told ya!
Of course. I can't believe
I didn't see it before.
You're The Fabulous Hudson Hornet!
You used to hold the record for most
wins in a season. Oh, we gotta talk.
- You gotta show me your tricks. Please.
- I tried that.
You won three times!
Look at those trophies!
You look.
All I see is a bunch of empty cups.
[Country music]
[Country music]
You know, some automotive yoga
could really lower your RPM's, man.
Oh, take a car wash, hippie.
Yeah, look at my husband, y'all!
Whoo! That's your color!
- [Ramone] Yellow, baby.
- Mmm. You smokin' hot!
There he is.
Oh, my gosh!
Did you know Doc is a famous racecar?
- Doc? Our Doc?
- Not Doc Hudson.
No, no, no, no, it's true!
He's a real racing legend.
He's The Fabulous Hudson Hornet!
Fabulous? I never seen Doc
drive more than 20 miles an hour.
I mean, have you ever seen him race?
No, but I wish I could have.
They say he was amazing!
- He won three Piston Cups!
- He did what in his cup?
I think the heat's
startin' to get to the boy!
Well, I'll say! Look how red he is.
[Ramone] I think he needs
a new coat of poly, man.
- [Mater] Are you sick, buddy?
- You are lookin' peaked.
He needs a new coat of poly for sure!
[Gas bell rings]
- [Sheriff] Hey! What are you doin'?
- It's OK. You can trust me, right?
I trust you, all right.
It's him I'm worried about.
Hmm... I trust him.
- Come on, let's take a drive.
- A drive?
Yeah, a drive.
Don't you big city racecars
ever just take a drive?
Ah... No. No, we don't.
[Gas pump stops]
Hey, Stickers! You comin' or what?
[Flo] Mm-hm!
- And you thought he was gonna run.
- Hey, can you believe it, man?
He actually thought
Doc was a famous racecar!
That's so too much!
OK, you got me out here.
Where are we goin'?
I don't know.
Whoa! Yes.
- [Sputtering]
- [Laughing]
Oh! Ah-ha-ha!
- Bleah!
- [Chuckling]
- [Grunts]
- [Laughs]
[Sputtering]
[Laughing]
[Chuckles] Oh!
[Spitting]
[Lightning] Wow. What is this place?
Wheel Well.
Used to be the most popular stop
on the mother road.
This place?
[Horns beeping]
[Sally sighing] Yeah, imagine.
Oh, imagine what
it must have been like to stay here.
You know, I don't get you.
How does a Porsche
wind up in a place like this?
Well, it's really pretty simple.
I was...
...an attorney in LA
livin' life in the fast lane, and...
Oh, you were, were you?
Were you rich?
- What?
- Just... clues to the puzzle.
Yeah, OK.
Well, that was my life.
And you know what?
It never felt... happy.
Yeah. I mean... really?
Yeah. So I left California.
Just drove and drove
and finally broke down right here.
Doc fixed me up, Flo took me in.
Well, they all did. And I never left.
Yeah. You know, I understand.
You need a little R and R.
Recharge the old batteries.
But you know, after a while,
why didn't you go back?
[Inhaling heavily] I fell in love.
- Oh.
- Yep.
- Corvette?
- No.
I fell in love with this.
Whoa. Look at that.
Look, they're drivin' right by.
They don't even know
what they're missing!
[Sally] Well,
it didn't used to be that way.
Oh, yeah?
Yeah. Forty years ago,
that Interstate down there didn't exist.
Really?
[Sally] Yeah. Back then,
cars came across the country
a whole different way.
How do you mean?
The road didn't cut through the land
like that Interstate.
It moved with the land, you know?
It rose, it fell, it curved.
- Mornin'!
- Nice day, huh?
Cars didn't drive on it
to make great time.
They drove on it to have a great time.
[James Taylor: Our Town]
Well, what happened?
The town got bypassed
just to save ten minutes of driving.
[Lightning] How great would it have been
to see this place in its heyday!
Oh, I can't tell you how many times
I've dreamed of that.
But one of these days we'll
find a way to get it back on the map.
Yeah. Hey, listen, thanks for the drive.
I had a great time.
It's kinda nice to slow down
every once in a while.
You're welcome.
Hey, listen, listen!
If anybody asks you,
we was out smashin' mailboxes, OK?
[Chuckling] Wha... what?
[Rumbling]
[Mooing]
Oh, man, the paint's still wet!
- [Honking loudly]
- [Mooing]
No, no, no, no!
Get out of the store!
Hey! Don't eat the radial!
Here, take-a the snow tires.
- [Sheriff] Mater!
- I wasn't tractor-tippin'!
Then where did all these
gol-durn tractors come from?
- Whoa, boy!
- Hey! Hey, guys!
There's one goin' this way.
I got it.
Come here, little tractor,
come here.
Yeah, that's a good tractor.
No, no, no, no, come here.
What are you doing?
You're not supposed to go
wandering off all...
...alone.
What are you doin'
with those old racin' tires?
[Sighing heavily]
Come on, Doc, drive.
[Revs engine]
Ah... Yeah.
- Wow.
- Huh?
You're amazing!
[Coughing] What are you doin'?
Doc, wait!
[Trucks mooing]
Giddup right in there!
Come on, Rusty.
Doc, hold it!
Seriously, your driving's incredible!
- Wonderful. Now, go away.
- Hey, I mean it. You've still got it!
- I'm askin' you to leave.
- Come on.
I'm a racecar,
you're a much older racecar,
but under the hood
you and I are the same.
We are not the same!
Understand? Now, get out.
How could a car like you quit
at the top of your game?
You think I quit?
[Lightning] Right.
Your big wreck in '54.
They quit on me.
When I finally got put together,
I went back expecting a big welcome.
You know what they said?
"You're history."
Moved right on to
the next rookie standing in line.
There was a lot left in me.
I never got a chance to show 'em.
I keep that to remind me
never to go back.
I just never expected that
that world would...
...would find me here.
- Hey, look, Doc, I'm not them.
- Oh, yeah?
No, I'm not.
When is the last time you cared about
something except yourself, hot rod?
You name me one time
and I will take it all back.
Uh-huh. I didn't think so.
These are good folk around here,
who care about one another.
I don't want 'em depending
on someone they can't count on.
Oh, like you?
You've been here how long
and your friends
don't even know who you are?
Who's caring about only himself?
Just finish that road
and get outta here!
[Reveille plays]
[Jimi Hendrix: Star Spangled Banner]
[Sarge] Will you turn that
disrespectful junk off?
[Fillmore] Respect the classics, man.
[Snoring]
[Snorts, putters]
[Grunting]
[Smacking] Ah...
[Mater] He's done.
He must've finished it
while we was all sleepin'.
Good riddance.
He's gone?
Well, we wouldn't want him
to miss that race of his.
[Sniffing]
- Oh, dude, are you crying?
- No! I'm happy!
I don't have to watch him
every second of the day anymore!
I'm glad he's gone!
[Blubbering, sobbing]
What's wrong with Red?
Oh, he's just sad
'cause you left town
and went to your big race to win
the Piston Cup
that you've always dreamed about
your whole life
and get that big ol' sponsor and that
fancy helicopter you was talkin' about.
[Gasping] Wait a minute!
[All laugh]
I knowed you wouldn't leave
without saying goodbye.
What are you doin' here?
You're gonna miss your race.
Don't worry. I'll give you
a police escort, and we'll make up time.
Thank you, Sheriff.
But you know I can't go just yet.
Well, why not?
- I'm not sure these tires...
- [Luigi gasps excitedly]
...can get me to California.
- Peet stop?
Yeah, does anybody know
what time Luigi's opens?
[Laughing] I can't-a believe it!
Four new tires!
[Laughing] I can't-a believe it!
Four new tires!
Grazie, Mr. Lightning. Grazie!
- Would you look at that!
- [Luigi] Our first customer in years!
I am filled with tears of ecstasy,
for this is the most glorious day
of my life!
All right, Luigi, give me
the best set of blackwalls you've got.
No! No, no, no.
You don't-a know what you want.
Luigi know what you want.
Blackwall tires.
They blend into the pavement.
But-a this...
Whitewall tires!
They say, "Look at me!
Here I am! Love me."
All right, you're the expert.
- [Snarling]
- [Lightning] Don't forget the spare.
- Perfetto. Guido!
- Peet stop!
[Chuck Berry: Route 66]
[Laughing] What did Luigi tell you, eh?
Wow, you were right.
Better than a Ferrari, huh?
Eh... No.
Wow! This organic fuel is great!
Why haven't I heard about it before?
It's a conspiracy, man!
The oil companies got a grip
on the government!
They're feedin' us a bunch of lies, man.
OK, I'll take a case.
Ow! Eh!
[Lightning yelps]
- [Chuckles]
- [Breathes in deeply]
[Ramone] Ah... Yeah.
[Lightning] Ka-chow.
- Here she comes!
- [Lightning] Places, everybody. Hurry!
- Act natural.
- [Whistling]
- Hi, Sally.
- Buon giorno!
All right, what's goin' on?
Ladies and gentlecars,
please welcome
the new Lightning McQueen!
Pow! What do you think?
Radiator Springs
looks pretty good on me.
[Chuckling] I'll say.
[Purring] Ka-chow.
You're gonna fit right in
in California.
My goodness. It looks like
you've helped everybody in town.
Yeah, everybody except one.
- Hey, is it getting dark out?
- What? What'd he say?
Let me say that again.
Is it getting dark out?
Now, what was I
supposed to do after that?
[The Chords: Sh-Boom]
[Gasping] They fixed their neon!
- Low and slow?
- Oh, yeah, baby! [chuckling]
[Flo laughs and shrieks]
Just like in its heyday, right?
It's even better than I pictured it.
Thank you.
[Chuckling]
Shall we cruise?
Oh, thank you, dear. I'd love to!
- No, no, no.
- Lizzie!
I remember when Stanley
first asked me to take a drive with him.
Hey, Miss Sally.
May I have this cruise?
- Of course, Mater.
- Uh-uh-uh!
[Mooing]
...and again and I said, "No."
He asked me again, and I said, "No."
But, oh, he was a persistent
little bugger for a two-cylinder.
Finally I said,
"All right, one little drive."
- Oh!
- [Mater chuckling]
- Hey!
- Thanks, Mater.
Good evenin', you two.
Oh, Stanley,
I wish you could see this.
- Is that what I think it is?
- Oh, I don't know, Flo.
I haven't had a chance to find out.
But I am going to find out. Hello.
Not that. That.
[Sally gasps] Customers?
[Sally gasps] Customers?
Customers, everybody!
And a lot of 'em!
You know what to do.
Just like we rehearsed.
[All gasp]
It's the ghostlight!
We have found McQueen.
We have found McQueen!
McQueen, over here!
- Wait, excuse me.
- Is it true you've been in rehab?
- Did you have a nervous breakdown?
- What?
- McQueen's wearing whitewalls!
- Your tires balding?
[Sally] Stickers!
- Was McQueen your prisoner?
- Shoot, no!
We're best buds!
I ain't braggin' or nothin',
but I was in charge of huntin' him down
if he tried to escape.
Sally! Sally!
Will you still race for the Piston Cup?
- Stickers?
- Sally!
- Come on, give us some bolt!
- [Horn honking]
You're here!
Thank the manufacturer! You're alive!
- Mack?
- You're here! I can't believe it!
[Chuckling] You are a sight
for sore headlights!
I'm so sorry I lost you, boss.
I'll make it up to you!
Mack, I, I can't believe you're here.
[Harv] Is that the world's
fastest racing machine?
- Is that Harv?
- Yeah. He's in the back.
- Show us the bolt!
- Get back, you oil-thirsty parasites!
- Where's the old McQueen?
- Actually, this is my good side here.
- Harv! Harv!
- Give us the bolt!
- Harv?
- Come on!
- Kid, I'm over here!
- How you doin', buddy?
My star client disappears
off the face of the earth!
- How do you think I'm doing?
- I can explain.
I'm doing great! You're everywhere!
Radio, TV, the papers!
You can't buy this kind of publicity!
What do you need me for?
That's just a figure of speech,
by the way. You signed a contract.
Where are you?
I can't even find you on my GPS.
I'm in this little town
called Radiator Springs.
- You know Route 66? It's still here!
- Yeah, that's great, kid.
Playtime is over, pal.
While the world's been trying to
find you Dinoco has had no one to woo.
- Who are they gonna woo?
- Chick!
Bingo. In fact, check out
what's on the plasma right now.
- Show us the thunder!
- You want thunder?
You want thunder?
Ka-chicka, ka-chicka!
- Hey, that's my bit!
- You've gotta get to Cali, pronto!
Just get out of Radiation Stinks now,
or Dinoco is history, you hear me?
Just give me a second here, Harv.
No, wait. Where are you goin'?
Get in the trailer, baby. Kid!
You want a bigger trailer?
Sally, I... I want you to...
Look, I wish... [sighs]
Thank you. Thanks for everything.
[Groans, chuckles]
- It was just a road.
- No. It was much more than that.
Hey, kid! We gotta go.
Harv's goin' crazy!
He's gonna have me fired if
I don't get you in the truck right now!
- Mack, just... hold it for...
- You should go.
- I know, but...
- Good luck in California.
I hope you find
what you're looking for.
- McQueen, come on!
- Sally...
- Sally!
- Show us the bolt, McQueen! The bolt!
Hey, Lightning, show us the bolt!
- Come on, get in the trailer.
- Where's the old McQueen?
- The bolt!
- That's it. That's right, let's go!
You're a big shining star.
You're a superstar.
You don't belong there, anyway.
Whoa... Wait...
Whoa, whoa, wait, wait!
[Engine starts]
Hey, guys!
McQueen's leavin' in the truck!
Hey, are you Doc Hudson?
- Yeah.
- Thanks for the call.
- You called them?
- It's best for everyone, Sally.
Best for everyone or best for you?
I didn't get to say goodbye to him.
[Light buzzing]
[Bob] Hello, race fans. Welcome
to what has become, quite simply,
the biggest event
in the history of racing.
A three-way battle for the Piston Cup!
[Darrell] There's a crowd
of nearly 200,000 cars
here at the Los Angeles
International Speedway.
Tickets to this race are hotter than a
black leather seat on a hot summer day!
[Bob] The King, Chick Hicks
and Lightning McQueen
in a 200 lap, winner-takes-all,
tiebreaker race.
[Darrell] I got a lotta miles on me,
but let me tell you somethin'.
I never thought I'd see anything
like this. This is exciting!
[Bob] In fact, the country
has almost shut down
to watch what many experts
are calling "the race of the century."
Hey, King!
Good luck in your last race.
- You've sure been an inspiration to me.
- Thanks, Junior. Appreciate it.
- Hey, be careful out there, OK?
- Yeah, man.
[Mia] He's hot!
Wanna know the forecast?
I'll give you the forecast.
A 100 percent chance of thunder!
Ka-chicka! Ka-chicka!
Say it with me!
Ka-chicka! Ka-chicka!
Hey, you! No admittance
without a garage pass.
Oh, it's OK.
Lightning McQueen knows me!
Hey, Marco, it's a beautiful day
for a race, isn't it?
- Absolutely, Mr. Andretti.
- And good morning to you, Fred.
Mario Andretti knows my name!
You gotta let me in now!
[Guard] Sorry, pal.
[Lightning] OK, here we go.
Focus. Speed.
I am speed.
[Cars whizzing]
Victory.
One winner, two losers.
[Engine rewing]
Speed. Speed. Speed. Speed...
[birds singing]
[Knock on door]
[Mack] Lightnin'! You ready?
[Gasping] Yeah, yeah, yeah! I'm ready.
[Indistinct chatter]
Mack, thanks for being
my pit crew today.
Don't worry about it, kid.
It's the least I could do.
After all, "Gas Can"
is my middle name.
- It is?
- Ah... Not really.
[All shouting]
[Gulping]
Uh-oh
- [cheering, laughing]
- [Giggling]
Nelson! Zoom in.
Ready, 16? Take 16.
[Bob] And there he is,
Lightning McQueen!
Missing all week, and then he turns up
in the middle of nowhere!
In a little town
called Radiator Springs.
[Darrell] Wearin' whitewall tires,
of all things.
- Oh!
- Ka-chicka! Ka-chicka! Ka-chicka!
[Chuckling]
Hey, where you been?
I've been kinda lonely.
Nobody to hang out with.
I mean, except the Dinoco folks.
And the twins. Of course.
The ones that used to be your fans,
but now they're my fans.
Listen to what the twins think...
Agh! Shoot!
[Darrell] Boogity, boogity, boogity,
boys! Let's go racin'!
[Crowd cheering]
Come on, you can do it!
Come on, King, make us proud, boy!
[Bob] Fifty laps down, and The King
is still holding a slim lead.
[Darrell] McQueen's got a run on him!
He's lookin' to the inside!
Oh! Chick slammed the door on him!
[Bob] Chick's not
making it easy on him today.
[Darrell] He lost momentum,
and now he's gonna have to
chase him back down!
- [Soft music]
- [Birds singing]
[Breaks squealing]
[Bob] McQueen spins out in the infield!
[All gasp]
[Chuckling] Just me
and the old man, fellas.
- McQueen just doesn't have it today.
- [All laugh]
[Groans]
- Hey, kid, are you all right?
- I don't know, Mack.
I don't think I...
[Doc] I didn't come all this way
to see you quit.
Doc?
Guys, you're here!
I can't believe this!
I knew you needed a crew chief,
but I didn't know it was this bad.
You said you'd never come back.
Well, I really didn't have a choice.
Mater didn't get to say goodbye.
Goodbye! OK, I'm good.
[Chuckles]
All right, if you can drive as good
as you can fix a road
then you can win this race
with your eyes shut.
Now, get back out there!
Hot snot, we are back in business!
Guido! Luigi!
You're goin' up
against professional pit crews.
- You're gonna have to be fast.
- They will not know what bit them!
Kid, you can beat these guys.
Find a groove that works for you
and get that lap back.
[Murmuring]
- Is it?
- Oh, wow. That's him!
Is that...? That's the Hudson Hornet!
The Hudson Hornet's back!
[Bob] It appears McQueen
has got himself a pit crew.
And look who he has for a crew chief!
- Look, man. It's the Hudson Hornet!
- Whoa!
Well, dip me in axle grease
and call me Slick! It surely is.
[Crowd cheering]
[Bob] Wow, this is history
in the making.
Nobody has seen the racing legend
in over 50 years!
Hey, Doc!
Come look at this fellow on the radio.
He looks just like you.
- [Bob] McQueen passes on the inside!
- [Darrell] He's nearly a lap down.
[Bob] Can he catch up to them
with only 60 laps to go?
You're goin' great, kid.
Just keep your head on.
Vai! Vai, vai!
Hey, shrimpie,
where did McQueen find you, huh?
Those round things are called tires,
and they go under the car!
[All laugh]
Con chi credi di parlare?
Ma, con chi stai parlando?
No! No, no! You'll have your chance.
You will have your chance.
Oh, kid's just tryin'
to be a hero, huh?
What do you think of this?
- [Tires squealing]
- Yeah, that's it, kid.
What?
Whoa! Git-R-done!
- [Laughing] I taught him that. Ka-chow!
- Ah!
[Bob] What a move by McQueen!
He's caught up to the leaders.
Yeah. This is what it's all about.
A three-way battle for the lead,
with ten to go!
[Chortling]
Look at that boy go out there!
[Chick] Oh! [grunting]
No, you don't.
[Tire blows]
Doc, I'm flat! I'm flat!
- Can you get back to the pits?
- Yeah, yeah. I think so.
Hey, got a yellow. Bring it in.
Don't tear yourself up, kid.
[Mack] We gotta get him
back out there fast
or we're gonna be a lap down,
and we'll never win this race!
Guido! It's time.
Hey, tiny,
you gonna clean his windshield?
[Air wrench whirring]
[Darrell] I don't believe it!
[Bob] That was
the fastest pit stop I've ever seen!
[Darrell] It was a great stop,
but he's still gotta beat that pace car!
[Bob] It's gonna be close.
- Yeah, baby!
- [All hollering]
[Darrell] He's back in!
Peet stop.
- Guido, you did it!
- Way to go, Guido!
[Bob] This is it. We're heading into
the final lap and McQueen
is right behind the leaders.
What a comeback!
[Darrell] A hundred and ninety-nine
laps! It all comes down to this!
This is it, kiddo.
You've got four turns left.
One at a time.
Drive it in deep and hope it sticks.
- Go!
- [Rewing]
We'll see about that!
[Bob] McQueen's going inside!
- Chick and King are loose!
- [Darrell] I think McQueen's out!
- McQueen saved it!
- [Bob] He's back on the track!
- Float like a Cadillac...
- Sting like a Beemer!
- Ka-chow! Ka-chow! Ka...
- [all cheer]
[Darrell] Lightning McQueen
is gonna win the Piston Cup!
Come on! You got it!
You got it, Stickers!
[Grunts] I am not comin' in
behind you again, old man.
- Oh, no!
- [Crowd gasps]
[Breaks screeching]
[Engine idling]
Yeah! Whoo-hoo!
I won, baby! Yeah! Oh, yeah!
[Flo] What's he up to, Doc?
[Grunting, moaning]
What are you doin', kid?
I think The King
should finish his last race.
You just gave up the Piston Cup,
you know that?
This grumpy old racecar I know
once told me somethin'.
It's just an empty cup.
[Bob] Darrell, is pushing
on the last lap legal?
He's not really pushin' him. He's
just givin' him a little bump draft.
Whoo-hoo-hoo-hoo-hoo!
Hey. What? What's goin' on?
- That's what I call racin'.
- [Sobbing]
[Laughing]
[Crowd cheers wildly]
- Bravo il mio amico!
- Way to go, buddy!
There's a lotta love out there,
you know, man?
- Don't embarrass me, Fillmore.
- That's my hot rod.
Come on, baby, bring it out!
Bring out the Piston Cup!
Ka-chicka! Ka-chicka!
Yeah!
Now, that's what I'm talkin' about!
Hey, how come the only one celebrating
is me, huh?
Where are the girls?
Bring on the confetti!
Ow! Ow! Easy with the confetti.
What's goin' on?
Come on, snap some pictures.
I gotta go sign my deal with Dinoco!
Say it with me. Ka-chicka!
- Boo!
- Boo!
What's wrong with everybody?
Where's the happiness?
Hey! This is the start of the Chick era!
- Thanks, Lightnin'.
- You're welcome.
- Way to go, King!
- You're still the car!
You're The King! Yeah!
[Crowd cheers]
[Laughing and cheering]
- You made us proud, kid!
- Congrats on the loss, me bucko!
You got a lotta stuff, kid.
Thanks, Doc.
Hey, Lightnin'.
How 'bout comin' over here
and talk to me a minute?
Son, that was some
real racin' out there.
How'd you like to become
the new face of Dinoco?
But I didn't win.
Lightnin', there's a whole lot
more to racin' than just winnin'.
[Clank] He was so rusty,
when he drove down the street
- buzzards used to circle the car!
- [All laugh]
Thank you, Mr. Tex, but...
...but these Rust-eze guys over there
gave me my big break.
I'm gonna stick with them.
Well, I sure can respect that.
Still, you know,
if there's ever anything
I can do for you, just let me know.
I sure appreciate that.
Thank you.
Actually, there is one thing.
Whoo-hoo!
Whoo-hoo!
Hey, look at me!
I'm flyin', by golly!
I'm happier than a tornado
in a trailer park!
I think it's about-a time
we redecorate.
Hi. Lightning McQueen told me
this was the best place in the world
to get tires.
How 'bout setting me and my friends up
with three or four sets each?
Guido! There is a real
Michael Schumacher Ferrari in my store.
A real Ferrari!
Punch me, Guido.
Punch me in the face.
This is the most glorious day
of my life.
Wow. [Italian]
Spero che il tuo amico si riprenda.
Mi dicono che siete fantastici.
- [Sighing]
- [Engine rewing]
[Both chuckle]
Just passin' through?
Actually, I thought I'd stop
and stay awhile.
- I hear this place is back on the map.
- It is?
There's some rumor floating around
that some hotshot Piston Cup racecar
is setting up his big
racing headquarters here.
Really? Ah, well, there goes the town.
You know, I really missed you, Sally.
Well, I create feelings in others
they themselves don't understand and,
- blah, blah, blah.
- [Lightning chuckles]
McQueen and Sally
parked beneath the tree,
K- i-s-s... uh... i- n-t!
Great timing, Mater!
Hep-non, hip-hep, hi-li-lilly! Whee!
He's my best friend.
What're you gonna do?
So, Stickers, last one to Flo's buys?
I don't know.
Why don't we just take a drive?
Hmm... Nah.
Yeah! Ka-chow!
[John Mayer: Route 66]
[Yelling]
[Sirens blaring]
[Sniffing] Ah-choo!
[Mater] All right, everybody
please keep together now.
We is now entering the Doc Hudson
wing of the museum.
Wow. Unbelievable.
That many wins in a single season.
He's the real deal, Junior.
The Hudson Hornet was my inspiration.
Excuse me, son.
Is Doc Hudson here today?
Sorry, Mrs. The King, I think Doc
went out for a drive or somethin'.
- [Lightning] Whoo! Whoo!
- [Doc] Yeah!
Well, you sure ain't no dirt boy.
Not today, old man.
I know all your tricks.
[Growls]
Doc! Doc!
Whoo-ah!
[Doc] Not all my tricks, rookie!
[All grumble]
[Cheering]
Attention!
Kiss the pavement goodbye.
When I'm finished, you'll have mud
in places you didn't know you had!
- Yo, I've never been off-road!
- Well, that's gonna change right now!
About face!
Drop and give me 20 miles!
Go! Go!
Go, go, go, go, go! Go!
Man, now I got dirt in my rims!
- [Pole hits metal]
- Huh? Look at this!
It's my hood! It's my hood!
I ain't seen this thing in 20 years!
Well, it fits perfectly.
How do I look? Ah-choo!
Oh, dang.
You are a toy car!
You are a sad, strange little wagon
and you have my pity. Farewell.
[Woody Car] Oh, yeah?
Well, good riddance, you loony!
Hey, I hate to break up the road rally,
guys, but they're here!
Birthday guests at three o'clock!
[Chuckling] Oh, man! Whoever does
the voice of that piggy truck,
I'm tellin' ya, he's one great actor!
We're banished, genius! Stuck here
in this wasteland without chains!
But, Mike, the Boomobile's in trouble!
She needs our help!
- You're still not listening! [gasping]
- Ah!
Welcome to the Himalayas!
Snow cone?
Oh, that Abominable Snowplow
is quite the comic thespian!
Just get in there.
Go! Go, go, go!
Circus cars?
How can you be circus cars?
These are the lousiest
circus cars in the world,
and they're gonna make me rich!
Wait a minute here.
They're just usin' the same actor
over and over.
What kind of a cut-rate production
is this?
[Brad Paisley: Find Yourself]
[Minny moaning]
Oh, for the love of Chrysler, can we
please ask someone for directions?
No! There's an on-ramp close!
I know it! I can feel it!
Sigurgeirlingur Geirmaðurinn Jóhannessonur (IP-tala skráð) 13.11.2023 kl. 09:46
Wazzup gang
Gangsta male man (IP-tala skráð) 16.11.2023 kl. 09:22
Upplýsingar til að afhenda pening
BTW fann líka tásu myndir
Hacer.exe (IP-tala skráð) 16.11.2023 kl. 12:04
Gangsta male man (IP-tala skráð) 16.11.2023 kl. 12:15
THE BATMAN by Matt Reeves & Peter Craig
previous revisions by Matt Reeves Matt Reeves & Mattson Tomlin Written by Matt Reeves & Peter Craig This script is the confidential and proprietary property of Warner Bros. Pictures and no portion of it may be performed, distributed, reproduced, used, quoted or published without prior permission. ARTICULATED PRODUCTIONS LIMITED ROZAR PICTURES, LLC 4000 Warner Boulevard Burbank, California 91522 WHITE FEBURARY SHOOTING DRAFT February 9, 2020 © 2020 WARNER BROS. ENT. All Rights Reserved Based on characters from DC Batman created by Bob Kane and Bill Finger 1 2 3 BLACK SCREEN The quiet hum of CITY TRAFFIC and DISTANT SIRENS. Gradually, we make out something unnerving, right beside us: SOMEONE BREATHING ... A MASSIVE RED TITLE FADES UP: "T H E B A T M A N" HOLD; then SMASH OUT OF THE BLACKNESS TO REVEAL AN OUT OF FOCUS BINOCULAR POV - DUSK We FOCUS, SEARCHING THE FACADE OF AN OPULENT TOWNHOUSE ... The BREATHING SUDDENLY QUIETS as a SHAPE APPEARS IN A WINDOW -- a LITTLE RED NINJA gazes out, clutching a small sword. The ninja spins, brandishing the sword as TWO SHAPES enter behind him -- a WOMAN, late 30s, dressed as a WITCH -- and a MAN, late 50s, in a WELL-CUT SUIT. The little ninja rushes in, "stabbing" the Man, who collapses melodramatically. The Woman smiles -- speaks to the ninja, and he grabs a PUMPKIN CANDY BUCKET as they start to exit. The Man sits up, yells after them; the ninja runs back for a hug. Finally, the ninja and Woman exit, LEAVING THE MAN ALONE. He grows SOBER. As the Man pulls himself up, the BREATHING BESIDE US RESUMES ... INT. OPULENT TOWNHOUSE - DIMLY-LIGHTED STUDY - NIGHT In the light of the flickering TV, we see now the Man is handsome, distinguished. He stands, sipping scotch, watching THE NEWS; a CHYRON reads, "GOTHAM MAYORAL RACE": FEMALE NEWSCASTER (ON TV) Just-released polls have incumbent mayor, Don Mitchell, Jr. and twenty-eight year old grassroots challenger, Bella Real in a dead heat. Things certainly got hot last night in their final debate before next Tuesday's election ... As the Man anxiously watches the DEBATE CLIP, we realize: he is MAYOR MITCHELL; his female challenger, BELLA REAL, young, intelligent, a force of nature, shares the stage -- MAYOR MITCHELL (ON TV) Now my young opponent here wants to gut the Gotham Renewal Program established by the great Thomas Wayne, cutting the funds for vital projects like our sea wall, and the safety net for those in need-- (CONTINUED) 1 2 3 3 02/09/20 (White February Shooting Script) CONTINUED: 2 . BELLA REAL (ON TV) -- the Renewal Program is broken! The city's been "renewing" for twenty years, look where it's gotten us! Crime has skyrocketed! MAYOR MITCHELL (ON TV) Now wait a minute hold BELLA REAL (ON TV) Murder and drug use are at historic highs! We have a masked vigilante running the streets! .Q!!. MAYOR MITCHELL (ON TV) -- under my administration the Gotham PD dealt major blows against organized crime and drug trafficking! The Salvatore Maroni case was the biggest drug bust in city history BELLA REAL ( ON TV) but drops and other drugs are still rampant! It's gotten worse! MAYOR MITCHELL (ON TV) I'm not saying there isn't work to do -- but listen - I have a beautiful wife and young son, ok? I will not rest until this city is safe for them -- and all our citizens! Mitchell turns, startled, as a PHONE RINGS. As he EXITS FRAME to answer, we STAY on a DARK HALL BEHIND THE STUDY -- on the wall by the door way, we see a framed headline: "MARONI DRUG BUST! MAYOR'S STING OPERATION HISTORIC". As the TV brightens, we SEE for the first time, SOMEONE IS IN THE HALL. Barely visible, the Figure wears a DARK, OLIVE GREEN HOOD -- a homemade executioner's mask, with PRESCRIPTION AVIATOR GLASSES bizarrely outside the hood. MAYOR MITCHELL (O.S.) Hey. Yeah, I'm watching GCl ... As Mitchell PACES IN AND OUT OF FRAME, the Figure's hooded head ominously tracks him ... MAYOR MITCHELL (O.S.) Why is she still tied -- I thought we were getting a bump in the new Post poll ... ? Ok, you know what? I can't, I can't watch this anymore -- call me in the morning -- We HEAR the phone hang up, and Mitchell RE-ENTERS FRAME, agitated; as he SHUTS OFF THE TV, the HALL BEHIND HIM SUDDENLY GOES DARK, the FIGURE NO LONGER IN SIGHT. (CONTINUED) 3 3 4 5 6 02/09/20 (Wh ite February Shooting Script) CONTINUED: (2) 3. Mitchell stands there, drink in hand; starts to sip, as - THE FIGURE LURCHES OUT THE DARK -- FRANTICALLY CLUBBING HIM OVER AND OVER -- suddenly, the WEAPON SLIPS LOOSE - it SKITTERS right at us and STOPS. A GLEAMING METAL TOOL. Whatever it is, it's WET with blood. The Figure turns, PANTING, rises off the m otionless victim, trudges over to us ... A GLOVED HAND retrieves the strange weapon. The Figure walks back, regarding the victim for a long, creepy m oment ... then stretches its arms as far as they will go, LOUDLY UNSPOOLING a LONG PIECE OF SILVER DUCT TAPE ... And with a LOW RUMBLE OF THUNDER, we SLAM INTO -- BLACKNESS AGAIN ... We HEAR PATTERING RAIN as a HYPNOTIC VOICE OVER begins: VOICE OVER Thursday, October thirty-first ... A GAS ARC BULB BURNS to life ... glowing BRIGHTER .. . BRIGHTER ... REVEALING: We're INSIDE A SEARCHLIGHT .. . EXT. ROOFTOP - ON THE RUSTED SEARCHLIGHT - NIGHT As the LIGHT INTENSIFIES -- RAINDROPS ILLUMINATE BEATING and DANCING CHAOTICALLY on the hot lens -- EXT. RAINY GOTHAM STREETS - HIGH ANGLE - NIGHT A bacchanalian Times Square vibe. COSTUMED HALLOWEEN REVELERS swarm wet sidewalks in the glow of NEON and LED. VOICE OVER The city streets are crowded for the holiday, even with the rain ... MOVING POV - ON THE SIDEWALK We PUSH INTO the sea of COSPLAYERS, CLOBBERS, TOURISTS ... VOICE OVER Hidden in the chaos ... is the element. Waiting to strike like snakes at the decent ... the vulnerable ... A MALE FIGURE suddenly ENTERS FRAME VOICE OVER But I'm there too, watching ... (CONTINUED) 3 4 5 6 7 8 9 10 11 10/25/19 (October Shooting Draft) CONTINUED: 4 • FOLLOW FROM BEHIND as he WALKS in ARMY JACKET, KNIT CAP, a DUFFEL on his shoulder. He looks like a DRIFTER ... SUPER-TIGHT ON THE DRIFTER'S INTENSE EYES AS HE WALKS ... VOICE OVER Two years of nights have turned me into a nocturnal animal ... My senses are heightened now ... I can almost smell them ... EXT. BODEGA - MOVING POV TOWARD THE WINDOW - NIGHT PEER IN at the few COSTUMED SHOPPERS inside; a GUY in a HOODIE and YELLOW SAD EMOJI MASK steps to the counter INSIDE VOICE OVER I must choose my targets carefully ... Sad Emoji NERVOUSLY PULLS A GUN on the CASHIER! C' mon ... ! SAD EMOJI EXT. COLOSSAL GOTHAM BANK - MOVING POV - NIGHT We SPY THREE VANDALS, SPRAY PAINTING the huge pillars VOICE OVER It's a big city, I can't be everywhere ... THE VANDALS wear GUY FAWKES MASKS -- one LIGHTS A MOLOTOV COCKTAIL -- HURLS IT, SHATTERING THE GLASS FRONT DOOR -- INT. A SPEEDING ELEVATED TRAIN - LURKING POV - NIGHT WE PEER THROUGH the CONNECTING DOOR INTO THE CAR AHEAD where EIGHT GANG MEMBERS in SKULL FACE PAINT carouse -- VOICE OVER But they don't know where I am ... THE CAR AHEAD The gang crowds, jockeying to see a CELLPHONE VIDEO. 7 8 9 10 11 12 13 14 10/25/19 (October Shooting D raft) TIGHT ON THE VIDEO THE GANG striding through a park -- ONE points at a RANDOM JOGGER -- ANOTHER responds, PUNCHING HIM OUT! THE GANG WATCHING THE CELLPHONE 5. recoils with LAUGHTER -- when THE GANG LEADER notices a LONE PASSENGER rising as the TRAIN SLOWS. He turns to a YOUNGER MEMBER, nodding toward the Passenger with a menacing smile -- as the Y oung Member looks anxiously EXT. A SHADOWY SPACE - NIGHT FINGERS QUICKLY SMEAR BLACK CAMO PAINT around fierce eyes, veiled in darkness -- as we spot THE DRIFTER'S ARMY DUFFLE on wet ground -- inside, we GLIMPSE THE BAT COWL! EXT. ROOFTOP - ON THE RUSTED SEARCHLIGHT - NIGHT A crude but ICONIC BAT SYMBOL BLAZES at its center VOICE OVER We have a signal now ... for when I'm needed ... REVEAL A SILHOUETTED MAN beside the light, waiting VOICE OVER But when that light hits the sky, it's not just a call ... He's perched atop an ABANDONED, HALF-BUILT SKYSCRAPER - THE BRIGHT BEAM REACHES UPWARDS, sparkling in the rain -- VOICE OVER It's a warning. To them ... OUTSIDE THE BODEGA Sad E moji BOLTS OUT toward a DARK ALLEY -- when he spots TWO PEDESTRIANS GAPING UP AT THE SKY IN ALARM -- he slows, peering up to SEE -- THE BAT SIGNAL LOOMING! VOICE OVER Fear is a tool ... Sad E moji stops, panic dawning as he turns to the DARK ALLEY -- he backs away, into the street -- a CAR SKIDS, HITTING HIM! He DROPS -- but fear lifts him, and he just keeps running -- the sounds of a HELICOPTER grow as we -- 12 13 14 15 16 10/25/19 (October Shooting Draft) 6. EXT. COLOSSAL GOTHAM BANK - NIGHT ON A VANDAL -- hearing the copter, he peers up at -- A POLICE CHOPPER SOARING PAST THE BAT SIGNAL IN THE CLOUDS! VOICE OVER They think I'm hiding in the shadows ... He drops his spray can, startled as it CLATTERS! It rolls ominously under a DARK ARCHWAY -- he stares, chilled -- VOICE OVER But I fill! the shadows. A SIREN APPROACHES -- the VANDAL SPINS -- joining the others as THEY FLEE -- we see the painted letters spell "BROKE!" on the pillars; behind, A FIRE RAGES in the building -- FLAMES RISE as a MENACING LOW RUMBLE BUILDS and with a STARTLING BURST of METALLIC SCREECHING, we EXT. ELEVATED TRAIN PLATFORM - POURING RAIN - NIGHT The TRAIN SCREECHES TO A STOP -- our Lone Passenger emerges onto the deserted platform -- when he hears FOOTSTEPS and LAUGHTER behind -- he TURNS, startled The EIGHT SKULL FACED GANG MEMBERS are behind him. The Young Member stands coiled -- a haunted look in his eyes -- the others watch with PHONES raised, filming ONE OF THE MEMBERS DO it, man ... ! He hesitates, losing nerve -- and the Passenger BOLTS! THE LEADER GET HIM! The GANG PLOUGHS FORWARD KNOCKING the YOUNG MEMBER DOWN as they RACE PAST -- ! THEY POUNCE ON THE PASSENGER! CLOSE ON THE YOUNG GANG MEMBER -- the TRAIN ROARING OFF beside him -- WHEN HE SPOTS THE BAT SIGNAL IN THE SKY! His EYES DART around -- AS SCREAMS APPROACH; he turns -- The LEADER YANKS the YOUNG MEMBER to his feet -- while the GROUP holds the PASSENGER -- a DREADFUL SILENCE settling over the station as the train roar recedes ... THE LEADER Now knock his ass out ... The Young M ember stares, steeling himself WHEN - (CONTINUED) 15 16 16 10/25/19 (October Shooting Draft) CONTINUED: 7 • SLOW BOOTSTEPS ECHO from somewhere in the station - Everyone turns, looking anxiously around -- THE YOUNG MAN'S EYES STARE into a DARK VOID beneath an overhang THE OTHERS LOOK TOO -- AS -- CLICK ... CLICK ... CLICK ... A MASKED FIGURE SHROUDED IN BLACK APPEARS LIKE AN APPARITION FROM THE SHADOWS -- STEPPING INTO THE RAIN IT'S THE BATMAN. Everyone stares, unnerved. The Leader smirks, sizing up what he assumes is just another Halloween costume -- THE LEADER The hell are you supposed to be? Batman stands there for a long, scary beat, eyes veiled: THE BATMAN I'm vengeance. The unsettling effect of this response has barely an instant to register before BATMAN stalks for THE LEADER ONE OF THE GANG MEMBERS Holy shit -- it's him -- !!! THE LEADER raises his hands ready to fight -- but totally unprepared for this fight -- because -- BATMAN'S MOVEMENTS ARE INCONCEIVABLY BRUTAL AND FAST -- The LEADER SWINGS -- BATMAN SEIZES HIS ARM -- a martial artist's savage grace -- using his attacker's momentum to WRENCH HIM OFF BALANCE -- SNAPPING HIS ARM SICKENINGLY - THE LEADER SCREAMS -- as BATMAN SILENCES HIM AGAIN WITH A RAIN OF HEAD-SNAPPING JACKHAMMER PUNCHES IN THE FACE And like that, the Leader is down, bleeding, moaning -- Batman looks up at the others, who gaze back, stunned - when a TRIO OF GANG MEMBERS RUSH HIM -- CHAOS -- as BATMAN DISPENSES WITH THEM ALL AT ONCE in a FLUID, BUT TOTALLY STREET-FIGHT REALISTIC ATTACK of KICKS and HARD FIST BLOWS -- BATMAN TAKES HITS TOO -- but his TERRIFYING SKILL keeps impact from landing -- HE'S LIKE A MACHINE Panic rips through the gang -- the YOUNG MEMBER'S eyes widen as he SEES -- SOMEONE PULLING OUT A .38 SPECIAL -- YOUNG GANG MEMBER HEY MAN -- NO -- NO -- ! BATMAN SPINS -- SEEING THE GUN -- STARTS RIGHT FOR IT - THE GANG MEMBER OPENS FIRE! BATMAN FLINCHES as the BULLETS DISAPPEAR into his suit's BALLISTIC FIBER -- HE ADVANCES GRABBING THE MEMBER'S STILL-FIRING GUN ARM IN ONE HAND -- AND HIS THROAT IN THE OTHER -- (CONTINUED) 16 16 17 10/25/19 (October Shooting Draft) CONTINUED: (2) 8. AS THE GANG SCATTERS FROM THE BULLETS -- A BRIGHT BLUE TASER CURRENT ZAPS FROM BATMAN'S GLOVED FINGERS INTO THE GANG MEMBERS NECK! The Gang Member DROPS, CONVULSING! Batman slowly lifts his head, looking for more comers ... The few remaining on their feet gape -- frozen -- Batman watches -- as they BREAK INTO A RUN -- all -- EXCEPT - the Youngest Gang Member -- who hesitates briefly under Batman's stone-faced gaze -- in awe -- then, races off ... Batman looks down to discover the Passenger, knocked to the ground in the chaos; he RAISES HIS HANDS, terrified -- PASSENGER ... please don't hurt me ... Batman just gazes strangely, cocking his head, taking a step slowly toward him -- the Passenger BRACES HIMSELF - as Batman PEERS DOWN at SOMETHING BESIDE THE PASSENGER'S HEAD -- a REFLECTION on the wet ground -- THE BAT SIGNAL! Batman LOOKS UP -- wondering how long it's been there -- INT. MAYOR'S TOWNHOUSE - MOVING DOWN THE HALL - NIGHT FILLED WITH HUSHED COPS now; some turn as they NOTICE US, STARING WITH HARSH EDGE -- like what is he doing here?! REVEAL BATMAN, striding, unfazed, led by LIEUTENANT JAMES GORDON, mid-40s -- the Man we saw by the Bat Signal AT THE ENTRANCE TO THE STUDY A UNIF ORMED OFFICER steps into Batman's path -- ALARMED - YOUNG OFFICER Whoa-whoa-whoa -- police action Batman glares down at the Officer's hand on his chest - GORDON He's with me, Officer YOUNG OFFICER Are ya-- are ya kiddin' me, sir? You gonna let him in here ... ? GORDON Let him pass, Martinez. The Officer turns in disbelief; steps aside - YOUNG OFFICER (MARTINEZ) ... goddamn freak ... 16 17 18 02/09/20 (White February S hooting Script) 9 • THE STUDY MITCHELL lies dead, HEAD MUMMIFIED IN DUCT TAPE -- over his mouth in red it says: "NO MORE LIES". INVESTIGATORS TURN IN UTTER S HOCK at BATMAN APPROACHING WITH GORDON -- GORDON What do we know? The LEAD is rattled as Batman stares at the body - GORDON Detective -- LEAD DETECTIVE Sorry, Lieutenant ... OK, yeah, we got ... blunt-force trauma, lacerations on the head. He got hit alotta times, and hard. GORDON All this blood's from his head? LEAD DETECTIVE Most of it's from his hand -- CLOSE ON BATMAN staring, as the Detective LIFTS THE HAND INTO FRAME, SOFT FOCUS FOREGROUND -- showing GORDON LEAD DETECTIVE Thumb was severed. Killer may have taken it as a trophy BATMAN He was alive when it was cut off. Appalled, they turn to Batman, who stares at the hand - BATMAN Ecchymosis around the wound -- He rises to survey the area. Thrown by the interruption, the Detective watches him go -- turns back to Gordon: DETECTIVE Security detail downstairs says the family was out trick-ortreating. Mayor was up here alone. Killer came through the skylight. Batman sees a PHOTOGRAPHER flash a shot of BLOOD SPATTER on the FRAMED MARONI DRUG BUST HEAD LINE on the wall - when Batman CLOCKS a FRESH GASH IN THE WOOD FLOOR (the spot where the strange metal tool landed in our opening). (CONTINUED) CONTINUED: 10. He goes to examine it -- the PHOTOGRAPHER suddenly noticing -- it's a detail he obviously missed -- as soon as Batman rises -- he hustles over -- SNAPS A SHOT -- GORDON You said there was a card -- The Detective hands over AN ENVELOPE. Gordon pulls out a HALLMARK-STYLE HALLOWEEN CARD: a CREEPY SKELETON SMILES behind a WIDE-EYED OWL, tapping his shoulder GORDON "From a secret friend ... Who?" (opens card, reads) "Haven't a clue? Let's play a game, just me and you ... " Batman peers, as Gordon reads the KILLER'S SCRAWL - GORDON "What does a liar do when he's dead?" WEIRD SYMBOLS ARE ETCHED at the bottom -- Gordon pulls a PIECE OF PAPER from the envelope -- MORE WEIRD SYMBOLS GORDON There's a cipher too ... Any of this ... mean anything to you ... ? Gordon pointedly shows Batman THE ENVELOPE Batman stares, struck -- but before he can speak -- A QUIET, ALARMED VOICE (O.S.) What's goin' on here? Everyone turns to see COMMISSIONER PETE SAVAGE, mid-50s - appalled at the sight of Batman GORDON I asked him to come, Pete -- COMMISSIONER SAVAGE This is a crime scene -- it's Mitchell, for C hrissakes -- I got press downstairs -- ! ( then, darker) You know I cut you a lotta slack, Jim, 'cuz we got history, but this is way over the line ... ! Gordon hands him the card; Savage reads in horror - when, he sees THE ENVELOPE -- where he -- and we - DISCOVER it's addressed: "TO THE BATMAN" -- (CONTINUED) 18 18 02/09/20 (White February Shooting Script) CONTINUED: ( 2 ) COMMISSIONER SAVAGE Wait -- he's involved in this -- ? 11. GORDON No, no -- he's not involv-- COMMISSIONER SAVAGE How do you know? He's a he's a goddamn vigilante - he could be a suspect! Whattaya doing to me -- � used to be partners GORDON Pete -- I'm just looking for the connection -- BATMAN (O.S.) He lies still ... They turn -- to see Batman, eyes fixed on the body - COMMISSIONER SAVAGE Excuse me -- ? GORDON (getting it, nodding) The riddle. "What does a liar do when he's dead" ... ? He lies still. Unnerved by all this, Savage looks bitterly at Batman -- COMMISSIONER SAVAGE Jesus ... This must be your favorite night of the year, huh pal? Happy Fuckin' Halloween. AN OFFICER appears in the doorway -- ANOTHER OFFICER Excuse me, Commissioner -- they're ready for your statement ... Savage sighs, nods -- turns to Gordon, deadly serious COMMISSIONER SAVAGE I want him outta here. Now. And he leaves. As the POLICE ALL GLARE, Gordon starts to lead Batman out -- but Batman stops, spotting something - a BLOODY FOOTPRINT, child sized -- Gordon sees it, grim: GORDON Yeah, kid was the one found him. Batman looks up at him disturbed: what kid ... ? CUT TO: 18 19 20 21 10/25/19 (October Shooting Draft) 12. THE LITTLE RED NINJA SITTING ON A BED IN A CHILD'S ROOM Without his mask, we see now it's a TEN-YEAR-OLD BOY. We look through the doorway at him as he stares down, lost, surrounded by COPS. Finally, he LOOKS UP at us -- REVEAL BATMAN gazing back through the doorway. As MORE COPS BEGIN TO NOTICE HIM -- Gordon, beside him, WHISPERS: GORDON We ... really gotta go, man ... Batman nods, but stays a moment longer -- the aching, opening chords of NIRVANA'S "SOMETHING IN THE WAY" BEGIN; HOLD as Batman stares from somewhere under that mask .. . an unspoken connection to this newly fatherless boy .. . COMMISSIONER SAVAGE (PRELAP) Tonight, a son lost a father ... EXT. MAYOR'S MANSION - FRONT STEPS - PRE-DAWN A press conference; MITCHELL'S WIFE cries behind Savage -- COMMISSIONER SAVAGE ... a wife lost a husband. And I lost a friend. Mayor Mitchell was a fighter for our city and I won't rest until this killer is found ... As NIRVANA CONTINUES DISTANT PERSPECTIVE ON THE PRESS CONFERENCE - SAME MOMENT An ENGIRE PURRS; PULL BACK TO REVEAL we're LOOKING PAST A FIGURE -- THE DRIFTER. He watches from the shadows across the street on an old, unpainted CAFE RACER MOTORCYCLE; he pulls on a HELMET ... CLOSE ON the dark, full face visor -- VOICE OVER I wish I could say I'm making a difference ... but I don't know ... EXT. GOTHAM - MOVING THROUGH THE STREETS - PRE-DAWN NIRVANA SWELLS as we CHASE the BIKE through LOWER GOTHAM; the PRESS CONFERENCE BLAZES on DECAYING JUMBOTRONS -- VOICE OVER Murder, robberies, assault -- two years later, they're all up ... And now this ... 19 20 21 10/25/19 (October Shooting Draft) 13. 22 -- PASSING TENT CITIES, HALTED CONSTRUCTION SITES UNDER 22 SIGNS: "A GOTHAM RENEWAL PROJECT" -- PLASTERED OVER SOME 23 ARE BELLA REAL CAMPAIGN BILLS: "TIME FOR A REAL CHANGE" -- VOICE OVER The city's eating itself ... Maybe it's beyond saving ... -- ALONG ONE OF THE BRIDGES SPANNING THE ISLANDS OF GOTHAM -- SKYLINE BEHIND -- A MASSIVE SEA WALL BELOW VOICE OVER But I have to try. Push myself ... 23 24 -- UNTIL WE SOAR OVER THE BIKE AS IT TEARS THROUGH A 24 ROLLING CITY PARK -- DOWN A NARROW ROAD -- DISAPPEARING INTO A TUNNEL UNDER A BEAUTIFUL, ARCHING BRIDGE -- WE TIP UP TOWARD THE DISTANCE, TO SEE IT'S HEADING TOWARD -- A GOTHIC 1920S BUILDING BELOW THE PARK: WAYNE TOWER -- 2 5 INT . NARROW, OLD TUNNEL - PRE-DAWN 2 5 The bike rips down a secret passage from a bygone era -- 26 27 INTO THE UNDERG ROUND FOUNDATION OF WAYNE TOWER The Drifter SKIDS to a stop, HUNDREDS OF CREATURES all along the rock ceiling STIR ANXIOUSLY TO LIFE -- BATS ... VOICE OVER These nights all roll together, in a rush ... behind the mask ... ... as he removes his helmet -- and we finally SEE BRUCE WAYNE handsome, 30, black camo still around his eyes. CUT TO: SUPER TIGHT -- FINGERS REMOVING CONTACT LENSES -- ON THE CURVED SURFACE OF THE LENSES ARE TINY SENSOR BANDS -- VOICE OVER Sometimes, in the morning, I have to force myself to remember ... CLOSE ON GRAINY VIDEO FOOTAGE -- the gang member from last night LOOKS AT US as he gets tased in the neck -- VOICE OVER ... everything that happened. (CONTINUED) 26 27 27 02/09/20 (White February Shooting Script) CONTINUED: 14. CLOSE ON A HANDWRITTEN JOURNAL -- PHRASES: "THURSDAY, OCT. 31" -- "NOCTURNAL ANIMAL" -- "PUSH MYSELF" -- a PEN FINISHES the entry -- as the journal shuts, we see THE COVER: "NOTES & OBSERVATIONS {GOTHAM PROJECT) YR. 2" 27 28 REVEAL BRUCE - HIGH ANGLE OVER "THE CAVE" - EARLY MORNING 28 NIRVANA ECHOES as Bruce REVIEWS FOOTAGE at a work bench in a giant boiler room turned survivalist chop shop - PROJECTS IN VARIOUS STATES, including A HALF-BUILT, BLACK MUSCLE CAR, both retro and like nothing we've ever seen. A TV plays GCl; the headline, "MAYOR MITCHELL MURDERED" below it: "ACTING MAYOR TOMLIN TO RUN IN HIS PLACE" GCl NEWSCASTER ... this certainly isn't the first time Gotham has been rocked by the murder of a political figure. In fact, in an eerie coincidence it was twenty years ago this month that celebrated billionaire philanthropist, Dr. Thomas Wayne, and his wife Martha were slain during Wayne's own mayoral campaign in a shocking crime that remains unsolved to this day -- Bruce's eyes go to the TV; when from the FREIGHT ELEVATOR steps ALFRED, 50s, muscular, waistcoat and shirtsleeves - he walks on an elegant CANE, SCAR on his face, eyes on the TV -- seeing him, Bruce resumes work -- Alfred turns to Bruce -- an unspoken tension; Bruce avoids his gaze -- ALFRED I assume you heard about this ... ? BRUCE Yeah. Alfred suddenly notices the CONTACTS LENS MURDER SCENE FOOTAGE Bruce is hi-speeding through -- moves closer -- ALFRED Oh. I see ... (off Mitchell's body) ... dear God ... As the CIPHER fills the screen, Bruce FREEZES the image, PRINTING it -- Alfred looks chilled -- as Bruce works -- ALFRED The killer left this for Batman? (CONTINUED) 28 02/09/20 (White February Shooting Script) CONTINUED: BRUCE Apparently. ALFRED You're becoming quite a celebrity . ... why is he writing to you? BRUCE I don't know yet. ALFRED Have a shower. The accounting boys from Wayne Enterprises are coming for breakfast. BRUCE Here -- why ? ALFRED BRUCE 15. Because I couldn't get you to go there -- I don't have time for this. ALFRED (a tense beat) It's getting serious, Bruce. If this continues, it won't be long before you've nothing left -- BRUCE I don't care about that. Any of that. ALFRED ... you don't care about your family's legacy? BRUCE What I'm doing is my family's legacy -- and if I can't change things here, if I can't have an effect, then I don't care what happens to me -- ALFRED That's what I'm afraid of -- BRUCE Stop. You're not my father, Alfred. ALFRED (a thin smile) I'm ... well aware. (CONTINUED) 28 28 29 02/09/20 (White February Shooting Script) CONTINUED: ( 2 ) 16. Bruce rises -- Alfred watches him go, pained. Then turns to the computer, seeing THUMBNAILS from the lens footage; one is THE BOY IN NINJA COSTUME. He clicks it; the boy looks up, sad. Alfred stares, deeply affected. Alfred's eyes drift to the PRINTED CIPHER. His gaze fixes on words Bruce has written above the eerie symbols in the Halloween card: "HE LIES STILL" . . . INT. WAYNE TOWER - GRAND FOYER - MOVING - MORNING Atop the staircase, we start on a SET OF DOUBLE DOORS a THICK CHAIN coiled crudely through the handles, a PADLOCK sealing us off from whatever is beyond -- Bruce moves past, down stairs, wet hair, pulling on a t-shirt muscular but underweight like a rock star -- a street fighter's scars and bruises -- MOVE with him, through the apartment's hotel-like scale -- and neglect that has left dirt and disrepair over former grandeur -- he ENTERS -- THE DINING ROOM -- to find Alfred at the table, irranersed in what looks like a crossword -- without looking up, Alfred points -- ALFRED Some fresh berries there ... Bruce squints, unaccustomed to morning; grabbing berries, he pulls out sunglasses -- when he sees Alfred's working on the CIPHER; Alfred's interest breaks the ice -- BRUCE ... what're you doing? ALFRED Just reminiscing about my days in the Circus. This is actually quite ... elusive. BRUCE Where'd you get the O's? ALFRED "He lies still" is only a partial key. It only gives us H, E, L, I, and S -- so I'm looking for any double symbols to start, trying letters, see where it leads ... BRUCE Interesting. (CONTINUED) 28 29 30 31 10/25/19 (October Shooting D raft) CONTINUED: An ELDERLY MAID appears in the doorway ELDERLY MAID The gentlemen are here. 17. Alfred discreetly closes his newspaper over the cipher ALFRED See them in please, Dory ... THE DINING ROOM - MOMENTS LATER TWO YOUNG EXECUTIVES STARE RIGHT AT US -- ONE OF THE EXECUTIVES I'm afraid we're at a critical point here REVEAL BRUCE -- in SUNGLASSES, stone-faced -- his gaze shifts distractedly to Alfred's newspaper on the table ONE OF THE EXECUTIVES At the very least, we'll need your signature to cover these losses ... Bruce reaches for the newspaper, opens it -- the execs glance at each other, thrown; Alfred smiles, apologetic Bruce stares at the SEA OF LETTERS, wheels turning -- ONE OF THE EXECUTIVES (O.S.) Mr. Wayne ... ? BRUCE (glances blankly up) ... what? YOUNG EXECUTIVE I ... I need your signature, sir ... And as Bruce signs -- we PRELAP: BRUCE ( V. 0 • ) What if it isn't a partial key ... ? BACK IN "THE CAVE" - MINUTES LATER Bruce and Alfred work on the cipher on Bruce's computer - ALFRED What do you mean? (CONTINUED) 30 31 31 10/25/19 (October Shooting Draft) CONTINUED: BRUCE What if it's the whole key? Ignore the symbols we don't have letters for, use only the letters from "he lies still", and leave the rest -- ALFRED -- blank, yes -- I understand (deleting letters) -- but that will leave most of the cipher unsolved ... I don't see how that -- oh ... (suddenly impressed) Well. 18. They gaze at THE LAPTOP: most of the cipher is now blank, but the remaining letters line up like connect-the-dots to form A SINGLE HUGE WORD across the page: "DRI VE" 31 32 INT. GOTHAM CITY POLICE DEPARTMENT - COMMAND CENTER - DAY 32 The room bustles with POLICE and FBI CODEBREAKERS, all fixated on the CIPHER, projected huge on the wall. One of 33 the G.C.P.D. DETECTIVES quietly briefs Gordon DETECTIVE Feds say code could take weeks if they can crack it at all -- Gordon's cell rings; he looks: "NO CALLER ID"; answers -- BRUCE ( V. 0 • ) Did Mitchell have a car ? GORDON I'm sorry, can you hold on, honey? (to Detective) My daughter, Barbara -- The Detective nods as Gordon takes a few steps away - GORDON (into phone, low) A car? Yeah, I'm sure -- why ... ? INT. MAYOR'S MANSION - FREIGHT ELEVATOR - NIGHT Batman and Gordon descend in DARKNESS -- after a beat, Gordon steals a look, studying the visible part of Batman's face -- Batman feels it, turns -- Gordon looks away -- they stare forward again as the DOORS OPEN to -- 33 10/25/19 (October Shooting Draft) 19. 34 A SUBTERRANEAN GARAGE FILLED WITH PRICELESS EXOTIC CARS -- 34 They walk out, scanning the maze of stunning vehicles ... 35 GORDON Damn. Where do we even start ... ? (eyeing the cars) You sure this isn't a leap? "Drive" could mean anything ... BATMAN You don't trust me? GORDON Trust you? You mean like you trust �? It's been two years, I still don't even know who you are, man -- There ... BATMAN Gordon looks at an ASTON DBll: one of the tires is flat. They approach. Batman kneels, pulling a PAIR OF POULTRY SHEARS out of the tire -- they're COVERED IN DRIED BLOOD. INSIDE THE DBll Batman turns on a UV LIGHT BAR searching the console -- GORDON What're we looking for ? BATMAN ... USB port GORDON -- USB -- ? Batman stops, struck. Looks at Gordon, who can't see inside the console -- then looks back -- GORDON What ... ? Batman pulls out a KEY RING USB DRIVE -- attached to it, in a little clear plastic bag, is a SEVERED THUMB ... BATMAN Thumb. Drive. GORDON Jesus. 02/09/20 (White February Shooting Script)
OUTSIDE THE ASTON DBll - SECONDS LATER
They stare at Gordon's field laptop
GORDON
It's encrypted.
BATMAN (O.S.)
Try this ...
as it BEEPS --
20.
Gordon turns ... Batman holds up THE BAG WITH THE SEVERED
THUMB. Gordon sighs, taking it shakes his head,
presses the thumb to the drive -- it OPENS --
GORDON
Boy, this guy's hilarious.
SURVEILLANCE PHOTOS pop up: Mayor Mitchell exiting a
seedy nightclub with a TWENTY-TWO YEAR OL D IN CLUBWEAR,
headed for his Aston DBll, a black eye visible under the
Woman's sunglasses; behind them follow UNSAVORY TYPES, a
gangster vibe -- one wears a STREET-STYLED, STRIPED TUX --
GORDON
... so much for family values.
BATMAN
... who is she?
GORDON
No idea ... But that's the Penguin
Carmine Falcone's right hand --
BATMAN
-- I know who he is.
When -- a WHOOSH! sound suddenly emits from the laptop!
GORDON
-- what was that --?
GORDON
(clicking windows)
Shit-shit-shit --
BATMAN
What -- ?
GORDON
The mail app -- it just -- it, it
sent out the photos! Goddammit!
Gotham Post, Gazette, GCl! Jesus
I'm gonna have to go deal with
this, Pete's gonna hit the roof.
BATMAN
(looks at photos)
"He lies still" ... About her?
(CONTINUED)
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02/09/20 (White February Shooting Script)
CONTINUED:
21.
GORDON
Maybe ... That's the Iceberg Lounge
-- it's under the Shoreline Lofts
where Falcone's holed up. We'll
never get in without a warrant.
BATMAN
(won't stop him)
... yeah ...
EXT. ICEBERG LOUNGE NIGHTCLUB - MOVING SHOT - NIGHT
PUSHING toward a deserted warehouse -- a nondescript door
in the facade; a LONE SODIUM STRE ETLAMP FLICKERS,
illuminating an old sign: ICEBERG FISH CO -- as BAT BOOTS
CLICK purposefully into frame --
BLACKNESS
SWINGS OPEN to reveal Batman in shadow; CLUB MUSIC booms:
BATMAN
Know who I am?
A HUGE BOUNCER'S eyes give the Bat Suit the once over -
BOUNCER
Yeah, I got an idea.
BATMAN
I wanna see The Penguin.
BOUNCER
Penguin? I don't know what you're
talking about, pal.
Batman just stares. The Bouncer shuts the door. A beat,
then it opens again. Now there are two of them TWINS.
IDENTICAL TWIN BOUNCER
What's the problem?
BOUNCER
Says he wants to see The Penguin.
IDENTICAL TWIN BOUNCER
Penguin? Ain't no Penguin here --
BOUNCER
That's what I tried to tell
him --
IDENTICAL TWIN BOUNCER
Get outta here, freak. Ya
hear me? Or that little
suit's gonna get all full
of blood.
(CONTINUED)
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10/25/19 (October Shooting Draft)
CONTINUED:
Batman remains eerily still.
BATMAN
Mine? Or yours?
22.
The Twin LUNGES -- blind-sided by Batman's VICIOUS ELBOW
STRIKE -- the other Twin CHARGES -- his throat meets the
HEEL OF BATMAN'S PALM -- and just like that, WE'RE
FOLLOWING BATMAN INSIDE (IN A CONTINUOUS HAND-HELD SHOT)
MUSIC THROBS as we plunge down A CORRIDOR -- CIRCLING
BATMAN -- BEHIND HIM we see THE TWINS staggering back in
-- SCREAMING to alert MORE BOUNCERS -- who SCRAMBLE as -
Batman emerges onto the landing above the club -- strobe
lights reveal glimpses of SHOWGIRLS ABOVE A DANCE FLOOR
Batman starts downstairs -- when the BOUNCERS POUNCE -- A
MARTIAL ARTS BRAWL ERUPTING as they descend -- Batman
taking on TWO AT A TIME CRACKING HEADS ON RAILINGS
until he LEAPS OVER ONE -- dropping a full story!
-- Batman spots ANOTHER BOUNCER with an ALUMINUM BAT
who SWINGS -- Batman STEPS IN FAST -- THROWING AN ELBOW
TWISTING THE BAT FREE -- DROPPING THE BOUNCER HARD --
A MUSTACHED BOUNCER PULLS A GUN -- BATMAN TWIRLS THE BAT
under STROBE LIGHTS -- MUSTACHE FIRES -- BULLETS PING OFF
THE BAT -- BATMAN LETS IT F LY -- KNOCKING MUSTACHE OUT!
BATMAN SEES THE TWINS -- BACK AGAIN -- ONE HAS A SHOTGUN
-- CLOBBERS SHRIEK -- AS BATMAN TRIGGERS A QUICK-DRAW
SLIDER ON HIS ARM -- WHIPPING A HARPOON GUN TO HIS FIST -
FIRING THROUGH THE GUNMAN'S LEGS INTO HIS BROTHER'S FOOT
BEHIND HIM -- THE LINE RETRACTS -- YANKING HIM FORWARD
UPENDING THEM BOTH -- the GUN FIRES into the ceiling!
The club in TOTAL CHAOS now -- when SOMEONE comes up
behind -- BATMAN SPINS, ready for more -- TO SEE A MAN
WITH A MISSHAPED NOSE IN A STRIPED TUX AND LAVENDER BOW
TIE -- he puts his hands up -- grinning -- in awe --
THE PENGUIN
Whoa-whoa-whoa -- take it easy,
sweetheart! You lookin' for mg?
See you met the twins. Boy, you're
everything they say, aren't you?
(smiles big, flashing
a shiny gold tooth)
Guess we both are. Howya <loin'?
I'm Oz.
He hobbles closer on a CLUBBED FOOT -- sticks out a hand
to shake -- Batman doesn't return the gesture
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10/25/19 (October Shooting Draft) 23.
INT. DIM CLUB DRESSING ROOM/BACKROOM OFFICE ARE A - NIGHT
At a desk enclosed by racks of showgirl costumes, Penguin
looks at THE PHOTO OF THE TWENTY-TWO YE AR OLD AND MAYOR --
BATMAN
Who is she?
THE PENGUIN
I really don't know, chief -- I
mighta been comin' out same time
but I wasn't rollin' with them --
FOOTSTEPS interrupt -- through a gap in costumes, Batman
spies A FIGURE IN A HIGH-SLIT EVENING GOWN -- a STUNNING
WOMAN appears streetwise vibe. She stops, uneasy --
THE PENGUIN
No, no -- it's ok, baby -- Mr.
Vengeance here don't bite ...
She hesitates, eyes on Batman; then saunters to Penguin,
sets down a drink tray; as Penguin touches her thigh, she
slyly brushes his hand away with a smile -- says low
WOMAN IN THE EVENING GOWN
Touch me again, Oz, I'll break
those stubby little fingers, ok?
THE PENGUIN
What? The dress, I was just
feelin' the material -- sorry ... !
He lifts AN ENVELOPE OF CASH off the tray -- Batman
watches him hand the Woman A RUBBER-BANDED CLUSTER OF
VIALS WITH EYE-DROPPERS -- a.k.a. "DROPS" -- the Woman
turns to go, but stops, struck, as she sees THE PHOTO -
her eyes briefly meet Batman's -- then she heads out --
BATMAN
(points to photo)
I wanna know who she is, and what
she has to do with his murder?
THE PENGUIN
Whose murder -- ?
BATMAN
The mayor
THE PENGUIN
is that the mayor? Oh shit, it
is, lookit that -- !
Batman Y ANKS HIM from his seat, SLAMS HIM INTO A MIRROR!
BATMAN
Don't make me hurt you.
(CONTINUED)
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10/25/19 (October Shooting Draft)
CONTINUED:
THE PENGUIN
You better watch it ... You know my
reputation?
BATMAN
Yeah, I do. Do you?
Anger flares suddenly in Penguin's eyes -- a nerve
struck. Finally, he pushes it down, smiling, evasive.
THE PENGUIN
Look, I'm just a proprietor, ok?
What people do here ain't got
nothin' to do with me.
24.
Batman senses something in the mirror -- he turns -- to
see the Woman in the Evening Gown still watching through
the doorway in the distance -- she disappears again --
THE PENGUIN
I'll tell ya one thing ...
Batman turns back -- Penguin hands him the photo
THE PENGUIN
Whoever she is, she's one hot
chick.
(smiles cruelly)
Why don't you ask Mitchell's wife?
Maybe she knows.
(off Batman's look)
What? Too soon?
Batman looks at the photo again -- spots an Evening Gown
in the b.g. -- face in shadow, but there's no mistaking
that dress -- as Batman moves for the empty doorway --
THE PENGUIN (O.S.)
You let me know there's anything
else I can do! Ok, sunshine?!
OUTSIDE THE OFFICE
Batman stops, looking around -- the Woman is gone.
EXT. ICEBERG LOUNGE NIGHTCLUB - POURING RAIN NOW - LATER
The Woman emerges in a coat, looking anxiously for a cab
under the FLICKERING STREET LAMP, flags down a NAVY GYPSY
CAB -- hand-painted on the door: "We're Not Yellow -- We
Go Anywhere". She gets in. PAN with the cab as it speeds
off ... right by a HELMETED MOTORCYCLIST -- THE DRIFTER.
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02/09/20 (White February Shooting Script) 25.
INT. NAVY BLUE GYPSY CAB - BACKSEAT - LATE NIGHT
The Woman on her cell speaks low as someone picks up:
WOMAN IN THE EVENING GOWN
Hey, it's me. What'samatter, baby?
--!!fill.§.?
slow down, I can't ... On the
No, wait for me, I'm on my
way home! We're gonna get the hell
outta here, I promise, if we have
to go sooner, we'll go tonight!
HOLD on her worried face as FOCUS DRIFTS through the rear
window to REVEAL THE HELMETED DRIFTER, FOLLOWING HER ...
43
44 EXT. RUN-DOWN, EAST END APARTMENT - BINOCULAR POV - NIGHT 44
QUIET BREATHING as BINOCULARS SEARCH THE FACADE -- LIGHTS
COME ON IN THE SECOND STORY -- THE WOMAN, entering HER
APARTMENT -- CATS SWARM HER as she rushes to THE KITCHEN
-- finding a YOUNG WOMAN WITH A BRUISED FACE, eyes on the
TV -- who grows hysterical, gesturing to the PHOTOS OF
THE MAYOR AND THE TWENTY-TWO YEAR OLD playing on GCl --
and as the Woman in the Gown tries to calm her, we see:
THE BRUISED YOUNG WOMAN IS THE TWENTY-TWO YEAR OLD --
REVEAL THE DRIFTER (BRUCE HIDDEN IN CAP AND ARMY JACKET)
-- watching through binoculars FROM A NEARBY ROOFTOP --
THE BINOCULAR POV
FOLLOWS the Woman in E vening Gown to a BATHROOM; she
opens a cabinet, getting PILLS -- then rushes back to THE
KITCHEN -- distraught, the Bruised Woman takes them -
the Woman in Gown caresses her head -- the Bruised Woman
pushes her away, inconsolable. The Woman in Gown stands,
at a loss. Then, resolve building, marches off -
BINOCULARS FOLLOWING as she -- and all her cats -- head
into a BEDROOM -- where she stealthily shuts the door -
we watch IN SILHOUETTE as she slips out of her dress ...
and begins sliding into A SKIN-TIGHT, BLACK LEATHER
BODYSUIT ... as her cats nuzzle against her legs ...
THE DRIFTER GAZES, STRUCK BY THE SIGHT OF THE WOMAN, AS --
THE "CATWOMAN"
climbs nimbly out to the fire escape -- swinging like an
acrobat to the ground below; she ducks into the garage --
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10/25/19 (October Shooting Draft) 26.
THE DRIFTER LOWERS THE GLASSES, ALARMED HE'LL LOSE HER --
EXT. EAST END APARTMENT - GARAGE FRONT - MOMENTS LATER
A BLACK SPORT BIKE appears -- THE HELMETED CATWOMAN ROARS
onto the street -- PAST THE DRIFTER getting on his bike --
EXT. GOTHAM STREETS - MOVING SUPER FAST - NIGHT
THROTTLING HARD through traffic to keep CATWOMAN in sight
as she WEAVES in and out of view a hundred feet ahead
-- SLALOMING CARS -- THE DRIFTER RACES JUST TO KEEP PACE!
INT. MAYOR'S MANSION - LOOKING UP AT SKYLIGHT - NIGHT
A FIGURE LOWERS GRACEFULLY on a rope -- THE CATWOMAN --
INT. MAYOR'S MANSION - STUDY - THE CRIME SCENE - NIGHT
She prowls, a BLACK MOTORCYCLE WIND MASK over her face
finds A WALL SAFE -- working tumblers till ... it's open --
A VOICE (O.S.)
You're pretty good at that ...
She turns to see BATMAN IN SHADOW -- she GRABS SOMETHING
FROM THE SAFE -- B REAKS for the door -- he STALKS AFTER,
GRABS her -- she SPINS, SWINGING A VICIOUS ROUNDHOUSE -
surprised, he RECOILS, blocking BLINDING KICK AFTER KICK
with raised arms -- SHE'S REALLY GODDAMN GOOD!
Her B RUTAL ASSAULT drives him back -- when suddenly -- he
TWISTS, GRABBING HER LEG -- they CRASH over the desk
and suddenly she's on her back -- he reaches down -
SNATCHING whatever she stole -- an ESTONIAN PASSPORT
CATWOMAN
Batman opens it: it belongs to THE TWENTY-TWO YEAR OLD --
BATMAN
Kosolov, Annika --
CATWOMAN
Girrane that --
BATMAN
He hurt her? That why you killed
him?
CATWOMAN
What?! Oh, please -- just gimme
the goddamn--!
(CONTINUED)
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10/25/19 (October Shooting Draft)
CONTINUED:
27.
She LUNGES for the passport -- as Batman WRAPS AROUND HER
-- pulling her down BEHIND THE DESK -- she's bewildered -
when she sees A FLASHLIGHT spilling through the doorway -
it's A SECURITY COP arriving to investigate the noise ...
he scans the scene -- as they wait, bodies pressed close -
- her eyes swim as Batman holds her ... Satisfied, the Cop
leaves -- Catwoman shrugs Batman off, hard -- standing --
CATWOMAN
Listen, honey -- you got the wrong
idea, ok? I didn't kill anybody -
I'm here for my friend. She's
tryin'a get the hell outta here -
this sonuvabitch had her passport.
BATMAN
What does she know?
CATWOMAN
Whatever it is, it's got her so
scared she won't even tell me.
BATMAN
(wry)
She did seem upset ...
She looks at him, confused. He stares back, provocative:
BATMAN
Back at your place.
She can't believe it: He was there ... ?
BATMAN
Let's go talk to her.
Finally, he offers the passport ... She glares at it ...
EXT. WET GOTHAM STEETS - NIGHT
Batman and Catwoman jockey for the lead on their bikes -
THEY ROCKET PAST at over 100 mph -- A FLEETING BLUR -- we
LAND ON TWO STUNNED PEDESTRIANS, craning their heads
INT. SELINA'S APARTMENT - NIGHT
THE PLACE HAS BEEN RANSACKED -- Batman and Catwoman enter
distraught, she rushes deeper into the apartment
CATWOMAN (O.S .)
Anni! Baby ... ?!
Batman examines the scene -- hears the TV -- moves to --
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02/09/20 (White February Shooting Script) 28.
THE DIM KITCHEN
-- sees UNPAID BILLS on the counter -- picks one up, sees
the name: SELINA KYLE -- when the TV steals his attention
-- THE GCl HEADLINE: "SERIAL KILLER CLAIMS CREDIT FOR
SECOND VICTIM IN TWO DAYS -- GCPD COMMISSIONER MURDERED"
Catwoman comes in, now deeply rattled -- g uilty
CATWOMAN
Jesus, what are they going to do
to her? She's just a kid. And now
they know who I am too, they took
my phone, everything --
-- she notices Batma n grimly staring, turns to THE TV --
NEWSCASTER (ON TV)
... the killer posted the following
message on social media. We should
warn you, the video is dist urbing.
A HAND-HELD VIDEO begins -- a SELFIE of THE OLIVE GREEN
HOODED KILLER we saw in the opening -- a new SYMBOL on
his chest: a SCRAWLED QUESTION MARK WITHIN CROSSHAIRS --
MASKED MAN
(eerie VOICE CHANGER)
Hello, people of Gotham ... This ...
is the Riddler speaking. On
Halloween night, I killed your
mayor, beca use he was not who he
pretended to be. B ut I am not
done. Here ... is another ...
He swings the camera to A BOUND, NAKED MAN WITH A CAGELIKE BOX OVER HIS HEAD -- the camera presses in to see
COMMISSIONER SAVAGE INSIDE, mouth covered in duct tape
and words: "NO MORE LIES" -- FERAL RATS circle his face
MASKED MAN/THE RIDDLER (O.S.)
... who will soon ... be losing
face ... I will kill again a nd
again, until our Day of
Judgement ... when the Truth about
our city will finally be Unmasked.
(leans into view)
GOOD Byeee ...
And as we hear MUFFLED SHRIEKS -- the video abruptly ENDS
-- a smiling press photo of Commissioner Savage appears --
CATWOMAN
Holy shit ... I seen that g uy too.
At the cl ub.
(CONTINUED)
02/09/20 (White February Shooting Script)
CONTINUED:
BATMAN
The Iceberg Lounge?
CATWOMAN
The 44 Below.
(off his look)
The club within the club -- the
real club. It's a mob hangout.
BATMAN
That where you work? Selina?
CATWOMAN
(turns, struck; then)
I work at the bar, upstairs. But I
see them come in.
BATMAN
Who?
CATWOMAN
Everybody. Lotta guys who
shouldn't be there, I can tell you
that. Your basic upstanding
citizen types.
BATMAN
You're gonna help me on this. For
your friend.
29.
She warily studies his eyes, when Batman feels something
at his feet -- a swarm of cats he looks at her --
BATMAN
You got a lotta cats.
CATWOMAN
I have a thing about strays.
BATMAN
(starts to go)
You're not safe here.
CATWOMAN
I can take care of myself ...
But he just keeps going. She turns grimly to the TV --
NEWSCASTER (ON TV)
... with two public figures now
dead in just the last two nights,
and only days before the election,
police and city officials are left
searching for a killer, and hoping
to find him before he kills again.
51
10/25/19 (October Shooting Draft) 30.
BLACKNESS
SLIDES OPEN -- SCREECHING INTO LIGHT -- we LOOK UP at
FLARING FLUORESCENTS as BATMAN AND GORDON PEER DOWN AT
US . Gordon has to look away -- Batman coldly assesses --
GORDON
He waited for him. At the gym.
Pete liked to work out late at
night when nobody was around.
BATMAN
Needle mark on his neck ...
GORDON
Sonuvabitch injected him with
arsenic.
BATMAN
Rat poison.
GORDON
That seems to be his theme here.
As Gordon steps angrily away -- we finally REVEAL --
THE MEDICAL EXA MINER'S ROOM
SAVAGE'S BODY on a MORGUE DRAWER -- Batman follows Gordon
to an EVIDENCE TABLE ... sees the CREEPY HINGED, CAGE-LIKE
HEAD BOX -- inside is an elaborate network of channels --
BATMAN
... it's a maze.
GORDON
Kinda sicko does this to a person?
Gordon gazes inside the bloody MAZE, where a crudely
PAINTED CIPHER ends on a QUESTION MARK IN CROSSHAIRS
as Batman finds a stack of SURVEI LLANCE PHOTOS --
GORDON
He blasted those out after his
message went viral. This guy
murders you and your reputation.
In one of the photos: the COMMISSIONER emerges from the
Iceberg Lounge, SHAKES HANDS with a SHADY GUY --
BATMAN
Guy pushes drops. On the East End.
(CONTINUED)
51
10/25/19 (October Shooting Draft)
CONTINUED:
Gordon looks on, pained, as Batman stares at another
photo: SAVAGE PEEKING INTO A CASH-S TUFFED ENVELOPE --
GORDON
I don't g et it. Why would Pete get
involved in this?
BATMAN
Looks like he got gre edy.
GORDON
Are you kidding? After everything
we did to bust up the Maronis? We
shut down their whole operation
now he's caving to some de aler?
BATMAN
Maybe he's not who you thought --
GORDON
You make it sound like he had it
coming
BATMAN
He was a cop. He crossed the line.
31.
Gordon sighs -- when Batman NOTICES SOMETHING T APED TO
THE BACK OF THE HEAD BOX -- AN ENVELOPE: "TO THE BATMAN"
Gordon watches Batman open it: ANOTHER GREETING CARD. A
CARTOON S CIENTIST mixes beakers: "I'm MAD About You! Want
to Know My Name? Just Look Inside and See ... " Inside is A
CARTOON EXPLOSION; over it: "But, Wait, I Cannot Tell You
-- It Might Spoil the Chemistry!" He re ads the S CRIBBLE:
BATMAN
"Follow the maze till you find the
rat -- bring him into the light,
and you'll find where I'm at."
GORDON
The hell's all that -- Bring him
into the light? Find the rat?
Unnerved, Batman stares at HIS NAME on the envelope
BATMAN
... I don't know ...
10/25/19 (October Shooting Draft) 32.
52 INT. VISITING CELL - ARKHAM PRISON F OR THE INSANE - NIGHT 52
A ROLL-UP DOOR rises behind GLASS as Batman waits; we
glimpse THE PRISONER'S PALE HANDS and JUMPSUIT, BUT HIS
FACE REMAINS HIDDEN THROUGH THE SCENE. BATMAN glares; he
puts A FILE in the partition drawer, pushes it through ...
UNSEEN PRISONER'S VOICE
(smile in his voice)
A present. Almost our anniversary,
isn't it?
BATMAN
There's a serial killer. I want
your perspective.
The PRISONER'S FINGERS stroke the cover as he considers.
UNSEEN PRISONER'S VOICE
First anniversary is paper.
(then)
What makes you think I come so
cheap?
BATMAN
I thought you'd be curious.
UNSEEN PRISONER'S VOICE
Oh, a little lurid reading. You
think I get off on this stuff.
BATMAN
Don't you?
UNSEEN PRISONER'S VOICE
... you have pictures?
Batman just stares; the Prisoner looks at the file ...
UNSEEN PRISONER'S VOICE
Oh, his violence is so ... baroque.
He likes little puzzles, doesn't
he? So meticulous. It's like he's
been planning this his whole life.
(then, a quiet taunt)
I know who he is.
BATMAN
Who?
The PRISONER'S BLURRED F ACE just stares back, hauntingly.
BATMAN
Who is he?
(CONTINUED)
52
10/25/19 (October Shooting Draft)
CONTINUED:
UNSEEN PRISONER'S VOICE
He's a nobody. Who wants to be
somebody. The mayor. The
commissioner. He's got ambition.
BATMAN
You think his motive's political?
UNSEEN PRISONER'S VOICE
No. This is ... very personal. He
feels these people have all
wronged him. Probably goes way
back ... Unhealed wounds, stolen
lunch money ...
BATMAN
Why's he writing to !Jill?
UNSEEN PRISONER'S VOICE
Maybe he's a fan. Or maybe he's
got a grudge against you too.
Maybe you're the main course. Any
theories? I'm sure you have your
own hypothesis.
BATMAN
Not yet.
UNSEEN PRISONER'S VOICE
Really? You're normally so ahead
of the curve. But something's
different this time. This is ...
very upsetting to you--
BATMAN
Let's get back to him --
UNSEEN PRISONER'S VOICE
Why? You're so much more fun
BATMAN
I'm not here to talk about me
UNSEEN PRISONER'S VOICE
What are you here to talk about?
BATMAN
I wanna know how he thinks
UNSEEN PRISONER'S VOICE
Oh, come on -- you know exactly ...
how he thinks ... Have you read
this file?
Batman's jaw tightens, almost imperceptibly.
33.
(CONTINUED)
52
52
02/09/20 (White February Shooting Script)
CONTINUED: (2)
UNSEEN PRISONER'S VOICE
You two ... have so much in common.
Masked avengers. B ut he's even
more righteous. Are you afraid he
makes you look soft?
BATMAN
You're wasting my time
34.
Batman takes the file -- the Prisoner CACKLES, LAUGHTER
BUILDING MANIACALLY as Batman rises, pressing a BUZZER -
WE PUSH IN ON THE GLASS toward the OUT-OF-FOCUS PRISONER,
head in his hands, as he fights to regain composure
UNSEEN PRISONER'S VOICE
Ok ... Ok ... I'll ... I'll tell you
what I really think ...
As the CAMERA STOPS, SUPER-TIGHT on the wired glass, the
BLURRED PRISONER finally lifts his head ... As he presses
HIS LIPS close to the window -- THEY COME INTO FOCUS -
HIS MOUTH IS DISEASED, HORRIBLY DISTORTED INTO A RICTUS
GRIN -- THE PRISONER IS THE JOKER --
Batman faces the door, waiting for it to unlock -- as the
Joker continues, quiet, sadistic pleasure in his voice --
THE JOKER
1 think you don't really care
about his motives, whether he
loves you or hates you ... I
think ... somewhere deep down ...
you're just ... terrified. Because
you're not sure he's wrong ...
ON BATMAN -- as the door suddenly UNLOCKS -- hesitating -
THE JOKER
You think they deserved it. Don't
you ... ?
He opens the door -- AN UNNERVINGLY LOUD BUZZING PIERCES
THE AIR as he steps out -- and the DOOR SLAMS SHUT --
SMASH TO:
52
53 SUPER-TIGHT ON BLINKING EYES -- AS CONTACT LENSES GO IN -- 53
SELINA (O.S.)
Ow -- I don't know about these
BATMAN (O.S.)
I need to� in there -- seems
like this is his hunting ground
54
55
56
02/09/20 (White February Shooting Script) 35.
EXT. WAREHOUSE ROOF - ACROSS F ROM ICEBERG LOUNGE - NIGHT
Selina turns to Batman -- who's absorbed in setting up
PORTABLE SURVEILLANCE EQUIPMENT -- a man on a mission --
SELINA
Why am I starting to feel like a
fish on a hook? I 'm just lookin'
for Annika --
(watching him work)
Boy, you're a real sweetheart -
you don't care what happens to me
in there tonight, do you?
No response -- she looks away, when finally he tur ns to
her -- something significant in his voice as it quiets --
Look at me ...
BATMAN
Surprised, she does -- they stare into each others eyes -
his intensely studying hers, as she gazes back for a long
time -- something ver y intimate in the moment -- when
BATMAN
K. Looks good.
He of fers her a TINY EARPIECE; she glares, snatching it
INT. ICEBERG LOUNGE - CLOSE ON SELINA - MOVING - NIGHT
HOLD ON HER FACE as she STRIDES through the PACKED CLUB
INTENSITY IN HER EYES as DANCE MUSIC BLASTS
HER CONTACT LENS POV - ON BATMAN'S LAPTOP - SIMULTANEOUS
PLUNGING thr ough CHAOS the IMAGE and SOUND STUTTERING
-- AS BATMAN works to get a lock on her signal --
CLOSE ON SELINA - MOVING - SIMULTANEOUS
As she HEADS into a DARKER SPACE, the MUSIC NOW MUFFLED --
HER CONTACT LENS POV - ON BATMAN'S LAPTOP - SIMULTANEOUS
The SIGNAL STABILIZES -- we see she is PASSING SHOWGIRLS
AT DRESSING MIRRORS -- SOME LOOK RIGHT AT US as we pass --
BATMAN
Got you. Can you hear me?
(CONTINUED)
54
55
56
10/25/19 (October Shooting Draft)
CONTINUED:
Yeah
SELINA
(low, not thrilled)
36.
BATMAN STARES AS SHE MOVES TO PENGUIN'S BACKROOM AREA -
PENGUIN LOOKS UP AT US, CONCERNED -- AS SELINA ARRIVES
NOTE: THESE THREE PERSPECTIVES INTERCUT THROUGHOUT THE
FOLLOWING CLUB SEQUENCE -- CLOSE ON SELINA ACTUALLY IN
THE CLUB -- HER POV ON THE LAPTOP -- AND BATMAN WATCHING:
PENGUIN (ON LAPTOP)
What's up, doll? You look tense ...
SELINA (ON SELINA)
I wanna work downstairs tonight.
PENGUIN (ON LAPTOP)
(quiets, struck)
... downstairs? Naw, naw, you don't
wanna do that
SELINA (ON SELINA)
-- I need the money --
PENGUIN (ON LAPTOP)
-- baby, it's a bunch of jackals
down there they'll be all over
you --
SELINA ( 0. S . )
I'll be fine --
PENGUIN (ON LAPTOP)
I'm telling you -- it'd
drive me crazy --
(taking out wallet)
-- look -- whattaya need?
SELINA (ON SELINA)
-- Oz --
PENGUIN (ON LAPTOP)
-- I don't mind -- I'd do anything
for you, honey -- don't you know
how I feel about you by now -- ?
SELINA
He looks at her, silent, a flash of vulnerability
SELINA (ON SELINA)
... I don't want your money.
PENGUIN (ON LAPTOP)
(darkens, nerve hit)
... what? Not good enough for you?
(CONTINUED)
57
10/25/19 (October Shooting Draft)
CONTINUED: (2)
37.
She says nothing. He pulls out A KEYCARD, just holds it
out, cold -- as she reaches, he pulls it back -- BATMAN
WATCHES Penguin glare into HER POV, simmering; then --
PENGUIN (ON LAPTOP)
I know you don't see it yet,
honey, nobody does ... but Falcone
ain't gonna be around forever. One
day this city's gonna be mine ...
She just looks at him; finally, he hands her the KEY --
POV ON THE MOVE AGAIN - BATMAN'S LAPTOP - MOMENTS LATER
BATMAN watches the POV APPROACH the MUSTACHED BOUNCER -
ominously guarding an ELEVATOR -- his face now bruised
from their earlier fight -- SELINA holds up her KEYCARD --
SELINA
Hospitality.
He suspiciously searches her eyes -- she averts -- he
opens the elevator she steps in -- the doors shut --
SELINA
You sure no one can see these
things in my eyes?
BATMAN
Don't worry. I'm watching you.
She takes a tense breath -- somehow not reassured by that
idea -- and as the doors open -- she steps --
INTO THE 44 BELOW
-- another world down here; a crowded, speak-easy vibe -
SELINA SEES A LINE OF MEN all turning to size her up
Batman sees HER POV DROP QUICKLY off their faces --
BATMAN
Don't look away -- I need time to
make I.D.s
Great.
SELINA
( ugh)
As she turns back, Batman sees FACIAL RECOG SCANS BEGIN -
when he NOTICES the SEA OF MEN GAZING lewdly at her body.
(CONTINUED)
57
57
02/09/20 (White February Shooting Script)
CONTINUED:
BATMAN
These guys have a little trouble
with eye contact, don't they?
SELINA
Feels nice, doesn't it?
-- I.D.s start coming through on the laptop
BATMAN
Guy up ahead's a city councilman --
SELINA
Guy he's talking to isn't
No, he ' s not .
BATMAN
(then, another I.D.)
There's the chairman of Gotham
First National --
SELINA
What'd I tellya? The best people.
She passes a LOUNGE AREA where THREE MEN IN SUITS sit
38.
with TWO "HOSPITALITY GIRLS" they're all getting high,
EYE-DROPPERS over their eyes to administer "drops"
SELINA
Jesus -- I hate drop heads --
BATMAN
Really? 'Coz when I first saw you,
looked like you were dealing for
Penguin --
SELINA
-- you don't know what you're
talking about -- can we -- can we
not do this now -- ?
ONE OF THE MEN turns, mid-drop, THUNDERSTRUCK by Selina -
recognizing the look, she quickly turns away from him --
BATMAN
Wait. Who was that -- ?
SELINA BATMAN
Oh, I saw him -- Look back
SELINA BATMAN
If I look back, it's gonna I need to see his face --
be a whole can a worms --
She turns back and he's still staring; he stumbles over -
(CONTINUED)
57
57
Rev. 12/17/20 (Blue)
CONTINUED: ( 2 )
SELINA
Oh God, happy? Here he comes.
MAN
BATMAN
That's the DA. Gil Colson.
Talk to him.
MAN/GIL COLSON
How you <loin'? I'm Gil.
SELINA
(smiles)
Aren't you the D.A. -- ?
GIL COLSON
yeah -- !
SELINA
-- wow -- I seen you on TV!
GIL COLSON
Haven't seen you here before.
Helluva time to be the new girl.
39.
57
*
*
*
*
People are all a little on edge. *
SELINA
Honey, I live on the edge *
GIL COLSON
Oh! I like that! You wanna join *
us? C'mon -- *
He gestures to his table -- leads her over to the group
the vibe here is a little tense -- *
GIL COLSON
This is Ritchie, Travis, Glen
and you know Carla, here?
BATMAN
That's half the D.A.'s office --
Gil points to the other Hospitality Girl, who has a
CATATONIC SMILE, and a dropper in hand --
GIL COLSON
That's Cheri -- don't mind her.
She's taking a break. We're just
drowning our sorrows. Wanna drop?
SELINA
No, I'm good -- but honey, you
enjoy --
(CONTINUED)
CONTINUED: ( 3)
GIL COLSON
I hope you don't mind -- I got a
lotta weight on my shoulders with
that psycho running around --
39A.
Batman sees his RED EYES -- he's VERY HIGH, DISTRAUGHT
BATMAN
He's wasted
SELINA
No shit --
Gil looks at her, thinks she was responding to him
(CONTINUED)
57
*
*
57
Rev. 12/17/20 (Blue)
CONTINUED: ( 4 )
GIL COLSON
40.
57
Right? I like this girl! *
SELINA
(recovering smoothly) *
I like you too -- *
She touches his hand -- he looks down, disarmed, suddenly *
vulnerable -- *
GIL COLSON
I mean, you don't understand *
this Riddler's going after the
most powerful guys in the city --
and he knows so much *
TRAVIS
He doesn't know shit, man
GIL COLSON
He does! What about all that
creepy shit in the video about the
rat -- ?!
RITCHIE BATMAN
Hey, c'mon, Gil -- I think
maybe you had a little too
much -- slow down --
Wait. The rat, ask about
the rat --
SELINA
What do you mean a rat ... ?
GIL COLSON
(turns to her,
intimate, hushed)
I mean there was a rat -- we had
an informant! We had big time
information on Salvatore Maroni!
That's how we got that bastard
outta the drops business! But if
this guy knows, and it ever comes
out who the rat is, the whole
city'll come APART --
CARLA
Hey! I don't wanna hear this, this
is the kind of pillow talk that
got that Russian girl disappeared!
SELINA
(turns, struck)
What? What do you know about that?
CARLA
(curt, stands up)
Anybody want a drink?
(CONTINUED)
*
*
*
*
*
*
*
*
*
*
*
57
10/25/19 (October Shooting Draft)
CONTINUED: ( 5)
41.
And she's gone Selina watches her cross to THE BAR --
BATMAN
Keep him talking --
When Selina abruptly stands -- starts off after Carla --
BATMAN
Where you going ?
SELINA
She knows Anni ka --
BATMAN
No -- stay on the D.A.
SELINA
-- I'm lookin' for my friend --
Selina grabs Carla's arm at the bar, speaking HUSHED
SELINA CARLA
Hey -- where's Annika? Outta my face! I don't know
you
SELINA
But you know her -- who took her -
what have you heard -- is she ok?
CARLA
Jesus -- keep your voice down -
whattaya got a death wish -- ?
AN OMINOUS MALE VOICE (O.S.)
What's the problem, ladies ... ?
Carla suddenly falls silent ... as SELINA TURNS ... BATMAN
SEES a SILHOUETTED FIGURE staring back, PENGUIN beside
him -- the FACIAL SCAN struggles to I.D. the DARK FACE --
CARLA ( 0 • S . )
Oh, there's no -- no problem.
Just ... girl talk. We're good.
PENGUIN
Well let's keep it festive down
here, ok?
Batman stares as the MAN moves into the light -- he's in
his 60s, STRIKING FACE -- it's clear Batman knows him
the Man's face lights up as he approaches Selina --
STRIKING MAN
SELINA
(voice quieting)
... hey.
(CONTINUED)
57
57
58
59
02/09/20 (White February Shooting Script)
CONTINUED: (6)
Batman watches the way the Man looks at her(us) -
STRIKING MAN
Been a long time since I seen you
down here, gorgeous. How ya been?
SELINA (O.S.)
Yeah, I been ... OK. I was just ...
on my way back upstairs ...
42.
Batman stares as the Man smiles at us, a bit suggestive -
STRIKING MAN
Well don't be a stranger ...
EXT. WAREHOUSE ROOF - BATMAN'S LA PTOP - MOMENTS LATER
Batman watches as Selina ENTERS A BATHROOM -- stops at a
sink, staring down; Batman can't see her, just the sink --
BATMAN
You know Carmine Falcone ?
I told you
BATMAN
SELINA (O.S.)
it's a mob spot
You didn't tell me you had
a relationship with him --
SELINA
We don't have a
relationship, OK?
She glares up at her reflection, removing the contacts
BATMAN
That's not how it looked -- wait -
what're you doing -- ?
SELINA
Listen, I can't -- I can't do this
no more
And as the lenses come out -- HIS LAPTOP GOES BLACK
HOLD ON BATMAN -- INTENSE -- REELING -- THEN --
EXT. FRONT OF ICEBERG LOUNGE - UNKNOWN POV - NIGHT
WE WATCH THROUGH FOGGED WINDOWS OF A PARKED SUV as SELINA
BURSTS OUT THE CLUB into the FLICKERING LIGHT OF THE LONE
STREETLAMP, looks for a cab ... when, we hear BREATHING ...
AN OLIVE GREEN HOOD EDGES INTO FRAME -- THE BREATHING
QUIETS as GIL STUMBLES out of the club too --
57
58
59
60
61
62
63
02/09/20 (White February Shooting Script) 43.
ON THE STREET
Gil calls after Selina -- still smitten -- still high -
GIL COLSON
Hey! Lost you in there
SELINA
Yeah -- I gotta go --
GIL COLSON
... oh -- you -- need a ride ... ?
BACK INSIDE THE SUV
GIL COLSON
(gesturing at us)
that's me right there
HE'S POINTING RIGHT AT WHERE THE KILLER IS HIDING -- THE
HOOD SLIPS FROM VIEW AGAIN -- as SELINA GLANCES AT US -
distractedly considering for an instant -- then --
SELINA
No -- I'm -- I'm good
A GYPSY CAB thankfully arrives -- she grabs the handle -
GIL COLSON
Well I hope I -- ? See you round?
She jumps in -- slamming the door as the CAB SPEEDS OFF -
Gil watches her go, depressed ... the HOOD edges back into
frame, watching ... Gil looks to the club, considers going
in ... but turns, starting in our direction -- as the HOOD
disappears -- Gil looks right at us, taking out his FOB --
OVERHEAD ON THE STREET - LOOKING STRAIGHT DOWN
-- as Gil's lonely figure approaches the waiting SUV --
THROUGH THE PARTIALLY FOGGED WINDSHIELD
-- we SEE Gil get in ... HOLD, as he fumbles for his
seatbelt -- unaware of -- THE HOODED FORM SLOWLY RISING
BEHIND HIM -- Gil leans forward -- briefly out of its
reach -- as he strains to wipe fog from the windshield
THE KILLER REMAINS EERILY STILL
further than expected ...
as Gil SETTLES BACK
(CONTINUED)
60
61
62
63
63
64
65
66
67
02/09/20 (White February Shooting Script)
CONTINUED:
44.
He feels blindly behind to FIND THE HEADREST GONE -
confused, he turns -- SUDDENLY FACE TO HOOD WITH THE
KILLER -- BEFORE HE CAN REACT -- THE KILLER P UMMELS GIL
WITH HIS METAL TOOL -- GIL SLUMPS onto the wheel -- HORN
BLARING -- the KILLER YANKS HIM BACK --
TIGHT ON GIL IN THE SUV
-- totally out of it -- BLOOD FANNING down his face -- we
hear the KILLER BREATHING HARD -- then the SOUND OF DUCT
TAPE RIPPING -- TAPE COVERS GIL'S MOUTH -- AS GIL STARTS
TO COME TO -- MOANING IN PANIC -- THE KILLER LIFTS A
CRUDELY MADE CLAMP -- Gil feels it SLIDING AROUND HIS
NECK -- HIS MOANING INTENSIFIES -- HE BEGINS TO FLAIL
THE KILLER'S HOOD UNDULATES with EACH BREATH THE
AVIATOR GLASSES OVER HIS HOOD RHYTHMICALLY FOGGING --
RIDDLER
Just ... hold ... still ...
We hear the SICKENING CLICKS OF METAL CINCHING TIGHTER -
TIGHTER -- GIL'S MOANING TURNS TO UTTER TERROR -- AS WE --
EXT. ABANDONED SKYSCRAPER CONSTRUCTION SITE - PRE-DAWN
A CRUISER pulls past an OLD SIGN: "A GOTHAM RENEWAL
PROJECT -- FOR A BRIGHTER TOMORROW." GORDON gets out
ON GORDON - RISING IN A CONSTRUCTION ELEVATOR - PRE-DAWN
As it stops, he emerges onto --
AN UNFINISHED FLOOR - HIGH ABOVE THE CITY
walking cautiously through a maze of gi rders to ... THE
RUSTED BAT-SIGNAL, BEAM BLAZING into the sky. He shuts it
off, thrusting the space further into darkness ...
BATMAN (O.S.)
What do you know about a
confidential informant in the
Maroni case ... ?
Gordon turns, finally spotting BATMAN'S SILHOUETTE; then:
GORDON
Yeah, sure -- there�-··
(CONTINUED)
63
64
65
66
67
67
02/09/20 (White February Shooting Script)
CONTINUED:
BATMAN
That's the rat we're looking for.
Somehow Riddler knows who he is
we find the rat, maybe that'll
lead us to him.
GORDON
Where you getting this?
BATMAN
I have a source who spoke to the
D.A. tonight. Gil's very nervous.
He thinks the killer's targeting
people connected to the case.
GORDON
·••l worked that case too ... !
BATMAN
Riddler's not after you
GORDON
How do you know -- ?
BATMAN
You're not corrupt.
GORDON
... Colson's dirty?
45.
Batman nods. Gordon shakes his head outrage building --
GORDON
Well maybe I go after him
on him to give up the rat
BATMAN
lean
Too dangerous. Colson said they
made a secret deal with this guy
whatever it is, it's huge. And who
knows how many people it touches -
politicians, police, the courts
it could tear the city apart.
Gordon reels
GORDON
Jesus -- this is a powder keg.
BATMAN
And Riddler's the match.
67
68
10/25/19 (October Shooting Draft) 46.
INT. "THE CAVE" - UNDERNEATH WAYNE TOWER - EARLY MORNING
VOICES ECHO as we PAN THROUGH THE SPACE -- sweeping past
the BLACK MUSCLE KIT CAR, almost complete now ...
BATMAN (V.O.)
You know Carmine Falcone -- ?
SELINA (V.O.)
I told you this is a mob spot
BATMAN (V.O.)
You didn't tell me you had a
relationship with him --
SELINA (V.O.)
We don't have a relationship, OK?!
We FIND BRUCE at his work bench in A DARK SUIT, examining
FOOTAGE from last night -- FREEZING on SELINA'S FACE --
ALFRED (O.S.)
Pretty. New friend of yours?
BRUCE
I'm not so sure ...
ALFRED
Looks like you upset her.
Bruce turns, annoyed Alfred smiles
ALFRED
Shall I take this as a good sign?
BRUCE
What?
ALFRED
Your attire. Is Bruce Wayne making
an actual appearance?
BRUCE
There's a public memorial for
Mayor Mitchell. Serial killers
like to follow reaction to their
crimes -- Riddler might not be
able to resist.
ALFRED
Oh, that reminds me -- I took the
liberty of doing a little work on
this latest cipher ...
(CONTINUED)
68
68
69
10/25/19 (October Shooting Draft)
CONTINUED:
47.
Bruce looks Alfred has decoded the SYMBOLS FROM INSIDE
THE RAT'S MAZE that was on COM MISSIONER SAVAGE'S head --
ALFRED
I'm afraid his Spanish is less
than perfect, but I'm fairly
certain it translates to "You are
el rata alada" ...
BRUCE
"Rata alada" ... rat with wings?
ALFRED
It's slang for pigeon
sense to you?
make any
BRUCE
Yeah ... a stool pigeon
ALFRED
-- where are your
cuff links?
BRUCE
Couldn't find them
ALFRED
You can't go out like that!
Bruce turns briefly to see Alfred removing his own
BRUCE ALFRED
Alfred, I don't want your -- You have to keep up
appearances -- you're still
a Wayne --
Annoyed, Bruce relents, letting Alfred slip one on -- he
sees a MONOGRAMMED W on the link gives Alfred a look --
BRUCE
What about you? Are you a Wayne?
ALFRED
(doing other sleeve)
Your father gave them to me ...
That catches Bruce off guard -- he looks at him, thrown
when Alfred glances up with a smile, making light --
ALFRED
I'm just loaning them to you -- I
want them back ...
And as Bruce nods, a DIN OF HORNS AND TRAFFIC SWELLS --
INT. BRUCE'S VINTAGE SPORTS CAR - DAY
CLOSE ON THEW CUFFLINK as Bruce drives approaching
CITY HALL he gazes at the street PACKED WITH MOURNERS,
MAKESHIFT MEMORIALS ... his blood chills as he SEES --
(CONTINUED)
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10/25/19 (October Shooting Draft)
CONTINUED:
48.
AN OLIVE HOODED MAN in the crowd with a sign -- a
SCRAWLED QUESTION MARK IN CROSSHAIRS -- not far behind,
ANOTHER HOODED MAN holds one that says: WHO ELSE DIES FOR
GOTHAM'S LIES? ANOTHER holds: OUR DAY OF JUDGEMENT
Bruce stares at the RIDDLER-INSPIRED PROTESTORS -- when a
TRAFFIC COP presses to the window, double-takes, seeing
Bruce. Bruce strains a smile -- as the Cop waves him in
EXT. FRONT OF GOTHAM CITY HALL - DAY
Bruce gets out as a VALET opens his door -- when -
PAPARAZZO (O.S.)
... is that Bruce Wayne ... ?
Heads turn -- as news spreads -- CAMERAS BEGIN FLASHING -
PAPARAZZI
... Mr. Wayne?! Mr. Wayne!
Bruce ignores them, reaching for his wallet as he hears --
A VOICE (O.S.)
-- can I helpya, Mr. Falcone?
Bruce spins to see BODYGUARDS helping Carmine Falcone out
of a car -- Falcone turns as a WOMAN climbs out in a HIGHSLIT DRESS -- REMINISCENT OF SELINA'S -- her FACE IS
CONCEALED under a VEILED HAT -- she takes Falcone's hand
as they Join his PHALANX OF GUARDS -- Bruce's eyes track
her: is that Selina? He hands the Valet a wad of cash --
BRUCE
Keep it close
Bruce moves after her -- through the thick crowd, bottlenecking by the entrance -- eyes on the Woman -- pressing
into FALCONE'S SECURITY TEAM, trying to glimpse her
veiled face -- when A HAND slaps into his chest
PENGUIN
Hey -- hey -- give us a wide berth
here -- willya, slick?!
Bodyguards grab Bruce too -- hearing the commotion, the
Woman turns -- Bruce SEES -- it's CARLA --
FALCONE
Watchit, fellas -- you got the
prince of the city there!
They loosen their grip as Falcone steps over, smiles
(CONTINUED)
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02/09/20 (White February Shooting Script)
CONTINUED:
FALCONE
Some event, brought out the one
guy in the city more reclusive
than me.
49.
Bruce glares with edge, a sense of history between them --
BRUCE
I thought you never leave the
Shoreline -- aren't you afraid
someone'll take a shot at you?
FALCONE
Ya mean now that your father ain't
around? Oz, you know Bruce Wayne?
PENGUIN
Whoa -- seriously?!
FALCONE
His father saved my life. I got
shot in the chest, right here.
Couldn't go to no hospital, so we
showed up on his doorstep. He took
me in, operated right on his
dining room table -- kid here saw
the whole thing.
(to Bruce)
You don't think that meant
something, he did that?
BRUCE
Means he took the Hippocratic
Oath.
FALCONE
... Hippocratic Oath, right ...
that's good ...
BRUCE
-- s'cuse me
And Bruce abruptly moves on, the bottle-neck opening
INT. GOTHAM CITY HALL - MOVING WITH BRUCE - DAY
A SEXTET PL AYS as MOURNERS continue to flood in -- on the
prowl, BRUCE SCANS the crowd -- he CLOCKS RIFLED OFFICERS
among SPECTATORS above -- studies the CRUSH OF FACES in
the STANDING PUBLIC GALLERY -- some back here in tears --
(CONTINUED)
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02/09/20 (White February Shooting Script)
CONTINUED:
P.A. ANNOUNCER
Ladies and gentlemen, thank you
all for coming to today's memorial
for our beloved mayor, Don
Mitchell, Jr. Our program will
begin shortly. As a reminder, the
family asks that those wishing to
honor the mayor's memory consider
a donation to the cause most dear
to his heart, the Gotham Renewal
Fund, our city's safety net.
-- Bruce sees COPS STOPPING a SUSPICIOUS GUY -- when
AN EERIE VOICE BEHIND(O.S.)
What good's a safety net doesn't
catch anybody ... ?
50.
Bruce turns -- to see A BITTER NOBODY in a hooded work
jacket, angry eyes on the VIPS as they file past --
BITTER NOBODY
Didn't help !!!Y daughter when she
needed it -- I can tell you that.
Guy was just another rich
scumsucker. He got what he
deserved.
Finally, his eyes shift to Bruce, a truly chilling look --
BITTER NOBODY
Yeah, I said it ...
Bruce studies his acne-scarred face -- nodding -- when --
the man's expression changes trying to place Bruce
BITTER NOBODY
... hey ... don't I know you?
A WOMAN'S VOICE
Bruce Wayne --
Startled, Bruce spins to see BELLA REAL coming at him -
BELLA REAL
Why haven't you called me back?
BRUCE
... I'm sorry -- ?
BELLA REAL
(no-nonsense)
I'm Bella Real -- I'm running for
mayor -- I wouldn't be bothering
you here, but your people keep
telling me you're "unavailable".
Will you walk with me?
(CONTINUED)
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02/09/20 (White February Shooting Script)
CONTINUED: ( 2 )
51.
On the spot, Bruce glances back at the man -- who now
glowers -- Bella tucks her arm under Bruce's -- stealing
him -- he sneaks a look at the BITTER NOBODY who glares
as they recede -- then turns, disappearing in the crowd --
She leads Bruce to THE SEATED AREA, quiets, still blunt:
BELLA REAL
You know you really could be doing
more for the city -- your family
has a history of philanthropy, but
as far as I can tell, you're not
doing anything -- if I'm elected,
I wanna change that --
She smiles disarmingly as they near the front -- a BOY'S
CHOIR on the central steps begins SHUBERT'S "AVE MARIA" --
BELLA REAL
Will you wait for me? I wanna go
pay my respects -- my God, what a
mess -- his poor wife and son ...
And she leaves him; struck by her nerve and charisma,
Bruce watches her lean into the row to greet the widow
when the Mayor's Ten-Year-Old Son glances awkwardly back
making brief eye-contact -- a sad moment -- when --
HUSHED, FAMILIAR VOICE (O.S.)
'Scuse me, C hief? Can I talk to
you ... ?
Bruce turns to spy GORDON with OFFICERS, a few rows back
-- Gordon touches the arm of the seated CHIEF OF POLICE --
GORDON
Gil Colson is missing ...
CHIEF BOCK
... what?
GORDON
He hasn't been heard from since
last night --
-- when one of the Officers, Martinez, suddenly notices
Bruce gazing in their direction -- a surprised smile --
MARTINEZ
... hey, Mr. Wayne ...
Gordon falls silent -- a strange moment for Bruce as
Batman's closest ally glares warily at the billionaire
TIGHT ON BRUCE as he turns away -- still listening --
(CONTINUED)
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02/09/20 (White February Shooting Script)
CONTINUED: ( 3)
CHIEF BOCK(O.S.)
Christ, not again -- you got
people looking for him, Jim?
52.
WHEN SUDDENLY -- DISTANT SCREAMS -- an AWFUL GROANING
ENGINE WHINES from somewhere outside -- then -- SICKENING
THUDS -- BRUCE'S EYES IMMEDIATELY FLIT UP IN ALARM TO --
THE SECOND STORY LANDING where S PECTATORS PANIC -- SEEING
SOMETHING THROUGH THE WINDOWS -- EVERYONE TURNING -- ALL
EXCEPT A SILHOUETTED FIGURE -- GAZING EERILY DOWN IN
BRUCE'S
BAMMMMMM!!!
DIRECTION -- WAITING FOR SOMETHING -- WHEN --
THE MAIN ENTRANCE EXPLODES IN A BLIZZARD OF
GLASS AND CONCRETE -- AS THE D.A.'S SUV RIPS THROUGH THE
DOORS -- FLOWERS PICKED UP IN THE GRILL -- PANDEMONIUM -
AS THE CROWD SCATTERS -- SOME TOSSED INTO THE AIR -- THE
VEHICLE S LAMMING PAST GUARDRAILS INTO THE SEATED AREA
BRUCE SPINS -- TO SEE THE MAYOR'S SON A FEW FEET AWAY
FROZEN IN SHOCK AS OTHERS FLEE ALL AROUND HIM -- HE HURLS
HIMSELF AT THE BOY -- TACKLING HIM OUT OF THE SUV'S PATH
AS IT ROARS PAST -- LAUNCHING SEATS OVER THEIR HEADS -
FINALLY CRASHING INTO THE CENTRAL STAIRCASE -- BUCKLING
UPWARD -- ENGINE GRINDING -- TILL IT ... STOPS ...
A surreal moment of quiet, then screams, tears, panic
as Bruce lifts his head off the boy's to look over at the
wreck -- then up AT THE SECOND FLOOR: THE FIGURE'S GONE -
people flee in all directions, as BRUCE RISES -- watching
the boy run to his mother's arms -- BRUCE TURNS TO SEE --
GORDON AND TEN COPS SURROUNDING THE SUV -- GUNS RAISED -
THE SUV IS COVERED IN A SCRAWLED CROSSWORD PUZZLE PATTERN
-- THE ENDLESSLY REPEATING MESSAGE: "D.A. -- D.O.A.?"
BRUCE edges closer past FLEEING MOURNERS -- WHEN -- THE
DENTED DRIVER DOOR SUDDENLY CRACKS OPEN -- THE HALL RINGS
WITH THE CLAMOR OF DOZENS OF BULLETS CHAMBERED AT ONCE --
GORDON
GET OUTTA THE CAR! HANDS UP!
Bruce watches the driver door slowly open all the way ...
A FIGURE staggers out, hands raised, terrified --
GORDON
Holy Christ ... it's Colson.
The D.A. has a bloody face, tape over his mouth with the
words "NO MORE LIES" the CLAMP STILL AROUND HIS NECK --
LIGHTS RAPIDLY FLASH ON IT -- a cop notices, horrified --
COP
There's a BOMB around his neck!!!
(CONTINUED)
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02/09/20 (White February Shooting Script)
CONTINUED: ( 4 )
53.
-- a BEEP-BEEP-BEEP! RINGS OUT -- EVERYONE FREAKS -
SHIELDING THEMSELVES -- except Bruce who just stares at -
the D.A. who REMAINS IN ONE PIECE -- everyone looks up,
confused ... when the D.A. -- sheepishly lifts his hand ...
Pointing to A CELL TAPED TO HIS PALM -- as BEEP-BEEP-BEEP
-- it RINGS again -- Gordon turns, calling to the room --
GORDON
Let's get this place cleared! Now!
Police begin ushering people out -- but Bruce hesitates,
chilled, as he notices ... taped to the D.A.'s chest is A
GREETING CARDi it's addressed: "To The Batman" ...
BLACKNESS LIFTS
REVEALING BRUCE as he leans in, REACHING INTO THE TRUNK
OF HIS CAR -- SEIZING AN EXPENSIVE LEATHER DUFFLE
WIDE SHOT - OUTSIDE GOTHAM CITY HALL - CONTINUOUS
Bruce slams his trunk -- disappearing into the crowd
as a FLOOD OF EMERGENCY VEHICLES SCREECH INTO VIEW --
EXT. GOTHAM CITY HALL - SHORT TIME LATER
Jammed with POLICE, SWAT, ATF, K9 UNITS, NEWS CREWS -
outside a CRISIS COMMAND TRAILER, TECHS set up MONITORS
as THE LEADS ARGUE -- GORDON and HIS MEN watch, appalled:
GORDON
... unbelievable ...
INSIDE THE EVACUATED CITY HALL
MARTINEZ
They're fightin' over
jurisdiction, and that poor
bastard's gonna blow ... !
A SWAT TEAM crouches behind BLAST SHIELDS in the doorway,
RIFLES TRAINED ON GIL, sitting alone in the distance -
the cell on his hand echoing as it J UST KEEPS RINGING ...
GIL lifts his head, hopeless, as a SMALL, WHIRRING POLICE
ROBOT rolls to a stop before him. He stares oddly as a
camera slowly extends toward his head --
CRISIS COMMAND - CONTINUOUS
A COMMAND CRISIS TECH at ONE OF THE MONITORS yells out -
COMMAND CRISIS TECH
We got a picture!
(CONTINUED)
71
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02/09/20 (White F ebruary S hooting Script)
CONTINUED:
54.
The Leads suddenly quiet -- crowding around to see -- GIL
STARING SADLY INTO THE ROBOT CAMERA -- when suddenly he
turns, struck -- shock beginning to fill his eyes --
CHIEF BOCK
... what's he lookin' at ... ?
INSIDE CITY HALL
Gil sits there, frozen -- as -- BATMAN EMERGES FROM THE
SHADOWS -- moving slowly across the floor toward him --
SWAT TEAM MEMBER
... holy shit ...
CHIEF BOCK'S EYES WIDEN
As Batman appears on the ROBOT'S CAMERAS
CHIEF BOCK
... are you kiddin' me?! What the
hell's he <loin' ... ?! Gordon!!!
Gordon presses closer to see BATMAN APPROACHING GIL --
CHIEF BOCK
Your guy's gonna get himself
killed in there ... !
Gordon watches, with growing concern -- AS --
INSIDE CITY HALL
Batman stops, towering over Gil -- who rises, scared ...
Batman reaches out, peels THE TAPE OFF HIS MOUTH --
GIL COLSON
He made me do it -- said if I
didn't do exactly what he said
he'd kill me -- please -- can't
somebody get this thing off?!
BATMAN
Looks like a combination lock
GIL COLSON
-- can't you cut it off ... ?!
Batman carefully touches a NASTY SNARL OF TRIP WIRES -
BATMAN
Not if you want to keep your head.
(CONTINUED)
76
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77A
77B
77B
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02/09/20 (White February Shooting Script)
CONTINUED:
55.
Batman rips the CARD off Gil's chest -- ON THE COVER is a
cartoon of an OLD PHONE LITERALLY RINGING OFF THE HOOK:
"In These Trying Times, Never Forget ... " Batman opens it:
" ... I'm Just A Phone Call Away" -- under that, in ANGRY
SCRAWL: "ANSWER". Batman points to the RINGING CELL -
Gil lifts it -- as Batman reaches to PRESS ANSWER --
GIL COLSON
-- wait -- wait, NO -- WHAT IF
IT'S CONNECTED TO THE -- ?
"BONNNG!" -- the PHONE'S SCREEN DISPLAYS A LIVE SPLITSCREEN IMAGE: RIDDLER ON ONE SIDE1 BATMAN AND GIL ON THE
OTHER -- Riddler stares from under his hood for a beat ...
then HIS CHILLING VOICE COMES CALMLY THROUGH THE CHANGER:
RIDDLER
... you�- ..
BATMAN
... who are you?
RIDDLER
Me? I'm ... I'm nobody. I'm just ...
an instrument ... Here to unmask
the truth about this cesspool ...
we call a city ...
BATMAN
... unmask ... ?
RIDDLER
Yes ... let's do it together, ok?
I've been trying to reach you ...
You're part of this too ...
BATMAN
Me? How am I part of this?
RIDDLER
You' 11 see ...
CRISIS COMMAND - CONTINUOUS
Everyone presses around another MONITOR in horror -- GCl
running the FEED FROM RIDDLER'S PHONE, broadcasting live
through social media -- "BATMAN TALKS TO KILLER LIVE"
RIDDLER (ON MONITOR)
Say hello to my followers -- we're
live! They're here to watch our
little trial. ..
Bock turns to the Tech -- beside himself --
(CONTINUED)
77B
78
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02/09/20 (White February Shooting Script)
CONTINUED:
CHIEF BOCK
Can you trace the goddamn call?!
COMMAND CRISIS TECH
(throws up hands)
It's it's not a call, chief --
it's an fil2l2
BACK INSIDE CITY HALL
56.
Riddler gazing back at Batman and Gil through the phone -
RIDDLER
At the moment ... the man across
from you, Mr. Colson, is dead
GIL COLSON
(panics)
Jesus CHRIST --
RIDDLER
(chilling calm)
wait a minute --
GIL COLSON
-- can we PLEASE get
somebody OVER HERE -- ?!
RIDDLER
-- shut up --
ME
GIL COLSON
THIS PSYCHO'S GONNA KILL
RIDDLER
(scarily distorted)
SHUUUUUT UUUUUP --
RIDDLER
-- you DESERVE to be dead after
what you did!!! You HEAR ME?!!!
THE TERRIFYING OUTBURST MAKES GIL FALL SILENT
RIDDLER
(then, oddly calm)
I'm giving you a chance. No one ...
ever ... gave me a chance ...
(then)
Now ... ever since I was a child,
I've always loved little
puzzles ... For me, they're ... a
retreat from the horrors of our
world ... Maybe they can bring some
comfort to you too, Mr. Colson.
GIL COLSON
You ... want me to do ... puzzles?
RIDDLER
Yes. Three riddles. In two
minutes. You give me the answers,
and I'll give you the code for the
lock. Do. . . you ... understand ... ?
(CONTINUED)
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02/09/20 (White February Shooting Script)
CONTINUED:
GIL COLSON
-- uh -- ok, yeah -- so you just -
you want me to--?
57.
BEEP! -- GIL SHRIEKS -- A COUNTDOWN APPEARS ON THE COLLAR
-- 2:00 MINUTES -- and Riddler starts without warning
Justice ...
RIDDLER
Riddle number ONE: it can be
cruel, poetic, or blind ... but
when it's denied, it's violence
you may find.
GIL COLSON
-- w-w-wait -- can you repeat that
-- I didn't -- I didn't
cruel ... poetic ... ?
BATMAN
... what?
BATMAN
The answer's justice.
RIDDLER
GIL COLSON
Yes. Justice. And you ... were
supposed to be an arm of justice
in this city, along with the late
mayor and police commissioner .. .
were you not, Mr. Prosecutor ... ?
GIL COLSON
Well, yeah, I mean, of course we--
RIDDLER
Riddle number TWO: if you are
justice, please do not lie, what
is the price for your blind eye?
.
... price .... ?
Bribes.
GIL COLSON
BATMAN
GIL COLSON
... oh God
BATMAN
-- he's asking how much it
costs ... for you to turn
your back --
GIL COLSON
-- ya gotta be kiddin' me--
BATMAN
-- how much -- ?
(CONTINUED)
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02/09/20 (White February Shooting Script)
CONTINUED: ( 2 )
58.
GIL COLSON
-- like I'm the only one??
I didn't do anything worse
than anyone else!
RIDDLER
fifty-eight seconds ... !
BATMAN
-- how MUCH -- ?
Gil hesitates ... can't believe he's doing this ... then ...
GIL COLSON
... ten ... grand. Ten Gs a month. I
take a ... monthly payment not to
prosecute ... certain cases ...
BATMAN
What cases?
GIL COLSON
Hey, he didn't ask that -- c'mon
ten grand that's your answer!
RIDDLER
OK, OK, don't lose your HEAD, Mr.
Colson! Just one more to go ...
before your time ... runs ... out.
Last riddle: since your justice is
so select, please tell us which
vermin you're paid to protect ...
GIL COLSON
Jesus ... which vermin ... ?
BATMAN
The rat. The informant you all
protect ...
GIL COLSON BATMAN
... how do you know about
that -- ?
-- I'm trying to help you -
what's his name -- ?
GIL COLSON
-- no ... no-no-no-no-no
you don't understand --
RIDDLER
twenty seconds --
BATMAN
(grabbing him hard)
he's gonna kill you --
GIL COLSON
-- I'm dead either way! You're
talking to a DEAD MAN, OK?
(MORE)
(CONTINUED)
CONTINUED: ( 3) GIL COLSON (CONT'D) If I go THIS way it's just ME but I give you that NAME -- I got FAMILY -- people I CARE about they'll KILL THEM TOO BATMAN what are you talking about GIL COLSON people are WATCHING BATMAN what peop le WHO ? 59. ? GIL COLSON LISTEN TO ME, GODDAMMIT RIDDLER YOU MAY THINK YOU KNOW WHAT THIS IS, BUT YOU DON 'T - IT'S SO MUCH BIGGER THAN YOU COULD EVER IMAGINE, IT'S THE WHOLE SYSTEM Five ... ! Four ... ! Three ... ! RIDDLER -- GOOD byyyyyyyyye -- GIL COLSON -- OH NO -- OH GOD -- SOMEBODY GET THIS OFFA ME -- SOMEBODY GET THIS-- TIGHT ON BATMAN -- SEEING THE COUNTER HIT 00:00 -- HE TURNS -- SHIELDING HIMSELF -- AS KA-BOOOOOOOM! -- A BLAST ERUPTS -- P ROPELLING BATMAN BACK -- BAT SUIT IN FLAMES - AS HE SLAMS TO THE FLOOR -- SMOKE SWALLOWING HIM -- AND US!!! WE HEAR ONLY HIGH-PIT CHED RINGING BATMAN LIES -- DAZED -- HE STRUGGLES TO LIFT HIS EYES - AS GORDON RUSHES FORWARD -- OTHER COPS TOO -- GUNS DRAWN -- SOME AROUND GIL'S NOW LIFELESS BODY -- OTHERS AROUND BATMAN -- WHO GAZES BACK, VISION BLURRING -- COPS YELLING ALL AROUND HIM -- AS HE BLACKS OUT -- INT. GCPD - INTERROGATION ROOM - BATMAN'S POV - NIGHT BATMAN COMES TO -- FOCUSING on a TACTICAL MEDIC shining light in his eyes -- VOICES FADE IN -- cops above in debate, gazing down with contempt -- Gordon holding them off -- when one grabs for Batman's mask MUSCLE COP what're we <loin' here="" --="" just="" take="" it="" off="" gordon="" hey-hey-hey="" (continued)="" 79="" 80="" 02="" 09="" 20="" (white="" february="" shooting="" script)="" continued:="" 60.="" batman's="" hand="" shoots="" up,="" gripping="" muscle="" cop's="" arm="" the="" verge="" of="" violence="" pushes="" cop="" back="" giving="" batman="" room="" to="" rise="" interrogation="" table="" chief="" bock="" you="" protecting="" this="" guy,="" gordon?!="" he="" interfered="" in="" an="" active="" hostage="" situation!="" colson's="" blood="" is="" his="" hands!="" maybe="" it's="" yours.="" ...="" what'd="" say?!="" he'd="" rather="" die="" than="" talk.="" what="" was="" afraid="" of?="" you?="" sonuvabitch!="" have="" any="" idea="" kinda="" trouble="" you're="" in?!="" could="" be="" accessory="" murder!="" why="" we="" playin'="" games="" here,="" chief?!="" grabs="" cowl="" erupts="" knocking="" him="" balance="" more="" cops="" launch="" themselves="" at="" a="" wild="" melee="" having="" way="" with="" them="" as="" goes="" crazy="" alarmed,="" tries="" break="" up="" whoa="" great="" now="" i="" got="" assaulting="" officer!!!="" (steps="" again)="" me="" three="" hey="" what's="" matter="" ?!="" s="" urprisingly="" hard="" stops,="" shocked,="" eyes="" flaring="" glares="" back.="" serious="" -="" their="" locking="" until="" fills="" contempt="" too="" ?="" 81="" (="" 2="" )="" (dark="" batman)="" lemme="" handle="" this,="" gimme="" minute="" qonna="" put="" yourself="" line="" for="" scumbag,="" jim="" !?="" 61.="" and="" opens="" door="" tensely="" escorts="" out="" into="" hall="" crowd="" watch="" from="" distance="" far="" end,="" gives="" shove="" they="" face="" each="" other="" angry="" expressions="" utters,="" low="" gotta="" get="" outta="" responds="" kind,="" making="" look="" like="" argument:="" that'll="" lotta="" heat="" you.="" well,="" punched="" face.="" uh-huh="" those="" stairs="" lead="" roof="" clock="" when="" beyond="" spots="" group="" detectives="" conferring="" struck,="" realizing="" mustached="" bouncer="" iceberg="" lounge="" !="" who's="" mustache?="" that's="" kenzie="" narcotics="" he's="" guys="" lounge.="" are="" saying?="" moonlights="" penguin?="" 82="" 83="" 84="" or="" 62.="" sees="" staring="" alarmed="" without="" warning,="" punches="" right="" down="" breaks="" stairwell="" starting="" madly="" after="" rips="" grapple="" gun="" launching="" hook="" railing,="" ten="" stories="" above="" retracting="" lifting="" upwards="" enter="" firing="" blasts="" edge="" gazing="" huge="" drop="" din="" approaching="" reaches="" yanking="" tabs="" heel="" zipping="" cloak="" boots="" legs="" arms="" charge="" aiming="" plummets="" race="" over="" see="" soaring="" wildly="" cape="" wingsuit="" shocked="" faces="" recede="" fly="" descending="" rapidly="" ,="" dangerously="" street="" below="" where="" hits="" shoulder-roll="" spinning="" feet="" disappearing="" night="" ext.="" unfinished="" skyscraper="" -="" high="" city="" waits="" rain="" elevator="" arrives="" steps="" out,="" bruised="" shaking="" head="" could've="" least="" pulled="" your="" punch,="" man="" did.="" a.p.b="" really="" think="" this?="" don't="" trust="" them,="" do="" doing="" falcone's="" colson="" said="" protect="" rat.="" kenzie's="" part="" it.="" penguin's="" rat?="" club="" caters="" mob,="" maroni="" regular="" penguin="" would've="" been="" privy="" dirt="" d.a.="" himself="" some="" trouble,="" deal="" rata="" alada="" what?="" riddler's="" latest,="" that="" cipher="" maze.="" means="" rat="" wings="" stool="" pigeon.="" (getting="" it)="" too.="" time="" another="" conversation="" about="" riddler?="" gonna="" kill="" again.="" all="" connected="" not,="" game="" now.="" wanna="" find="" riddler,="" penguin'll="" talk="" i'll="" persuasive="" 63.="" 85="" 86="" 87="" 88="" 89="" 64.="" alley="" pov="" wind="" shield="" menacing="" breathing="" lurk="" watching="" rear="" through="" fog="" wipers="" swish="" breaths="" stop="" exits="" twins="" has="" two="" du="" ffles;="" trunk="" camry="" (over="" radio)="" wonder="" bags="" should="" move="" int.="" gordon's="" cruiser="" same="" moment="" walkie,="" escalade="" answer="" comes:="" let's="" follow="" them.="" cars="" past="" waterfront="" deserted="" warehouse="" by="" weathered="" sign:="" "gotham="" recycling="" renewal="" corp"="" honks="" horn="" roll-door="" lifts="" underpass="" approach="" building;="" walkie:="" beat="" stopped="" plant="" then="" crackles="" quietly="" i'm="" presses="" frame:="" batman.="" men="" building="" skylight="" workers="" crew="" surgical="" masks="" filling="" vials="" chemicals="" bubbling="" cookers.="" inspects="" operation.="" suit="" arrives,="" watches="" eye-droppers="" screwed="" 90="" 91="" 10="" 25="" 19="" (october="" draft)="" (whispers="" wrist)="" drug="" lab.="" drops.="" buy="" looks="" maroni's="" operation="" running="" never="" shut="" all.="" what're="" biggest="" bust="" gcpd="" history="" fraud?="" 65.="" glint="" strafing="" below,="" moves="" dark="" figure="" coasts="" motorcycle="" selina="" her="" catsuit="" she="" hops="" off,="" uncoiling="" lock="" chain="" whispers="" wrist="" complicated.="" cocks="" head,="" quizzical="" whattaya="" mean="" cobblestones="" front="" stand="" under="" umbrellas="" hears="" clink="" looping="" car="" around="" ankles="" yanks="" tight="" sending="" face-first="" ground="" twin="" turns="" confused="" where'd="" my="" brother="" go?="" wielding="" whip="" snapping="" crumples="" pops="" flips="" visor,="" inside="" trio="" duffles="" unzips="" e="" stuffed="" cash="" voice="" behind="" (o.s.)="" dangerous="" stealing="" spins="" ready="" strike="" 92="" 93="" catwoman="" jesus="" how="" kicks,="" hon?="" sneaking="" girls="" dark?="" work="" score="" (back="" work)="" know,="" i'd="" love="" sit="" go="" every="" gory="" detail="" you,="" bat="" boy="" but="" assholes'll="" back--="" 66.="" shoulders="" duffles,="" third="" falling="" silent.="" closer="" body.="" dread,="" bag="" further="" annika's="" rocked="" well="" rage,="" tears="" suddenly="" riddled="" gunfire!="" lunges="" pushing="" cover="" takes="" hail="" bullets="" batman,="" motionless="" peeks="" uzi="" pistol="" backed="" thugs="" gas="" screeching="" skidding="" jumps="" driver="" raising="" stalks="" camry,="" shooting,="" berserk="" money="" others="" fire="" crawls="" hands="" knees="" terror="" fell="" no="" longer="" there="" gutteral,="" terrifyingly="" loud="" engine="" growls!="" inky="" darkness="" flames="" ominously="" side="" exhausts="" red="" nitrous="" vapor="" flashes="" revealing="" form="" vision="" horror="" movie="" batmobile!="" gape="" emblem="" vengeance!="" bolts="" diving="" 94="" 67.="" roar="" comes="" opposite="" direction="" charging="" bike="" snatching="" racing="" away!="" screeches="" batmobile="" catapulting="" hit="" fishtailing="" tires="" finally="" awe="" vanishes="" driving="" gotham="" streets="" immediately="" violently="" drumming="" wet="" manning="" panic="" charges="" view="" raging,="" hungry="" shark="" shrieking="" bam-screeeeee!!!="" slams="" brutally="" trying="" road!!!="" christmas="" !!!="" scrambles="" unleashing="" passenger="" window="" glass="" spraying="" sparking="" its="" armored="" surface="" bullet-proof="" windows="" slams:="" again!="" struggles="" control="" cranking="" wheel="" steering="" road="" lurching="" embankment="" highway="" m.p.h.="" traffic="" swerving="" colliding="" massive="" display="" vehicles="" hydroplane="" suv="" across="" lanes="" slowing="" enough="" regain="" snaps="" cresting="" veering="" flooded="" water="" wake="" barrelling="" slaloms="" recklessly="" speeding="" barely="" maintaining="" crazed="" flit="" rearview="" relentlessly="" matching="" desperate,="" streaks="" ahead="" walled="" long="" eighteen-wheelers="" chugging="" speed="" glances="" gaining="" nowhere="" trapped="" does="" something="" accelarating="" even="" faster="" truck="" jerking="" hydroplaning="" setting="" reaction!="" horrifying="" sight="" trucks="" jack-knifing="" heading="" straight="" unavoidable,="" cataclysmic="" collision!="" 95="" 96="" 68.="" seizes="" trigger="" squeezing="" toward="" drift="" converge="" doomed,="" careening="" batmobile,="" obscuring="" ha!="" you!="" friggin'="" psycho="" you--!="" shock="" re-appears="" wheels="" flipping="" center="" divider="" tilted="" narrow="" space="" shoulder="" beside="" expanding="" pile-up="" clearing="" destruction="" widen="" swerves="" holy="" shiiiiiiiiiii--="" ka-blammmm!="" rams="" savagely="" together="" spinnnn="" world="" blurring="" keeps="" foot="" furiously="" smash="" yellow="" off-ramp="" crash="" barrels="" disengaging="" esclade="" rolls="" till="" scrrrrape="" stops="" upside-down.="" bleeds="" stunned="" hearing="" pounding="" gazes="" disoriented="" upside-down="" walking="" surreally="" outside="" crouches="" slowly="" frame="" bloodshot="" widening="" leans="" eerily="" thrusts="" hood="" swallowing="" us="" blackness="" train="" yard="" yanked="" bound="" batmobile's="" headlights="" looms="" near="" silhouette="" before="" gets="" car,="" joining="" ominously;="" gordon.="" hell="" good="" bat-shit="" cop?!="" r="" iddler?="" 69.="" riddler??="" know="" ???="" make="" easy="" oz="" caught="" <loin'="" somethin'="" were="" away="" so="" gave="" b="" igger="" fish="" save="" ass="" ratted="" salvatore="" drops="" c="" ity="" offic="" ials="" mayor="" greedy,="" right?="" wasn't="" ig="" career-making="" bus="" iness="" needed="" minor="" league="" mope="" run="" carmine="" falcone="" yo="" u,="" k="" illed="" girl="" didn't="" anybody!="" worked="" 44="" close,="" found="" mitchell="" killed="" somehow="" riddler="" knows="" much="" must="" ab="" who="" boy,="" guys're="" helluva="" duet="" don'cha="" start="" harmonizin'?!="" (more)="" (cont'd)="" problem="" little="" scenario,="" ok?="" ain't="" rat!="" would="" if="" heard="" talk?!="" oh="" rats?="" did="" partner's="" face?!="" 70.="" gruesome="" crime="" scene="" photos="" thrust="" face:="" god,="" showin'="" me--="" pay="" attention="" ok?!="" rat's="" maze="" ohhhh="" open="" el="" ata="" ?!?!?="" yeah,="" pigeon="" not="" you?!="" these="" symbols="" says:="" "you="" alada"="" rata"?!="" says="" that?!="" ya="" tell="" us,="" yeah!!!="" worst="" spanish="" ever="" ??!="" la!="" la="" what,="" iddler="" stupid="" somethin'?!="" thrown,="" loses="" steam="" silently="" photo="" eyeing="" 97="" 3)="" world's="" greatest="" am="" difference="" between="" la?="" lno="" habla="" espanol,="" fellas?!="" favor,="" shithead!="" up!="" falls="" silent;="" made="" mistake?="" (studying="" cipher)="" doesn't="" mistakes="" wings?!="" sounds="" me?="" rata"="" url="" moments="" later="" 71.="" gaze="" laptop="" which="" sits="" types="" "www.rataalada.com"="" browser="" screen="" black="" dead="" link="" it�="" mistake="" smart="" we--="" wait="" blinking="" plain="" text="" cursor="" appears="" alone="" screen:="" "<?="">" They watch it PULSE EERILY ... when IT STARTS TYPING TEXT. GORDON -- holy shit -- is that him -- ? -- their eyes follow the cursor: "did you find him?" Batman reaches for the keys ... types: "el rata alada?" The cursor hesitates, blinking -- then TYPES BACK: "yes" (CONTINUED) 96 97 97 02/09/20 (White February Shooting Script) CONTINUED: 72. Batman writes: "maybe. is a penguin a rat with w ings?" Another pause then MORE TEXT comes through: "interesting" -- then -- "you're missing the big picture" GORDON ... the hell does that mean -- is he, or isn't he -- ? Batman holds up a quieting hand, as another TEXT BEGINS: "i need to show you more for you to understand" -- then: "my next victim is the biggest piece of the puzzle yet" Gordon and Batman exchange a look of dread -- Batman types: "victim?" -- then -- "dead?" The cursor pauses creepily; writes back: "he will be soon" -- then - "here's a clue to where you can find him ... " -- the cursor writes out A RIDDLE -- Gordon reads along: GORDON (O.S.) "i grew up from a seed, tough as a weed ... but in a mansion, in a slum ... i'll never know where i come from. do you know what i am?" (then, to Batman) ... any idea ... ? BATMAN ... yeah ... he's an orphan ... Batman types: "an orphan?" -- the cursor writes: "good bye" and the SC REEN GOES BLACK. Something HAUNTS Batman: BATMAN ... "a mansion, in a slum" ... He's talking about the old orphanage ... GORDON one that burned down? BATMAN It was part of the Wayne estate ... they donated it after they built the tower ... GORDON -- let's go They start off -- when a VOICE cries from off-screen -- PENGUIN (O.S.) Hey -- you guys REALIZE I'm still here, right -- ?! REVEAL PENGUIN -- hands and feet still helplessly bound -- (CONTINUED) 97 97 98 99 100 10/25/19 (October Shooting Draft) CONTINUED: ( 2 ) PENGUIN You gonna UNTIE me -- how'm I s'posed to get OUTTA here?!!! -- and they get into their cars -- starting off - PENGUIN YOU GODDAMN SONSABITCHES !! ! INT. BATMOBILE - MOVING - NIGHT 73. APPROACHING A FADED SIGN: "A GOTHAM RENEWAL PROJECT - INVESTING IN OUR FUTURE" BATMAN SLOWS, arriving at THE BURNT-DOWN REMAINS OF THE GOTHAM ORPHANAGE ... INT. MAIN ENTRYWAY - GOTHAM ORPHANAGE RUINS - NIGHT BLACKNESS SHATTERS as the front doors are KICKED IN Batman and Gordon stare in ... Gordon raises his GUN BATMAN No guns ... GORDON Yeah, man ... that's your thing ... And THEY ENTER ... scanning black walls and floors rain drips inside -- Gordon's beam lands on WHITE-PAINTED ARROWS FRESHLY SCRAWLED over soot; he pans along them - to A GOTHIC STAIRCASE -- Batman and Gordon exchange a look -- begin FOLLOWING MORE ARROWS UP THE STEPS TO -- A LONG FOREBODING HALLWAY OF DOORS UPSTAIRS MORE ARROWS point on. Gordon sweeps his light into empty rooms -- when they notice EERIE ECHOING IN THE DISTANCE -- GORDON ... what's that ... ? As they move closer, it sounds strangely like ... MUSIC - a distant BOY'S CHOIR singing SHUBERT'S "AVE MARIA"! WEIRD GIGGLING COMES SUDDENLY FROM VERY CLOSE BY -- THEY LIFT THEIR EYES TO -- A SILHOUETTED FIGURE EMERGING FROM A DOOR -- IT FREEZES, STARTLED TO SEE BATMAN AND GORDON -- GORDON HEY! HEY!!! THE FIGURE BOLTS TO ANOTHER ROOM -- SLAMMING THE DOOR - BATMAN AND GORDON ALREADY CHASING -- GORDON RAISING HIS GUN -- SMASHING THE DOOR -- THEY LOOK INSIDE TO SEE ... (CONTINUED) 97 98 99 100 100 101 02/09/20 (White February Shooting Script) 74. CONTINUED: 100 ... A GROUP OF DROPS ADDICTS SPRAWLED on melted metal bed frames, FACES CONTORTED IN FROZEN GRINS; one GIGGLES in a daze -- Gordon swings his light to the Figure from the hallway, who cowers, gripping A BOTTLE AND EYE-DROPPER -- GORDON Friggin' dropheads ... -- when they hear -- CHEERS and APPLAUSE ring out as the DISTANT SINGING STOPS -- A MAN'S VOICE BEGINS ECHOING -- ECHOING VOICE Thank you! Thank you, everyone! Thank you for coming today ... GORDON the hell is that -- ? SOMETHING IN THE ECHOING VOICE STRIKES BATMAN -- Gordon watches surprised -- AS BATMAN STARTS TOWARD THE SOUND -- MOVE WITH HIM to the END OF THE HALL, near the sound of the VOICE -- Batman looks up, haunted; white paint above the doorway says: "WHERE IT ALL BEGAN" -- he STEPS INTO -- A GRAND HALL - HIGH WIDE ANGLE Batman dwarfed by the massive, burnt-out room; he squints at A BEAM OF LIGHT, SPARKLING THROUGH DRIPPING RAIN - it's from a cheap, MINI USB PROJECTOR on a tiny tripod - Batman looks at the wall where AN OLD GCl CLIP FLICKERS - the MAN WITH THE ECHOING VOICE gives a speech in front of a BOY'S CHOIR IN THE VERY ROOM BATMAN NOW STANDS IN -- a CHYRON explains why Batman is so affected -- it's THOMAS WAYNE. Batman watches, unnerved -- staring at a ghost THOMAS WAYNE I believe in Gotham. I believe in its promise. But too many have been left behind for too long. And that's why I'm here today to announce, not only my candidacy for mayor, but also the creation of the Gotham Renewal Fund. Win or lose, the Wayne Foundation pledges a one billion dollar donation to start a charitable endowment for public works. I want to bypass political gridlock to get money to people and projects who need it llilli -- like these children behind me. Renewal is about growth. It's about planting seeds. And renewing Gotham's promise. (CONTINUED) 101 101 102 103 104 105 10/25/19 (October Shooting Draft) CONTINUED: 75. Batman is struck by the sight of TEN-YEAR-OLD BRUCE beside his MOTHER -- Batman's eyes drift to more white painted words on the wall beside the projected image - "RENEWAL IS A LIE" -- Batman stares, disturbed -- WHEN A VOICE behind startles him out of his reverie -- VOICE (O.S.) sins of the father ... ? BATMAN SPINS it's GORDON -- he follows Gordon's gaze to MORE WRITING on the wall: "THE SINS OF THE FATHER ... " BATMAN ... shall be visited upon the son. Gordon walks closer, staring, as he gets it too ... GORDON ... Jesus ... his next victim is ... Bruce Wayne He turns for confirmation -- BUT BATMAN IS AL READY GONE. SMASH TO: A PHONE RINGING - SOMEWHERE IN WAYNE TOWER - NIGHT IT RINGS TWICE -- but no one comes to answer -- the tiny illuminated SCREEN FLASHING -- "NO CALLER ID" -- SMASH TO: INSIDE THE SPEEDING BATMOBILE - NIGHT ENGINE ROARING -- WE HEAR RINGING ON HANDS-FREE Batman staring at his phone willing someone to pick up BACK TO ALFRED ALONE IN THE STUDY - WAYNE TOWER - NIGHT WE HEAR ONLY THE INSISTENT RINGING OF THE PHONE -- as Alfred opens piles of mail -- when he NOTICES -- � BULGING MANILA MAILER -- he picks it up, curious ... reads the SCRAWLED LETTERING: "PERSONAL/CONFIDENTIAL -- FOR BRUCE WAYNE'S EYES ONLY" ... starts to OPEN IT ... SMASH TO: REFLECTIONS RACING OVER THE BATMOBILE'S WINDSHIELD BATMAN NOW SCREAMING -- BUT ALL WE HEAR IS THE RINGING PHONE -- AS THE BATMOBILE RIPS INTO THE ROLLING PARK -- 101 102 103 104 105 106 107 108 109 110 111 10/25/19 (October Shooting Draft) 76. ALFRED pulls a GIFT-WRAPPED BOX from the mailer ... sees A SILVER ENVELOPE taped to it -- HIS EYES WIDEN IN SHOCK as he discovers the envelope reads ... "FOR THE B ATMAN" -- THE INSISTENT PHONE GROWING LOUDER -- LIKE A WARNING - as he flips the envelope -- PUZZLED TO FIND A LABEL: "FIREPROOF" ALARMED -- ALFRED GLANCES AT THE GIFTWRAPPED BOX -- SEES WIRES PROTRUDING FROM THE PAPER BACK TO THE PHONE THE RINGING FINALLY STOPS -- AS A WOMAN'S HAND PICKS UP DORY (0. S.) ... hello -- ? INT. BATMOBILE - IMMEDIATELY BATMAN Dory -- I need to speak to Alfred! DORY (OVER PHONE) oh -- Mr. Wayne BATMAN LISTEN TO ME -- SOMETHING TERRIBLE'S GOING TO HAPPEN! CLOSE ON DORY, HOLDING THE PHONE -- for the first time we see her face; she's distraught DORY I' m afraid it ... already has, sir. BATMAN LIFTS HIS EYES WITH DREAD AS -- WAYNE TOWER COMES INTO VIEW -- BLACK SMOKE PLUMES FROM AN UPPER FLOOR -- F IREMEN AIM HOSES FROM TELESCOPIC LADDERS -- DOUSING FLAMES -- BACK TO ALFRED IN THE STUDY - FLEETING -- A WIDE SHOT STANDING WITH THE PACKAGE ONE LAST SECOND -- TOSSING IT HE DIVES -- AS THE PACKAGE SILENTLY ERUPTS -- WE HEAR -- DORY (OVER PHONE) ... about an hour ago ... 106 107 108 109 110 111 112 113 114 115 10/25/19 (October Shooting Draft) 77. BACK TO BATMAN rocked, realizing he never had a chance to save him -- THEN BACK TO DORY as anguished tears begin to spill DORY ... I'm so sorry ... I've been trying to reach you ... As A BLUR WIPES in front of her TO REVEAL EMERGENCY PERSONNEL SWARMING the stairs of a LOWER TOWER LANDING HUSHED GCPD DETECTIVE (PRELAP) The package was intended for you. INT. WAYNE TOWER - GRAND FOYER - NIGHT Bruce, stunned as DETECTIVES speak in the AFTERMATH: HUSHED GCPD DETECTIVE ... we found this too ... He shows Bruce the SILVER ENVELOPE: "TO THE BATMAN"; then pulls out A HEAT-SCORCHED GREETING CARD WITH CARTOON EYES -- Bruce looks -- SCRAWLED inside is "SEE YOU IN HELL" HUSHED GCPD DETECTIVE Any reason you'd be a target ... ? ON BRUCE as he just stares at the words, stunned ... INT. HOSP ITAL - WINDOW OUTSIDE AN I.C.U. ROOM - NIGHT Bruce gazes through the glass at Alfred, bandaged and unconscious, breathing through an oxygen mask as NURSES attend to him; a DOCTOR emerges, moves to Bruce, grave ... DOCTOR We've sedated him, we just have to hope he stabilizes. You should go home, Mr. Wayne, get some sleep. Bruce nods, but it's not clear he's even heard what the doctor said; the doctor stares at him ... says gently ... DOCTOR Is there ... anyone else to notify ... next of kin? (CONTINUED)
02/09/20 (White February Shooting Script) 79.
INT. BATCAVE - AFTERNOON
Bruce sets down Renewal files on his work bench, lifting
his laptop screen -- when he notices AN OPEN WINDOW -
the contact lens interface -- but now there is A LIVE
IMAGE -- a HANDWRITTEN SIGN faces camera: "WHERE R U?"
Surprised, Bruce picks up the ear piece --
BRUCE
... Selina ... ?
SELINA appears staring blindly at the camera --
SELINA
Can you see me ... ?
BRUCE
... Yeah.
SELINA
(harried, urgent)
I need to talk. Where can we go?
119
120 EXT. UNFINISHED SKYSCRAPER - HIGH OVER THE CITY - SUNSET 120
Batman's silhouette, gazing darkly at Gotham -- when the
elevator arrives -- he turns as Selina emerges in her cat
suit, removing her wind mask. He looks at her with edge
BATMAN
Cat burglar pulling another score?
SELINA
It's not safe for me here now.
BATMAN
Wasn't sure I'd see you again.
SELINA
Yeah well, things were getting a
little hot for me ...
(then)
How could they do that to her -- ?
I'm gonna find them, make them�
that piece of shit, Kenzie, all
of 'em. You gonna help me?
BATMAN
... help you?
SELINA
Yeah! I thought you were
"Vengeance"
(CONTINUED)
120
02/09/20 (White February Shooting Script)
CONTINUED:
BATMAN
Your friend got involved with the
wrong people -- she didn't know
better. Maybe you should have
explained it to her ...
SELINA
The hell's that supposed to mean?
BATMAN
It means your choices have
consequences
SELINA
-- oh, Jesus Christ -- choices?!
You know, whoever the hell you
are, obviously, you grew up rich.
He just stares back -- giving nothing away -
BATMAN
... was it worth it?
SELINA
What?
BATMAN
Compromising yourself for money.
She glares at him --
BATMAN
What'd you have to do to set up
that score? How close did you have
to get? To Penguin -- to Falcone?
SELINA
-- you don't know what the hell
you're talking about, ok?!
Falcone owes me that money
SELINA
80.
BATMAN
owes you -- ? yeah and a lot more!
BATMAN
oh really -- why's that?
SELINA
(moving to leave)
forget it -- I can't
even talk to you
BATMAN
(grabs her hard)
no -- tell me -- I wanna know
why would a guy like Falcone owe
you ANYthing-- ?!
(CONTINUED)
120
120
02/09/20 (White February Shooting Script)
CONTINUED: (2)
SELINA
BECAUSE HE'S MY FATHER!
Batman falls silent, stunned -- she shrugs him off ...
stands there, eyes burning ... then, quietly:
SELINA
... my ... mother worked at the 44
Below ... just like Anni. She used
to take me there when I was a
little girl ...
BATMAN
... to the club?
SELINA
... I hid out in the dressing room
while she worked. I used to see
him there ... He scared the shit
out of me. I could never
understand why he looked at me the
way he did. Then one night, my
mother told me ... who he was.
He studies her as she gazes out at the skyline ...
SELINA
When I was seven, my mother was
murdered ... Someone strangled her,
they never found out who, probably
some creep from the club. Anyway,
when Social Services came to take
me away, he didn't say a thing.
Couldn't even look at me.
(looks up at him)
He owes me that money.
81.
He looks at her, taking her in for the first time; nods:
BATMAN
... sorry. For what I said ...
She smiles. Studies his eyes.
SELINA
's alright ... you just assume the
worst in people ... Maybe we aren't
so different after all ...
(running a finger
along his mask)
Who are you under there? What're
you hiding? Are you just ...
hideously scarred?
(CONTINUED)
120
120
02/09/20 (White February Shooting Script)
CONTINUED: ( 3)
BATMAN
(beat, eyes on hers)
... yeah.
82.
He smiles. She smiles back. Chemistry between them. Then:
SELINA
Listen to me ... if we don't stand
up for Anni, no one will. All
anyone cares about in this place
are these ... white ... privileged
assholes -- the mayor, the
commissioner, the D.A. -- and now
Thomas and Bruce Wayne. Far as I'm
concerned, that psycho's right to
go after these creeps -- I'd think
you'd be on his side !
BATMAN
-- wait, what do you -- what do
you mean Thomas and Bruce Wayne?
SELINA
What, do you live in a cave? The
Riddler's latest -- it's all about
the Waynes ...
He's silently struck -- but Selina doesn't even notice --
SELINA
Listen -- if I can find that
dickbag Kenzie, will you help me?
He looks at her, reeling -- sees her pleading eyes
SELINA
(quiet, intimate)
Please. . . Come on, "Vengeance" ...
BATMAN
(finally nods; then)
But don't make any moves without
me -- understand -- this is all
more dangerous than you know--
-- she cuts him off with a LONG KISS ... then pulls slowly
back ... staring into his eyes, whispering with a smile --
SELINA
I told you, baby, I can take care
of myself ...
And she starts off -- he watches her go ... as we hear --
(CONTINUED)
120
120
121
02/09/20 (White February Shooting Script) 83.
CONTINUED: ( 4 ) 120
A MAN'S VOICE (V.O.)
I'm Thomas Wayne, and I approve
this message ...
As Copland's "FANFARE FOR THE COMMON MAN" begins
INT. "THE CAVE" - UNDERNEATH WAYNE TOWER - NIGHT
BATMAN PULLS OFF HIS COWL -- revealing Bruce, BLACK CAMO
AND SWEAT running down his face from around his eyes; he
stares, rattled, at GCl on the huge LED TV -- the CHYRON
reads: "EXPL OSIVE NEW RIDDLER VIDEO GOES VIRAL" -- below
that: "Killer's message has over 13 million views"
THE VIDEO is A TWENTY YEAR OLD CAMPAIGN AD: THOMAS WAYNE
at the orphanage, MARTHA and YOUNG BRUCE beside him --
THOMAS WAYNE
From a very young age, my family
Martha's family, the Arkhams -
instilled in both of us ... that
giving back is not just an
obligation ... it's a passion. That
is our families' legacy --
The IMAGE FREEZES -- EERIE MUSIC swallowing the "Fanfare"
as the video takes on the tone of a political attack ad -
VINTAGE FAMILY PHOTOS of the WAYNES and ARKHAMS appear --
RIDDLER (V.O.)
(eerie VOICE CHANGER)
The Waynes and the Arkhams --
Gotham's founding families ... but
what is their real legacy ... ?
-- the photos bleed RED -- turning DARKER as a GOTHAM
GAZETTE REPORTER'S BYLINE PHOTO fades up --
RIDDLER (V.O.)
Twenty years ago, one reporter set
out to uncover the dark truth ...
He found shocking family secrets.
FLASHES OF POLICE and AUTOPSY PHOTOS FILL THE SCREEN --
RIDDLER (V.O.)
How when Martha was just a child,
her mother brutally murdered her
father, then committed suicide -
and how the Arkhams used their
power and money to cover it up ...
WE SEE A DEATH CERTIFICATE; "Cause of Death: ACCIDENTAL"
(CONTINUED)
121
121
122
02/09/20 (White February Shooting Script) 84.
CONTINUED: 121
RIDDLER (V.O.)
How Martha herself was in and out
of institutions for years -- and
they didn't want anyone to know ...
SHOTS OF AN INSTITUTION -- spying through a fence at a
DISTURBED YOUNG WOMAN, SURROUNDED BY NURSES
RIDDLER (V.O.)
Thomas Wayne tried to force this
crusading reporter into a hush
money agreement to save his
mayoral campaign ...
AS THOMAS SHAKES HANDS on the campaign trail -- a LEGAL
DOCUMENT spins on screen -- THE WORD "HUSH!" APPEARS --
RIDDLER (V.O.)
But when the reporter refused,
Wayne turned to longtime secret
associate, mafia kingpin Carmine
Falcone -- and had him murdered ...
A GUNSHOT RINGS OUT -- NEWS FOOTAGE of the DEAD REPORTER
plays; the HEADLINE: "GANG-LAND STYLE EXECUTION" -- as a
SUPER-ENLARGED PHOTO from the orphanage dedication FADES
UP: THOMAS and CARMINE FALCONE TALKING CONSPIRATORIALLY --
RIDDLER (V.O.)
The Waynes and Arkhams -- Gotham's
legacy of lies -- and murder ...
We see A CAMPAIGN POSTER; "MAYOR" has been crossed out,
it reads: "THOMAS WAYNE FOR MURDERER". RIDDLER appears
RIDDLER
One by one, Gotham's Pillars
fall ... on Judgement Day, the
wreckage will consume us all ...
GOOD byyyyyyyye--
ON BRUCE, absolutely ROCKED -- as CLUB MUSIC RISES --
BLACKNESS
SWINGS OPEN REVEALING BRUCE -- OUTSIDE THE CLUB -
BRUCE
Know who I am?
REVEAL ONE OF THE TWIN BOUNCERS -- staring in shock -
BOUNCER
... you're Bruce Wayne.
(CONTINUED)
122
122
10/25/19 (October Shooting Draft)
CONTINUED:
BRUCE
I wanna see Carmine Falcone.
85.
The Bouncer just looks at him -- then SHUTS THE DOOR -
BEAT -- the DOOR OPENS: BOTH TWINS standing there now --
BOUNCER
(looking at his Twin)
See ... ?
The Twin stares in disbelief as Bruce glares; then breaks
into an excited smile, like he's seeing a rock star --
TWIN BOUNCER
... c'mon in.
122
123 INT. FALCONE'S SHORELINE LOFT - PRIVATE ELEVATOR - NIGHT 123
The doors open; we FOLLOW BRUCE down a long hallway to A
DRAWING ROOM; HOODS and HOSPITALITY WOMEN crowd around a
pool table, drinking, playing -- at the table, CARMINE
FALCONE looks over to see Bruce, the Twins behind him -
Bruce glowers silently at Falcone, who stares back with a
smirk ... when the others begin to notice, quieting ...
FALCONE
Give us a minute, fellas.
The BODYGUARDS usher everyone out.
FALCONE
Have a seat ...
But Bruce just stands there.
FALCONE
Thought I might hear from you.
This Riddler sonuvabitch is really
stirring things up, isn't he-- ?
BRUCE
(quiet)
Is it true?
FALCONE
What? ... that reporter business?
A beat. Falcone studies Bruce's rage-filled eyes.
FALCONE
Whattaya wanna know here, kid?
Whattaya lookin' for?
(CONTINUED)
123
02/09/20 (White February Shooting Script)
CONTINUED:
BRUCE
The truth. Did you kill him. For
my father.
FALCONE
Look, your father saved my life. I
was loyal to him. I even trieda
give money to his campaign, and
that whole Renewal thing -- but he
wouldn't take it. He didn't wanna
associate with a guy like me
BRUCE
My father hated everything you
stand for.
FALCONE
(smiles)
Yeah, I know. Course he did. Guys
like you, your father, you don't
want anything to do with me ...
(darkens, bitter)
... til you need me. Right?
A beat as they look at each other.
FALCONE
Your father was in trouble, ok?
This reporter had some dirt, some
very personal stuff about your
mother, her family history ... you
know, everybody's got their dirty
laundry, that's how it is. But he
didn't want none of that coming
out, not right before the
election. Your father trieda pay
this guy off, but he wasn't goin'
for it. So he came to me. I never
seen him like that. He said: I
want you to put the fear of God in
this guy.
Bruce stares, unnerved ...
FALCONE
And when fear isn't enough, you
take it to the next level. Your
father wanted me to handle it.
(a shark's eyes)
So I did. I handled it.
86.
Bruce is truly unmoored; Falcone enjoying his pain ...
(CONTINUED)
123
123
10/25/19 (October Shooting Draft)
CONTINUED: ( 2 )
FALCONE
I know, you thought your father
was a boy scout. But you'd be
surprised what even a "good" man
like him is capable of. In the
right situation.
(then)
Do me a favor, don't lose any
sleep over this, ok? This reporter
was a lowlife, he was on Maroni's
payroll -- he got what was comin' .
BRUCE
... Maroni?
FALCONE
Oh yeah. Maroni could never stand
your father and I had history. And
after what happened with this
reporter, I think he was worried
your father would be in my pocket
forever. He woulda done anything
to keep him from becoming mayor.
(a pointed beat)
Ya understand?
87.
Bruce shakes his head, reeling, resisting the notion ...
FALCONE
... sure ya do ...
BRUCE
Are you saying ... ? Salvatore
Maroni ... had my father killed?
Falcone lets that just hang in the air ... then:
FALCONE
Do I know it for a fact ... ? I'm
just sayin', it sure looked that
way to me.
As the shock hits Bruce ... Falcone regards him coldly ...
FALCONE
This what you wanted? This little
conversation here?
Bruce can't even respond ...
FALCONE (O.S.)
Anhh ... I spose it's been a long
time comin' ... I mean you ain't a
kid no more .. .
123
124
125
126
02/09/20 (White February Shooting Script) 88.
INT. WAYNE TOWER - GRAND FOYER - DAWNING LIGHT
Bruce arrives at the top of the stairs in a daze, stops,
staring at ... the CHAINED and PADLOCKED SET OF DOORS ...
INT. BRUCE'S PARENTS' DARKENED BEDROOM - MOMENTS LATER
Untouched in twenty years ... a frozen moment, covered in
dust. Bruce enters, taking in the unbearable stillness ...
In the early light, he sees a man's suit jacket draped on
a chair ... a pair of glasses rest on an old newspaper ...
He turns, seeing a STAINED TEACUP, askew in its saucer on
a woman's dressing table ... behind it, on the mirror, are
yellowed CHILDREN'S CRAYON DRAWINGS: his ... One's a stickfigure, smiling family ... a mother, father, and child .. .
A quiet HEART MONITOR BEEPING begins as Bruce stares .. .
INT. ALFRED'S HOSPITAL ROOM - TWILIGHT
Alfred opens his eyes to see BRUCE seated at his bedside,
rumpled. Bruces smiles sadly, finally speaking, pained:
BRUCE
... you lied to me. My whole life.
(long, pregnant beat)
I ... spoke to Carmine F alcone ...
Pain and shock fill Alfred's eyes ... he blinks away; then
back. Finally, he struggles for voice ... hoarse ...
ALFRED
... what'd he ... say ... ?
BRUCE
... he ... told me what he did ...
for my father ... and about
Salvatore Maroni.
Alfred's eyes burn ... trying to understand ...
ALFRED
... he told you ... Salvatore
Maroni ... ?
BRUCE
... had my father killed.
Alfred just gazes, pained.
BRUCE
Alfred, why didn't you tell me all
this ... ?
(MORE)
(CONTINUED)
124
125
126
126
10/25/19 (October Shooting Draft)
CONTINUED:
BRUCE (CONT'D)
I spent all these years fighting
for him ... believing he was a good
man
ALFRED
-- he was a good man
89.
Bruce shakes his head -- but Alfred grows more fierce
ALFRED
-- listen to me ... your father ...
was a good man -- he ... made a
mistake --
BRUCE
A mistake? He had a man killed -
why -- to protect the family image
-- his political aspirations ?
ALFRED
-- it wasn't to protect the family
image -- and he DIDN'T have anyone
killed ...
The forcefulness of that makes Bruce stop -- he looks at
Alfred ... who continues, simply, emotional ...
ALFRED
He was protecting your mother. He
didn't care about his image, the
campaign, any of that. He cared
about her. And you. These ...
... secrets about your mother's
family, they haunted her, she'd
battled them every single day. We
all have our scars, Bruce. And
your father knew, if everything
came out, it'd be too much for
her. It would destroy her. He
just ... he loved her so much. And
in a moment of weakness, he turned
to Falcone. But he never thought
Falcone would kill that man. Your
father should have known that
Falcone would do anything to
finally have something on him he
could 1!.§.g_ ••• to own him. That's
who Falcone is. And that was your
father's mistake.
(then)
But when Falcone told him what
he'd done, your father was
distraught -- he told Falcone he
was going to the police, that'd
he'd confess everything ...
(MORE)
(CONTINUED)
126
126
10/25/19 (October Shooting Draft)
CONTINUED: (2)
ALFRED (CONT'D)
And that night ... your father and
your mother were killed.
Bruce is stunned ...
BRUCE
... it was ... Falcone ... ?
90.
Alfred looks at him sadly, so wanting to give Bruce the
answer he needs, the answer he's wanted his whole life ...
ALFRED
... I wish I ... knew for�-··
Yes ... maybe ... Or maybe it was
some random thug on the street who
needed money, who got scared and
pulled the trigger too fast ... If
you don't think I've spent every
day searching for that answer ...
(truly distraught)
It was my job to protect them -
do you understand? I know you
always blamed yourself. You were
only a boy, Bruce. I could see the
fear in your eyes. But I didn't
know how to help. I could teach
you to fight -- but I wasn't
prepared to take care of you. You
needed a father. But all you
had ... was me. I'm sorry ...
Alfred averts his eyes, red with heartbreak and regret.
Bruce stares at him, deeply affected ...
BRUCE
... no, Alfred ... don't be sorry ...
(then, quiet, struck)
God, I ... never thought I'd feel
fear like that again ... I thought
I'd mastered all that. I mean, I'm
not afraid to die ...
His unflinching gaze meets Alfred's, who nods, solemn ...
then, Bruce's eyes shift away again, processing ...
BRUCE
But I realize now, there's
something I never got past ... The
fear of ... ever going through any
of that again ...
(looking at Alfred)
... of losing someone I care about.
Alfred looks back, moved -- he smiles, tears in his eyes:
(CONTINUED)
126
126
127
128
129
02/09/20 (White February Shooting Script)
CONTINUED: ( 3)
ALFRED
Well ... I'm afraid you won't be
rid of me just yet ...
Bruce smiles sadly back ... then gazes off ...
BRUCE
I went into their room last night.
Alfred is quietly struck.
BRUCE
It all ... seemed so much smaller.
91.
Alfred watches Bruce, a fleeting glimpse of the man as a
boy ... He reaches out a hand. Bruce stares, surprised ...
then lifts his own ... clasping Alfred's tightly ... Then
Bruce darkens ... noticing something outside the window ...
Alfred turns ... sees the BAT SIGNAL IN THE SKY.
EXT. ABANDONED SKYSCRAPER CONSTRUCTION SITE - NIGHT
The Batmobile arrives -- emerging to see Gordon,
getting out of his car too -- they trade confused looks
GORDON
BATMAN
... I ... saw the signal -- that's
not you ... ?
GORDON
I thought it was you ...
They both lift their eyes to the spotlight in the sky
INT. RISING CONSTRUCTION ELEVATOR - SECONDS LATER
We hear SCREAMS as THE UPPER FLOOR COMES INTO VIEW and
GLIMPSE SELINA IN CAT SUIT, VICIOUSLY KICKING SOMEONE
Shocked, Batman and Gordon rush from the lift
ONTO THE UNFINSHED FLOOR
Where Selina has a PRISONER BOUND BY HER LOCK CHAIN to
the GUARDRAIL AT THE BUILDING'S EDGE -- KENZIE -- HIS
FACE SWOLLEN -- she's got his GLOCK in both hands -
prowling, crazed -- she sees B atman, spins -- FIERCE --
SELINA
I found him
(CONTINUED)
126
127
128
129
129
02/09/20 (White February Shooting Script)
CONTINUED:
BATMAN
I see that --
SELINA
-- what're we gonna do -- he had
my shit -- my phone! She left a
message! The night they took her
she called me -- !
KENZIE
(totally freaked)
Gordon! Help me OUT, man!
BATMAN
Put down the gun --
SELINA
(KICKS him again)
SHUT UP!!!
SELINA
-- I'm telling you, goddammit
she CALLED ME!
(pulling out PHONE)
Here -- LISTEN!!!
92.
She hits PLAY ON A VOICEMAIL -- TOSSES THE PHONE to
Batman -- Gordon steps closer -- as THE DISTORTED MESSAGE
PLAYS: PANICKED BREATHING as an ANGRY VOICE approaches
MAN (OVER PHONE)
--back here -- where you
goin' ! ?
-- ANOTHER MAN'S VOICE joins
ANNIKA (OVER PHONE)
(terrified)
--n-n-nowhere -- I --
YELLING over them --
MAN TWO (OVER PHONE)
Hey hey-HEY, whattaya <loin'?
C'mon, Kenzie, you're scarin' her.
MAN/KENZIE (OVER PHONE)
-- oh, I'm -- I'm sorry, Mr.
Falcone ...
FALCONE (OVER PHONE)
(gentler)
Hey ... you ok ... ? C'mere
ANNIKA (OVER PHONE)
please don't -- don't
hurt me --
FALCONE (OVER PHONE)
don't be scared -- c'mere .. .
Now, lemme just ask you again .. .
What'd Mitchell tell you ... ?
ANNIKA (OVER PHONE)
n-nothing -- he --
(CONTINUED)
129
129
10/25/19 (October Shooting Draft)
CONTINUED: ( 2 )
FALCONE (OVER PHONE)
Don liked to talk, I know that -
'specially to pretty girls like
you ... that's why I made him take
your passport -- till we could
have a little conversation
ANNIKA (OVER PHONE)
-- all I wanna do is get out of
here, OK? You'll never hear from
me again nobody will -- PLEASE!
FALCONE (OVER PHONE)
We're gonna get you outta here, I
promise ... But fir st, I gotta
know ... what'd he tell you?
ANNIKA (OVER PHONE)
... he ... he just said they ... they
all made a ... a deal with you --
FALCONE (OVER PHONE)
-- ohhhh -- he told you bout that,
huh? -- a deal -- ?
ANNIKA (OVER PHONE)
-- yeah, long time ago he said -
said you gave some information on
some drops thing helped a lot of
people -- and that's how he became
mayor -- he said you were a ...
very important man ...
FALCONE (OVER PHONE)
Right. . . uh-huh ...
(resigned sigh, then)
OK ...
93.
AND SUDDENLY -- ANNIKA BEGINS SHRIEKING -- IT'S AGONIZING
-- BATMAN'S GAZE S HIFTS TO SELINA, WHO STARES OFF, TE ARS
BEGINNING -- AS ANNIKA'S CRIES TURN TO DESPERATE GASPS --
FALCONE (OVER PHONE)
(strains, eerie calm)
... just ... take it ... easy -- OK?
Take it easy ...
GORDON
Jesus ... he's strangling her ...
SELINA'S EYES LIFT TO BATMAN'S, ALIVE WITH RAGE -- AS THE
RECORDING FINALLY ENDS -- EVERYONE SILENT. GORDON TURNS
TO BATMAN, REELING -- WHEN BATMAN'S EYES LIFT TO HIS:
(CONTINUED)
129
129
02/09/20 (White February Shooting Script)
CONTINUED: ( 3)
BATMAN
... "rata alada". A falcon has
wings too. Falcone's the rat.
94.
Gordon turns slowly to Kenzie; they move toward him -
GORDON
... he works for you guys? The
D.A .... ? The mayor ... ?
Kenzie looks up at them, terrified ... when ... he cracks:
KENZIE
No ... we work for him ... Everybody
does .. .
BATMAN
KENZIE GORDON
... through Renewal ...
Renewal is everything
-- the Renewal Fund ... ?
KENZIE
(shaking, it spills)
Yeah ... After Thomas Wayne died,
they all went after it like
vultures -- the mayor -- Falcone
Maroni -- everyone got in on it
it was perfect -- for makin'
bribes -- laundering money -- a
huge charitable fund with no
oversight -- everybody got a
piece. But Falcone wanted more. So
he orchestrated a play to take
Maroni down big -- he'd rat out
his drops operation, make the
careers of everybody that went
after him, then install them all
as his puppets ... He'd run the
city. And he's been <loin' it ever
since -- you think this goddamn
election matters? Falcone's the
mayor -- he's been the mayor for
the last twenty years ...
Selina turns to Batman: a truly scary look in her eyes
SELINA
C'mon, "Vengeance" -- let's go
kill that sonuvabitch
(gun on Kenzie)
This creep too, let's finish this!
(CONTINUED)
129
129
02/09/20 (White February Shooting Script)
CONTINUED: ( 4 )
GORDON
95.
KENZIE
OH , GOD -- ! ! ! whoa -- whoa -- whoa!!!
when a BLACK GLOVE knocks the gun to the floor!
BATMAN (O.S.)
No ...
129
Selina spins, ready to strike, FACE TO FACE WITH BATMAN -
BATMAN
We'll get him, but not this way
SELINA
There is no other way -- he owns
the city!
BATMAN
Cross that line ... you'll become
just like him .. .
Beside herself, she realizes
BATMAN
he's not with her --
Listen to me -- don't throw your
life away
Finally, she turns back to him -- smiles, fatalistic -
SELINA
Don't worry, honey --
With dancer's grace -- she lifts a leg -- touching her
heel provocatively to Kenzie's chest -- then, hardening
SELINA
I got nine of 'em --
KENZIE'S EYES WIDEN -- AS SHE KICKS HIM THROUGH THE
GUARDRAIL -- KNOCKING HIM OFF THE BUILDING -- !
GORDON LURCHES FORWARD ON INSTINCT -- AS BATMAN TRIGGERS
HIS QUICK-DRAW SLIDER -- FIRING A HARPOON INTO KENZIE'S
ANKLE -- FIERCELY YANKING THE LINE TAUT TO SAVE HIM --
KENZIE
JESUS CHRIIIIST -- !!!
-- AS BATMAN -- STRUGGLING TO HOLD ON -- SPINS TO SEE -
SELINA LEAPING OFF THE EDGE WITH THE GLOCK -- LAUNCHING
FOR A CABLE ON A CONSTRUCTION CRANE -- JUST MAKING IT -
SLIDING DOWN THE LINE -- SWINGING OFF -- DISAPPEARING!
-- Gordon helps Batman pull a whimpering Kenzie back up
(CONTINUED)
129
130
10/25/19 (October Shooting Draft) 96.
CONTINUED: (5) 129
Gordon turns to Batman -- who's yanking a wired hook from
his belt -- securing it on the edge -- no time to lose --
GORDON
She'll never get outta there alive
-- and if she kills Falcone, we
may never find the Riddler
BATMAN
-- I have to stop her
GORDON
Don't you mean� -- ?
BATMAN
I gotta do this my way
GORDON
And then what -- ?
Batman looks up as he finishes
BATMAN
We do what Riddler said
(tosses him SELINA'S
PHONE)
Bring the rat into the light ...
Gordon stares at the phone
it -- as BATMAN JUMPS BACK
then nods, suddenly getting
RAPPELLING OFF THE TOWER --
EXT. GOTHAM STREETS - AT HIGH SPEED - NIGHT
HURTLING down a service road under an elevated highway -
REVEAL SELINA SCREECHING through the maze of columns on
her bike -- PAN as she SCREECHES PAST -- heading toward -
THE ICEBERG LOUNGE -- disappearing behind the building
130
131 EXT. DESERTED ALLEY BEHIND ICEBERG LOUNGE - SECONDS LATER 131
Selina whips off her helmet -- ejects the Glock's clip to
inspect rounds; SLAMS it back -- UNZIPPING HER BODYSUIT --
132 THE BATMOBILE
ROARS on the service road -- threading columns -- when it
SKIDS TO A STOP -- hidden in shadow -- BATMAN peers at --
SELINA OUTSIDE THE CLUB, UNDER THE FLICKERING STREET LAMP
-- now in HER SLIT DRESS -- as THE TWINS let her in --
SLOW ZOOM, BATMAN staring, intense, deciding what to do
132
133
10/25/19 (October Shooting Draft) 97.
INT. ICEBERG LOUNGE NIGHTCLUB - MOVING - NIGHT
MUSIC POUNDS AS WE MOVE TOWARD A GUARD beside A PRIVATE
ELEVATOR -- his eyes brazenly check us out, head to toe
SELINA
(uncomfortable smile)
Hey -- could you tell Mr. Falcone
I'd like to come up --
ELEVATOR GUARD
-- he ain't seeing nobody tonight!
SELINA
(leans in, hushed)
Just tell him it's about A nnika ...
He darkens -- nods -- Selina step s aside as he speaks low
into a mic on his sleeve. He opens the ELEVATOR DOOR for
her -- watches ... AS SHE GETS IN ... AND THE DOORS CLOSE --
133
134 INT. FALCONE'S SHORELINE LOFT - ELEVATOR HALLWAY - NIGHT 134
SELINA STEPS OUT, moving by an INTIMIDATING PHALANX OF
135
136
GUARDS -- to the DRAWING ROOM -- where FALCONE APPEARS
FALCONE
Look who it is -- !
SELINA FALCONE
-- sorry to bother you -- No, it's fine, beautiful!
SELINA
I was just wondering if I could ...
talk to you for a minute ... alone?
-- and as we hear a LOUD POUNDING KNOCK-KNOCK-KNOCK
BLACKNESS
SWINGS OPEN; we SEE OUTSIDE THE CLUB, BUT NO ONE'S THERE.
REVEAL THE TWINS staring out the door -- confused -
FOLLOW THEM OUT as they search for whoever was knocking
WHEN BAM! -- they SPIN to SEE THE DOOR SHUTTING THEM OUT!
INT. HEART OF THE CLUB - MOVING - IMMEDIATELY
PUSHING THROUGH REVELERS -- A FIGURE ENTERS
STRIDING in ARMY JACKET, CAP, and DUFFEL -
ENTERED AS THE DRIFTER -- EYES SEARCHING -
he's been looking for -- A DOOR: "KEEP OUT"
FRAME
BATMAN HAS
HE SPIES what
ENTERS --
(CONTINUED)
135
136
136
137
02/09/20 (White February Shooting Script) 98.
CONTINUED: 136
A SECURITY GUARD NOTICES -- GIVING CHASE -- MOVE WITH HIM
-- to see THE DRIFTER DISAPPEARING ROUND A CORNER -- the
GUARD DISAPPEARS AFTER HIM -- HOLD in the empty corridor
-- when the GUARD'S BODY CRASHES OUT -- UNCONSCIOUS -- !
INT. FALCONE'S DRAWING ROOM - SAME TIME
Selina sits across from Falcone, who leans against the
pool table, sizing her up as she grows emotional
SELINA
... I'm just -- I'm so worried -- I
don't know where she is ... ! And I
know you're a very important man,
I was hoping maybe you could help
me find her -- I mean she's been
gone so long, I'm starting to
think she might be ...
(stops, tearing)
-- I'm so sorry --
FALCONE
(eyes her carefully)
That's OK -- I understand
He offers her some tissues --
SELINA
No -- thank you, I have some ...
-- as she reaches INTO HER CLUTCH ON HER LAP where THE
GLOCK HIDES -- HER FINGERS STARTING TO GRASP IT -- WHEN --
AN ALARMED VOICE (O.S.)
Mr. Falcone -- !
-- they both turn, startled, as a BALD BODYGUARD enters -
Selina eases off the gun, taking out a Kleenex instead --
FALCONE
Vinnie! Didn't I tell you I was--?
BALD BODYGUARD
I'm sorry, Mr. Falcone -- I really
think you gonna wanna see this ... !
Falcone sees he's serious -- nods -- turns to Selina --
FALCONE
I'm sorry, beautiful
right back ...
I'll be
Selina nods, wiping tears as he goes; she hardens as she
looks at the Glock, then leans to see ...
(CONTINUED)
CONTINUED: 137
The Guar d leading Falcone to a ROOM WHERE A TV PLAYS --
BLACKNESS
A DOOR CRASHES OPEN REVEALING THE CLUB ELECT RICAL ROOM
THE DUFFEL HITS THE FLOOR -- THE DRIFTER'S HANDS REACH IN
-- SEIZING A PORTABLE ROTARY SAW --
INT. FALCONE'S LOFT - TV ROOM - SIMULTANEOUS
TV ligh t flicker s in Fal cone's eyes as he gazes in shock:
FALCONE
... hol y shit ...
GCl NEWSCASTER (O.S.)
... the recor ding was provided to
GCl by Lieutenant James Gor don of
the Goth am PD -- I shoul d warn
you, the content s are disturbing.
ON TV we see THE GCl BREAKING NEWS HEADLINE -- "RECLUSIVE
CRIME BOSS RECORDED COMMITTING MURDER -- ADMITS TO BEING
MAFIA INFORMANT" -- SELINA'S CELL PHONE VOICEMAIL PLAYS --
FALCONE (ON TV)
-- ohhhh -- he told you bout that,
huh? -- a deal -- ?
ANNIKA (ON TV)
yeah, long time ago he said
he said you gave some information
on some drops thing
ON SELINA - IN THE DRAWING ROOM
WATCHING the two men by the TV, back s to her -- she slips
her h and into her c lutch -- gripping THE GLOCK -- she
RISES, heading for them -- as ANNIKA SCREAMS on TV -- !
INT. THE CLUB ELECTRICAL ROOM - SIMULTANEOUS
THE ROTARY SAW GRINDS INTO METAL AROUND POWER LINES -
SPARKS FLY -- illuminating THE BAT COWL IN THE DUFFLE!
INT. FALCONE'S LOFT - TV ROOM - SIMULTANEOUS
WE SLOWLY MOVE TOWARD THE BACK OF FALCONE'S HEAD when
the GLOCK lift s into frame -- we hear a soft voice:
(CONTINUED)
138
139
140
141
142
142
143
144
145
146
14 7
10/25/19 (October Shooting Draft) 100.
CONTINUED: 142
SELINA (0. S.)
... hey, Dad ...
Confused, Falcone turns to look at us, startled to see
the gun REVEAL SELINA, Glock in both hands, trained on
Falcone -- the Bald Bodyguard turns, alarmed too --
FALCONE
... what ... ?
CLOSE ON SELINA, emotion under the stillness of her gaze:
SELINA
I'm Maria Kyle's kid ...
Falcone looks at her, stunned, unnerved -- then
FALCONE
ok, just -- just put
down the gun, honey--
SELINA
(cutting him off)
this is for my mother
Selina about to fire -- WHEN THE LIGHTS GO OUT -- AS BANG
-- HER MUZZLE FLASH CATCHES THE BLUR OF FALCONE DUCKING --
INT. THE CLUB BELOW - IMMEDIATELY
CROWD reacting to the SUDDEN DARK in panic
INSIDE THE ELEVATOR SHAFT
THE DOORS SCREECH OPEN -- A SHADOW SWEEPS IN -- as it
passes, we see THE ELEVATOR GUARD outside, UNCONSCIOUS
FROM DIRECTLY OVERHEAD IN THE SHAFT
RIGHT BELOW US, THE SHADOW RAISES ... THE GRAPPLING GUN
THE HOOK SOARS TO THE ELEVATOR CAR, five stories above
INT. FALCONE'S DARKENED TV ROOM UPSTAIRS - SIMULTANEOUS
SILHOUETTED AGAINST THE WINDOW, Selina and Bald Bodyguard
FIGHT FOR HER GUN -- SELINA SLAMS A HEEL ON HIS KNEE -
HOBBLING him with a SICKENING CRACK -- she SPINS -- a
BLINDING ROUNDHOUSE -- and he DROPS -- SELINA SPOTS -- A
DIM GLIMPSE OF FALCONE DARTING FOR THE DOOR -- SHE FIRES
BLINDLY -- BULLETS RIPPING INTO THE WALL -- WHILE --
OUTSIDE IN THE COMPLETELY DARKEN ED ELEVATOR HALLWAY
VOICES OF PANICKED GUARDS react to the GUN SHOTS -
(CONTINUED)
143
144
145
146
147
147
148
149
10/25/19 (October Shooting Draft) 101.
CONTINUED: 147
ONE GUARD (O.S.)
Jesus Christ --
ANOTHER (O.S.)
-- I can't see a goddamn
YET ANOTHER
here-here-here -- !
-- as he turns on a CELL PHONE FLASHLIGHT -- light spills
onto THE FIVE ARMED GUARDS -- WHEN AN OMINOUS SCREECHING
comes from the end of the hall -- THEY ALL SPIN toward
THE EERILY OPEN DOORS OF THE PITCH-DARK ELEVATOR. They
exchange looks, spooked; then, drawing guns, nod to the
Guard With The Cell to check it out; he reluctantly moves
to the doors, drawing his gun ... they watch as he enters:
THE ELEVATOR
SCOURING with the GLOW of his cell; sees nothing ... when,
he hears BREATHING ... dawning dread ... he looks up AT --
BATMAN, BRACED UNNATURALLY AGAINST THE CEILING -- light
from below DISTORTING HIS FEATURES -- an IMAGE FROM
CHILDREN'S NIGHTMARES -- FACE TO FACE with the Guard --
BATMAN DR OPS -- THE GUARD SHRIEKING IN AGONY -- HIS CELL
SMASHING -- THE HALL THRUST AG AIN INTO DARKNESS -- AS
BOOTSTEPS POUND -- BATMAN'S PATH THROUGH THE HALL MARKED
BY STACCATO MUZZLE FLASHES -- AS HE PUMMELS GUARD, AFTER
GUARD, WEAPONS FIRING INVOLUNTARILY AS THEIR BODIES FLY --
BACK IN THE DARKENED DRAWING ROOM
MORE FLASHES FROM SELINA'S GUN reveal -- FALCONE CRAWLING
DESPERATELY around the pool table -- BARELY EVADING HER
SELINA TURNS THE CORNER TO FIND HIM -- ABOUT TO FIRE --
WHEN A FORCE YANKS HER -- SLAMMING HER INTO THE TABLE -
THE BALD BODYGUARD -- SHE KICKS HIM OFF -- AND WITH
ANOTHER BRUTAL STOMP HOBBLES HIS OTHER KNEE -- SHE GRABS
HIS HEAD -- WHACKING HIM OUT ON THE TABLE EDGE!
SELINA SPINS BACK for Falcone -- BUT HE'S GONE -- THWACK!
-- FALCONE SLAMS HER HEAD WITH A POOL CUE! CLIMBS ON HER
AS SHE DROPS -- THRUSTING THE CUE IN BOTH HANDS AGAINST
HER NECK, CHOKING HER -- SELINA GASPS -- ARMS PINNED -
WRITHING -- A EERIE COLDNESS IN HIS EYES AS HE FIGHTS TO
SNUFF OUT HER LIFE -- FURIOUS TEARS SPILL FROM HER EYES --
FALCONE
You don't think this hurts me ... ?
My own ... flesh and blood? You
made me do this ... Just ... like
your mother ...
(CONTINUED)
148
149
149
150
02/09/20 (White February Shooting Script) 102.
CONTINUED: 149
WHEN A SHAPE LOOMS -- RIPPING FALCONE OFF! IT'S BATMAN
SHOCKED, SELINA DRINKS IN AIR -- AS BATMAN SLAMS FALCONE
DOWN ONTO THE TABLE -- LEAVING HIM IN A STUPID DAZE -
Selina GRABS THE GUN -- aiming at Falcone distraught,
filled with fury Batman holds her back -- she ERUPTS:
SELINA
He has to PAY -- !
Batman qently puts his hand on the gun -- as she shakes,
still panting, adrenaline surging -- he says, quietly:
BATMAN
But you shouldn't have to pay with
him ...
She turns to him -- not understanding -- still frenzied -
BATMAN
... you've paid enough.
Something in that finally gets through ... she relents .. .
Batman watches as her eyes drift down, lost, reeling .. .
INT. ICEBERG LOUNGE - LONG ENTRY HALL - MOMENTS LATER
ONLOOKERS part -- A STUNNED PENGUIN AND TWINS AMONG THEM
-- as Batman propels Falcone ... who murmurs, undeterred --
FALCONE
Jesus, lookit you ... Whattaya
think this is -- you think you're
gonna scare me with that mask and
the cape -- I'm gonna start cryin'
and some big secret's comin' out?
Batman slowly turns, rage now smoldering in his eyes.
FALCONE
Lemme tell you something: whatever
I know, whatever I done, it's all
goin' with me, OK? To my grave.
Batman gazes into his black eyes, restraining himself -
then turns to see -- GORDON waiting with a SHOTGUN at the
open front door -- Falcone smirks as they reach him
FALCONE
You with Zorro over here?
(leans in, hushed)
Don't you know you boys in blue
work for �- .. ?
Gordon just glares, as he and Batman both shove Falcone --
150
151
02/09/20 (W hite February Shooting Script) 103.
OUTSIDE THE CLUB
where Falcone's smile immediately fades as he sees a HUGE
DISPLAY OF ARMED COPS waiting in stoic silence --
GORDON
Guess we don't all work for you.
Falcone's stunned; Gordon nods to Martinez to CUFF him --
GORDON
You have the right to remain
silent, anything you say can and
will be used against you ...
Falcone's eyes drift to Penguin and Twins who've emerged
with others from the club, all watching in disgust
PENGUIN
... goddamn rat ...
FA LCONE
-- what'd you say ... ?!
Enjoy your
Carmine
PENGUIN
night at Blackgate,
probably be your last
FALCONE PENGUIN
Oh, you're a big man now,
huh Oz?
( new sense of power)
maybe I am --
FALCONE
Really, Oz? 'Cuz to me you were
always just a gimp in an empty
suit ...
-- the Twins can't help but chuckle at that -- the public
humiliation suddenly embarrassing Penguin -- he explodes:
PENGUIN
I'LL SPRAY-PAINT YOUR ASS -- !
whipping out his UZI -- COPS FREAK -- RUSHING HIM -
WHEN SHOTS RING OUT -- FALCONE'S HIT -- THE COPS PILE
ONTO PENGUIN -- WHO SUBMITS IN SUDDEN PANIC --
PENGUIN
I DIDN'T SHOOT -- I DIDN'T SHOOT!
PANDEMONIUM -- EVERYONE SCRAMBLING FOR COVER -- AS BATMAN
LOOKS UP TO SEE -- A RIFLE JUTTING OUT A SIX FLOOR WINDOW
ACROSS THE STREET -- HE LUNGES FOR FALCONE -- AS THE
RIFLE FIRES AGAIN -- BULLETS EXPLODE INTO FALCONE'S CHEST
-- AS BATMAN TACKLES HIM -- THEY TUMBLE TO THE GROUND --
(CONTINUED)
151
151
152
153
02/09/20 (White February Shooting Script)
CONTINUED:
104.
AND THE GUNFIRE FINALLY STOPS -- Batman rolls off Falcone
-- to find him BLEEDING OUT -- when HE NOTICES A BRIGHT
REFLECTION in the POOLING BLOOD -- he lo o ks up to see
it's fro m the LONE FLICKERING STREET LAMP above -- when
SOMETHING QUIETLY DAWNS --
BATMAN
... "Bring him into the light ... "
His HEAD WHIPS to the DARKENED WINDOW ACROSS THE STREET
BATMAN
" ... and you' 11 find where
I'm--"
A VOICE CRIES (O.S.)
(as if co mpleting
Batman's thought)
UP THERE!
Everyone turns to see MARTINEZ POINTING TO THE WINDOW --
MARTINEZ
-- THE SHOTS CAME FROM UP THERE!
151
-- cops pulling out weapons -- Batman turning to Gordon --
BATMAN
-- it's Riddler --
Go rdon struck, snapping into acti on -- CALLING HIS MEN -
GORDON
Gage! On me! Martinez! Round back!
NO ONE GETS IN OR OUTTA THERE!
COPS RUSH THE BUILDING as Batman stalks purpo sefully
alone in the directi on of the window itself --
A few cops rema in, attending to Falcone -- HIS FACE GOES
STILL -- when A SHADOW SPILLS over his lifeless eyes -
REVEAL SELINA above him -- flickering street light
flaring aro und her as s he stares at her father, nu mb ...
SMASH TO:
A GRAPPLING HOOK
CRASHES THROUGH a WINDOW -- BATMAN CATAPULTS UP INTO --
A RUN-DOWN STUDIO APARTMENT
NO ONE HERE. The WALLS are COVERED IN I MAGES. Batman sees
A SNIPER RIFLE by the window. He turns to AN OPEN WINDOW
on another wall -- moves to find -- A FIRE ESCAPE OUTSIDE
-- leans to scan the gri my alley below -- it's EMPTY --
(CONTINUED)
152
153
153
154
155
02/09/20 (White February Shooting Script)
CONTINUED:
105.
THE FRONT DOOR SMASHES IN -- Gordon and cops charge in
BATMAN
He's gone --
Batman moves past CAGES OF SCREECHING RATS to photos on
the wall -- Savage and the dealer -- Mitchell and Annika
struck, Batman gazes out the window -- Gordon does too
-- to SEE most of the photos were taken from this spot
GORDON
... he's been here this whole time?
MARTINEZ (OVER RADIO)
LIEUTENANT! We gotta witness here
says she saw someone come down the
fire escape right after the shots!
She said he went into the corner
diner -- the guy's sitting by
himself at the counter right now!
Gordon and Batman exchange a look ...
EXT. PUSHING IN ON THE FRONT OF A LONELY DINER - NIGHT
Like an Edward Hopper painting -- A LONE, AVERAGE-SIZED
MAN sits at the counter, HIS BACK TO THE LARGE WINDOW
A COUNTERMAN sets A LATTE before him, then disappears
into the kitchen -- a TV above plays ELECTION RESULTS
as we PUSH CLOSER ARMED COPS CREEP INTO FRAME --
AMONG THE COPS WE FIND BATMAN -- as he approaches
staring at the Lone Man in the window -- transfixed --
INT. LONELY CORNER DINER - THE COUNTER - SIMULTANEOUS
CLOSE ON THE BACK OF THE LONE MAN as he meticulously
attends to HIS LATTE with a PLASTIC STIRRER; we HEAR
GCl NEWSCASTER
-- not enough precincts in to call
yet, but so far Real is ahead of
Acting Mayor Tomlin by huge
margins, celebrations already
beginning at her headquarters in
Gotham Square Garden where even
Don Mitchell's wife and son have
gathered to show unity --
A CRAZED COP (O.S.)
POLICE!!! -- HANDS UP!!!
BUT THE LONE MAN JUST KEEPS STIRRING HIS LATTE
(CONTINUED)
153
154
155
155
156
157
02/09/20 (White February Shooting Script) 106.
CONTINUED: 155
A CRAZED COP (O.S.)
I SAID PUT YOUR GODDAMN HANDS UP,
YOU SONUVABITCH!!!
The Man FINISHES STIRRING ... SLOWLY RAISES HIS HANDS,
still pinching the little stirrer ... He starts to turn
but before we see his face -- REVEAL -- the SHOW OF FORCE
AROUND HIM -- THE PLACE IS PACKED
Then, at last, WE SEE HIM FOR THE FIRST TIME -- and his
signature PRESCRIPTION AVIATORS; he's pale, unremarkable;
a NOBODY. A creepy half-smile forms as he stares at the
cops -- like he's been expecting them ... when finally, he
speaks, gesturing toward the kitchen with the stirrer --
RIDDLER
(as if they'll wait)
... I just ordered a slice of the
pumpkin pie--
BAM! -- COPS RUSH HIM SLAMMING HIM ONTO THE COUNTER --
CLOSE ON HIS SIDEWAYS FACE, cheek pressed flat beside HIS
LATTE -- glasses smashed -- STRUCK, AS HE SEES SOMETHING
-- past the cops, a FIGURE gazes from outside -- BATMAN -
RIDDLER holds Batman's eyes, smile growing -- when
Martinez rips his wallet from his pocket -- finding TWO
DRIVER'S LICENSES: "EDWARD NASHTON" and "PATRICK PARKER".
MARTINEZ
Which one is you?!
RIDDLER
( a little grin)
... you tell me ...
MARTINEZ
Awright -- let's go, pencil-neck!
As THEY TEAR HIM AWAY, we REMAIN ON HIS STEAMING LATTE -
MOVING TOWARD THE CUP -- LIFTING TO LOOK INSIDE at what
Riddler was working on -- A WORK OF LATTE ART -- A WHITE
QUESTION MARK, SCRAWLED IN FOAM -- HOLD, as SIRENS wail --
INT. RIDDLER'S STUDIO APARTMENT - SHORT TIME LATER
Crawling with INVESTIGATORS -- POLICE PHOTOGRAPERS snap
and videotape -- the atmosphere is hushed, electric --
IN THE DIM HALLWAY RIGHT OUTSIDE
Martinez posted at the door, watches election results on
his phone -- when a DARK SHADOW WIPES RIGHT BY him --
(CONTINUED)
156
157
157
158
02/09/20 (White February Shooting Script)
CONTINUED:
Martinez just catches it -- too late
MARTINEZ
Hey -- !
INSIDE THE APARTMENT
107.
we ROVE toward DETECTIVES poring over a mountain of
RIDDLER'S NOTEBOOKS, LEDGERS, PAPERS -- so absorbed in
their task they don't notice as we arrive beside them --
REVEAL BATMAN -- scanning SCRIBBLED TITLES on the ledgers
he cocks his head to read one, struck: "RENEWAL"
On the other side of the room, Gordon confers with a
FORENSIC COP by a PILE OF YELLOWING, RATTY NOTEBOOKS
GORDON
-- what are all these -- diaries?
FORENSIC COP
Ledgers -- he's got thousands
scrawled all over 'em -- ramblings
-- ciphers -- codes --
A DETECTIVE ON THE PHONE suddenly shouts excitedly
DETECTIVE ON THE PHONE
Got something back on one of the
I.D.s! Edward Nashton! Works at
KTMJ! He's a forensic accountant!
GORDON
accountant -- ?
A SURLY COP YELLS (O.S.)
Hey, lieutenant! You really
OK with this -- ?!
Gordon turns -- to see the Surly Cop gesturing beside
Batman who's now reading the Renewal ledger
SURLY COP
What about chain of evidence?
Ignoring him, Batman looks up at Gordon with a foreboding
stare -- Gordon approaches; Batman hands him the ledger
GORDON
(shrugs to Surly Cop)
... he's wearing gloves ...
Gordon gazes at the ledger -- the top sheet is smothered
in WRITING, SCRAWLED right on the columns of numbers -
as GORDON READS -- we SEE Batman stalk the room,
absorbing the CLUTTER -- including a SHRINE OF MANNEQUINS
WEARING PROTOTYPES OF THE RIDDLER'S TORTURE DEVICES ...
(CONTINUED)
157
158
158
10/25/19 (October Shooting Draft)
CONTINUED:
GORDON (O.S.)
"Friday, July, 16th. My life has
been a cruel riddle I could not
solve, suffocating my mind, no
escape. But then today, I SAW
IT ... A SINGLE WORD on this
ledger, sitting on the desk beside
me! RENEWAL! The empty promise
they sold to me as a child in that
orphanage. One look inside and
finally I UNDERSTOOD! My whole
life has been PREPARING me for
this ... The moment when I would
learn the TRUTH ... when I coul d
finally strike back and EXPOSE
THEIR LIES! "
108.
As Batman passes CAGES OF AGITATED RATS, a SCREECHING
grabs his attention; he moves for it as Gordon goes on
GORDON (O.S.)
"If you want people to understand,
REALLY understand, you can't just
give them the answers. You have to
CONFRONT them, TORTURE THEM with
the horrifying questions -- Just
like they tortured ME. I KNOW NOW
WHAT I MUST BECOME. "
As the SCREECHING ESCALATES, Gordon flips more pages, the
Riddler's scrawl becoming illegible, until it's nothing
but ANGRY SCARS OF INK -- Gordon is shaken by the display
of insanity -- until the intense SCREECHING becomes TOO
MUCH -- he glances up, seeing Batman by the cages --
GORDON
Jesus -- I don't think that rat
likes you, man --
BATMAN
This one's not a rat ...
Gordon and the Surly Cop step closer to see ... inside the
cage is A RABID BAT! It SNARLS, BEARING ITS TEE TH, WINGS
BEATING -- beneath it is an ENVELOPE: "TO THE BATMAN" -
attached to a strange BLOODY, METAL TOOL --
GORDON
What is that ... ?
Batman starts to reach in -- but stops, shooting Surly
Cop a sardonic look -- okay with you?
SURLY COP
Knock yourself out ...
(CONTINUED)
158
158
10/25/19 (October Shooting Draft)
CONTINUED: ( 2 )
109.
As a Photographer FLASHES the cage, the bat HISSES MADLY
-- Batman tensely reaches past it, carefully retrieving
the envelope and metal object
FORENSIC DETECTIVE SURLY COP
Some kinda 2fY tool is it a chisel -- ?
BATMAN
-- it's a murder weapon. He killed
Mitchell with it.
(off their looks)
The edge'll match the floorboard
impression in the mayor's study.
Batman opens the envelope -- another GREETING CARD says:
"JUST FOR YOU"; inside is SCRAWLED, "MY CONFESSION ... "
GORDON
"My Confession" ... ? What's he
confessing to? He already told us
he killed Mitchell ...
Batman stares at the card with growing dread -
BATMAN
This isn't over ...
AN ALARMED VOICE (O.S.)
Oh man -- he's been posting all
kinds of shit online! He's got
like five hundred followers
real fringe types ...
They turn to a DIGITAL FORENSICS COP on Riddler's laptop
-- Gordon moves to see -- but Batman's eyes go to the
wall above ... to AN ENORMOUS COLLAGE -- a sea of DEFACED
PHOTOS -- scrawled over it: "THE TRUTH ABOUT GOTHAM".
Batman steps forward, gazing at IMAGES of city officials,
police officers, Riddler's victims -- but most prominent
is an image of YOUNG BRUCE WAYNE beside his father at the
Orphanage ceremony -- their EYES ETCHED ANGRILY OUT.
In the BOY'S CHOIR beside them, a QUESTION MARK encircles
the head of a SAD, SCRAWNY BOY IN AVIATOR GLASSES who
stares at the Waynes in awe -- next to him are the words:
"If only I knew then ... what I KNOW now ... " --
-- Batman sees A CLUSTER OF BATMAN TABLOID HEADLINES in
the collage -- among them, a CRUDE POLICE SKETCH,
entitled: "GOTHAM TERRORIZED -- WHO IS THE BATMAN?" Next
to it, Riddler has written ominously: "I KNOW ... I know
the REAL you ... " Batman stares, unnerved -- WHEN --
(CONTINUED)
158
158
10/25/19 (October Shooting Draft)
CONTINUED: ( 3)
DIGITAL FORENSICS COP (O.S.)
His final post was last night --
some video -- gotta lotta views --
but it's password protected --
110.
Batman turns to see what they're looking at -- the post
is titled "The Truth UNMASKED" -- Batman hit by a sinking
feeling as Gordon anxiously presses toward the screen --
GORDON
Can you get in -- ?
DIGITAL FORENSICS COP
Copying his drive now -- take some
time -- but we'll get
Batman stares, world closing in
BATMAN
in ...
reeling -- then --
I think I'm his last target ...
Gordon turns -- struck
GORDON
You ... ?
BATMAN
Maybe this's all coming to an end.
GORDON
... what is?
BATMAN
The Batman.
Gordon looks confused, when his phone RINGS. He steps
away. Batman watches as Gordon speaks low -- his eyes
suddenly lift darkly to Batman's. He hangs up, unnerved
GORDON
... Riddler's asking for you. At
Arkham.
Batman just looks at him; then starts to go but stops
158
-- Gordon looks at him when he says, like a farewell --
BATMAN
... you're a good cop.
159 INT. VISITING CELL - ARKHAM PRISON FOR THE INSANE - NIGHT 159
Batman waits as the METAL ROLL-UP DOOR RISES ... revealing
Riddler. Seeing Batman, an EERIE SMILE grows. Finally,
Riddler speaks, glancing at the squalid surroundings --
(CONTINUED)
159
10/25/19 (October Shooting Draft)
CONTINUED:
RIDDLER
... I told you I'd see you in hell.
BATMAN
What do you want from me?
RIDDLER
... want? If you only knew how long
I've been waiting for this day ...
for this moment. I've been
invisible my whole life. Guess I
won't be anymore, will I? They'll
remember me now. They'll remember
both of us ...
111.
His smile fades. He looks into Batman's eyes; ominously:
RIDDLER
Bruce Wayne ...
Batman's jaw clenches, betraying nothinq -- Riddler's
emotion rises, he looks at the floor, stewing with rage:
RIDDLER
Bruce. Waaaayne.
Batman on edge -- his eyes flit anxiously to a SECURITY
CAMERA recording -- when Riddler's eyes snap back to his.
The pause between them is excruciating. Then, bitterly:
RIDDLER
You know, I was there that day ...
the day the great Thomas Wayne
announced he was running for
mayor. Made all those promises ...
Week later he was dead, and
everybody just forgot about us.
All they could talk about was poor
Bruce Wayne ... Bruce Wayne the
orphan ... Orphan? Living in some
tower over the park isn't being an
orphan. Looking down at everyone
with all that money -- don't you
tell me ... You know what being an
orphan is? Thirty kids to a room,
twelve years old and already a
drophead, numbing the pain -- you
wake up screaming with rats
chewing your fingers, and every
winter one of the babies dies
because it's so cold. But oh, no.
Let's focus on the billionaire
with the lying dead daddy. Because
at least the money makes it go
down easy, doesn't it?
(MORE)
(CONTINUED)
159
159
10/25/19 (October Shooting Draft)
CONTINUED: (2)
RIDDLER (CONT'D)
(glaring at Batman)
Bruce Wayne ...
112.
Riddler quiets, ruminating darkly. Walls closing in,
Batman looks away to keep from screaming. Riddler sighs:
RIDDLER
He's the on ly one we didn't get.
Batman lifts his eyes -- stirring almost imperceptibly
what'd he just say? Riddler leans in conspiratorially
RIDDLER
But we got the rest of them,
didn't we -- all those sick,
sleazy, phony pricks ...
Batman REELS -- Riddler DOESN'T know -- when, Riddler
suddenly softens, his tone turning almost vulnerable:
RIDDLER
God, look at you ... Your ... mask
is amazing. I wish you could have
seen me in mine ...
(an intimate grin)
Isn't it funny? All everyone wants
to do is unmask you, but they're
missing the point ... You and I
both know: I'm looking at the real
you right now. My mask allowed me
to be myself, completely. No
shame. No limits --
BATMAN
why did you write me?
RIDDLER
...... what do you mean?
BATMAN
All those cards --
RIDDLER
I told you. We've been doing this
together you're part of this
BATMAN
We didn't do anything together
RIDDLER
-- we did -- what did we just do?
I asked you to bring him into the
light and you did -- we're such a
good team --
(CONTINUED)
159
159
02/09/20 (White F ebruary Shooting Script)
CONTINUED : ( 3)
113.
BATMAN
We're NOT a team --
BATMAN
I gave you NOTHING
RIDDLER
I never could have gotten
him out of there, I'm not
physical -- my strength is
up here. I mean I had all
the pieces, I had the
answers, but I didn't know
how to make them listen
YOU gave me that --
RIDDLER
-- you showed me what was
possible -- you showed me
all it takes is fear and a
little focused violence
you INSPIRED me --
BATMAN
YOU'RE OUT OF YOUR GODDAMN MIND!
RIDDLER
What -- ?
BATMAN RIDDLER
this is all in your HEAD -- how can you say that?!
you're twisted SICK
BATMAN RIDDLER
-- you think you'll be
REMEMBERED? You're a
pathetic psychopath begging
for attention -- you're
gonna die in Arkham -
FORGOTTEN -- a NOBODY
-- no -- no -- stop -- !
(covering his ears, a
child's tantrum)
NO, NO, NO, NO, NO, NO
AHHHHHHHHHHHHHHHHH --
RIDDLER
(angry tears stream)
THIS IS NOT HOW THIS WAS
SUPPOSED TO GO ... !!!
SILENCE. Batman watches Riddler fume to himself; quietly:
RIDDLER
I had it all planned out. We were
gonna be safe here -- we could
watch the whole thing. Together.
BATMAN
... watch what?
RIDDLER
(sulking at floor)
Everything. But I guess that won't
be happening now, will it?
(CONTINUED)
159
159
160
10/25/19 (October Shooting Draft) 114.
CONTINUED: ( 4 ) 159
He glares up at Batman ... and suddenly registers Batman
has no idea what he's talking about. Riddler's struck --
RIDDLER
... ohhhh ... you didn't -- ? -- it
was all there ... you didn't figure
it out ... ?
(relishing)
You're really not as smart ... as I
thought you were ... I guess I gave
you too much credit ...
BATMAN
What have you done?
Riddler sits there; he leans in with sadistic pleasure
RIDDLER
What's black and blue ... and dead
all over ... ?
(as Batman glares)
You. If you think you can stop
what's coming ...
BATMAN
What have you DONE?!
Riddler sinks silently into his chair, finally retreating
into an eerie, off-key "AVE MARIA" by SHUBERT ... BATMAN
LAUNCHES out of his chair, SMASHING A FIST against the
glass; but Riddler keeps singing. Batman stands, helpless
-- STRAINS OF "AVE MARIA" RISING HAUNTINGLY --
INT. RIDDLER'S DARKENED APARTMENT - FRONT DOOR - NIGHT
A BLADE SLASHES the POLICE SEAL on the door -- BATMAN
BUSTS IN, PLAGUED, folding his TACTICAL KNIFE -- his eyes
rove the unoccupied space -- poring over the details
again -- WHAT DID HE MISS? -- mind racing -- WHEN --
A VOICE (O.S.)
Hey -- whattaya <loin' in here -- ?
Batman spins to see MARTINEZ IN THE DOORWAY, hand on his
gun. No time for this, Batman shoots a terrifying look.
Intimidated, Martinez thinks twice, releases his grip.
As Batman resumes his search, Martinez steps in, feeling
a responsibility to monitor the situation ... He watches
as Batman moves to the BLOODY METAL TOOL, taking out his
UV light bar, shining it. He picks up the GREETING CAR D --
(CONTINUED)
160
160
161
10/25/19 (October Shooting Draft)
CONTINUED:
MARTINEZ
Hey man -- I don't think you
should be touching th--
115.
Another look cuts him off -- Batman studies the card.
Martinez glances at the tool, attempting conversation
MARTINEZ
... boy, this guy's a real nutjob,
huh? Killing Mitchell with a
friggin' carpet tool ...
Batman slowly turns, struck. He gives Martinez a crazed
look: what did you just say? Martinez smiles, sheepish --
MARTINEZ
... my uncle's an installer -- it's
a, it's a -- you know -- a tucker.
THE TOOL IS THE MISSING PIECE. Batman picks it up,
stunned. Looks around frantically, finally spotting ... �
SUSPICIOUS, SNARLED CORNER OF THE RUG. He puts the tool
down -- moving toward the snag -- Martinez watching -- as
he crouches to examine ... when ... with growing dread ...
he begins TUGGING UP THE RUG -- CARPET TACKS POP-POP-POP!
Martinez freaks as EVIDENCE ON THE RUG SPILLS CHAOTCALLY:
MARTINEZ
whoa-WHOA-WHATTAYA DOIN', MAN?!
Batman UNVEILS A GIANT MAP OF GOTHAM, SCRAWLED ONTO THE
FLOOR -- it's INCREDIBLY DETAILED. Beside the map are
frighteningly carved, huge words: "A REAL CHANGE" -
Batman STARES at the WORDS, GEARS TURNING -- he lifts his
head looking at SOMETHING across the room --
RIDDLER'S LAPTOP SCREEN - SECONDS LATER
Batman enters the words, "A REAL CHANGE" -- unlocking the
VIDEO ... Riddler in his hooded uniform -- his warm tone
weirdly incongruous with the ominous VOICE CHANGER:
RIDDLER (ON LAPTOP)
Hey guys, thanks for all the
comments, and a special thanks to
everyone for the tips on
detonators. I just want to say ...
this will be my last post for a
while, and, uh . ..
(a surge of emotion)
... what this community has meant
to me ... these weeks, these
months ... let's just say ... �
of us ••• is alone anymore, mm-k?
(CONTINUED)
160
161
161
10/25/19 (October Shooting Draft)
CONTINUED:
116.
Batman stares -- as Riddler tamps his feelings down --
RIDDLER (ON LAPTOP)
Tomorrow's election day, and Bella
Real will win. She promised real
change. But we know the truth,
don't we? You've seen Gotham's
true face now. Together, we've
unmasked it. Its corruption, its
perversion, masquerading under the
guise of Renewal ... but unmasking
is not enough ... The Day of
Judgement is finally upon us, and
now it is time ... for retribution.
161
Riddler PICKS THE CAMERA UP, POINTS it at the MAP ON THE
FLOOR as he walks; Batman RISES to FOLLOW THE SAME PATH --
RIDDLER (V.O.)
I've parked seven vans all along
the city sea wall. And on the big
night, they will ... go ... boom --
Batman gazes down, SEES SEVEN "X"'S CARVED INTO THE MAP --
RIDDLER (V.O.)
Now when things go wrong, cities
have a plan. But tomorrow, we will
turn it on its head. Make their
emergency disaster plan truly a
disaster. When the vans blow --
ALARMED, BATMAN PEERS DOWN at the "X" on a GOTHAM STREET
right under his feet -- ALMOST GASPING -- AS WE --
MATCH CUT TO:
162 SAME ANGLE - OVER THE ACTUAL GOTHAM STREET - THAT MOMENT 162
163
In the "X"'s place is a VAN
ADJACENT SEA WALL CRUMBLING
BACK TO BATMAN
as it ERUPTS, PART OF THE
A RUSH OF WATER FLOODS IN!
SPINNING at the sound of MORE EXPLOSIONS; he bolts to the
window to SEE FIREBALLS ROILING OVER THE SKYLINE -- !
RIDDLER (V.O.)
-- the flooding will happen so
fast, evacuation will not be an
option ...
163
163A
02/09/20 (White February Shooting Script) 117.
NEW DISTANT ANGLE ON THE RISING FIREBALLS - CONTINUOUS
REVEAL RIDDLER peering out his cell window; he smiles --
163A
164 HIGH ANGLE - OVER ANOTHER GOTHAM STREET - AT THAT MOMENT 164
165
166
167
168
A STARTLING GLIMPSE -- A TSUNAMI WAVE SWEEPS SUDDENLY
OVER SHOCKED PEDESTRIANS -- TEARING THE STREET APART --
RIDDLER (V.O.)
Those who are not washed away
RIDDLER'S APARTMENT - AT THAT MOMENT
Batman's head whips toward ANOTHER SCRAWLED INTERSECTION
-- drawn by the sounds of DISTANT, TERRIFIED SCREAMING
it's as if the sound is coming from the map
RIDDLER (V.O.)
will race through the streets
in terror ...
SAME ANGLE ON THE ACTUAL INTERSECTION - AT THAT MOMENT
THE DESTRUCTIVE WAVE -- NOW BLACK WITH DEBRIS -- RIPS
UP CARS, TREES, LAMP POSTS -- as PEOPLE'S SCREAMS ECHO --
BATMAN'S EYES
fiercely search the map -- assessing the crisis
BATMAN
Call Gordon --
MARTINEZ
(fumbling for cell)
yeah-yeah-yeah !
SMASH TO:
STREET OUTSIDE GOTHAM SQUARE GARDEN - THAT VERY MOMENT
CELEBRATING CROWDS watching Bella's victory on JUMB OTRONS
and CELLS -- as EMERGENCY BULLETINS interrupt coverage
RIDDLER (V.O.)
As breaking news hits higher
ground at Gotham Square Garden,
celebrations will turn to panic
People react -- SCREAMING -- some spot SMOKE IN THE SKY --
(CONTINUED)
165
166
167
168
168
169
170
171
10/25/19 (October Shooting Draft)
CONTINUED:
RIDDLER (V.O.)
-- as the venue becomes the city's
shelter of last resort ...
BACK TO RIDDLER'S APARTMENT - AT THAT MOMENT
RIDDLER (ON LAPTOP)
And that's where all of you come
in ...
118.
BATMAN'S EYES GO TO THE COMMENT BOARD -- finding CHILLING
REPLIES: "what gauge? what caliber?" -- "rifles are good"
RIDDLER (ON LAPTOP)
... when the time arrives, I will
already be unmasked, the pigs will
have me in their custody -- but
that's ok, because then ... it will
be your turn ...
A MOVING SHOT - FOLLOWING A DARK FIGURE
SMASH TO:
Walking THE RAFTERS ABOVE GOTHAM SQUARE GARDEN, pulling
on a Riddler-style execution hood, rifle in hand ...
RIDDLER (V.O.)
... you'll be there, waiting ...
The Hooded Figure stares ominously below where panicked
commotion suggests news of the flooding is spreading -
when the Figure looks up, SPOTTING ...
ANOTHER ARMED HOODED FIGURE, staring back at him -- they
regard each other oddly ... then nod grimly -- when they
turn to see ... a THIRD Riddler Figure arriving ... and
behind him, ANOTHER ... and ANOTHER ... It's A SMALL ARMY
OF BITTER NOBOD IES IN HOODED RIDDLER OUTFITS, hidden
above the crowd, all meeting here for the very first
time, as they secretly prepare to strike ...
RIDDLER (V.O.)
It's time for the lies to finally
end -- false promises of Renewal,
change
BACK TO BATMAN
watching in horror as Riddler concludes bitterly --
(CONTINUED)
CONTINUED: RIDDLER (ON LAPTOP) We'll give them a real, real change now. We've spent our lives in this wretched place, suffering, wondering why us? Now they wi ll spend their last moments wondering, why them ... ? 119. ON MARTINEZ, completely terrified, gazing at his cell - MARTINEZ I can't get through the lines are down -- He turns to show Batman BUT BATMAN IS ALREADY GONE! EXT. OUTSIDE GOTHAM SQUARE GARDEN - NIGHT UTTER CHAOS OUTSIDE THE GLASS DOMED BUILDING -- EMERGENCY VEHICLES, SIRENS -- PEOPLE running up the streets - FIRST RESPONDERS scream to CROWDS OF TERRIFIED CITIZENS herding them to shelter inside the Garden -- tending to the INJURED -- a crisis escalating by the second We SPOT a MOTORCYCLE weaving through the madness SELINA -- with her leather backpack, saddle bags on the bike -- she stops at a ROAD BLOCK across the intersection -- hops off to move a SAW HORSE herself -- WHEN: TRAFFIC COP Hey -- road's CLOSED! SELINA -- I'm trying to get outta town -- TRAFFIC COP Lady, we got BOMBS goin' off, whole city's FLOODING! Now you're gonna have to go inside the Garden with everyone else! About to protest, Selina suddenly feels something -- she looks down to see BLACK WATER POOLING around her feet -- INSIDE GOTHAM SQUARE GARDEN - ENTRANCE - SIMULTANEOUS The victory celebration turned to crisis mode -- a MAD CRUSH squeezes through the doors -- fighting through, we FIND GORDON, rousted from bed, urgently heading for -- a MAKESHIFT COMMAND POST. UNIFORMED OFFICERS, MED PERSONNEL and FIREMEN all talk at once; Gordon flashes his BADGE -- GORDON MCU -- who's in charge ? ! (CONTINUED) 171 172 173 173 174 175 02/09/20 (White February Shooting Script) CONTINUED: YOUNG OFFICER I really dunno, we're all just tryin'a get a handle here, sir! GORDON -- we have an active situation - we need to sweep the building for explosives and get the mayor-elect outta here, llilli· Where is she -- ? INT. GOTHAM SQUARE GARDEN - HIGH ABOVE - SAME 120. A RIFLE SCOPE PROWLS the panicked crowd ... FINDING GORDON AND COPS pressing through; CROSSHAIRS follow ominously - then SWISH ACROSS TO FIND -- BELLA behind the FESTOONED STAGE, surrounded by her team, peeking in and out of view as she gestures anxiously, arguing with a FIRE MARSHALL REVEAL A MAGNIFIED EYE -- blinking eerily through the scope -- as the scope lowers, and we see ONE OF THE HOODED GUNMEN lying on his stomach IN THE RAFTERS -- Satisfied with his position, he lowers his rifle, opens a PLASTIC AMMO CASE revealing A HUNDRED ROUNDS. He takes one, begins to load -- as we DISCOVER -- OTHER GUNMEN preparing their weapons on the rafters behind him! DOWN BELOW - BEHIND THE SCAFFOLDING STAGE - SAME Gordon and the cops arrive to find Bella mid-argument with the Fire Marshall -- Gordon notices Mitchell's Wife and Ten-Year-Old Son standing nervously with the group FIRE MARSHALL If we don't close the doors, we're gonna have a huge problem, water's already starting to breach! BELLA REAL I thought this was the shelter of last resort -- ! FIRE MARSHALL yeah -- for a hurricane -- not if the whole sea wall comes down! BELLA REAL -- I am not going to let those people die out there! (angry, distraught) Awright ... I'll go calm the crowd down so we can get everyone in (CONTINUED) 173 174 175 175 10/25/19 (October Shooting Draft) CONTINUED: GORDON (O.S.) -- it's not safe for you here Bella turns -- seeing Gordon and the cops - GORDON -- we gotta get you out, Ms. Real. BELLA REAL I'm not going anywhere GORDON -- we are under attack BELLA REAL Exactly! That's the problem with this city -- everyone's afraid to stand up and do the right thing. But I'm not. Excuse me -- 121. Gordon watches, frustrated, as she moves to the podium - BELLA REAL Everyone!? Everyone! If I could just get your attention -- ! The unruly crowd won't quiet -- she starts to call out again -- when, in the corner of her eye, she SPOTS THE GLINT OF A RIFLE up behind the lights -- she recoils -- Gordon suddenly reading her fear -- STARTING FOR HER AS -- BANG! GUNFIRE ERUPTS FROM THE RAFTERS! BELLA DROPS AS SHE'S HIT -- GORDON LAUNCHING TO SHIELD HER -- PANDEMONIUM -- AS MORE SHOTS RING OUT FROM ABOVE GORDON FRANTICALLY DRAGS BELLA INTO COVER OFF-STAGE HE DRAWS HIS GUN -- PEEKING AT THE RAFTERS -- AS A TORRENT OF MUZZLE FLASHES EXPLODES -- THE GUNMEN FIRING! GORDON PEERS THROUGH THE SCAFFOLDING AT WAVES OF PEOPLE SCREAMING IN PANIC THE SCENE RATCHETING INTO UNBEARABLE TENSION -- GORDON HORRIFIED -- WHEN SUDDENLY EXPLOSIONS RIP PERCUSSIVELY THROUGH THE DOMED CEILING - UNLEASHING A HAIL OF GLASS OVER THE GUNMEN -- AS -- A MALEFIC PHANTOM PLUMMETS THROUGH THE ROOF -- BATMAN!!! HE SLAMS INTO THE RAFTERS BARELY IN CONTROL -- TRIGGERING HIS QUICK-DRAW SLIDER -- FIRING A HARPOON LINE INTO THE LEG OF THE SHOOTER ON THE BEAM ACROSS FROM HIM -- THEN A SECOND SLIDER ON HIS OTHER ARM -- HARPOONING ANOTHER -- BATMAN FLIPS BACK OFF THE CATWALK -- YANKING BOTH GUNMEN OFF THEIR BEAMS -- COUNTER-BALANCING BATMAN AS HE SWINGS UNDER THE CATWALK AND BACK UP ONTO IT -- THE SHOOTERS DANGLING BELOW -- THIS HAS ALL HAPPENED IN AN INSTANT -- (CONTINUED) 175 175 176 177 02/09/20 (White February Shooting Script) 122. CONTINUED: (2) 175 IN SHOCK, THE ARMY OF HOODED LOOKALIKES TURNS FIRING -- AS BATMAN BOUNDS MADLY THROUGH THEIR ASSAULT -- TAKING HITS -- HE LEAPS O UT ACROSS BEAMS -- WILDLY GRASPING ONE -- CATAPULTING HIMSELF UP INTO -- A GRO UP OF SHO OTERS -- WITH BLINDING SPEED, BATMAN ATTACKS -- SNAPPING BONES - POPPING KNEECAPS -- HE SPOTS A TERRIFIED GUNMAN RELOADING -- STARTS FOR HIM -- SUDDENLY PULLED OFF BALANCE - BATMAN SPINS TO SEE TWO OF THE BLOODIED NOBODIES GRIPPING HIS CAPE -- DESPERATELY TRYING TO HEAVE HIM DOWN INTO THE ABYSS BELOW -- BATMAN TWISTS HARD -- WINCHING THE CAPE - YANKING THE NOBODIES INTO A FLURRY OF KNOCKOUT BLOWS -- BATMAN SEES THE TERRIFIED GUNMAN LIFTING HIS WEAPON - SPINS TO SEE ANOTHER SHO OTER -- ABOUT TO FIRE TOO - BATMAN DODGING AS -- THE ROUNDS RIP INTO THE TERRIFIED GUNMAN INSTEAD -- AS HE DROPS, THE TERRIFIED GUNMAN FIRES INVOLUNTARILY -- BULLETS TEARING INTO THE OTHER SHOOTER BUT ONE SHOT SMACKS HARD OFF THE SIDE OF BATMAN'S COWL! SEEING HIM DAZED -- THE REMAINING GUNMEN UNLEASH A FIRESTORM -- RABIDLY BLASTING BATMAN -- BATMAN FORCED TO RETREAT, SHIELDING HIMSELF -- AS THEY STALK AFTER HIM DOWN BELOW ON THE STAGE HUNDREDS SCRAMBLE -- GORDON presses against panic to see BATMAN UNDER ATTACK; turns to the Fire Marshall and cops: GORDON Get me up there ... ! They leap from the stage into DEEP WATER, WADING URGENTLY PAST SOMEONE in the crowd -- SELINA -- PEOPLE JOSTLE HER as she fights to glimpse Batman -- she pulls herself onto the scaffolding tower by the stage to see -- WORRIED ... BACK IN THE RAFTERS BATMAN STUMBLES, COLLAPSING -- AS THE GUNMEN SHOOT -- HE SEES FIRE EXTINGUISHERS ON THE RAILING -- RIPS A STICKY CHARGE FROM HIS BELT -- SLAPS IT ON ONE -- ROLLS IT AT THE SHOOTERS -- DOES THE SAME TO ANOTHER -- AND ANOTHER - WHEN THE CHARGES ALL BLOW! -- HUGE CLOUDS ERUPT INTO THE AIR -- AS BATMAN EVAPORATES INTO THEIR WHITENESS -- THE SHOOTERS ANXIOUSLY VENTURE INTO THE FOG -- ONE PROBES BLINDLY WITH HIS RIFLE -- WHEN BATMAN SEIZES THE BARREL - HIS FINGER TASER ZAPS THE METAL -- THE GUNMAN COLLAPSES -- BATMAN CLUBS THE SHOOTERS ONE BY ONE WITH THE RIFLE -- HE SPOTS ONE CRAWLING FOR A DUFFLE -- GOES FOR HIM -- AS THE GUNMAN LIFTS OUT A SHOTGUN -- FIRING INTO BATMAN'S CHEST! (CONTINUED) 176 177 177 02/09/20 (White February Shooting Script) CONTINUED: 123. BATMAN CAREENS OFF THE CATWALK -- BARELY CATCHING THE EDGE WITH ONE HAND -- GASPING FOR BREATH -- TRYING TO PULL HIMSELF UP -- BUT THE PAIN IS JUST TOO MUCH -- THE SHOTGUN SHOOTER RISES, HALF IN SHOCK -- HANDS SHAKING AS HE RELOADS -- LIMPING TO THE EDGE, WILD EYES PEERING FROM THE EXECUTIONER'S HOOD AT BATMAN, HANGING BELOW -- BATMAN LOOKS UP, HELPLESS -- TREMBLING, THE SHOOTER PUTS HIS GUN TO BATMAN'S COWL -- FINGER ON THE TRIGGER -- WHEN OUT OF NOWHERE -- A BLINDING KICK KNOCKS HIS GUN FREE -- IT FIRES INTO THE AIR -- AS THE GUNMAN SPINS TO SEE -- SELINA! -- LEAPING FROM THE SCAFFOLDING -- SHE HOOK-KICKS HIS HEAD INTO THE RAILING -- CATCHING HIM AS HE REELS - RAMMING HIS FACE DOWN HARD AGAIN -- THE GUNMAN CRUMPLES Selina moves to Batman -- losing his grip, fading -- no time to lose, she leans down, grabs his arm -- braces her heels on the railing -- levering him slowly up -- until she collapses on the catwalk, his body on top of hers. She rolls him onto his back, gazing down, face close to his. He looks up, haunted, as if he doesn't see her as he struggles to breathe -- when she notices HIS CHEST -- the blast has torn his armor, buckshot lodged in exposed skin 177 -- a lot of blood it's unclear how bad the wound is -- he tries to sit up -- she guides him back down -- growing emotional -- cradling his face -- soothing SELINA ... it's ok ... it's done now ... it's over. Finally he submits -- his eyes now seeing hers -- holding them -- then, gently closing ... Eyes welling, she leans down to kiss his face ... his lips ... as she pulls back ... his eyes open; for a moment, they just stare -- when -- -- Batman sees A SHAPE looming above Selina -- IT'S THE BATTERED SHOTGUN SHOOTER -- WHOSE FOOT SLAMS THE BACK OF HER HEAD -- STUNNING HER -- HE DRAGS HER OFF BATMAN - UNSHEATHING A HUNTING KNIFE FROM HIS BOOT -- SHE RAISES HER ARMS TO DEFEND HERSELF AS HE STABS WILDLY AT HER! BATMAN FIGHTS TO GET UP -- HE CAN'T -- AS SELINA STRUGGLES -- HE FUMBLES SOMETHING FROM HIS BELT -- AN AUTO-INJECTOR: ADRENALINE -- HE JAMS IT INTO HIS NECK! HE LAUNCHES HIMSELF WITH A JOLT -- RIPPING THE ATTACKER OFF SELINA IN A VIOLENT FRENZY -- LOSING ALL CONTROL - SELINA STUNNED BY BATMAN'S UNBRIDLED PRIMAL RAGE -- WHEN -- GORDON AND THE COPS B URST OUT A DOOR TO THE CATWALK GORDON RACES TO BATMAN -- TO STOP HIM FROM KILLING -- (CONTINUED) 177 02/09/20 (White February Shooting Script) CONTINUED: ( 2 ) GORDON Hey man -- take it easy easy -- ! Hey -- HEY -- take it 124. 177 Batman stops, mid-strike -- Gordon's voice reaching him - he turns, disoriented, as Gordon gently pulls him back - Batman slowly stands, breathing hard -- turns -- checking on Selina -- as she rises, looking at him, grateful, surprised, the depth of his feelings for her now exposed. Gordon reaches down, pulling the Hood off the SHOOTER -- GORDON Jesus ... who the hell� you ... ? UNKNOWN MAN (grins eerily) Me ... ? I'm Vengeance. Batman turns, struck by the sound of his own words in this killer's mouth -- WHEN -- A CRASH ECHOES BELOW Everyone spins -- EXCEPT BATMAN -- who continues to stare at the Man, ROCKED -- HOLD ON HIM as the SOUNDS OF PANIC AND CHAOS FADE AWAY -- when FLICKERING LIGHTS in the arena pull him out of his trance -- Batman turns to the others -- COMPLETE SILENCE as DOWN BELOW he SEES -- THE FOUR-STORY GLASS WALL BEHIND THE STAGE SMASHING OPEN AS CASCADING DEBRIS FLOODS INSIDE -- UPROOTED T REES, CARS, AND WAVES OF BLACK WATER SWARMING THE SCAFFOLDING AROUND THE STAGE -- WHICH GIVES WAY ALL AT ONCE -- BATMAN AND THE OTHERS WATCH PEOPLE TOSSED INTO SWEEPING MUCK -- SCAFFOLDING TOWERS TOPPLE, SHEARING ELECTRICAL LINES POWERING THE HUGE MONITORS AND LIGHTS -- BATMAN SEES ONE LINE SPARKING ANGRILY OVER THE RAPIDLY RISING WATER -- THE WIRE THREATENING TO MAKE CONTACT WITH THE SURFACE, JEOPARDIZING THE THOUSANDS HALF-SUBMERGED -- GORDON, SELINA, AND THE COPS WATCH HELPLESSLY -- BATMAN WITHDRAWS HIS GRAPPLE GUN -- FIRING INTO THE CEILING - THEY TURN AGHAST AS HE SWINGS OUT -- ONTO THE POWER LINE! BATMAN PULLS HIS TACTICAL KNIFE -- BRACING HIMSELF -- HE HACKS THE LINE -- SOUND COMES CRASHING BACK -- AS AN ELECTRICAL BLAST SURGES THROUGH HIM -- JOLTING HIM LOOSE -- HE DROPS TO THE WATER BELOW, SPLASHING INTO IT! SELINA AND GORDON WATCH IN HORROR -- AS ALL THE LIGHTS GO OUT FOR A MOMENT, WE WONDER: IS BATMAN DEAD? WHEN -- HE BREAKS THE SURFACE, GASPING, ALIVE. Scans the darkness around him, pulling something from his belt; it IGNITES, and we see it's A FLARE -- THE SOLE SOURCE OF LIGHT NOW ILLUMINATING THE THOUSANDS IN THE WATER ALL AROUND HIM -- (CONTINUED) 177 178 179 02/09/20 (White February Shooting Script) CONTINUED: ( 3) 125. He sees BELLA AND OTHERS, trapped in twisted scaffolding in the STILL-RISING WATER -- he starts quickly toward them -- climbs the wreckage -- heaving a truss aside to make an opening to let them all out -- but as he reaches in, Bella and the group hesitate, intimidated by Batman's haunting, wraith-like presence in the flare's light - all, except a BOY ... MITCHELL'S TEN YEAR OLD SON, who reaches his hand up, unafraid. Batman pulls him up ... He turns to Bella, offering a hand again ... she takes it. As she clings to him, the others begin climbing out too -- NIRVANA'S "SOMETHING IN THE WAY" BEGINS -- as Batman uses HIS FLARE AS A BEACON, leading the masses through water, everyone following to safety -- a mesmerizing sight ... BRUCE'S VOICE OVER Wednesday, November sixth ... The city is underwater ... EXT. EXTREME HIGH AND WIDE OVER LOWER GOTHAM - SUNRISE Light fills the sky; the island is COMPLETELY SUBMERGED BRUCE'S VOICE OVER The national guard is coming ... EXT. LOWER GOTHAM STREETS - A SERIES OF SHOTS - SUNRISE REVISITING KEY LOCATIONS FROM OUR STORY -- the FLOODED SCENES OF AFTERMATH appear serene, surreally beautiful ... WE SEE -- the half-sunk CITY HALL -- facade ripped open a lone dog paddles past the tops of traffic lights -- BRUCE'S VOICE OVER Martial law is in effect. But the criminal element never sleeps ... 177 178 179 180 -- THE DINER WHERE RIDDLER WAS CAUGHT -- SUN GLEAMS IN ON 180 A SMALL FLEET OF PYREX COFFEE POTS, WHICH FLOAT EERILY 181 BRUCE'S VOICE OVER Looting and lawlessness will be rampant in the parts of the city no one can get to ... -- THE ICEBERG LOUNGE -- THE EMPTY DANCE FLOOR NOW SWIMMING IN STILL WATER UNDER SHIMMERING STAGE LIGHTS BRUCE'S VOICE OVER I can already see, things will get worse before they get better ... 181 10/25/19 (October Shooting Draft) 126. 182 FALCONE'S DRAWING ROOM -- FRESH, WET FOOT PRINTS LEAD 182 183 184 TO A LONE FIGURE SEATED IN FALCONE'S CHAIR; PENGUIN BRUCE'S VOICE OVER And some will seize the chance to grab everything they can ... Penguin sips scotch from Falcone's crystal tumbler, staring out over the city, his mind turning darkly ... EXT. GOTHAM HOSPITAL TRIAGE CENTER - SUNRISE In bandages, BELLA REAL holds a PRESS CONFERENCE; GORDON among the embattled POLICE and OFFICIALS around her -- BELLA REAL We will rebuild ... but not just our city. We must rebuild people's faith. In our institutions, in our elected officials, in each other. Together, we will learn to believe in Gotham again As NIRVANA SWELLS -- EXT. ABOVE GOTHAM SQUARE GARDEN - SUNRISE The roof jammed with EVACUEES waiting to be air-lifted, as FIRST RESPONDERS pull SURVIVORS through the skylight. BRUCE'S VOICE OVER I'm starting to see now, I have had an effect here. But not the one I intended. Vengeance won't change the past ... mine or anyone else's. I have to become�-·· CLOSER: FIREMEN turn, struck by the sight of -- BATMAN, caked in dried mud; he looks like hell -- heads turn as he carries AN INJURED WOMAN across the roof in his arms BRUCE'S VOICE OVER People need hope. To know someone's out there for them. The city's angry. Scarred. Like me ... As Batman puts her into a MED SLED, the woman CLUTCHES him, distraught; Batman stiffens, unsure how to respond. BRUCE'S VOICE OVER Our scars can destroy us ... even after the physical wounds have healed. But if we survive them ... (CONTINUED) 183 184 184 185 186 10/25/19 (October Shooting Draft) 127. CONTINUED: 184 Batman leans in ... returning the embrace ... the sobbing woman calms, releasing him ... And the sled lifts ... BRUCE'S VOICE OVER They can transform us. They can give us the power ... to endure. And the strength to fight. HOLD ON BATMAN IN SILHOUETTE, watching the woman ascend -- A HELICOPTER POV OVER HIM - AT THAT SAME MOMENT A CHYRON APPEARS ON SCREEN: "BATMAN VIGILANTE SAVES THOUSANDS IN GOTHAM SQUARE" -- WE ARE LOOKING AT A TV IN: INT. ARKHAM PRISON FOR THE INSANE - SAME THE TV sits in a GUARD STATION. Our view is a partially obscured, sidelong perspective -- we hear QUIET MOANING REVEAL RI DDLER -- face smooshed to the security glass of his cell, craning to see the story in complete anguish ... UNSEEN PRISONER'S VOICE Isn't that just terrible ... ? Him raining on your parade like that? What is it they say ... ? One day you're on top ... the next, you're a clown. Well, let me tell you .. . there are worse things to be .. . Riddler shrinks to the floor, totally despondent. Then: UNSEEN PRISONER'S VOICE Don't be sad. . . you did. . . fil2. well ... And you know, Gotham loves a comeback story ... Riddler rises, peering out of his cell, but can't see - RIDDLER ... who. . . who are you ... ? UNSEEN PRISONER'S VOICE Well that's the question isn't it? (then) Riddle me this ... The less of them you have ... the� one is worth. Riddler ponders ... then, finally ... smiles hopefully ... RIDDLER A friend ... ? (CONTINUED) 185 186 186 187 10/25/19 (October Shooting Draft) CONTINUED: And the Unseen Prisoner begins to LAUGH ... in the signature JOKER style ... the sound echoing us to -- EXT. RUN-DOWN GOTHAM CEMETERY - DUSK 128. Selina stands at a GRAVE: "MARIA KYLE". After a moment, she turns, tears in her eyes, heading to her bike -- her stray cats poke their heads out of leather saddle bags -- A VOICE (O.S.) ... you're leaving ... Selina turns, startled to see A FIGURE IN THE SHADOWS BATMAN, his motorcycle behind him. She's self-conscious. SELINA Jesus ... don't you ever just say hello? He emerges, a sense of unfinished business between them. BATMAN -- where will you go? SELINA I dunno, upstate ... ? Bllidhaven maybe ... ? (then, grins) Why ... you asking me to stay? But Batman says nothing. She darkens, worry in her voice: SELINA You know, this place is never gonna change. With Carmine gone, it's only gonna get worse for you -- there's gonna be a real power grab -- it'll be bloody BATMAN I know, but the city can change -- SELINA -- it won't -- ! BATMAN -- I have to try -- SELINA -- it's gonna kill you eventually, you know that ... SILENCE. Then, she tries to lighten things -- a smile at an impossible thought -- (CONTINUED) 186 187 187 10/25/19 (October Shooting Draft) CONTINUED: SELINA ... listen, why don't you come with me? Get into some trouble. We could knock off some CEOs. Trustfund types. It'll be fun. The Bat and the Cat. Got a nice ring ... 129. -- when she sees he's not looking at her; she follows his gaze to the BAT SIGNAL in the clouds -- smiles, rueful -- SELINA Who am I kidding? You're already spoken for. He looks back at her -- she nods at the sky - SELINA You should go And then she turns, getting on her bike -- when - BATMAN Selina ... She looks over -- a pregnant silence as they stare finally, he speaks, resigned to letting her go -- BATMAN Take care of yourself ... She nods a sad smile, starts her bike, heading off. Batman watches her go, mounting his; he revs the engine, accelerating after her -- and for a moment, they chase through the cemetery, echoes of their motorcycle scene early in the film ... until, they split off opposite ways. ON BATMAN, staring hard ahead ... finally, HIS EYES MOVE TO HIS SIDE MIRROR, unable to resist one last look, AS SHE RECEDES ... His eyes lift again, racing toward his city, a look of sheer determination -- we HOLD, AS OUR VIEW ANGRILY VIBRATES WITH HIS EVER INCREASING SPEED ... FASTER ... AND FASTER ... until, we ... CUT TO BLACK. THE END
BATMAN (IP-tala skráð) 16.11.2023 kl. 12:31
You are swine you vulgar little maggot. Don't you know that you are pathetic? You worthless bag of filth. As we say in California, I'll bet you couldn't pour piss out of a boot with instructions on the heel. You are a canker. A sore that won't go away. A zit on the butt of society. I would rather kiss a lawyer than be seen with you.
You are a fiend and a coward, and you have bad breath. You are degenerate, noxious and depraved. I feel debased just for knowing you exist. I despise everything about you. You are a bloody nardless newbie twit protohominid chromosomally aberrant caricature of a coprophagic cloacal parasitic pond scum and I wish you would go away.
You're a putrescence mass, a walking vomit. You are a spineless little worm deserving nothing but the profoundest contempt. You are a jerk, a cad, a weasel. Your life is a monument to stupidity. You are a stench, a revulsion, a big suck on a sour lemon.
You are a bleating fool, a curdled staggering mutant dwarf smeared richly with the effluvia and offal accompanying your alleged birth into this world. An insensate, blinking calf, meaningful to nobody, abandoned by the puke-drooling, giggling beasts who sired you and then killed themselves in recognition of what they had done.
I will never get over the embarrassment of belonging to the same species as you. You are a monster, an ogre, a malformity. I barf at the very thought of you. You have all the appeal of a paper cut. Lepers avoid you. Because off your face the rabbit population actually decreased. You are vile, worthless, less than nothing. You are a weed, a fungus, the dregs of this earth. And did I mention you smell?
If you aren't an idiot, you made a world-class effort at simulating one.
You snail-skulled little rabbit. Would that a hawk pick you up, drive its beak into your brain, and upon finding it rancid set you loose to fly briefly before spattering the ocean rocks with the frothy pink shame of your ignoble blood. May you choke on the queasy, convulsing nausea of your own trite, foolish beliefs.
You are weary, stale, flat and unprofitable. You are grimy, squalid, nasty and profane. You are foul and disgusting. You're a fool, an ignoramus. Monkeys look down on you. Even sheep won't have sex with you. You are unreservedly pathetic, starved for attention, and lost in a land that reality forgot.
You are a waste of flesh. You have no rhythm. You are ridiculous and obnoxious. You are the moral equivalent of a leech. You are a living emptiness, a meaningless void. You are sour and senile. You are a disease, you puerile one-handed slack-jawed drooling meatslapper.
On a good day you're a half-wit. You remind me of drool. You are deficient in all that lends character. You have the personality of wallpaper. You are dank and filthy. You are asinine and benighted. You are the source of all unpleasantness. You spread misery and sorrow wherever you go.
I cannot believe how incredibly stupid you are. I mean rock-hard stupid. Dehydrated-rock-hard stupid. Stupid so stupid that it goes way beyond the stupid we know into a whole different dimension of stupid. You are trans-stupid stupid. Meta-stupid. Stupid collapsed on itself so far that even the neutrons have collapsed. Stupid gotten so dense that no intellect can escape. Singularity stupid. Blazing hot mid-day sun on Mercury stupid. You emit more stupid in one second than our entire galaxy emits in a year. Quasar stupid. Your writing has to be a troll. Nothing in our universe can really be this stupid. Perhaps this is some primordial fragment from the original big bang of stupid. Some pure essence of a stupid so uncontaminated by anything else as to be beyond the laws of physics that we know. I'm sorry. I can't go on. This is an epiphany of stupid for me. After this, you may not hear from me again for a while. I don't have enough strength left to deride your ignorant questions and half baked comments about unimportant trivia, or any of the rest of this drivel. Duh.
Maybe later in life, after you have learned to read, write, spell, and count, you will have more success. True, these are rudimentary skills that many of us "normal" people take for granted that everyone has an easy time of mastering. But we sometimes forget that there are "challenged" persons in this world who find these things more difficult. I wish you the best of luck in the emotional, and social struggles that seem to be placing such a demand on you.
P.S.: You are hypocritical, greedy, violent, malevolent, vengeful, cowardly, deadly, mendacious, meretricious, loathsome, despicable, belligerent, opportunistic, barratrous, contemptible, criminal, fascistic, bigoted, racist, sexist, avaricious, tasteless, idiotic, brain-damaged, imbecilic, insane, arrogant, deceitful, demented, lame, self-righteous, byzantine, conspiratorial, satanic, fraudulent, libelous, bilious, splenetic, spastic, ignorant, clueless, illegitimate, harmful, destructive, dumb, evasive, double-talking, devious, revisionist, narrow, manipulative, paternalistic, fundamentalist, dogmatic, idolatrous, unethical, cultic, diseased, suppressive, controlling, restrictive, malignant, deceptive, dim, crazy, weird, dystopic, stifling, uncaring, plantigrade, grim, unsympathetic, jargon-spouting, censorious, secretive, aggressive, mind-numbing, arassive, poisonous, flagrant, self-destructive, abusive, socially-retarded, puerile, clueless, and generally Not Good.
Friðrik Dór Jónsson (IP-tala skráð) 22.11.2023 kl. 11:18
I bear witness that there is no God but Allah and that Mohammad is his messenger.
There is America, hit by God in one of its softest spots. Its greatest buildings were destroyed, thank God for that. There is America, full of fear from its north to its south, from its west to its east. Thank God for that.
What America is tasting now is something insignificant compared to what we have tasted for scores of years. Our nation (the Islamic world) has been tasting this humiliation and this degradation for more than 80 years. Its sons are killed, its blood is shed, its sanctuaries are attacked, and no one hears and no one heeds.
When God blessed one of the groups of Islam, vanguards of Islam, they destroyed America. I pray to God to elevate their status and bless them.
Millions of innocent children are being killed as I speak. They are being killed in Iraq without committing any sins, and we don't hear condemnation or a fatwa (religious decree) from the rulers. In these days, Israeli tanks infest Palestine -- in Jenin, Ramallah, Rafah, Beit Jalla, and other places in the land of Islam, and we don't hear anyone raising his voice or moving a limb.
When the sword comes down (on America), after 80 years, hypocrisy rears its ugly head. They deplore and they lament for those killers, who have abused the blood, honor and sanctuaries of Muslims. The least that can be said about those people is that they are debauched. They have followed injustice. They supported the butcher over the victim, the oppressor over the innocent child. May God show them His wrath and give them what they deserve.
I say that the situation is clear and obvious. After this event, after the senior officials have spoken in America, starting with the head of infidels worldwide, Bush, and those with him. They have come out in force with their men and have turned even the countries that belong to Islam to this treachery, and they want to wag their tail at God, to fight Islam, to suppress people in the name of terrorism.
When people at the ends of the earth, Japan, were killed by their hundreds of thousands, young and old, it was not considered a war crime, it is something that has justification. Millions of children in Iraq is something that has justification. But when they lose dozens of people in Nairobi and Dar es Salaam (capitals of Kenya and Tanzania, where U.S. embassies were bombed in 1998), Iraq was struck and Afghanistan was struck. Hypocrisy stood in force behind the head of infidels worldwide, behind the cowards of this age, America and those who are with it.
These events have divided the whole world into two sides. The side of believers and the side of infidels, may God keep you away from them. Every Muslim has to rush to make his religion victorious. The winds of faith have come. The winds of change have come to eradicate oppression from the island of Muhammad, peace be upon him.
To America, I say only a few words to it and its people. I swear by God, who has elevated the skies without pillars, neither America nor the people who live in it will dream of security before we live it in Palestine, and not before all the infidel armies leave the land of Muhammad, peace be upon him.
God is great, may pride be with Islam. May peace and God's mercy be upon you.
Friðrik Dór Jónsson (IP-tala skráð) 22.11.2023 kl. 11:24
The chemical formula for LOVE:
C10H15N
Methmatical Magician (IP-tala skráð) 24.11.2023 kl. 10:37
Methmatical Magician (IP-tala skráð) 24.11.2023 kl. 10:48
1. For the cake: Preheat the oven to 175°C. Butter the bottoms and sides of two 9-inch round cake pans; dust with flour, and tap out the excess.
2. Whisk together the flour, baking powder and salt in a medium bowl; set aside.
Beat the butter, sugar and oil in a large bowl with an electric mixer on medium-high speed until light in color and fluffy, about 5 minutes. Beat in the eggs, one at a time, and then the vanilla until combined.
3. Alternate folding the flour mixture and the milk into the batter with a spatula, adding the flour in three additions and the milk in two, starting and ending with the flour, until just smooth. Divide the batter evenly between the prepared pans.
4. Bake the cakes on the same oven rack until golden on top and the centers spring back to the touch, 35 to 40 minutes. Rotate the pans about halfway through if they seem to be browning unevenly. Let cool in the pans about 10 minutes, then turn out onto cooling racks and let cool completely.
5. For the frosting: While the cakes cool, beat the butter and salt in a large bowl with an electric mixer on medium speed until smooth. Gradually beat in the icing sugar. Once it's all been added, increase the speed to medium-high, and beat until white and fluffy. Add 2 tablespoons of the milk, and beat to incorporate. Beat in the remaining milk, one tablespoon at a time (the frosting will be spreadable but not runny).
6. To assemble: Place 1 cake layer right-side up on a cake plate or stand, and spread with 1 cup of the frosting. Top with the second cake layer. Frost the top and sides of the cake with the remaining frosting.
7. The cake layers can be made a day ahead; wrap the cooled layers in plastic and aluminum foil and store at room temperature overnight. You can also assemble and frost the cake the day before serving; let it stand at room temperature overnight, covered by a large bowl or cake dome (if your kitchen is very hot, chill the cake and let it stand at room temperature for at least one hour before serving).
1. Cake: Preheat the oven to 175°C. Grease the bottom and sides of two 23cm round cake tins; Dust the surface with flour and shake off the excess.
2. Combine flour, baking powder, and salt in a medium bowl; to put aside.
Beat the butter, sugar and oil in a large bowl with an electric mixer on medium-high speed until light and fluffy, approx. 5 minutes. Add the eggs one at a time, then stir in the vanilla until dissolved.
3. Add the flour and milk mixture to the dough alternately with a spatula, adding the flour in three stages and the milk in two stages, starting and ending with the flour, until you obtain a smooth mixture. Divide batter evenly among prepared pans.
4. Bake cakes on same oven rack until golden brown and centers spring back when touched, 35 to 40 minutes. If the pans seem to be browning unevenly, turn them halfway through cooking. Leave to cool in the molds for about 10 minutes, then transfer to a wire rack and let cool completely.
5. Frosting: Once the cookies have cooled, beat the butter and salt in a large bowl with an electric mixer on medium speed until smooth. Gradually add the icing sugar. Once everything is added, increase the speed to medium-high and beat until white and fluffy. Add 2 tablespoons milk and beat until smooth. Add the remaining milk a spoonful at a time (the icing is spreadable but not liquid).
6. Assemble: Place 1 cake layer upright on a plate or cake pan and spread with 1 cup frosting. Cover with another layer of dough. Cover the top and sides of the cake with the remaining frosting.
7. The cake layers can be prepared the day before; Wrap the cooled layers in plastic and foil and store at room temperature overnight. The cake can also be assembled and frozen the day before serving; set the cake aside overnight at room temperature, covered with a large bowl or dome (if your kitchen is very hot, let the cake cool and let it rest at room temperature for at least an hour before serving).
Bakers dust (IP-tala skráð) 24.11.2023 kl. 11:26
Daníel Skíði Reykjalín Ólafsson (IP-tala skráð) 27.11.2023 kl. 11:19
Alvar Breki Krisstinsson (IP-tala skráð) 28.11.2023 kl. 10:07
Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil 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Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar 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Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar 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Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar Reykjalín Ólafsson Emil Ragnar 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Emil Ragnar Reykjalín Ólafsson (IP-tala skráð) 29.11.2023 kl. 09:47
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Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn 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Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn 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Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn Vaðlaheiðarvegavinnuverkfærageymsluskúrslyklakippuhringurinn
Sigmundur (IP-tala skráð) 30.11.2023 kl. 11:26
Alvar Breki Kristinsson (IP-tala skráð) 30.11.2023 kl. 11:31
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Sigmundur (IP-tala skráð) 30.11.2023 kl. 11:32
Emil Ragnar Reykjalín Ólafsson, nemandi í Vísindaskólanum segir námskeið um Alþingi hafa komið skemmtilega á óvart. „Við erum að læra um Alþingi og lög og eitthvað þannig. Tímarnir kallast, Lengi lifi Ísland.“
Hefur þú gaman af þessu?
„Já já þetta er alveg fínt sko, ég vissi ekki að mér myndi finnast Alþingi svona skemmtilegt og lög, fyrir einhvern sem er tólf ára.“
Vísindavilli (IP-tala skráð) 1.12.2023 kl. 11:21
Vísindavilli (IP-tala skráð) 4.12.2023 kl. 09:30